The Project Gutenberg eBook of The Knickerbocker, or New-York Monthly Magazine, May 1844
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: The Knickerbocker, or New-York Monthly Magazine, May 1844

Author: Various

Editor: Lewis Gaylord Clark

Release date: July 30, 2007 [eBook #22172]

Language: English

Credits: Produced by Barbara Tozier, Bill Tozier and the Online
        Distributed Proofreading Team at http://www.pgdp.net


*** START OF THE PROJECT GUTENBERG EBOOK THE KNICKERBOCKER, OR NEW-YORK MONTHLY MAGAZINE, MAY 1844 ***




Produced by Barbara Tozier, Bill Tozier and the Online
Distributed Proofreading Team at http://www.pgdp.net









    T H E  K N I C K E R B O C K E R.

VOL. XXIII.      MAY, 1844.       NO. 5.




NAPOLEON BONAPARTE.

BY THOMAS CARLYLE.


The following article has been compiled from the different works of THOMAS
CARLYLE, and embodies all he has written, or at least published, about
Napoleon Bonaparte. We offer it in the absence of a more elaborate work on
this subject, which we hope one day to see from the pen of this gifted and
earnest writer. It is a glimpse of the insight of the clearest-headed Seer
of our age, into the noisiest great man of the last, about whom we listen
with pleasure to each new voice, perhaps critically and doubtingly, yet
for our own part colored by that absorbing, painful interest, which
induced us when a boy to close the book which first told us of his doings,
after having traced his meteoric flight to the 'monster meeting' at
Moscow, unable to proceed to the catastrophe; and it was months before we
could bring ourselves to read on, of the heroism which charmed, or the
glitter which dazzled us, to its final chaos and night. On Napoleon's
right to the title great, the character of his greatness, and what would
be left if the smoke-clouds, battle-glory and so on were torn away, we
will offer but a few words. Of the title in its best sense but few now
believe him worthy, perhaps no thinker or reflecting man. He is a volcano
rather than a sun, a destroyer more than a creator; and our sympathy is
mingled with little of that which we feel for the martyr; who dies rather
than sell his birthright, heaven, for any mess of earth's pottage, or for
him who spends his life in the search for truth, and in speaking it to
mankind, taking no heed for himself what he shall eat and wherewithal he
shall be clad. No! the feeling is far more akin to that which we have for
a deep-playing gambler, whom we know to have some noble impulses. How
eagerly, yet sorrowingly we watch his movements! The dice rattle, they are
thrown, and again thrown; thousands after thousands he wins and lays
aside; and at last, in the madness of the game, stakes the whole sum, with
his house, estate, all on the hazard of one cast. With beating heart we
listen to the rattling of the dice, and with strained gaze watch the blow.
The box is lifted--all is lost. Now we are excited by the daring of this
being, and feel deeply, more so if we know him to have something of a
better nature, some nobler impulses, but the interest is still in the
great gambler, not in the great _man_; and though his boldness startles,
and for the moment carries us away, yet ever with our admiration comes a
still small voice from the 'inner sanctuary,' which whispers of those whom
his winnings ruined, or the dependents who were reduced to beggary by his
loss. Would the _great_ man have played the game at all?

We have always felt that Napoleon stepped down from his greatness when he
let them hurry him away alive to that island-prison; and there is
reasoning in this feeling itself, which most persons feel on reading of
his career, which his worshippers would do well to consider in its various
bearings; for if Napoleon, (when the royal guard, his last hope, was cut
to pieces at Waterloo, and crying to Bertrand, 'It is finished,' he turned
and fled,) had placed himself before the last cannon which sent
destruction to his foes, and let its ball end his career and life
together, who is there but would feel that he was acting truer to his
greatness, than to 'eat his heart away' a captive? If throughout his
career we had seen the brave fighter for country, for principle, for
right, instead of for self, this feeling would never arise. Place
WASHINGTON in a similar situation; imagine him to have believed it best to
gather all his country could give him of hardy defenders, and on the
result of one battle let his country's fate be decided. The battle is
fought and lost; his army is routed and cut to pieces; he has asked for
liberty with his whole strength, with his whole soul, and the answer is
'No!' written with bayonets in blood, and voiced by the enemy's cannon.
Would WASHINGTON have been true to _his_ greatness in placing himself
before the last cannon? No! emphatically, no! With Napoleon he might have
cried, 'It is finished,' but then with the same calm brow yet bursting
heart, he would have resigned his sword to his conquerors; and if the
scaffold were his fate, met it with quiet dignity; or if the dungeon,
there calmly await the Almighty's time when he might again raise his right
arm for his country; still as great in the prison or on the scaffold, as
when he was at the head of conquering armies. Napoleon's intellectual
character was perceptive rather than deep; and there is an intense
concentrativeness about him, a power of throwing the whole effort of his
soul into the environment of the moment, which is remarkable; and not less
so the facility with which he changes that concentration from place to
place, from subject to subject. Probably no man ever had his whole mind so
much under the control of his will, at his fingers' ends, as it were; 'the
eye to see and the will to do.' But revert we to CARLYLE.

       *       *       *       *       *

Some call for Barras to be made commandant; he conquered in Thermidor.
Some, what is more to the purpose, bethink them of the Citizen BONAPARTE,
unemployed artillery officer who took Toulon. A man of head, a man of
action: Barras is named Commandant's Cloak; this young artillery officer
is named Commandant. He was in the gallery at the moment, and heard it; he
withdrew some half hour to consider with himself: after a half-hour of
grim compressed considering, to be or not to be, he answers _yea_. And
now, a man of head being at the head of it, the whole matter gets vital.
Swift to camp of Sablon, to secure the artillery; there are not twenty men
guarding it! A swift adjutant, Murat is the name of him, gallops, gets
thither some minutes within time, for Lepelletier was also on march that
way: the cannon are ours. And now beset this post and beset that; rapid
and firm; at Wicket of the Louvre, in Cul-de-sac Dauphin, in Rue St.
Honoré, from Pont Neuf all along the North Quays, southward to the Pont
_ci-devant_ Royal, rank round the sanctuary of the Tuilleries, a ring of
steel discipline; let every gunner have his match burning, and all men
stand to their arms. Lepelletier has seized the Church of Saint Roche; has
seized the Pont Neuf, our piquet there retreating thence without fire.
Stray shots fall from Lepelletier, rattle down on the very Tuilleries'
stair-case. On the other hand, women advance dishevelled, shrieking peace;
Lepelletier behind them waving his hat in sign that we shall fraternize.
Steady! The artillery officer is steady as bronze; can, if need were, be
quick as lightning. Lepelletier making nothing by messengers by fraternity
or hat-waving, bursts out, along the southern Quai Voltaire, along streets
and passages, treble-quick in huge veritable onslaught! Whereupon thou
bronze artillery officer--? 'Fire'! say the bronze lips. And roar and
thunder, roar and again roar, continual, volcano-like, goes his great gun,
in the Cul-de-sac Dauphin against the Church of Saint Roch; go his great
guns on the Pont Royal; go all his great guns--blow to air some two
hundred men, mainly about the Church of Saint Roch! Lepelletier cannot
stand such harsh play; no sectioner can stand it; the forty thousand yield
on all sides scour toward covert. The ship is over the bar; free she
bounds shoreward--amid shouting and vivats! Citizen Bonaparte is 'named
General of the Interior by acclamation;' quelled sections have to disarm
in such humor as they may; sacred right of insurrection is gone forever!
'It is false,' says Napoleon, 'that we fired first with blank charge; it
had been a waste of life to do that.' Most false; the firing was with
sharp and sharpest shot: to all men it was plain that here was no sport;
the rabbits and plinths of Saint Roch Church show splintered by it to this
hour. Singular: in old Broglie's time, six years ago, this whiff of grape
shot was promised; but it could not be given then; could not have profited
then. Now, however, the time has come for it and the man; and behold you
have it; and the thing we specifically call _French Revolution_ is blown
into space by it and become a thing that was!

The French revolution did disclose original men: among the twenty-five
millions, at least one or two units. Some reckon in the present stage of
the business, as many as three: Napoleon, Danton, Mirabeau. Whether more
will come to light, or of what sort, when the computation is quite
liquidated, one cannot say. Meanwhile, let the world be thankful for these
three; as indeed, the world is; loving original men, without limit, were
they never so questionable, well knowing how rare they are! To us,
accordingly, it is rather interesting to observe how on these three also,
questionable as they surely are, the old process is repeating itself; how
these also are getting known in their true likeness. A second generation,
relieved in some measure from the spectral hallucinations, hysterical
ophthalmia, and natural panic-delirium of the first contemporary one, is
gradually coming to discern and measure what its predecessor could only
execrate and shriek over; for, as our proverb said, the dust is sinking,
the rubbish-heaps disappear; the built house, such as it is, and was
appointed to be, stands visible, better or worse. Of Napoleon Bonaparte,
with so many bulletins, and such self-proclamation from artillery and
battle-thunder, loud enough to ring through the deafest brain, in the
remotest nook of this earth, and now, in consequence, with so many
biographies, histories and historical arguments for and against, it may be
said he can now shift for himself; that his true figure is in a fair way
of being ascertained. Doubtless it will be found one day, what
significance was in him; how, (we quote from a New-England book,) 'the man
was a divine missionary, though unconscious of it; and preached through
the cannon's throat that great doctrine, _La carrière ouverte aux talens_,
(the tools to him who can handle them,) which is our ultimate Political
Evangel, wherein alone can Liberty lie. Madly enough he preached it is
true, as enthusiasts and first missionaries are wont; with imperfect
utterance, amid much frothy rant; yet as articulately, perhaps, as the
case admitted. Or call him if you will, an American backwoodsman, who had
to fell unpenetrated forests, and battle with innumerable wolves, and did
not entirely forbear strong liquor, rioting, and even theft; whom,
nevertheless, the peaceful sower will follow, and, as he cuts the
boundless harvest, bless.' From 'the incarnate Moloch,' which the world
once was, onward to to this quiet version, there is a considerable
progress.

What are the conquests and expeditions of the whole corporation of
captains, from Walter the Pennyless to Napoleon Bonaparte, compared with
these 'moveable types' of Johannes Faust? Truly, it is a mortifying thing
for your conqueror to reflect, how perishable is the metal which he
hammers with such violence; how the kind earth will soon shroud up his
bloody foot-prints; and all which he achieved and skilfully piled
together, will be but like his own 'canvass city' of a camp; this evening
loud with life, to-morrow all struck and vanished, 'a few earth-pits and
heaps of straw!' For here, as always, it continues true, that the deepest
force is the stillest; that, as in the fable, the mild shining of the sun
shall accomplish what the fierce blustering of the tempest has in vain
essayed. Above all, it is ever to be kept in mind, that not by material
but by mental power, are men and their actions governed. How noiseless is
thought! No rolling of drums, no tramp of squadrons or immeasurable tumult
of baggage-wagons, attends its movements; in what obscure and sequestered
places may the head be meditating which is one day to be crowned with more
than imperial authority; for kings and emperors will be among its
ministering servants; it will rule not over, but _in_ all heads, and with
these, its solitary combinations of ideas, as with magic formulas, bend
the world to its will! The time may come, when Napoleon himself will be
better known for his laws than for his battles; and the victory of
Waterloo prove less momentous than the opening of the first mechanic's
institute.

Brother Ringletule, the missionary, inquired of Ram-Dass, a Hindoo
man-god, who had set up for godhead lately, what he meant to do then with
the sins of mankind? To which Ram-Dass at once answers, he had _fire
enough in his belly_ to burn up all the sins in the world. Ram-Dass was
right so far, and had a spice of sense in him; for surely it is the test
of every divine man this same, and without it he is not divine or great;
that he _have_ fire in him to burn up somewhat of the sins of the world,
of the miseries and errors of the world: why else is he there! Far be it
from us to say that a great man must needs with benevolence prepense,
become a 'friend of humanity;' nay, that such professional self-conscious
friends are not the fatalest kind of persons to be met with in our day.
All greatness is unconscious or it is little and naught. And yet a great
man without _such_ fire in him, burning dim or developed as a divine
behest in his heart of hearts, never resting till it be fulfilled, were a
solecism in nature. A great man is ever, as the transcendentalists speak,
possessed with an _idea_. Napoleon, himself not the superfinest of great
men, and balanced sufficiently with prudence and egoisms, had
nevertheless, as is clear enough, an idea to start with; the idea that
democracy was the cause of man, the right and infinite cause. Nay, to the
very last, he had a kind of idea, that, namely, of 'the tools to him that
can handle them;' really one of the best ideas yet promulgated on that
matter, or rather the one true central idea, toward which all the others,
if they tend any whither, must tend. Unhappily, it was only in the
military province that Napoleon could realize this idea of his, being
forced to fight for himself the while; before he got it tried to any
extent in the civil province of things, his head by much victory grew
light, (no head can stand more than its quantity,) and he lost head, as
they say, and became a selfish ambitionist and quack, and was hurled out,
leaving his idea to be realized, in the civil province of things, by
others! Thus was Napoleon; thus are all great men: children of the idea;
or, in Ram-Dass' phraseology, furnished with fire to burn up the miseries
of men.

Napoleon, Danton, Mirabeau, with fire-words (of public speaking) and fire
whirlwinds (of cannon and musketry,) which for a season darkened the air,
are perhaps at bottom but superficial phenomena.

Napoleon was the 'armed soldier of democracy,' invincible while he
continued true to that. · · · He does by no means seem to me so great a
man as Cromwell. His enormous victories, which reached over all Europe,
while Cromwell abode mainly in our little England, are but as high
_stilts_ on which the man is seen standing; the stature of the man is not
altered thereby. I find in him no such sincerity as in Cromwell; only a
far inferior sort. No silent walking, through long years, with the Awful,
Unnameable, of this universe; 'walking with God' as he called it; and
faith and strength in that alone: _latent_ thought and valor, content to
lie latent, then burst out as in a blaze of heaven's lightning! Napoleon
lived in an age when God was no longer believed; the meaning of all
Silence, Latency, was thought to be Nonentity: he had to begin not out of
the Puritan Bible, but out of poor, sceptical encyclopedias. This was the
length the man carried it. Meritorious to get so far. His compact, prompt,
every way articulate character, is in itself perhaps small compared with
our great chaotic inarticulate Cromwell's. Instead of 'dumb prophet
struggling to speak,' we have a portentious mixture of the Quack! Hume's
notion of the Fanatic-Hypocrite, with such truth as it has, will apply
much better to Napoleon than it did to Cromwell, to Mahomet or the like,
where indeed, taken strictly, it has hardly any truth at all. An element
of blameable ambition shows itself from the first in this man; gets the
victory over him at last, and involves him and his work in ruin.

'False as a bulletin' became a proverb in Napoleon's time. He makes what
excuse he could for it: that it was necessary to mislead the enemy, to
keep up his own men's courage, etc. On the whole these are no excuses. A
man in no case has any liberty to tell lies. It had been in the long run
better for Napoleon too if he had not told any. In fact, if a man have any
purpose beyond the hour and day, meant to be found extant next day, what
good can it ever be to promulgate lies? The lies are found out; ruinous
penalty is exacted for them. No man will believe the liar next time, even
when he speaks truth, when it is of the last importance that he be
believed. The old cry of the 'wolf!' A lie is _no_-thing; you cannot of
nothing make something; you make _nothing_ at last, and lose your labour
in the bargain.

Yet Napoleon _had_ a sincerity: we are to distinguish between what is
superficial and what is fundamental insincerity. Across these outer
manoeuvrings and quackeries of his, which were many and most blameable,
let us discern withal that the man had a certain instinctive ineradicable
feeling for reality; and did base himself upon fact so long as he had any
basis. He has an instinct of nature better than his culture was. His
_savans_, Bourrienne tells us, in that voyage to Egypt were one evening
busily occupied arguing that there could be no God. They had proved it to
their satisfaction by all manner of logic. Napoleon, looking up into the
stars, answers, 'Very ingenious, Messieurs; but _who made_ all that?' The
Atheistic logic runs off from him like water; the great Fact stares him in
the face. 'Who made all that?' So too in practice; he, as every man that
can be great, or have victory in this world, sees through all
entanglements, the practical heart of the matter; drives straight toward
that. When the steward of his Tuilleries Palace was exhibiting the new
upholstery, with praises and demonstrations, how glorious it was and how
cheap withal, Napoleon, making little answer, asked for a pair of
scissors, clipped one of the gold tassels from a window-curtain, put it in
his pocket, and walked on. Some days afterward he produced it at the right
moment, to the horror of the upholstery functionary: it was not gold but
tinsel! In Saint Helena, it is notable how he still, to his last days,
insists on the practical, the real. 'Why talk and complain? Above all, why
quarrel with one another? There is no _resultat_ in it; it comes to
nothing that we can _do_. Say nothing if one can do nothing!' He speaks
often so to his poor, discontented followers; he is like a piece of silent
Strength in the middle of their morbid querulousness there.

And accordingly, was there not what we can call a _faith_ in him, genuine
as far as it went? That this new enormous Democracy, asserting itself here
in the French revolution is an insuppressible fact, which the whole world,
with its old forces and institutions cannot put down: this was a true
insight of his, and took his conscience along with it--a _faith_. And did
he not interpret the dim purport of it well? 'The implements to him who
can handle them.' This actually is the truth, and even the whole truth; it
includes whatever the French revolution, or any revolution could mean.
Napoleon, in his first period, was a true Democrat. And yet by the nature
of him, fastened too by his military trade, he knew that democracy, if it
were a true thing at all, could not be an anarchy: the man had a
heart-hatred for anarchy. On that twentieth of June, (1792,) Bourrienne
and he sat in a coffee-house as the mail rolled by. Napoleon expresses the
deepest contempt for persons in authority that they do not restrain this
rabble. On the tenth of August he wonders there is no one to command these
poor Swiss; they could conquer if there were. Such a faith in democracy,
yet hatred of anarchy it is, that carries Napoleon through all his great
work. Through his brilliant Italian campaigns, onward to the peace of
Luben, one would say his inspiration is: 'Triumph to the French
revolution; assertion of it against these Austrian Simulacra that pretend
to call it a simulacrum!' Withal, however, he feels, and has a right to
feel, how necessary a strong authority is; how the revolution cannot
prosper at all without such. To bridle in that great devouring,
self-devouring French revolution; to _tame_ it, so that its intrinsic
purpose can be made good; that it may become organic, and be able to live
amongst other organisms and _formed_ things, not as a wasting destruction
alone; is not this still what he partly aimed at, as the true purport of
his life; nay, what he actually managed to do? Through Wagrams,
Austerlitzes; triumph after triumph; he triumphed so far. There was an eye
to see in this man, a soul to dare and do. He rose naturally to be the
king. All men saw that he _was_ such. The common soldiers used to say on
the march: 'These babbling _avocats_ up at Paris: all talk and no work?
What wonder it runs all wrong! We shall have to go and put our _petit
corporal_ there!' They went and put him there; they and France at large.
Chief-consulship, emperorship, victory over Europe; till the poor
lieutenant of _La Fère_, not unnaturally, might seem to himself the
greatest of all men that had been in the world for some ages.

But at this point the fatal charlatan-element got the upper-hand. He
apostatized from his old faith in facts, took to believing in semblances;
strove to connect himself with Austrian dynasties, popedoms, with the old
false feudalities which he once saw clearly to be false; considered that
_he_ would found 'his dynasty' and so forth; that the enormous French
revolution meant only that! The man was 'given up to strong delusion that
he should believe a lie;' a fearful but most sure thing. He did not know
true from false now when he looked at them; the fearfulest penalty a man
pays for yielding to untruth of heart. _Self_ and false ambition had now
become his god: _self_-deception once yielded to, _all_ other deceptions
follow naturally, more and more. What a paltry patch-work of theatrical
paper-mantles, tinsel and mummery, had this man wrapped his own reality
in, thinking to make it more real thereby! His hollow Pope's-Concordat,
pretending to be a reëstablishment of Catholicism, felt by himself to be
the method of extirpating it, '_la vaccine de la religion_;' his
ceremonial coronations, consecrations by the old Italian chimera in Notre
Dame there; 'wanting nothing to complete the pomp of it but the half
million who had died to put an end to all that!' Cromwell's inauguration
was by the sword and Bible; what we must call a genuinely _true_ one.
Sword and Bible were borne before him, without any chimera. Were not these
real emblems of Puritanism; its true decoration and insignia? It had used
them both in a very real manner, and pretended to stand by them now! But
this poor Napoleon mistook; he believed too much in the _dupeability_ of
men; saw no fact deeper in man than hunger and this. He was mistaken. Like
a man that should build upon cloud; his house and he falls down in
confused wreck, and depart out of the world.

Alas! in all of us this charlatan-element exists; and might be developed,
were the temptation strong enough. 'Lead us not into temptation!' But it
is fatal, I say, that it _be_ developed. The thing into which it enters as
a cognizable ingredient is doomed to be altogether transitory; and,
however huge it may _look_, is in itself small. Napoleon's working,
accordingly, what was it with all the noise it made? A flash as of
gunpowder wide spread; a blazing up as of dry heath. For an hour the whole
universe seems wrapt in smoke and flame; but only for an hour. It goes
out. The universe, with its old mountains and streams, its stars above and
kind soil beneath, is still there.

The Duke of Weimar told his friends always to be of courage; this
Napoleonism was unjust, a falsehood, and could not last. It is true
doctrine. The heavier this Napoleon trampled on the world, holding it
tyrannously down, the fiercer would the world's recoil against him be, one
day. Injustice pays itself with frightful compound interest. I am not sure
but he had better lost his best park of artillery, or had his best
regiment drowned in the sea, than shot that poor German bookseller, Palm!
It was a palpable, tyrannous, murderous injustice, which no man, let him
paint an inch thick, could make out to be other. It burnt deep into the
hearts of men, it and the like of it; suppressed fire flashed in the eyes
of men, as they thought of it, waiting their day! Which day _came_:
Germany rose round him. What Napoleon _did_ will amount in the long run to
what he did _justly_; what Nature with her laws will sanction. To what of
reality was in him; to that and nothing more. The rest was all smoke and
waste. _La carrière ouverte aux talens:_ that great true message, which
has yet to articulate and fulfil itself every where, he left in a most
inarticulate state. He was a great _ébauche_, rude-draught; as indeed what
great man is not? Left in too rude a state, alas!

His notions of the world, as he expresses them there at St. Helena, are
almost tragical to consider. He seems to feel the most unaffected surprise
that it has all gone so; that he is flung out on the rock here, and the
world is still moving on its axis. France is great, and all great; and at
bottom, he is France. England itself he says is by nature only an
appendage of France; 'another isle of Oberon to France.' So it was _by
nature_, by Napoleon-nature; and yet look how in fact--HERE AM I! He
cannot understand it; that France was not all great, that he was not
France. 'Strong delusion,' that he should believe the thing to be which
_is_ not! The compact, clear-seeing, decisive Italian nature of him,
strong, genuine, which he once had, has enveloped itself, half dissolved
itself, in a turbid atmosphere of French fanfaronade. The world was not
disposed to be trodden down under foot; to be bound into masses, and built
together as _he_ liked, for a pedestal for France and him: the world has
quite other purposes in view! Napoleon's astonishment is extreme. But
alas, what help now! He had gone that way of his; and Nature had also gone
her way. Having once parted with reality, he tumbles helpless in vacuity;
no rescue for him. He had to sink there mournfully as man seldom did; and
break his great heart and die--this poor Napoleon; a great implement too
soon wasted, till it was useless; our last Great Man!




THE FLORAL RESURRECTION.

BY THE SHEPHERD OF SHARONDALE.


  Welcome, sweet flowers! bright Summer's poetry!
    I hail your fragrant coming, and again
  With joy I read your brilliant imagery
    Written once more in nature's holiest strain:
  The lowly cottage, and the princely hall
  Your advent cherisheth--ye are all to all.

  Rising in glory from their winter graves,
    The painted Tulip comes, and Daisy fair,
  And o'er the brook the fond Narcissus waves
    Her golden cup--her image loving there.
  Those early flowers their glowing tributes bring
  To weave a chaplet round the brow of Spring.

  The sultry sun of June looks down, and then
    Comes forth the lovely rose, the garden's pride,
  To herald summer over glade and glen,
    O'er wild and waste, o'er mead and mountain side:
  Proudly she rears her crest on high, the vain
  And gay pursuivant of a brilliant train.

  And now, bright Dahlia, heartless one, appear!
    Thy time has come to join the festival:
  Come, Peru's daughter, belle of night! dost fear
    To wear in glorious day thy coronal?
  And thou, pale exile from the holy land,
  Imperial Lily! come and join the band!

  See, o'er the lattice creeps the Eglantine,
    And there the Jasmine clambers up the wall
  To twine her wreaths with Flora's blushing queen,
    Rejoicing all in summer's carnival:
  How kind of them to deck the shepherd's cot,
  And with their presence cheer his humble lot!

  I love ye, flowers; your odors ever bring
    Back visions of the past: I love ye well;
  From the lone Primrose, nursling of the Spring,
    Unto the beauteous Aster, Autumn's belle,
  Or reared on verdant field, or ruined wall,
  I love ye all, sweet flowers!--I love ye all!




THE LEGEND OF DON RODERICK.

NUMBER THREE.


The scattered fugitives of the Christian army spread terror throughout the
land. The inhabitants of the towns and villages gathered around them as
they applied at their gates for food, or laid themselves down, faint and
wounded, beside the public fountains. When they related the tale of their
defeat, old men shook their heads and groaned, and the women uttered cries
and lamentations. So strange and unlooked-for a calamity filled them with
consternation and despair; for it was long since the alarm of war had
sounded in their land: and this was a warfare that carried chains and
slavery, and all kinds of horrors, in its train.

Don Roderick was seated with his beauteous queen, Exilona, in the royal
palace which crowned the rocky summit of Toledo, when the bearer of
ill-tidings came galloping over the bridge of the Tagus. 'What tidings
from the army?' demanded the king, as the panting messenger was brought
into his presence. 'Tidings of great wo!' exclaimed the soldier. 'The
prince has fallen in battle. I saw his head and surcoat upon a Moorish
lance; and the army was overthrown and fled!'

At hearing these words, Roderick covered his face with his hands, and for
some time sat in silence; and all his courtiers stood mute and aghast, and
no one dared to speak a word. In that awful space of time passed before
his thoughts all his errors and his crimes, and all the evil that had been
predicted in the necromantic tower. His mind was filled with horror and
confusion, for the hour of his destruction seemed at hand: but he subdued
his agitation by his strong and haughty spirit; and, when he uncovered his
face, no one could read on his brow the trouble and agony of his heart.
Still, every hour brought fresh tidings of disaster. Messenger after
messenger came spurring into the city, distracting it with new alarms. The
infidels, they said, were strengthening themselves in the land; host after
host were pouring in from Africa: the sea-coast of Andalusia glittered
with spears and scimitars. Bands of turbaned horsemen had overrun the
plains of Sidonia, even to the banks of the Guadiana. Fields were laid
waste, towns and cities plundered, the inhabitants carried into captivity,
and the whole country lay in smoking desolation.

Roderick heard all these tidings with an undaunted aspect; nor did he ever
again betray sign of consternation: but the anxiety of his soul was
evident in his warlike preparations. He issued orders that every noble and
prelate of his kingdom should put himself at the head of his retainers,
and take the field; and that every man capable of bearing arms should
hasten to his standard, bringing whatever horse, and mule, and weapon he
possessed: and he appointed the plain of Cordova for the place where the
army was to assemble. Throwing by, then, all the trappings of his late
slothful and voluptuous life, and arming himself for warlike action, he
departed from Toledo at the head of his guard, composed of the flower of
the youthful nobility. His queen, Exilona, accompanied him; for she craved
permission to remain in one of the cities of Andalusia, that she might be
near her lord in this time of peril.

Among the first who appeared to hail the arrival of the king at Cordova,
was the Bishop Oppas, the secret partisan of the traitor Julian. He
brought with him his two nephews, Evan and Siseburto, the sons of the late
king Witiza; and a great host of vassals and retainers, all well armed and
appointed, for they had been furnished, by Count Julian, with a part of
the arms sent by the king to Africa. The bishop was smooth of tongue, and
profound in his hypocrisy: his pretended zeal and devotion, and the horror
with which he spoke of the treachery of his kinsman, imposed upon the
credulous spirit of the king, and he was readily admitted into his most
secret council.

The alarm of the infidel invasion had spread throughout the land, and
roused the Gothic valor of the inhabitants. On receiving the orders of
Roderick, every town and hamlet, every mountain and valley, had sent forth
its fighting men, and the whole country was on the march toward Andalusia.
In a little while there were gathered together, on the plain of Cordova,
near fifty thousand horsemen, and a countless host of foot-soldiers. The
Gothic nobles appeared in burnished armor, curiously inlaid, and adorned
with chains and jewels of gold, and ornaments of precious stones, and
silken scarfs, and surcoats of brocade, or velvet richly embroidered;
betraying the luxury and ostentation with which they had declined from the
iron hardihood of their warlike sires. As to the common people, some had
lances and shields and swords and crossbows, but the greater part were
unarmed, or provided merely with slings, and clubs studded with nails, and
with the iron implements of husbandry; and many had made shields for
themselves from the doors and windows of their habitations. They were a
prodigious host, and appeared, say the Arabian chroniclers, like an
agitated sea; but, though brave in spirit, they possessed no knowledge of
warlike art, and were ineffectual through lack of arms and discipline.

Several of the most ancient and experienced cavaliers, beholding the state
of the army, advised Don Roderick to await the arrival of more regular
troops, which were stationed in Iberia, Cantabria, and Gallia Gothica; but
this counsel was strenuously opposed by the Bishop Oppas; who urged the
king to march immediately against the infidels. 'As yet,' said he, 'their
number is but limited; but every day new hosts arrive, like flocks of
locusts, from Africa. They will augment faster than we; they are living,
too, at our expense, and, while we pause, both armies are consuming the
substance of the land.'

King Roderick listened to the crafty counsel of the bishop, and determined
to advance without delay. He mounted his war horse, Orelia, and rode among
his troops assembled on that spacious plain, and wherever he appeared he
was received with acclamations; for nothing so arouses the spirit of the
soldier as to behold his sovereign in arms. He addressed them in words
calculated to touch their hearts and animate their courage. 'The
Saracens,' said he, 'are ravaging our land, and their object is our
conquest. Should they prevail, your very existence as a nation is at an
end. They will overturn your altars; trample on the cross; lay waste your
cities; carry off your wives and daughters, and doom yourselves and sons
to hard and cruel slavery. No safety remains for you but in the prowess of
your arms. For my own part, as I am your king, so will I be your leader,
and will be the foremost to encounter every toil and danger.'

The soldiery answered their monarch with loud acclamations, and solemnly
pledged themselves to fight to the last gasp in defence of their country
and their faith. The king then arranged the order of their march: all
those who were armed with cuirasses and coats of mail were placed in the
front and rear; the centre of the army was composed of a promiscuous
throng, without body armor, and but scantily provided with weapons.

When they were about to march, the king called to him a noble cavalier
named Ramiro, and delivering him the royal standard, charged him to guard
it well for the honor of Spain; scarcely, however, had the good knight
received it in his hand, when he fell dead from his horse, and the staff
of the standard was broken in twain. Many ancient courtiers who were
present looked upon this as an evil omen, and counselled the king not to
set forward on his march that day; but, disregarding all auguries and
portents, he ordered the royal banner to be put upon a lance, and gave it
in charge of another standard-bearer; then commanding the trumpets to be
sounded, he departed at the head of his host to seek the enemy.

The field where this great army assembled was called, from the solemn
pledge given by the nobles and the soldiery, _El campo de la verdad_; or,
The field of Truth; a name, says the sage chronicler Abul Cassim, which it
bears even to the present day.

The hopes of Andalusia revived, as this mighty host stretched in
lengthened lines along its fertile plains; from morning until night it
continued to pour along, with sound of drum and trumpet; it was led on by
the proudest nobles and bravest cavaliers of the land, and, had it
possessed arms and discipline, might have undertaken the conquest of the
world.

After a few days' march, Don Roderick arrived in sight of the Moslem army,
encamped on the banks of the Guadalete, where that beautiful stream winds
through the fertile land of Xeres. The infidel host was far inferior in
number to the Christians; but then it was composed of hardy and dexterous
troops, seasoned to war, and admirably armed. The camp shone gloriously in
the setting sun, and resounded with the clash of cymbal, the note of the
trumpet, and the neighing of fiery Arabian steeds. There were swarthy
troops from every nation of the African coast, together with legions from
Syria and Egypt, while the light Bedouins were careering about the
adjacent plain. What grieved and incensed the spirits of the Christian
warriors, however, was to behold, a little apart from the Moslem host, an
encampment of Spanish cavaliers, with the banner of Count Julian waving
above their tents. They were ten thousand in number, valiant and hardy
men, the most experienced of Spanish soldiery, most of them having served
in the African wars; they were well armed and appointed also, with the
weapons of which the count had beguiled his sovereign; and it was a
grievous sight to behold such good soldiers arrayed against their country
and their faith.

The Christians pitched their tents about the hour of vespers, at a short
league distant from the enemy, and remained gazing with anxiety and awe
upon this barbaric host that had caused such terror and desolation in the
land: for the first sight of a hostile encampment in a country disused to
war, is terrible to the newly enlisted soldier. A marvellous occurrence is
recorded by the Arabian chroniclers as having taken place in the Christian
camp; but discreet Spanish writers relate it with much modification, and
consider it a stratagem of the wily Bishop Oppas, to sound the loyalty of
the Christian cavaliers.

As several leaders of the army were seated with the bishop in his tent,
conversing on the dubious fortunes of the approaching contest, an ancient
pilgrim appeared at the entrance. He was bowed down with years, his snowy
beard descended to his girdle, and he supported his tottering steps with a
palmer's staff. The cavaliers rose and received him with great reverence
as he advanced within the tent. Holding up his withered hand, 'Wo, wo to
Spain!' exclaimed he, 'for the vial of the wrath of heaven is about to be
poured out. Listen, warriors, and take warning. Four months since, having
performed my pilgrimage to the sepulchre of our Lord in Palestine, I was
on my return toward my native land. Wearied and wayworn, I lay down one
night to sleep beneath a palm tree, by the side of a fountain, when I was
awakened by a voice saying unto me, in soft accents, 'Son of sorrow, why
sleepest thou?' I opened my eyes, and beheld one of a fair and beauteous
countenance, in shining apparel and with glorious wings, standing by the
fountain; and I said, 'Who art thou who callest upon me in this deep hour
of the night?'

''Fear not,' replied the stranger, 'I am an angel from heaven, sent to
reveal unto thee the fate of thy country. Behold the sins of Roderick have
come up before God, and his anger is kindled against him, and he has given
him up to be invaded and destroyed. Hasten then to Spain, and seek the
camp of thy countrymen. Warn them that such only shall be saved as shall
abandon Roderick; but those who adhere to him shall share his punishment,
and shall fall under the sword of the invader.''

The pilgrim ceased, and passed forth from the tent; certain of the
cavaliers followed him to detain him, that they might converse further
with him about these matters, but he was no where to be found. The
sentinel before the tent said, 'I saw no one come forth, but it was as if
a blast of wind passed by me, and there was a rustling as of dry leaves.'

The cavaliers remained looking upon each other with astonishment. The
Bishop Oppas sat with his eyes fixed upon the ground, and shadowed by his
overhanging brow. At length, breaking silence, in a low and faltering
voice, 'Doubtless,' said he, 'this message is from God; and since he has
taken compassion upon us, and given us notice of his impending judgment,
it behooves us to hold grave council, and determine how best we may
accomplish his will and avert his displeasure.'

The chiefs still remained silent, as men confounded. Among them was a
veteran noble named Pelistes. He had distinguished himself in the African
wars, fighting side by side with Count Julian, but the latter had never
dared to tamper with his faith, for he knew his stern integrity. Pelistes
had brought with him to the camp his only son, who had never drawn a sword
except in tourney. When the young man saw that the veterans held their
peace, the blood mantled in his cheek, and, overcoming his modesty, he
broke forth with a generous warmth: 'I know not, cavaliers,' said he,
'what is passing in your minds, but I believe this pilgrim to be an envoy
from the devil; for none else could have given such dastard and perfidious
counsel. For my own part, I stand ready to defend my king, my country, and
my faith. I know no higher duty than this, and if God thinks fit to strike
me dead in the performance of it, his sovereign will be done!'

When the young man had risen to speak, his father had fixed his eyes upon
him with a grave and stern demeanor, leaning upon a two-handed sword. As
soon as the youth had finished, Pelistes embraced him with a father's
fondness. 'Thou hast spoken well, my son,' said he; 'if I held my peace at
the counsel of this losel pilgrim, it was but to hear thy opinion, and to
learn whether thou wert worthy of thy lineage and of the training I had
given thee. Hadst thou counselled otherwise than thou hast done, hadst
thou shown thyself craven and disloyal, so help me God, I would have
struck off thy head with this weapon which I hold in my hand. But thou
hast counselled like a loyal and a Christian knight, and I thank God for
having given me a son worthy to perpetuate the honors of my line. As to
this pilgrim, be he saint or be he devil, I care not; this much I promise,
that if I am to die in defence of my country and my king, my life shall be
a costly purchase to the foe. Let each man make the same resolve, and I
trust we shall yet prove the pilgrim a lying prophet.' The words of
Pelistes roused the spirits of many of the cavaliers; others, however,
remained full of anxious foreboding, and when this fearful prophecy was
rumored about the camp, as it presently was by the emissaries of the
bishop, it spread awe and dismay among the soldiery.

On the following day, the two armies remained regarding each other with
wary but menacing aspect. About noontide, King Roderick sent forth a
chosen force of five hundred horse and two hundred foot, the best armed of
his host, to skirmish with the enemy, that, by gaining some partial
advantage, they might raise the spirits of the army. They were led on by
Theodomir, the same Gothic noble who had signalised himself by first
opposing the invasion of the Moslems.

The Christian squadrons paraded with flying pennons in the valley which
lay between the armies. The Arabs were not slow in answering their
defiance. A large body of horsemen sallied forth to the encounter,
together with three hundred of the followers of Count Julian. There was
hot skirmishing about the field, and on the banks of the river; many
gallant feats were displayed on either side, and many valiant warriors
were slain. As the night closed in, the trumpets from either camp summoned
the troops to retire from the combat. In this day's action the Christians
suffered greatly in the loss of their distinguished cavaliers; for it is
the noblest spirits who venture most, and lay themselves open to danger;
and the Moslem soldiers had instructions to single out the leaders of the
adverse host. All this is said to have been devised by the perfidious
Bishop Oppas, who had secret communications with the enemy, while he
influenced the councils of the king; and who trusted that by this
skirmishing warfare the power of the Christian troops would be cut off,
and the rest disheartened.

On the following morning, a larger force was ordered out to skirmish, and
such of the soldiery as were unarmed were commanded to stand ready to
seize the horses and strip off the armor of the killed and wounded. Among
the most illustrious of the warriors who fought that day was Pelistes, the
Gothic noble who had sternly checked the tongue of the Bishop Oppas. He
led to the field a large body of his own vassals and retainers, and of
cavaliers trained up in his house, who had followed him to the wars in
Africa, and who looked up to him more as a father than a chieftain. Beside
him was his only son, who now for the first time was fleshing his sword in
battle. The conflict that day was more general and bloody than the day
preceding; the slaughter of the Christian warriors was immense, from their
lack of defensive armour; and as nothing could prevent the flower of the
Gothic chivalry from spurring to the combat, the field was strewed with
the bodies of the youthful nobles. None suffered more, however, than the
warriors of Pelistes. Their leader himself was bold and hardy, and prone
to expose himself to danger; but years and experience had moderated his
early fire; his son, however, was eager to distinguish himself in this,
his first essay, and rushed with impetuous ardor into the hottest of the
battle. In vain his father called to caution him; he was ever in the
advance, and seemed unconscious of the perils that surrounded him. The
cavaliers and vassals of his father followed him with devoted zeal, and
many of them paid for their loyalty with their lives. When the trumpet
sounded in the evening for retreat, the troops of Pelistes were the last
to reach the camp. They came slowly and mournfully, and much decreased in
number. Their veteran commander was seated on his war-horse, but the blood
trickled from the greaves of his armour. His valiant son was borne on the
shields of his vassals; when they laid him on the earth near to where the
king was standing, they found that the heroic youth had expired of his
wounds. The cavaliers surrounded the body and gave utterance to their
grief; but the father restrained his agony, and looked on with the stern
resignation of a soldier.

Don Roderick surveyed the field of battle with a rueful eye, for it was
covered with the mangled bodies of his most illustrious warriors; he saw,
too, with anxiety, that the common people, unused to war, and unsustained
by discipline, were harassed by incessant toils and dangers, and were
cooling in their zeal and courage.

The crafty Bishop Oppas marked the internal trouble of the king, and
thought a favorable moment had arrived to sway him to his purpose. He
called to his mind the various portents and prophecies which had forerun
their present danger. 'Let not my lord the king,' said he, 'make light of
these mysterious revelations, which appear to be so disastrously
fulfilling. The hand of Heaven appears to be against us. Destruction is
impending over our heads. Our troops are rude and unskilful, but slightly
armed, and much cast down in spirit. Better is it that we should make a
treaty with the enemy, and, by granting part of his demands, prevent the
utter ruin of our country. If such counsel be acceptable to my lord the
king, I stand ready to depart upon an embassy to the Moslem camp.'

Upon hearing these words, Pelistes, who had stood in mournful silence,
regarding the dead body of his son, burst forth with honest indignation.
'By this good sword,' said he, 'the man who yields such dastard counsel
deserves death from the hand of his countrymen rather than from the foe;
and, were it not for the presence of the king, may I forfeit salvation if
I would not strike him dead upon the spot.'

The bishop turned an eye of venom upon Pelistes. 'My lord,' said he, 'I
too, bear a weapon, and know how to wield it. Were the king not present
you would not dare to menace, nor should you advance one step without my
hastening to meet you.'

The king interposed between the jarring nobles, and rebuked the
impetuosity of Pelistes, but at the same time rejected the counsel of the
bishop. 'The event of this conflict,' said he, 'is in the hand of God; but
never shall my sword return to its scabbard while an infidel invader
remains within the land.'

He then held a council with his captains, and it was determined to offer
the enemy general battle on the following day. A herald was despatched
defying Taric ben Zeyad to the contest, and the defiance was gladly
accepted by the Moslem chieftain. Don Roderick then formed the plan of
action, and assigned to each commander his several station, after which he
dismissed his officers, and each one sought his tent, to prepare by
diligence or repose for the next day's eventful contest.

Taric ben Zeyad had been surprised by the valor of the Christian cavaliers
in the recent battles, and at the number and apparent devotion of the
troops which accompanied the king to the field. The confident defiance of
Don Roderick increased his surprise. When the herald had retired, he
turned an eye of suspicion on Count Julian. 'Thou hast represented thy
countrymen,' said he, 'as sunk in effeminacy and lost to all generous
impulse: yet I find them fighting with the courage and the strength of
lions. Thou hast represented thy king as detested by his subjects, and
surrounded by secret treason, but I behold his tents whitening the hills
and dales, while thousands are hourly flocking to his standard. Wo unto
thee if thou hast dealt deceitfully with us, or betrayed us with guileful
words.'

Don Julian retired to his tent in great trouble of mind, and fear came
upon him that the Bishop Oppas might play him false; for it is the lot of
traitors ever to distrust each other. He called to him the same page who
had brought him the letter from Florinda, revealing the story of her
dishonor.

'Thou knowest, my trusty page,' said he, 'that I have reared thee in my
household, and cherished thee above all thy companions. If thou hast
loyalty and affection for thy lord, now is the time to serve him. Hie thee
to the Christian camp, and find thy way to the tent of the Bishop Oppas.
If any one ask thee who thou art, tell them thou art of the household of
the bishop, and bearer of missives from Cordova. When thou art admitted to
the presence of the bishop, show him this ring, and he will commune with
thee in secret. Then tell him Count Julian greets him as a brother, and
demands how the wrongs of his daughter Florinda are to be redressed. Mark
well his reply, and bring it word for word. Have thy lips closed, but
thine eyes and ears open; and observe every thing of note in the camp of
the king. So speed thee on thy errand--away, away!'

The page hastened to saddle a Barbary steed, fleet as the wind, and of a
jet black color, so as not to be easily discernible in the night. He
girded on a sword and dagger, slung an Arab bow with a quiver of arrows at
his side, and a buckler at his shoulder. Issuing out of the camp, he
sought the banks of the Guadalete, and proceeded silently along its
stream, which reflected the distant fires of the Christian camp. As he
passed by the place which had been the scene of the recent conflict, he
heard, from time to time, the groan of some expiring warrior who had
crawled among the reeds on the margin of the river; and sometimes his
steed stepped cautiously over the mangled bodies of the slain. The young
page was unused to the sights of war, and his heart beat quick within him.
He was hailed by the sentinels as he approached the Christian camp, and,
on giving the reply taught him by Count Julian, was conducted to the tent
of the Bishop Oppas.

The bishop had not yet retired to his couch. When he beheld the ring of
Count Julian, and heard the words of his message, he saw that the page was
one in whom he might confide. 'Hasten back to thy lord,' said he, 'and
tell him to have faith in me, and all shall go well. As yet I have kept my
troops out of the combat. They are all fresh, well armed, and well
appointed. The king has confided to myself, aided by the princes Evan and
Siseburto, the command of a wing of the army. To-morrow, at the hour of
noon, when both armies are in the heat of action, we will pass over with
our forces to the Moslems. But I claim the compact made with Taric ben
Zeyad, that my nephews be placed in dominion over Spain, and tributary
only to the Caliph of Damascus.' With this traitorous message the page
departed. He led his black steed by the bridle to present less mark for
observation, as he went stumbling along near the expiring fires of the
camp. On passing the last outpost, when the guards were half slumbering on
their arms, he was overheard and summoned, but leaped lightly into the
saddle and put spurs to his steed. An arrow whistled by his ear and two
more stuck in the target which he had thrown upon his back. The clatter of
swift hoofs echoed behind him, but he had learnt of the Arabs to fight and
fly. Plucking a shaft from his quiver, and turning and rising in the
stirrups as his courser galloped at full speed, he drew the arrow to the
head and launched it at his pursuer. The twang of the bow-string was
followed by the crash of armour, and a deep groan, as the horseman tumbled
to the earth. The page pursued his course with further molestation, and
arrived at the Moslem camp before the break of day.

A light had burned throughout the night in the tent of the king, and
anxious thoughts and dismal visions troubled his repose. If he fell into a
slumber, he beheld in his dreams the shadowy phantoms of the necromantic
tower, or the injured Florinda, pale and dishevelled, imprecating the
vengeance of Heaven upon his head. In the mid-watches of the night, when
all was silent except the footstep of the sentinel, pacing before his
tent, the king rose from his couch, and walking forth looked thoughtfully
upon the martial scene before him. The pale crescent of the moon hung over
the Moorish camp, and dimly lighted up the windings of the Guadalete. The
heart of the king was heavy and oppressed; but he felt only for himself,
says Antonio Agapida, he thought nothing of the perils impending over the
thousands of devoted subjects in the camp below him; sleeping, as it were,
on the margin of their graves. The faint clatter of distant hoofs, as if
in rapid flight, reached the monarch's ear, but the horsemen were not to
be descried. At that very hour, and along the shadowy banks of that river,
here and there gleaming with the scanty moonlight, passed the fugitive
messenger of Count Julian, with the plan of the next day's treason.

The day had not yet dawned, when the sleepless and impatient monarch
summoned his attendants and arrayed himself for the field. He then sent
for the venerable Bishop Urbino, who had accompanied him to the camp, and,
laying aside his regal crown, he knelt with head uncovered, and confessed
his sins before the holy man. After this a solemn mass was performed in
the royal tent, and the eucharist administered to the monarch. When these
ceremonies were concluded, he besought the archbishop to depart forthwith
for Cordova, there to await the issue of the battle, and to be ready to
bring forward reinforcements and supplies. The archbishop saddled his mule
and departed just as the faint blush of morning began to kindle in the
east. Already the camp resounded with the thrilling call of the trumpet,
the clank of armor, and the tramp and neigh of steeds. As the archbishop
passed through the camp, he looked with a compassionate heart on this vast
multitude, of whom so many were soon to perish. The warriors pressed to
kiss his hand, and many a cavalier full of youth and fire received his
benediction, who was to lie stiff and cold before the evening.

When the troops were marshalled for the field, Don Roderick prepared to
sally forth in the state and pomp with which the Gothic kings were wont to
go to battle. He was arrayed in robes of gold brocade; his sandals were
embroidered with pearls and diamonds; he had a sceptre in his hand, and he
wore a regal crown resplendent with inestimable jewels. Thus gorgeously
apparelled, he ascended a lofty chariot of ivory, the axle-trees of which
were of silver, and the wheels and pole covered with plates of burnished
gold. Above his head was a canopy of cloth of gold embossed with armorial
devices, and studded with precious stones. This sumptuous chariot was
drawn by milk-white horses, with caparisons of crimson velvet, embroidered
with pearls. A thousand youthful cavaliers surrounded the car; all of the
noblest blood and bravest spirit; all knighted by the king's own hand, and
sworn to defend him to the last.

When Roderick issued forth in this resplendent state, says an Arabian
writer, surrounded by his guards in gilded armour and waving plumes and
scarfs and surcoats of a thousand dyes, it was as if the sun were emerging
in the dazzling chariot of the day from amidst the glorious clouds of
morning.

As the royal car rolled along in front of the squadrons, the soldiers
shouted with admiration. Don Roderick waved his sceptre, and addressed
them from his lofty throne, reminding them of the horror and desolation
which had already been spread through the land by the invaders. He called
upon them to summon up the ancient valor of their race, and avenge the
blood of their brethren. 'One day of glorious fighting,' said he, 'and
this infidel horde will be driven into the sea, or will perish beneath
your swords. Forward bravely to the fight; your families are behind you
praying for your success; the invaders of your country are before you; God
is above to bless his holy cause, and your king leads you to the field.'
The army shouted with one accord, 'Forward to the foe, and death be his
portion who shuns the encounter!'

The rising sun began to shine along the glistening waters of the Guadalete
as the Moorish army, squadron after squadron, came sweeping down a gentle
declivity to the sound of martial music. Their turbans and robes, of
various dyes and fashions, gave a splendid appearance to their host; as
they marched, a cloud of dust arose and partly hid them from the sight,
but still there would break forth flashes of steel and gleams of burnished
gold, like rays of vivid lightning, while the sound of drum and trumpet,
and the clash of Moorish cymbal, were as the warlike thunder within that
stormy cloud of battle.

As the armies drew near each other the sun disappeared among gathering
clouds, and the gloom of the day was increased by the columns of dust
which rose from either host. At length the trumpet sounded for the
encounter. The battle commenced with showers of arrows, stones, and
javelins. The Christian foot-soldiers fought to disadvantage, the greater
part being destitute of helm or buckler. A battalion of light Arabian
horsemen, led by a Greek renegado named Magued el Rumi, careered in front
of the Christian line, launching their darts, and then wheeling off beyond
the reach of the missiles hurled after them. Theodomir now brought up his
seasoned troops into the action, seconded by the veteran Pelistes, and in
a little while the battle became furious and promiscuous. It was glorious
to behold the old Gothic valor shining forth in this hour of fearful
trial. Wherever the Moslems fell, the Christians rushed forward, seized
upon their horses, and stripped them of their armour and their weapons.
They fought desperately and successfully, for they fought for their
country and their faith. The battle raged for several hours; the field was
strown with slain, and the Moors, overcome by the multitude and fury of
their foes, began to falter.

When Taric beheld his troops retreating before the enemy, he threw himself
before them, and, rising in his stirrups, 'Oh, Moslems! conquerors of
Africa!' cried he, whither would you fly? The sea is behind you, the enemy
before; you have no hope but in your valor and the help of God. Do as I do
and the day is ours!'

With these words he put spurs to his horse and sprang among the enemy,
striking to right and left, cutting down and destroying, while his steed,
fierce as himself, trampled upon the foot soldiers and tore them with his
teeth. At this moment a mighty shout arose in various parts of the field;
the noontide hour had arrived. The Bishop Oppas with the two princes, who
had hitherto kept their bands out of the fight, suddenly went over to the
enemy, and turned their weapons upon their astonished countrymen. From
that moment the fortune of the day was changed, and the field of battle
became a scene of wild confusion and bloody massacre. The Christians knew
not whom to contend with, or whom to trust. It seemed as if madness had
seized upon their friends and kinsmen, and that their worst enemies were
among themselves.

The courage of Don Roderick rose with his danger. Throwing off the
cumbrous robes of royalty, and descending from his car, he sprang upon his
steed Orelia, grasped his lance and buckler, and endeavored to rally his
retreating troops. He was surrounded and assailed by a multitude of his
own traitorous subjects, but defended himself with wondrous prowess. The
enemy thickened around him; his loyal band of cavaliers were slain,
bravely fighting in his defence; the last that was seen of the king was in
the midst of the enemy, dealing death at every blow.

A complete panic fell upon the Christians; they threw away their arms and
fled in all directions. They were pursued with dreadful slaughter, until
the darkness of the night rendered it impossible to distinguish friend
from foe. Taric then called off his troops from the pursuit, and took
possession of the royal camp; and the couch which had been pressed so
uneasily on the preceding night by Don Roderick, now yielded sound repose
to his conqueror.

On the morning after the battle, the Arab leader, Taric ben Zeyad, rode
over the bloody field of the Gaudalete, strewed with the ruins of those
splendid armies, which had so lately passed like glorious pageants along
the river banks. There Moor and Christian, horseman and horse, lay gashed
with hideous wounds; and the river, still red with blood, was filled with
the bodies of the slain. The gaunt Arab was as a wolf roaming through the
fold he had laid waste. On every side his eye revelled on the ruin of the
country, on the wrecks of haughty Spain. There lay the flower of her
youthful chivalry, mangled and destroyed, and the strength of her yeomanry
prostrated in the dust. The Gothic noble lay confounded with his vassals;
the peasant with the prince; all ranks and dignities were mingled in one
bloody massacre.

When Taric had surveyed the field, he caused the spoils of the dead and
the plunder of the camp to be brought before him. The booty was immense.
There were massy chains, and rare jewels of gold; pearls and precious
stones; rich silks and brocades, and all other luxurious decorations in
which the Gothic nobles had indulged in the latter times of their
degeneracy. A vast amount of treasure was likewise found, which had been
brought by Roderick for the expenses of the war.

Taric then ordered that the bodies of the Moslem warriors should be
interred; as for those of the Christians, they were gathered in heaps, and
vast pyres of wood were formed, on which they were consumed. The flames of
these pyres rose high in the air, and were seen afar off in the night; and
when the Christians beheld them from the neighboring hills they beat their
breasts and tore their hair, and lamented over them as over the funeral
fires of their country. The carnage of that battle infected the air for
two whole months, and bones were seen lying in heaps upon the field for
more than forty years; nay, when ages had past and gone, the husbandman,
turning up the soil, would still find fragments of Gothic cuirasses and
helms, and Moorish scimitars, the relics of that dreadful fight.

For three days the Arabian horseman pursued the flying Christians, hunting
them over the face of the country; so that but a scanty number of that
mighty host escaped to tell the tale of their disaster.

Taric ben Zeyad considered his victory incomplete so long as the Gothic
monarch survived; he proclaimed great rewards, therefore, to whomsoever
should bring Roderick to him, dead or alive. A diligent search was
accordingly made in every direction, but for a long time in vain; at
length a soldier brought to Taric the head of a Christian warrior, on
which was a cap decorated with feathers and precious stones. The Arab
leader received it as the head of the unfortunate Roderick, and sent it,
as a trophy of his victory, to Musa ben Nosier, who, in like manner,
transmitted it to the caliph at Damascus. The Spanish historians, however,
have always denied its identity.

A mystery has ever hung and ever must continue to hang, over the fate of
King Roderick, in that dark and doleful day of Spain. Whether he went down
amidst the storm of battle, and atoned for his sins and errors by a
patriot grave, or whether he survived to repent of them in hermit exile,
must remain matter of conjecture and dispute. The learned Archbishop
Rodrigo, who has recorded the events of this disastrous field, affirms
that Roderick fell beneath the vengeful blade of the traitor Julian, and
thus expiated with his blood his crime against the hapless Florinda; but
the archbishop stands alone in his record of the fact. It seems generally
admitted that Orelia, the favorite war-horse of Don Roderick, was found
entangled in a marsh on the borders of the Gaudalete, with the sandals and
mantle and royal insignia of the king lying close by him. The river at
this place ran broad and deep, and was encumbered with the dead bodies of
warriors and steeds; it has been supposed therefore, that he perished in
the stream; but his body was not found within its waters.

When several years had passed away, and men's minds, being restored to
some degree of tranquillity, began to occupy themselves about the events
of this dismal day, a rumor arose that Roderick had escaped from the
carnage on the banks of the Gaudalete, and was still alive. It was said,
that having from a rising ground caught a view of the whole field of
battle, and seen that the day was lost, and his army flying in all
directions, he likewise sought his safety in flight. It is added, that the
Arab horsemen, while scouring the mountain in quest of fugitives, found a
shepherd arrayed in the royal robes, and brought him before the conqueror,
believing him to be the king himself. Count Julian soon dispelled the
error. On being questioned, the trembling rustic declared that while
tending his sheep in the folds of the mountains, there came a cavalier on
a horse wearied and spent and ready to sink beneath the spur; that the
cavalier with an authoritative voice and menacing air commanded him to
exchange garments with him, and clad himself in his rude garb of
sheep-skin, and took his crook and his scrip of provisions, and continued
up the rugged defiles of the mountains leading towards Castile, until he
was lost to view.

This tradition was fondly cherished by many, who clung to the belief in
the existence of their monarch as their main hope for the redemption of
Spain. It was even affirmed that he had taken refuge with many of his
host, in an island of the 'Ocean sea,' from whence he might yet return,
once more to elevate his standard, and battle for the recovery of his
throne.

Year after year, however, elapsed and nothing was heard of Don Roderick;
yet, like Sebastian of Portugal, and Arthur of England, his name continued
to be a rallying point for popular faith, and the mystery of his end to
give rise to romantic fables. At length, when generation after generation
had sunk into the grave, and near two centuries had passed and gone,
traces were said to be discovered that threw a light on the final fortunes
of the unfortunate Roderick. At that time, Don Alphonso the Great, King of
Leon, had wrested the city of Viseo in Lusitania from the hands of the
Moslems. As his soldiers were ranging about the city and its environs, one
of them discovered in a field, outside of the walls, a small chapel or
hermitage, with a sepulchre in front, on which was inscribed this epitaph
in Gothic characters:

  HIC REQUIESCIT RUDERICUS,
    ULTIMUS REX GOTHORUM.

    HERE LIES RODERICK,
  THE LAST KING OF THE GOTHS.

It has been believed by many that this was the veritable tomb of the
monarch, and that in this hermitage he had finished his days in solitary
penance. The warrior, as he contemplated the supposed tomb of the once
haughty Roderick, forgot all his faults and errors, and shed a soldier's
tear over his memory; but when his thoughts turned to Count Julian, his
patriotic indignation broke forth, and with his dagger he inscribed a rude
malediction on the stone.

'Accursed,' said he, 'be the impious and headlong vengeance of the traitor
Julian. He was a murderer of his king; a destroyer of his kindred; a
betrayer of his country. May his name be bitter in every mouth, and his
memory infamous to all generations.'

Here ends the legend of Don Roderick.




LINES

WRITTEN UNDER A PORTRAIT OF JUPITER AND DANAE.


  Fair maid of Argos! dry thy tears, nor shun
  The bright embrace of Saturn's amorous son.
  Pour'd from high Heaven athwart thy brazen tower,
  Jove bends propitious in a glittering shower:
  Take, gladly take, the boon the Fates impart;
  Press the gilt treasure to thy panting heart:
  And to thy venal sex this truth unfold,
  How few, like Danae, grasp both god and gold.

                                                             J. SMITH.




THE DOG-STAR SPIRIT.

SUGGESTED BY CERTAIN PAPERS ENTITLED 'MIND AND INSTINCT,' IN THE
KNICKERBOCKER.


  Calm be thy slumbers, faithful TRAY,
        Calm in thy bed
  Low-gathered underneath the clay,
  Where they have laid thy bones away,
        And left thee--dead!

  No common dog, dear TRAY, wert thou
        In life's short age;
  For _instinct_ shone upon thy brow,
  And something in thy deep bow-wow
        Proclaimed the sage.

  When ugly curs at evening made
        Their hideous wail,
  Mutely thy musing eye surveyed
  Bright themes for thought around displayed,
        Perched on thy tail.

  Oft have I seen thy vision turned
        Up to the skies,
  Where thy intelligence discerned
  In all the little stars that burned,
        Strange mysteries.

  And then, thy keen glance fixed on one
        That glimmered far;
  'If souls of men live when they're gone,'
  Thou thought'st, 'why not of dogs when flown,
        In yonder star?

  'Though diverse in our natures, yet
        It don't ensue
  That other judgment we should meet,
  Because we muster four good feet
        Instead of two.

  'And if in some light, wanton freak
        Of Nature's mind,
  She planted hair upon our back,
  And, in capricious mood, did tack
        A tail behind:

  'It matters not. That coat of hair
        Is very thin;
  But the habiliment we wear
  To warm the heart from wintry air,
        We have within.

  'Ah, no! what selfish man would have
        For _him_ alone,
  To us a title Nature gave:
  _We_ too shall live beyond the grave,
        When we are gone.'

  Now, when at twilight's solemn hour,
        O'er field and lea,
  I see the dog-star gently pour
  Its beamy light--a golden shower--
        I think of thee!

  And well, I wot, thy spacious mind,
      With journey brief,
  Hath mounted like a breath of wind;
  And thou art in that orb enshrined,
      A thing of life.

  Then peace be with thine ashes, TRAY,
      In their long rest:
  Faithful wert thou in thy short day;
  And now, that thou art passed away,
      I know thou'rt blest.

_Pittsburgh, March, 1844._                                     SANCHO.




A DREAM.

    This accident is not unlike my dream; belief of it
    Oppresses me already.
                                                              OTHELLO.


Upon a certain clear and starry night of unbroken tranquility and peace,
in the month of September, in the year of Grace one thousand eight hundred
thirty and two; I, JOHN WATERS of man's Estate, Gentleman, dreamed a
Dream. And lest I might be forced, like the great Babylonian monarch of
yore, to say 'the thing is gone from me,' I resolved while a vague
remembrance yet rested in my thoughts, to record if possible some lasting
memorial of it.

Now, more than one half of the average number of years, assigned by
computation to a generation of our race, have, since that point of time,
rolled into the rearward hemisphere of Eternity; trials and changes, deep
and stern and manifold, have rent and desolated this _house not made with
hands_, and have exercised and broken the spirit that is supposed to be
contained within it; yet the slight memorandum, written at that time, lies
unchanged before me, and gives evidence of the comparatively impassible
duration of inert matter over man; whose home, and whose abiding-place is
not of earth!

It is not that I can hope to describe my sensations of that night, in such
a manner as to impart them to the contemplative spirit that may read this
sketch, and to afford pleasure at all comparable with that which I
enjoyed; but I have thought that I might by the recital awaken some
gratifying recollections of still higher flittings of the imagination into
the regions of unlimited Fancy; where the pleasure has been, as was mine,
alike unbounded and pure.

In an Existence like ours, where so much is ideal; where so many things
are feared, that never come to pass; hoped for, that are never realized;
enjoyed, that are impalpable to sense; where that, which by common
convention is called substantial and real, is very far inferior to that
which is falsely termed illusory and vain; where life borders on
immortality; and the spiritual world so closely overhangs the natural,
that it is as difficult to separate them as it is in Switzerland to know
which is Alps and which is Heaven;--there may oftentimes be much pleasure,
perhaps some instruction, in a DREAM.

What should we say of dreams, if our eyes could but once have been opened
upon the bright intellectual fancies, and anticipations; or upon the
spiritual movements, of some of those by the side of whose supine and
deserted forms it may have been our privilege to watch; but who, on waking
into restored consciousness, remember not what they may have seen, or
imagined, or may perhaps have accomplished, in their sleep?

How often, within the compass of our own minds, do we not find thoughts
and images that spring from sources that we cannot trace! Have we not more
than once been called upon to perform some act of life, important to
ourselves, or perchance to others; or been in some incidental circle of
friends, or of persons who were strangers until then; or walked upon some
lonely path in Europe--all for the first time as we suppose, and yet have
we not had it irresistibly borne in upon our minds, that we have done all
this before! signed the same paper in the same presence! heard the same
voices speak the same words! noticed the same faces in the same positions!
or recognized the mountains perhaps, and the trees, the landscape, the
rocks, the very brook, as acquaintances of old; although the broad
Atlantic had never yet been crossed by us before--except in spirit!

Did you never in the day or night dream yourself to be upon some lofty
overhanging precipice? did you never in imagination look down over its
extreme verge upon the dark coast that skirts the foot of it, so far below
you that you only distinguish the Rocks themselves by the white foam of
the blue wave that breaks over them? Did you never hold by a bush while
you were bending over this awful verge, listening to the low roar of the
deep and distant waters, and perceive the Eagle itself soaring mid-way
only up the cliff--and while you grew chill with the thoughts of depth,
and danger, and distance from relief, did you never feel the bush give way
and the gravel slide from beneath you, and the whole mass come thundering
down from earth to ocean?

One throb is given to madness and in the next you wake and find the body
in security although perhaps in pain. Have you been in actual danger? do
you believe that you have been? If not, why do you immediately pray to God
and bless Him at such moments for his protection and care of you? Is it
not that while the body has been quiescent, the excursive Soul has been in
spiritual presence on the edge of that beetling and stupendous height?

Suppose, as the mother sits beside the small bed, drinking with her eyes
that draught of ecstatick pleasure which only Woman's heart can taste, she
could perceive the spirit of her boy, rising from the body that it leaves
behind in roseate sleep, a thousand times more beautiful than it and yet
the same; and still her own; and taking upon himself, as of his proper
right, the grace and charm of 'a young and rose-lipped cherub,' should
chase, (and all within her sight,) the rainbow-butterflies of Paradise
across its swards of velvet, and laugh in music to express his joy!

Suppose that to the husband it should be given to behold his Wife--the
pure in heart!--walking like a seraph in the Spiritual Life, as the
earliest light of morning moves along the hill-tops; her countenance
'beautified with salvation' and joy unfolding itself at her approach: he
sees and follows her as she enters into grottoes of shells, compared with
which all flowers of Earth are mere attempts at colour! She listens to
choirs of angels, joining worthily with them in the celestial chaunt! and
when the hearts of both are elevated by the anthem strain, she kneels in
solitude and prays for him in words that rise to Heaven, a grateful and
accepted incense!

Regard in silence those features of the young and beautiful upon the bed
of slow consuming death; with what a grace do they not awake from the
momentary trance of sleep! thoughts, not given to be revealed, have been
garnered by that precious spirit as it hath soared upward toward the
Heaven that is now bending with a summons unto everlasting Life! How
gently yet how touchingly do not its glances and its last regrets pass
through the diaphanous covering that remains to it of mortality, upon the
friend who gazes in equal love and wonder at its side! how like the light
within the vase! how sublimated the expression! how intent, how occupied
that long look! how effulgent that passage of hope! how intimate, how
exalted must have been the communion, when gleams of Faith and Joy, too
beautiful for utterance, indicate the redeemed soul just fluttering to
ascend in 'robes made white in the blood of the Lamb!'

Are not these and such as these, imaginations, communions, capacities,
employments of the soul in Dreams? Ah! if what is called the Sleep of
Death be mysterious, be awful, be sublime, be beautiful at times; how much
more so,--when the form lies waiting to be revivified by the quick return
of the excursive spirit,--how much more so is the Sleep of Life!

I was lying in my bed, in a deep delicious repose, in my own bed, without
either care, or cold, or gout, to molest me even in my dreams; I had been
occupied during the evening with some elementary algebraical processes in
the company of my dear son who was to prepare them for examination at
school on the following day and who had succeeded in arriving at correct
results, had copied off his work, and packed it in his satchel for the
morning.

Methought, while I slept, my son and I stood together hand in hand in the
Church where we were accustomed to worship. We were very near the altar,
but with our faces directed toward the organ and front gallery. There is
in my mind some recollection of another person, I believe our Rector, near
us but a little behind us.

Presently the surface of the gallery extended itself in breadth and
height, so greatly as to cover the entire organ-loft with it's increased
plane, and it became an immense practising-board, such as, upon a small
scale, teachers of mathematics use to resolve problems upon for the
instruction of a class, and it immediately assumed the deep slate-coloured
hue that such boards are frequently painted.

And now there arranged themselves upon this board, in white characters,
problem after problem in Equation; the Rule in which we had been
exercising. I cannot describe the celerity with which these problems were
stated upon the board, and worked out to the intense gratification of my
son and myself; the most difficult and apparently unequal quantities being
with the rapidity of thought interchanged neutralized reduced and
determined, so that what seemed at the outset extremely involved, became
lucid as day, and the unknown quantities made specific to our perfect
satisfaction in an instant of time.

We were delighted with the lesson. I felt the hand of my son gently
pressing mine, as he was accustomed to do when he would evince his
satisfaction at any thing we examined successfully together; and we agreed
with each other to cherish the recollection of these elucidations for
future practice.

Turning again toward the board, we found it entirely freed from any trace
of what had been wrought upon it. And now, in a manner which I have no
possible means of imparting to the Reader, the good and evil of Life
formed the specific and the unknown quantities that were wrought out upon
the board. Problem succeeded problem, formed out of various conditions of
life, with the same rapidity as those in Arabicks had been, and though
vastly more complicated, with the same satisfactory result. Every variety
and combination of circumstances in life seemed exhibited; positive
negative neutral in a moment; until certain trials and occurrences led to
certain virtues, with the same precision as in the preceding series of
demonstrations _x_ had for example been shewn to be equal to 8. Our joy
was beyond expression in words; we embraced each other and I well remember
saying, 'My dear Hal, this is Truth; positive Truth; moral, but as certain
and as irrefragible, as any mathematical Truth is or ever can be shewn to
be.'

We turned again toward the Board, and another course altogether of
demonstrations passed over the surface of it, and was made scrutable to
our perceptions. By one process the illimitable power of GOD was borne in
upon my apprehension with a vividness of conception that I had never felt
before.

By another I well remember Truth and Wisdom were shewn to be one and the
same, and all Truth to proceed from and to be an attribute of GOD. By
another, Infinite Justice, deduced from Infinite Power and Infinite Truth,
was arrived at, as His essential and necessary quality. Again, the
revealed Word of GOD as declared in the Bible was established in my mind
as the irresistible result of another process; and, although several had
intermediately passed over the Board, this was I think the last. The Board
faded, the figure at our side disappeared, we were out of church, and
presently I awoke, and lo! it was a DREAM! But the recollection of that
dream has never faded from my memory, and I trust that the influences of
it may never be lost.

My mind for some time previous had been much afflicted with considerations
and doubts respecting the free agency of man, and the truth of the
Scriptures so far as they relate to everlasting punishment, and to the
prescience of GOD. These doubts had been infused in conversation by the
reasoning of an eminent lawyer. If you believe in the doctrine of
everlasting punishment said he, and believe also in the prescience of GOD,
and in HIS Omnipotence, must you not admit that GOD might prevent the
sinner from entering at all into this world of probation? into this world
of trial which is to prove too severe for his powers of resistance? If I
know that a candle that I purpose lighting will, from any accident, or by
any other hand after I shall have lighted it, be made to burn my
neighbor's house; am I not in some degree participant or accessary to the
consequence if I persist in the intention? Why is man to be made subject
to consequences more direful to him than if he had never been born at all
into this world of evil? He has had no voice in determining his mission
into it, nor has his will been consulted in the creation of his spirit,
nor in the qualities with which that spirit is endued; his existence also
in a state of indulgence of wicked impulse, how short and limited it has
been; and how frequently mingled with the disposition if not with repeated
Effort toward goodness; shall he for twenty years of vice, be subjected to
_everlasting_ punishment? how can this consist with Divine Justice and
Mercy? You say that he has had the free option of good and evil; possibly
so; but he has not chosen the good, he has not adopted the course that
leads to everlasting happiness, and his everlasting misery might have been
prevented; why then should he have been called into being? Is not this
misery ordained to him, since it is not prevented, and since it has always
been apparent as the result of life to the creative power which must know,
and which could prevent, and has yet determined to create?

Now these doubts were weighing on my heart when I first stood before that
board; and when I had left the church, they were all removed. They had
made themselves--air, into which they vanished. My hands were clasped
together in pleasure at the relief; and when I awoke, a sensation, the
purest perhaps that life affords, had entire possession of my heart, my
mind, my soul. It was that gentle, yet etherial sensation--that
yellow-green of the ransomed spirit--when gratitude that has never drawn a
chain behind it, gratitude free as joy, gratitude beautiful as hope, melts
into love toward HIM, 'who first hath loved us!'

  'Parent of Heaven! great Master of mankind!
  Where'er Thy providence directs, behold
  My steps with cheerful resignation turn!
  Fate leads the willing, drags the backward on.
  Why should I mourn, when grieving I must bear;
  Or take with guilt what, guiltless, I might share!'

                                                          JOHN WATERS.




LINES TO BLUMINE.


  When day gives place to sweeter night,
    And twinkling stars come out on high,
  Like sentinels in armor bright,
    To watch amid the ebon sky;

  High in the north thine eye will see
    _That lonely star_, whose steady beam
  Shall look into thy heart, and be
    The phantom of thy troubled dream.

  I love thee not: though once thy heart
    Beat in warm answer to my own;
  Like strangers we shall meet and part,
    And I shall tread my way alone.

_Brooklyn, L. I._                                    HANS VON SPIEGEL.




EPISTLE TO THE EDITOR.


  DEAR KNICK: Were't not for reverence due
  From such as I to such as you,
  I really could not choose but swear
  To think that e'en a millionaire,
  With piles enough of brick and stone
  To make a city of his own,
  And broad domains in simple fee,
  Or held in pledge as mortgagee,
  And scrip whose outspread folds would cover
  His native Hesse-Darmstadt over;
  Should have withal the hard assurance
  To hold a Son of Song in durance.
  Why, as I lately sauntered out
  To see what Gotham was about,
  Just below NIBLO'S, west southwest,
  In a prosaic street at best,
  I chanced upon a lodge so small,
  So Lilliputian-like in all,
  That Argus, hundred-eyed albeit,
  Might pass a hundred times, nor see it.

  Agog to see what manikin
  Had shrined his household gods therein,
  With step as light as tip-toe fairy's
  I stole right in among the Lares.
  There in the cosiest of nooks,
  Up to his very eyes in books,
  Sat a lone wight, nor stout nor lean,
  Nor old nor young, but just between,
  Poring along the figured columns
  Of those most unmelodious volumes,
  Intently as if there and then
  He conned the fate of gods and men.
  Methought that brow so full and fair
  Was formed the poet's wreath to wear;
  And as those eyes of azure hue,
  One moment lifted, met my view,
  Gay worlds of starry thoughts appeared
  In their blue depths serenely sphered.
  Just then the voice of one unseen,
  All redolent of Hippocrene,
  Stole forth so sweetly on the air,
  I felt the Muse indeed was there,
  And feel how much her words divine
  Must lose, interpreted by mine.

  For shame, it said, FITZ-GREENE, for shame!
    To yield thee to inglorious thrall,
  And leave the trophy of thy fame
    Without its crowning capital!

  The sculptor, bard, as well may trust
    To shape a form for glory's shrine,
  If, ceasing with the breathing bust.
    He leave unwrought the brow divine.

  How oft the lavish Muse has grieved.
    O'er hopes thy early years inspired,
  And sighed that he who much received,
    Forgot that much would be required.

  But not too late, if heeded yet,
    The voice that chides thy mute repose,
  And bids thee pay at last the debt
    Thy genius to Parnassus owes.

  'Tis not enough that pride may urge
    Thy claims to memory's grateful lore,
  And boast, as rapt from Lethe's surge,
    The Suliote and the Tuscarore.

  Nay, bard, thy own land's mighty dead
    Deserve a nobler hymn from thee,
  Than bravest of the brave that bled
    At Laspi or Thermopylæ.

  Remember, then, thy young renown,
    Thy country's dead, thy muse's sigh;
  And bid thy vigorous manhood crown
    What youthful genius reared so high!

  Still to his task the bard applied,
  Unrecked, unheeded all beside;
  And as he closed his balance-sheet,
  I heard his murmuring lips repeat:
  'Three hundred thousand, city rents,
  Item a hundred, seven per cents,
  Add cash, another hundred, say
  From bonds and notes paid off this day,
  And eke from drafts at sight for dues
  Just credited to land accrues,
  Whose rental stretches on and on
  From Aroostook to Oregon;
  Total, a semi-million clear
  Income received for one short year!'
  Aladdin's wealth scarce mounted faster
  At its spring-tide than thine, HERR ASTOR.

                                                             W. P. P.




EARLY SPRING AT THE HOMESTEAD.

BY HANS VON SPIEGEL.


Lo! here is Spring again, the dainty goddess come back to see what Winter
has been doing for so many months in forest and meadow, on the broad
hill-side and in the valley. The old ice-king has had a merry time of it,
playing with the long branches of the graceful maiden-like elm, and
wrestling with the gnarled and haughty oak. You might have heard him
roaring in the depths of the woods, had you been here, venerable DEIDRICH,
day and night for a sevennight, apparently just for the sake of making a
noise, and compelling the obeisance of the forest. Like any other
demagogue, he gains attention by his blusterings. How lowly that young
poplar bent before him, while the old hemlocks scarcely deigned a show of
reverence! When you were in your youth, and the world seemed larger than
now, did you not feel more of respect and awe for the _great man_ than you
now do? Ah! well-a-day! how little is the world's esteem worthy of care!
Ambition climbs the dizzy steeps of fame; the young and inexperienced,
whose admiration is not worth a straw, applaud; but the wise, for whose
good-will Ambition toils, look on with indifference; for they know the
emptiness of human greatness. But while we stop to moralize, the reader
grows a-weary; and even thou, DEIDRICH, who art so constitutionally
polite, compressest thy labial muscles, and thumpest nervously the floor
with thy gold-headed walking stick. What a pity that we cannot talk
nonsense gracefully!

There, now, all this time has the damsel Spring been awaiting our
commands, shivering mayhap in her scanty drapery, while we have been
prating. So it is the world over. The best intentioned forget the claims
of others, listening to the sweet music of their own sweet voices.
DEIDRICH, you ought to be here in the country to see what Hans and Peter
are doing 'at this present.'

Just back of the house, (we are at the old Homestead,) the snow has melted
away, and an impatient crocus is just peeping up to get a look at the warm
sun. The spruce, at whose foot it grows all the winter long, has kindly
extended one of its lower branches over it, to shield it from the frost,
and now straitens it up again to give the poor little plant a glimpse or
two of the warm blue sky and the golden sun. And here, on the southern
side of the house, the windows are thrown up, and the door of the wing
swung open for the first time in four long months. There, Peter, in the
side of the wing where you see the ends of two or three bricks protruding
from a circular hole in the clapboards, is the nest of a pair of wrens
that year after year come back to rear a new family, and chirp and chatter
away the summer, when their labors have ceased. If it were a few weeks
later, you might get acquainted with the comical little occupants, who are
as brisk and busy as if they were not in reality great grand-parents to a
whole republic of wrens. See! on the top of the wood-shed, how proudly the
old rooster struts along the weather-board, enjoying the discomfiture of
his wives, who have been trying for this half-hour from the corn-house
steps to reach the same desirable elevation. And ever and anon he crows to
answer the tumultuous cackle of the plebeian fowl in the barn-yard, with
whom he never mingles, save when a hawk threatens them with common danger;
and then, forgetting all his aristocracy, he seeks the same sheltering
apple-tree or clump of briars in the fence-corner, where the enemy cannot
penetrate. Friend Peter, just buckle on your over-shoes and come with me
through the back gates which have stood open all winter to allow ingress
to huge sled-loads of fire-wood. Tread carefully over the soft snow which
'slumps' at every step, and let us take a look at the barn-yard down
yonder, across the way from the farm-house.

Now is there not some poetry here? That yoke of brindle-oxen standing
under the dripping eaves chewing their cud; can you not see gladness in
their broad faces? There is old Line-back, the cow that fifteen years ago
used to have the same corner. I wonder if she recognizes me? She is graver
than the other cows; red and black, around her butt; the tuft of wool on
her horns shows that she retains her old spirit, and does not allow the
dainty sheep that crowd around us, to pick out the most savory portions of
her hay, without asserting her rights of priority. There, flocking in the
hay-loft door, over the cow-house, are the cackling multitude which we
heard awhile ago. They were probably instigated to their clamor by the
'cut-cut-ca-da-cut' of some young hen who had laid the first egg of the
season. The rest replying, no doubt, that they severally had done the same
at some spring-time anterior, but now for the first time thought of
mentioning so trifling a circumstance. Peter sagely opines that they are
holding a tea party! Let us drop into the 'grain-barn' and see what Hans'
little brothers are raising such a children's noise about. There goes Jim
from the highest scaffold into the straw at the bottom of the 'deep bay.'
Billy is just preparing to jump too; and Sid, a little more lazy, is but
half up the upper ladder. Sid sees us, and without saying a word, begins
to climb down again. This draws Billy's attention, and crying 'Hans has
come home! Hans has come!' springs off, half smothering poor Jim in his
descent. There, now, Peter, after seeing me kiss my brothers, don't accuse
me of possessing a cold heart, merely because I don't happen to love the
women. What is a woman, but flesh and blood after all? Do you think those
black, flashing eyes and rosy cheeks and swelling bosom, and those warm
lips which breathe soft deceit the while you press them, are any thing
more than 'common clay?' I have seen many lovely ones, yet as Byron hath
it:

  'Maidens, like moths, are ever caught by glare,
  And Mammon wins his way where seraphs might despair.'

I wish, friend Peter, that we could stay a fortnight to enjoy the opening
of spring, but as we must wend our way eastward day after tomorrow, we
will resign ourselves to fate, and make the best of it. Look down into the
valley where Green Brook comes singing and bubbling out from the deep
shade of the hemlocks into the open meadows! The snow has melted away from
its margin, and the brown sward is smiling in the cheerful afternoon sun.
There, on that tall stump, on the other side, sits a sentinel crow, while
his companions are strolling about catching up dainties which the frost
and snow have hid from their vision the winter long. Hurra! hurra! see
over the edge of Pine Hill come the first pigeons of the season from the
warm south! Look how they rise and fall again in their easy flight, as
they pass up the valley and go whirring in among the dense evergreens. I
told you we should see pigeons soon, but you thought it too early. We will
have sport to-morrow, if it is warm. For the present, let us see whether
Hans' old fowling-piece is still safe from rust. Here it stands behind his
bed-room door, dressed up like an old maid for a sailing party, all in
flannels. There, Peter, is a true 'stubb-and-twist,' and the locks,
although rather out of fashion, are still as elastic as ever. This Hans
himself will use to-morrow; for it is an old friend and might feel hurt to
be entrusted to the care of a stranger. Here, Jim, run down to Colonel
Hyde's and borrow his long double-barrel; but don't tell him that pigeons
have been seen, or he will want to use it himself. Get a cannister of
Dupont, and half a dozen pounds of No. 4 shot. None of the fine
mustard-seed or robin, but the heavy duck-shot, that will enter at twenty
rods. That is the kind for pigeons, their feathers are so compact; for if
you fire at them flying, you might as well toss turnip-seed at them as to
shoot fine shot that will glance from their sleek feathers like drops of
rain.

Here comes Jim, with the colonel's gun. Is it not a grand one? Now for
cleaning the pieces, and filling the flasks and shot-belts. Look out, or
you will scald your fingers with the hot water. A little more soap, and
the barrels are as clean as a silver thimble. Snap! These are fine caps:
put this box into your pocket, or we shall forget it. Let us look out at
the sunset before tea, and then go to bed early, that we may be up in
season for to-morrow's sport.

How broadly and slowly the sun sinks behind the forest! The glowing points
of his diadem reach to the zenith, and the purple clouds that float around
the west, dazzle the eye as they lie in contrast with the soft blue sky.
How bland the air is, like that of summer! We can almost drink it.

Well, mother, I am glad to be at home again at the tea-table. Here, Peter,
don't look sad now because you are not at your own home. We will go up in
the summer and view Lake Erie in its beauty and vastness, and stroll along
the beach, beneath the overhanging cedars and larches, and the
broad-leafed chestnuts. Whose voice is that in the entry? Why, Kate, how
do you do! Never mind, if you _are_ married, you needn't start so. I'm an
old friend, you know, and your lips are as tempting as ever! Ah! I forgot
there were strangers by. Madam Von Rosenbacker: Herr von Geist, a man
after my own heart. Well, Kate, you haven't altered much from what you
were when we used to pick blackberries together. Indeed, I have lost the
bottle of wine; you only escaped though by three days over the six months
that I limited your marriage to. You shall have the champaigne, and I will
come up in the summer to bring it, and will buy an indulgence from the
tee-total society long enough to drink it with you. Now that she is gone,
Peter, let me ask if you don't think her a glorious woman? Her large blue
eyes, her soft flaxen hair and rosy cheeks, and tall graceful figure, make
her 'splendid.' Peter, she was the first girl that I ever 'set my face
against,' as poor POWER used to say; and now, old bachelor as I am, I envy
her husband.

To bed we go, and Somnus touches our eyes with his wand of poppies. Ye
gods! how sweet and soft a bed at home is, after travelling till one's
bones ache with jolting stages and jarring rail-cars!

       *       *       *       *       *

Up! up! friend Peter; here we are abed, while daylight is glimmering
through the blinds. Just put your head out here at this window and snuff
the fresh spring air. Hear the roaring of Fish Creek as it comes up over
the wooded hills. By no means! Don't suppose for the sixtieth part of a
minute that I intend to hurry you away without breakfast; but you must
step down into the kitchen, where the girl has prepared us a strong cup of
coffee; as good, no doubt, as Mother Bee used to provide for our matin
meal on College Hill. Here, Dancer, you must have some breakfast too.

Well, are we all ready? Powder, shot, and caps enough, and every thing in
order? Eh! Peter, what are you twisting your mouth about? Ah, yes, indeed,
I forgot. Here's a dozen Principes to use as occasion may offer, and
especially after dinner; which is to be sent up with the rest into the
sugar-bush, where we will rendezvous about one o'clock, and in the
afternoon help 'sugar off.' See the sunlight on the barns yonder; how warm
it looks! Look off on that hill-side, where the snow lies so deep! How
like a speck of gold it shimmers to the eye! and there goes Dancer on the
crust, as if he enjoyed the freshness of the air, and the warm sunlight.
Let us try the crust too, and if it will bear us, we shall save time by
going across lots. Here we go, with our heels crunching the glittering
pavement, leaving scarcely a vestige of our tread, the frost of last night
has so effectually congealed it. Yonder across this valley which the hills
prevent our seeing from the house, is the sugar-bush, sloping to the
south. The canal we first crossed leads to the old mills down to the right
yonder, where you see that grove of black-cherry trees, and the little
house on the knoll. The mist that you see to the left, rises from the
mill-dam, the monotonous hum of whose falling waters you have heard for
some time. This is Furnace Creek, whose swift current harbors the most
beautiful trout. That crow yonder on the dry hemlock is calling to his
mate, and the speckled wood-pecker is tapping away at that old beech, that
the nice insects within its decayed interior may come out to make him a
breakfast. Hark! do you not hear the drum of that partridge? He is up
there in that thicket of young beeches and hemlocks, on the other side of
the road. As you hear the slow, measured drum which he gives at first, and
which he hastens into a whirr like distant thunder, does not 'The old
Man's Counsel' come fresh to your memory, and almost ringing in your ear?
Ah! this is the glory of true poetry, that it clothes the commonest things
with a new interest, and forever after they become objects of love, at
least of meditation. Who that has read the same author's 'Lines to a
Waterfowl,' does not gaze with other than a sportsman's pleasure upon even
a wild duck, if it flies past him after sunset. But there goes a flock of
pigeons, and here over our heads; one! two! three! more than a hundred in
each! What a rushing sound their wings make! They fly too high for us just
now: but wait till we get on the cleared hill yonder to the right of the
sugar-bush, and we shall have rare sport as they emerge from the trees and
skim along the edge of the 'clearing.'

Here we are in the sugar-bush. Are these not noble trees? For how many
years have they stood thus interlocking their strong boughs like brethren!
While Columbus was asking a supper for his boy at the convent door, three
centuries and a half ago, these same trees were here, scarcely younger
than now. Yonder is the hill we saw from the rude bridge below the
mill-dam. Let us clamber over the log-fence and get into the clearing.

Well, Peter, this hill that we are on is just one mile from home, though
it looks not half the distance. Is this not a glorious view? Hill and
valley spread out like a map before us! The snow lies in patches upon the
fields, and the sun is lighting up the tinned spire of the village church,
which, as the stage passed it yesterday, you thought looked like a
superannuated old man with a martin-cage upon his crooked back. There is
the old homestead looking at us through the locusts that surround it, and
there are the orchards off to the right, which in a few weeks will be
white with blossoms. Now, steady, my boys! Do you see that flock of
pigeons? Wait till they pass us, that our shot may take effect on their
backs. Whang! hack!! bang!!! What! three barrels off and only a handful of
tail-feathers! How they opened as we fired, as if to let the shot go
through. Hist! don't stir! Look up softly into the dry top of this
hemlock, right over our heads: four, five, six! all in a huddle. I'll
fetch some of them with my last barrel. Snap! fiz! confound the cap! Hold
still, they see us. I've got a fresh cap on: bang! Here comes one,
tumbling through the limbs on to the snow. Is he not a handsome bird; with
his glossy purple breast and slender blue neck! Load quickly, and let us
be ready for the next flock.

Hear them scream and coo in the wood to the right. Hear the leaves crackle
down on that slope where the snow is off under those tall beeches. The
ground is fairly blue with them. Softly there over the dry brush! See them
turning up the leaves for beech-nuts: they are all moving this way. Down,
behind this log: they are not twenty yards off. Cock both barrels; and now
fire! What a stunning sound they make, like the roaring of a tornado!
Look, they have settled down again on the other side of the ravine. Well,
here, Peter, what do you think of the fun now?--fourteen cock pigeons and
one hen, to be divided between us. This is what _I_ call sport: none of
your reed-birds and meadow-larks, such as cockney sportsmen frighten away
from the fields of Jersey or Long-Island. Here they come again by scores.
Now let us see how good a shot you are. Two cocks on the topmost branch of
that old maple, full forty yards to the trunk. No, no! don't get any
nearer, for they see you. Well done! Hear him thump on the leaves; and
here comes the other, fluttering round and round like a shuttlecock. Ten
to one that you shot him through the head. There! I told you so! His wings
are not hurt, but a shot has cut away his bill. Here, Dancer, don't bite
him so, but bring him here! Chick, chick, churr! Mister Red-squirrel,
we'll 'give you a few,' as Jared used to say. On that knot in the green
hemlock, he sits with his tail spread out over his head, for all the world
like a young miss in a high-backed, old-fashined easy-chair. Well, we wont
harm him, for the sake of the associations his comical appearance awakens.

Dancer is barking down in the ravine. There he comes! as if he were crazy;
he is on the track of a hare! Do you see that pair of slender ears pricked
up behind the roots of that fallen tree? Let me try my skill at a long
shot. I've hit them, that's poz! No, I haven't either; for the
nimble-footed thing is scudding away round the hill as safe as if I had
not wasted my loading on her.

This sunken cask down here where the water wells up through the white
sand, used to be the father of the cool spring water for the uses of the
Homestead, and was conveyed the whole distance in 'pump-logs.' You can see
the end of one, with an iron band sunk into it, sticking out of the earth.
This spring, however, has been long exchanged for one on higher ground,
and the wooden logs for lead pipe, half as expensive, and not half so
healthy. Just pop over that chip-munk, whose head is peeping out of the
ground at the foot of the maple sapling. Too cruel! Well done! you are
growing compassionate all at once. Look out for your head! I declare, you
escaped narrowly! That dead limb would have dispersed all your theology,
had it struck your head. Well, Dancer, what are you staring at? Do you
think the old tree dropped one of its limbs on purpose? Ah, ha! I see!
Peter, do you see that tuft of dark moss in the crotch of that largest
maple: well, I am going to shoot at it for sport, so here goes! I
_thought_ it was a black squirrel; how he leaps from the top boughs.
Hurrah! here we go over logs and through bushes; the squirrel still ahead
of us, springing from tree top to tree top. How he rattles down the dry
splinters as he scratches up that dead hemlock. Now we've got him! Go
round on the other side of the tree and he will dodge back this way, and I
shall get a crack at him. But he don't though! He must have a hole up
there. Sure enough, there is one! Let me get this old bough broken in two,
and I will start him. Now be ready, and shoot him as he comes out. The old
tree is hollow all the way up; it sounds as I strike like an old
bass-drum. There! he's out! blaze away! Not that time did you hit him.
That's better! see him hang by one leg! here he comes! 'dead as a door
nail!' Thump! how he struck the ground. What a tail he has!

       *       *       *       *       *

And now we are at the 'boiling place.' Two strong beech crotches are
driven into the ground, about twelve feet apart, and a strong pole is laid
over them, some five feet from the ground. The huge back-log was the butt
of that tremendous beech you see lying just at the top of the knoll. The
cauldron you see is filled with the fresh sap two or three times a day,
and before filling each time, the boiling liquid is dipped out into the
largest kettle alongside of it, and that in turn is emptied into a smaller
one, that no time may be lost in boiling it away. Taste the syrup in this
smaller kettle; it is almost molasses. Try on that 'neck-yoke' and come,
let us help carry sap before dinner. The spiles you see sticking from
augur-holes in every maple are made of young sumacs, which are sawed off
the right length, and then the pith is punched out with a wire. The clean
white-pine buckets, without bails, into which the sap drips from the
spiles, are made expressly for this use, and so is that enormous hogshead
where the sap is poured before it is strained for the cauldron. For the
present let us to dinner. Well, Herr Peter, although our dinner was laid
on a beech log, and our table-cloth nothing but a piece of coarse linen,
and our knives and forks such as Adam and Eve used before us! was it not
excellent! Wie schmackt es! _How smacked it!_ as it passed through our
devouring jaws; and how sweet was the pure spring water from the bright
tin dipper! Now for a quiet smoke on the plank settle in the bough-house,
while Joe and Hiram are getting ready to 'sugar off.' Here, if there comes
up a storm, they sit and watch the kettles; and sometimes when the weather
is clear they sit up all night. So at last you _do_ love a cigar better
than a meerschaum? I confess it is the same with me! How old DEIDRICH
would frown, if he heard such an admission from those who boast as we do
the pure _Deutchen-blut_, the true Dutch blood!

What! two o'clock so soon! They have hung the ten-pail kettle that
contains the thick syrup upon a pole between two slender crotches, and
have already kindled a fire. How it bubbles and 'blubbers' up, like thick
hasty-pudding, with a dignified slowness that is inimitable. Now it rises
to the top of the kettle and will boil over! O, you needn't turn up your
nose at the slice of clean fat pork that Joe has just thrown in, for that
has saved our sugar. See, it gradually subsides till it rests a third way
down. You have heard that oil will still the surface of the sea; and the
oily part of the pork answers the same purpose with the boiling syrup. Now
it begins to granulate, swing it off. Here, drop some of it into this
bucket of cold water, and then poke it out with that pine stick, while I
run up on the side-hill yonder and get a pail of snow, which will cool it
faster. Ha, ha, ha! you do look handsome; suppose Meeta could see you with
your jaws stuck fast together with the candy, and your face looking like
the head of Medusa. While you are getting over the lock-jaw, I will trail
some on this snow to take home to little Sue, who begged me to bring her
back some maple candy. Now let us ride down home on the ox-sled, with the
huge tin pails full of the hot syrup, which wont get half cold before it
is safe in the farm-house pantry, in a half dozen well-buttered milk-pans
to harden for future use.

Once more in bed after a hearty supper; and once more out of it, too, for
the stage horn is blown. We must hurry or we are left; for it stops only
fifteen or twenty minutes to change the mail.

       *       *       *       *       *

Yes, Peter, this Brookline _is_ a little cleaner than Broadway.




RELIGIOUS CONTROVERSY.

BY FLACCUS.

    'Tantæ ne animis coelestibus iræ?'                         VIRGIL.


  When the full-throated people of the air,
  Harmonious preachers of the sweets of love,
  That midway range, as half at home with heaven,
  Are quiring, with a heartiness of joy
  That the high tide of song o'erbrims the grove,
  And far adown the meadow runs to waste;
  How would the soul, there floating, loathe to mark
  Sudden contention; sharp, discordant screams,
  From throats whose single duty is a song!

  Not with less sure revolting--ah! far more!
  Curdles the blood when Christian brothers strive,
  And prostitute to wordy war the lips
  Commissioned to dispense 'good will to man;'
  And soothe the world with spoken kindness, soft,
  And full of melody as song of birds.
  O, sad betrayal of the highest trust!
  Heralds of peace--to blow the trump of strife:
  Envoys of charity--to sow the tares
  Of hatred in a soil prepared for love.

  Is this a time for soldiers of the cross
  To point their weapons, each at other's breast,
  When the great Enemy, the common Foe,
  Though baffled, unsubdued, lays ever wait
  For some unguarded pass, to cheat the walls
  Not all his dread artillery could breach?
  How is each lunge, and ward, of tart reproof,
  And bitter repartee--painful to friends--
  By th' Adversary hailed with general yell
  Of triumph, or derision! O, my friends!
  Believe me, lines of loving charity
  Dishearten enemies, encourage friends,
  And woo enlistment to your ranks, more sure
  Than the best weapon of the readiest wit,
  Whose point is venomed with the gall of scorn.

  How wiser then, forbearing bitterness
  At points of polity, or shades of faith
  That different show to different-seeing eyes,
  To shun perplexing doctrines which th' Allwise
  Has willed obscure, and imitate HIS life;
  HIS, the meek Founder of our faith, who sowed
  HIS earthly way with blessings as with seed:
  Bearing, forbearing, ever rendering good;
  The Counsellor, the Comforter, the Friend:
  How ope soe'er HIS word to various sense,
  HIS _life_ is plain; and all that life was love:
  Be this our guide, we cannot widely stray.

_March, 1844._




THE ENGLISH STATE TRIALS.

DURING THE POPISH PLOT.


The recent Irish State Trials seem to have been conducted on the part of
the government with something of the same violence and partiality that
dishonor the ancient records of Great Britain's criminal jurisprudence.
The exclusion of Roman Catholics from the jury was an arbitrary and
unwarrantable act; unjust in itself, disrespectful to the larger portion
of the Irish people, and calculated to destroy the moral effect of the
verdict, by producing the impression on the public mind that the prisoners
did not have a fair trial. We would not be understood as complaining of
the verdict. We do not see how, with a strict adherence to the law and to
the evidence, the jury could well have decided otherwise. It is the
eagerness to convict the prisoners manifested on the part of the
law-officers of the crown that is the object of just reprehension.

Trials for offences against the State have happily been almost unknown in
this country, and we therefore find it difficult to conceive of the
dangers to which a prisoner is exposed, when the whole power of the
government is arrayed against him. But to one familiar with the iniquitous
manner in which they were conducted in Great Britain during the
seventeenth, and the earlier part of the eighteenth century, the
proceedings against O'Connell and his associates seem almost models of
judicial fairness and impartiality. To one not thus familiar, it is
difficult to convey an adequate idea of the extent to which legal
tribunals prostituted their functions to purposes of oppression and
revenge. The judges holding their offices by the slight tenure of royal
favor, and generally owing their elevation to the zeal they had shown to
defend the royal prerogatives, were, with a few honorable exceptions,
willing instruments in the hands of power. The interpreters of the law,
who, like the prophets of old, were bound to curse, or to bless, in
obedience to higher impulses than their own wills, became the mere
mouth-pieces of the government; the injustice of the decisions imperfectly
concealed by the sanctity of the office. Justice, and the favor of the
court were identical. The law and the royal pleasure were inseparably
associated in the mind of the judge.

We would not be understood as meaning that the English judges were unjust,
or partial in the trials between private citizens. In these cases it was
not often that there was any obstacle interposed to the administration of
even-handed justice. It was when the government came in as a party; when
political offenders were to be tried, that they too often proved false to
their trust. The temptations of office; the love of ease, wealth, and
distinction; the fear of ministerial enmity, of royal disgrace, were too
powerful for poor Honesty. The hour in which their aid was most needed by
the friendless prisoner, was that in which it was withdrawn; for surely if
men ever need an upright, able, and impartial administration of the law,
it is when they contend single-handed against the influences of flattery,
bribery, and intimidation, which those in authority are ever able to
employ. The odds are fearful in such a contest. The prejudices of juries,
the subservience of lawyers, the servility of judges, gave scarce a hope
that justice would not be wrested to serve the purposes of the crown; that
considerations of state policy would not prove stronger than any abstract
belief of the prisoner's innocence or guilt. That we have not
misrepresented the degraded condition of the English tribunals during the
period we have mentioned, a referencé to the state trials _passim_, will
abundantly prove. Nor is it at all strange that such should have been the
case. During the dynasty of the Tudors, and the reign of the first of the
Stuarts, the duty alike of the courts, and of parliament was simply to
register the royal edicts. If the formalities of law were observed, it was
rather through the good-nature of the sovereign, than from any
consciousness of his inability to break through their restraints. But
after the rebellion, and especially after the revolution, when the limits
of prerogative became marked out with some degree of precision, and
monarchs could no longer effect their purposes by open violence, then more
subtle means were resorted to, but scarcely less dangerous, to destroy
those who were so unfortunate as to become the objects of royal or
ministerial enmity. The king, if he could not make the law, could still
appoint the judges of the law; and the right of interpretation was hardly
less powerful than the power of legislation. Even when, after a lapse of
time, the judges became in a great measure independent of the crown, still
it was not until many years later, when the voice of an outraged people
became more terrible to them than the frowns of kings or ministers, that
those accused of political offence could hope for justice at their hands.

The reign of Charles the Second, in every respect the most disgraceful in
English history, is that period to which we wish now particularly to ask
the reader's attention. During the latter part of it, the chief justice's
seat was filled first by Scroggs, and afterwards by Jeffries; the former
came to the bench a little before the disclosures that took place
respecting the Popish Plot, and presided at the trials that took place in
consequence of that event. It is to these trials that we shall now confine
ourselves; only premising certain facts necessary to the perfect
understanding of the extracts which we are about to make.

It is unnecessary to go minutely into the details of the Popish Plot. A
general outline will answer our present purpose. The first who pretended
any knowledge of it, or made any disclosure respecting it, was Titus
Oates. He, when examined before the council in October, 1678, stated that
at a consult held by the Jesuits on the 24th of April preceding, at the
White Horse Tavern in London, resolutions had been adopted to kill the
king, overthrow the established church, and restore popery. Upon this many
arrests were made, and among others was Coleman, who had been secretary to
the late Duchess of York. His papers were seized, and there was found a
correspondence he had carried on several years before with the confessor
of Louis XIV., having reference mainly to the restoration of the Catholic
religion in England. These letters, although in no way confirmatory of the
alleged Plot, except so far as they indicated an anxious desire on the
part of the members of that church to regain their lost ascendency in
Great Britain, and their intention to use every effort for that purpose,
things already well known, yet produced great excitement, and were
regarded by many as conclusive proof of the truth of Oates' statements.
Another event, which happened about the same time, raised the excitement
to its highest pitch. Sir Edmundbury Godfrey, a London magistrate, before
whom Oates had made his depositions, was found murdered, and under such
circumstances as precluded the idea of suicide. Suspicion now deepened
into certainty. No one longer dared to doubt the reality of the plot. To
doubt, was to confess one's self an accomplice. Nothing was talked of but
the Plot. The wildest rumors were caught up and repeated, and soon grew
into well-authenticated facts. The name Papist, or Roman Catholic, became
synonymous with assassin. Many, not content with carrying arms, clothed
themselves in armor. At the funeral of Sir Edmondbury Godfrey, says North,
in his Examen, 'the crowd was prodigious, both at the procession, and in
and about the church, and so heated, that any thing called Papist, were it
a cat or a dog, had probably gone to pieces in a moment. The Catholics all
kept close in their houses and lodgings, thinking it a good compensation
to be safe there, so far were they from acting violently at that time. But
there was all that which upheld among the common people an artificial
fright, so that every one almost fancied a popish knife just at his
throat; and at the sermon, beside the preacher, two thumping divines stood
upright in the pulpit, to guard him from being killed while he was
preaching, by the Papists.'

Oates immediately became a man of great consequence. He was called the
saviour of the nation, had lodgings given him at Whitehall, and a pension
from parliament of £1200 a year. But the more cool and circumspect could
not forget the notorious infamy of his character, or implicitly rely on
the word of a man who openly confessed that he had gone among the Jesuits,
and declared himself a convert to their faith merely to betray them. But
with the populace his credit was unbounded. The more incredible his
fictions, the better they suited the vulgar appetite. In this sort of
narrative, as Hume truly remarks, a fool was more likely to succeed than a
wise man. Accompanied by his guards, for being supposed to be a special
object of popish enmity, guards had been assigned him, he walked about in
great dignity, attired as a priest, and 'whoever he pointed at was taken
up and committed; so that many people got out of his way as from a blast,
and glad they could prove their two last years' conversation. The very
breath of him was pestilential, and if it brought not imprisonment or
death over such on whom it fell, it surely poisoned reputation, and left
good Protestants arrant papists, and something worse than that, in danger
of being put in the plot as traitors.'[1]

    [1] North's 'Examen.'

Parliament was opened three days after Godfrey's murder, and immediately
voted that it was of opinion that there had been, and was 'a damnable and
hellish plot;' and every day, both forenoon and afternoon, a session was
held at which the whole matter was discussed. The arrests were numerous,
and among others were several papist lords, and Sir George Wakeman, the
physician to the queen. Even the Duke of York and the Queen herself were
accused by Oates as traitors and accomplices. These stories meeting such
general credence, and rewards being heaped upon the author, others, as
might have been expected, soon followed his example. The most notorious of
these minor perjurers was one Bedlow, who pretended to know the secret of
Godfrey's murder. When first examined he knew nothing of the Plot, but
told a ridiculous story about forty thousand men who were coming over to
England from Spain. The next day, however, his knowledge was greatly
increased, and he pretended to be as fully informed of all the particulars
of the Plot as Oates himself. As we shall see by and by, whatever the
bolder villain swore to, his subordinate confirmed.

Such was the state of things when the first victim of this extraordinary
popular delusion were brought to trial. The earliest trial, although the
accused was not charged with being concerned in the plot, was that of
Stayley, a goldsmith or broker, on the 21st of November, 1678. The charge
against him was that he had called the king a heretic, and threatened to
kill him. The chief witness against him was one Castars. Bishop Burnet,
who was well acquainted with him, says, that when he heard who the
witnesses were, he thought he was bound to do what he could to stop it:
'so I sent both to the lord chancellor and the attorney general to let
them know what profligate wretches these witnesses were. Jones, the
attorney general, took it ill of me that I should disparage the king's
evidence. Duke Lauderdale, having heard how I had moved in this matter,
railed at me with open mouth. He said I had studied to save Stayley for
the liking I had to any one that would murder the king.' The trial
proceeded, and one of the witnesses testified to the following words as
spoken by the prisoner: 'The King of England is the greatest heretic, and
the greatest rogue in the world; here's the heart and here's the hand that
would kill him; I myself.'

PRISONER. 'Here's the hand, and here's the heart that would kill myself;
not would kill him myself.'

L. C. J. 'What Jesuit taught you this trick? It is like one of them. It is
the art and interest of a Jesuit so to do.'

In this, as in all the subsequent trials, the existence of the Plot was
taken for granted as an incontestable fact. Another fact was also assumed,
most improperly indeed, but not without some show of reason, that it was
an admitted doctrine of the Romish church, that however sinful an act
might be in itself, it lost its sinfulness if the interests of the church
demanded its performance. Therefore it was argued, to kill a heretic-king,
to swear falsely, to deceive an enemy, is to do nothing wrong in the eyes
of a Papist, if the pope or the bishops command it. Such a man it is
proper for us to regard as an enemy, for his principles would lead him to
employ any means for the destruction of those whom he was taught to regard
as the enemies of his church.

It is unnecessary for us to stop to point out the fallacy of this mode of
reasoning. Our business at present is only to show the effect it had upon
the minds both of the court and the jury. Thus the Chief Justice reasoned
in his charge at the trial: 'You, and we all, are sensible of the great
difficulties and hazards that is now both against the king's person, and
against all Protestants, and our religion too; which will hardly maintain
itself, when they have destroyed the men; but let 'em know that many
thousands will lose their religion with their lives, for we will not be
Papists, let the Jesuits press what they will, (who are the foundations of
all this mischief,) in making proselytes by telling them, Do what
wickedness you will, it's no sin, but we can save you; and if you omit
what we command, we can damn you. Excuse if I am a little warm, when
perils are so many, their murders so secret, that we cannot discover the
murder of that gentleman whom we all knew so well, when things are
transacted so closely, and our king in so great danger, and our religion
at stake. 'Tis better to be warm here than in Smithfield. When a Papist
once hath made a man a heretic, there is no scruple to murder him. Whoever
is not of their persuasion are heretics, and whoever are heretics may be
murdered if the pope commands it; for which they may become saints in
heaven; this is that they have practised. If there had been nothing of
this in this kingdom, or other parts of the world, it would be a hard
thing to impose it upon them; but they ought not to complain when so many
instances are against them. Therefore discharge your consciences as you
ought to do; if guilty, let him take the reward of his crime, and you
shall do well to begin with this man, for perchance it may be a terror to
the rest. Unless they think they can be saved by dying in the Roman faith,
though with such pernicious and traitorous words and designs as these are,
let such go to Heaven by themselves. I hope I shall never go to that
Heaven, where men are made saints for killing kings.'

The flimsy logic and cool-blooded cruelty of this charge are too obvious
to require mention. According to the chief justice, no Papist could
complain that he was hanged for treason because some members of his church
had massacred the Protestants on Bartholomew's day. The recommendation 'to
begin with this man, that it may be a terror to the rest,' marks well the
character of the judge, and the temper of the jury that could advance or
approve such a detestable doctrine.

Stayley was convicted and thus sentenced: 'You shall return to prison,
from thence shall be drawn to the place of execution, where you shall be
hanged by the neck, cut down alive, your quarters shall be severed, and be
disposed of as the king shall think fit, and your bowels burnt, and so the
Lord have mercy on your soul.'

This sentence was executed five days after.

The next victim was Coleman. The evidence against him was of a twofold
nature; his own letters, and the testimony of Oates and Bedlow. As to the
first, they disclose clearly enough the existence of a Plot, but a Plot in
which Charles himself was the chief conspirator; a Plot not only to
restore popery, but to destroy English liberty. This Plot was of an early
date, and began indeed almost at the restoration of the king. The monarch
of France and the Duke of York were his accomplices. Coleman's part in it
seems to have been merely that of an ambitious, intriguing, bigotted
partizan, pleased with being entrusted with the secrets of the great; and
much disposed to magnify the importance and value of his services. His
letters, that were produced on his trial, related to the years 1674 and
'5. If there was any correspondence of a later date, it was never
discovered. In fine, we may say of these letters that if there was enough
in them to convict Coleman of high treason, the king, the duke, and
several of the most prominent statesmen of that period were equally
guilty.

The testimony of Oates was so strange and improbable, that it never could
have obtained credence for a moment, except at a time when men had 'lost
their reason.' The basis of his whole narration, was his statement
relating to the consult of the Jesuits in April, which we give in his own
words. 'They were ordered to meet by virtue of a brief from Rome, sent by
the father general of the society. They went on to these resolves: That
Pickering and Grove should go on, and continue in attempting to
assassinate the king's person by shooting, or other means. Grove was to
have fifteen hundred pounds. Pickering being a religious man, was to have
thirty thousand masses, which at twelvepence a mass amounted to much that
money. This resolve of the Jesuits was communicated to Mr. Coleman in my
hearing at Wild House. My lord, this was not only so, but in several
letters he did mention it, and in one letter, (I think I was gone a few
miles out of London,) he sent to me by a messenger, and did desire the
duke might be trepaned into this Plot to murder the king.'

But one consult of fifty Jesuits, all eager to carry their diabolical
plans of assassination and murder into execution, was not enough for Dr.
Oates, and he went on to relate the proceedings that took place at
another, held at the Savoy in the month of August, when the Benedictine
monks were present with the Jesuits. 'In this letter,' (one written by
Archbishop Talbot, the titular archbishop of Dublin,) 'there were four
Jesuits had contrived to despatch the Duke of Ormond. (These were his
words.) To find the most expedient way for his death Fogarthy was to be
sent to do it by poison, if these four good fathers did not hit of their
design. My lord, Fogarthy was present. And when the consult was almost at
a period, Mr. Coleman came to the Savoy to the consult, and was mighty
forward to have father Fogarthy sent to Ireland to despatch the duke by
poison. This letter did specify they were then ready to rise in rebellion
against the king for the pope.'

ATT. GEN. 'Do you know any thing of arms?'

'There were forty thousand black bills; I am not so skilful in arms to
know what they meant, (military men know what they are,) that were
provided to be sent into Ireland for the use of the Catholic party.'

In addition to the forty thousand black bills, Oates stated that there had
been £200,000 contributed by the Catholics, and that he heard Coleman say
'that he had found a way to transmit it for the carrying on of the
rebellion in Ireland.'

Here certainly was treason enough concocted, if one could believe the
witnesses, to have hung a hundred men. No less than seven men had engaged
to kill the king; all of whom, through some strange infelicity, did not
find an opportunity even to make the attempt. Not satisfied with this
number of assassins, Coleman would have had the Duke of York brought into
the Plot, and made the murderer of his brother. Could human folly frame a
set of lies more gross and palpable?

Beside Coleman's general knowledge of the Plot, Oates mentioned several
circumstances showing the special interest that he had taken in it; that
he had written letters which the witness had carried to St. Omers, in
which were these 'expressions of the king, calling him tyrant, and that
the marriage between the Prince of Orange and the Lady Mary, the Duke of
York's eldest daughter, would prove the traitor's and tyrant's ruin;' that
'this letter was written in plain English words at length;' that he had
sent another letter in which he promised 'that the ten thousand pounds'
(sent by the Jesuits,) 'should be employed for no other intent or purpose
but to cut off the King of England;' and that he had given money that 'the
four Irish ruffians,' who were to kill the king at Windsor, might be
speedy in their business.

In all these trials there is nothing that more strikingly shows the
infamous manner in which these witnesses were allowed to testify, than the
withholding of such parts of their evidence as they pretended it was
improper at that time to bring forward. Thus they protected themselves;
for no one durst accuse them lest he himself should be charged as a party
to the conspiracy. At this trial Oates said, without a word of dissent
from the Chief Justice, 'I could give other evidence but will not, because
of other things which are not fit to be known yet.'

It is impossible that the Chief Justice, or the other judges, should have
believed such a story as this even for a moment. We make all necessary
allowance for the influence of great popular excitement. We know that
judges are but men, and are not exempt more than other men from the
contagion of those occasional outbursts of frenzy, which seem to destroy
all individual independence, and all sense of individual responsibility;
and which for a time makes a nation like a herd of maddened buffaloes,
ignorant whither it is going, but unable to stop in its furious career.
Yet by their position judges are, of all classes of men, the farthest
removed from popular influences of this nature. Their habits of legal
investigation, fit them in an eminent degree to weigh with scrupulous
accuracy the characters of witnesses; to detect improbabilities and
contradictions. Stories that may deceive even intelligent men unacquainted
with the laws of evidence, and the bearings of testimony, stand revealed
at first glance to the practised eye of the judge as a tissue of
falsehoods. Here the judges could not have been deceived. Who could
believe that the Jesuits, a body of men not less celebrated for their
profound knowledge of the politics of every kingdom in Christendom, than
for the wisdom with which they adapted their plans of proselytism to the
changing circumstances of the times, should have formed a plan to restore
popery in England by massacre and conquest? The thing is too preposterous
to merit a moment's attention.

Still more ridiculous are the details of the Plot as disclosed by Oates.
Would the Jesuits, even if they had formed such plans, confide them to a
penniless, friendless vagabond; a man of notoriously bad character, who
was, while at St. Omers, the butt and laughing stock of the whole college?
Such secrets are not usually revealed to any but tried men, and the
Jesuits were the last of all conspirators to bestow their confidence
rashly. Yet here was a conspiracy whose disclosure would have brought a
certain and speedy death to every one engaged in it, known we know not to
how many hundreds, and many of these too found in the lowest ranks of the
populace. The manner of its execution is of a piece with all the rest.
First, two men were employed to kill the king. For two years they could
find no opportunity to do it. Then four Irish ruffians were employed. Who
they were, or what became of them, no one knew. Then the physician of the
queen was hired to poison him. To this horrible plan of assassination,
were consenting not only the highest dignitaries of the Romish church, but
some of the noblest peers of England and of France. But we have neither
time nor patience to proceed farther with such miserable fabrications. We
say then that the judges never could have believed in the existence of
such a Plot, and that the prisoners tried before them were immolated upon
the altar of their own personal popularity. Rather than resist the current
of popular feeling, and dare to award justice and uphold the supremacy of
impartial law, they chose to swim with the tide, and sacrifice men whom
they knew in their hearts to be innocent. It is this that adds tenfold
guilt to the brutality of their conduct. We cannot forget that they were
dishonest in their very cruelty; that they insulted their victims,
browbeat the witnesses, trampled on judicial forms to gain the favor of an
infuriated mob, whose madness they laughed at and derided.

At the commencement of the trial, Coleman thus alluded to the law of
England, forbidding counsel to prisoners accused of criminal offences, and
to the prejudice that then prevailed against those of his religion: 'I
hope, my lord, if there be any point of law that I am not skilled in, that
your lordships will be pleased not to take the advantage over me. Another
thing seems most dreadful, that is, the violent prejudice that seems to be
against every man in England that is confessed to be a Roman Catholic. It
is possible that a Roman Catholic may be very innocent of these crimes. If
one of those innocent Roman Catholics should come to this bar, he lies
under such disadvantages already, and his prejudices so greatly biasseth
human nature, that unless your lordships will lean extremely much on the
other side, justice will hardly stand upright and lie upon a level.'

L. C. J. 'You need not make any preparations for us in this matter; you
shall have a fair, just and legal trial; if condemned it will be apparent
you ought to be so; and without a fair proof there shall be no
condemnation. Therefore you shall find we will not do to you as you do to
us, blow up at adventure, kill people because they are not of your
persuasion: our religion teacheth us another doctrine, and you shall find
it clearly to your advantage.'

This was fairness and impartiality in the eyes of the Chief Justice!

Coleman did not conduct his defence with so much ability as his reputation
might lead us to expect. He seems to have been dismayed at the dangers
that threatened him, and hopeless of a fair trial, bowed before the storm.
An attempted alibi was feebly supported, although Oates was so indefinite
in regard to time that to attempt to convict him of falsehood was of
little avail. The chief points of his defence were the improbability of
the whole story, and the fact that Oates on his examination before the
council had said that he did not know him. Oates thus excused himself: 'My
lord, when Mr. Coleman was upon his examination before the council board,
he saith I said that I never saw him before in my life; I then said that I
would not swear that I had seen him before in my life, because my sight
was bad by candle-light, and candle-light alters the sight much; but when
I heard him speak, I could have sworn it was he, but it was not then my
business. I cannot see a great way by candle-light.'

Being asked why he had not accused Coleman at the same time when he
accused Wakeman and the Jesuits, he pretended that it was 'for want of
memory. Being disturbed and wearied in sitting up two nights, I could not
give that good account of Mr. Coleman, which I did afterwards when I
consulted my papers;' as if in giving the names of many meaner persons, he
should from forgetfulness overlook one so considerable as Coleman. The
testimony of Oates was confirmed by Bedlow, who did not hesitate to swear
to any thing that the more inventive genius of his fellow-witness had
devised.

In summing up, the Chief Justice animadverted with considerable force upon
the nature of the letters that had been read as proof of a design to
restore popery in England; this he most unjustifiably argued, could not be
effected by peaceable means: 'Therefore,' he says, 'there must be more in
it, for he that was so earnest in that religion would not have stuck at
any violence to bring it in; he would not have stuck at blood. For we know
their doctrines and their practises, and we know well with what zeal the
priests push them forward to venture their own lives, and take away other
men's that differ from them, to bring in their religion and to set up
themselves.'

After speaking of the general ignorance of the Papists, and the general
diffusion of knowledge among the Protestants, 'insomuch that scarce a
cobbler but is able to baffle any Roman priest that ever I saw or met
with,' he goes on; 'and after this I wonder that a man who hath been bred
up in the Protestant religion, (as I have reason to believe that you, Mr.
Coleman, have been, for if I am not misinformed your father was a minister
in Suffolk,) for such a one to depart from it, is an evidence against you
to prove the indictment. I must make a difference between us and those who
have been always educated that way. No man of understanding, but for
by-ends, would have left his religion to be a Papist. And for you, Mr.
Coleman, who are a man of reason and subtilty, I must tell you, (to bring
this to yourself,) upon this account, that it could not be conscience; I
cannot think it to be conscience. Your pension was your conscience, and
your secretary's place your bait. I do acknowledge many of the popish
priests formerly were learned men, and may be so still beyond the seas;
but I could never yet meet with any here, that had any other learning or
ability but artificial, only to delude weak women and weaker men.

'They have indeed ways of conversion and conviction by enlightening our
understandings with a faggot, and by the powerful and irresistible
arguments of a dagger. But these are such wicked solecisms in their
religion, that they seem to have left them neither natural sense nor
natural conscience. Not natural sense, by their absurdity in so
unreasonable a belief as of the wine turned into blood: not natural
conscience, by their cruelty, who make the Protestant's blood as wine, and
these priests thirst after it. _Tantum religio potuit suadere malorum._

'Mr. Coleman, in one of his letters, speaks of rooting out our religion
and our party; and he is in the right, for they can never root out the
Protestant religion but they must kill the Protestants. But let him and
them know, if ever they shall endeavor to bring popery in by destroying of
the king, they shall find that the Papists will thereby bring destruction
upon themselves, so that not a man of them would escape.

    'Ne catulus quidem relinquendus.'

'Our execution shall be as quick as their gunpowder, but more effectual.
And so, gentlemen, I shall leave it to you to consider what his letters
prove him guilty of directly, and what by consequence what he plainly
would have done, and then how he would have done it, and whether you think
his _fiery zeal_ had so much _cold blood_ in it as to spare any others.

'For the other part of the evidence, which is by the testimony of the
present witnesses, you have heard them: I will not detain you longer now;
the day is going out.'

MR. JUSTICE JONES. 'You must find the prisoner guilty, or bring in two
persons perjured.'

The verdict was what might have been anticipated from such a charge.
Coleman was found guilty, and the next day sentenced. After sentence had
been pronounced, he protested his innocence, but was brutally interrupted
by the Chief Justice: 'I am sorry, Mr. Coleman, that I have not charity
enough to believe the words of a dying man.'

In answer to Coleman's request that his wife might visit him in prison, he
at first seemed disposed to deny it, and said: 'You say well, and it is a
hard case to deny it; but I tell you what hardens my heart: the
insolencies of your party, (the Roman Catholics I mean,) that they every
day offer, which is indeed a proof of their Plot, that they are so bold
and impudent, and such secret murders committed by them as would harden
any man's heart to do the common favors of justice and charity that to
mankind are usually done. They are so bold and insolent that I think it is
not to be endured in a Protestant kingdom.'

His request however was granted. He was executed the third of December
following.

We have dwelt with some particularity upon this trial, not because it is
by any means the most flagrant for the contemptuous disregard shown by the
judges, not only to the legal rights, but to the feelings of the prisoner,
but because it came first in the order of time, and serves in a good
measure to explain all the trials that follow it. Comment upon it is
needless. Such a mockery of justice would disgrace the tribunals of
savages. Whatever seems unfavorable to the prisoner is pressed home by the
Chief Justice, most strongly against him. Whatever makes for him is kept
out of sight. To have been born a Roman Catholic is a crime; to have
deliberately adopted that faith, is a damnable sin; one for which there is
no expiation. The absurd fictions of Oates and Bedlow are commended to the
jury as worthy of implicit credence. The whole weight of judicial
authority and influence is thrown into the scale of condemnation.

On the seventeenth of the same December, Whitebread, Fenwick, Ireland,
Pickering and Grove, were brought to trial. The chief witnesses against
them were Oates and Bedlow. The counsel for the crown thus opened the
case: 'May it please your lordships, and you gentlemen of the jury, the
persons here before you stand indicted of high treason; they are five in
number; three of them are Jesuits, one is a priest, the fifth is a layman;
persons fitly prepared for the work in hand.' After a few other
observations, he proceeds to institute a comparison between this Plot and
the famous Gunpowder Plot. The second and third points of resemblance in
the two, he thus states: 'Secondly, the great actors in the design were
priests and Jesuits, that came from Valladolid in Spain, and other places
beyond the seas. And the great actors in this Plot are priests and Jesuits
that are come from St. Omers and other places beyond the seas, nearer home
than Spain.

'Thirdly, that Plot was chiefly guided and managed by Henry Garnet,
superior and provincial of the Jesuits then in England; and the great
actor in this design is Mr. Whitebread, superior and provincial of the
Jesuits now in England.'

The evidence of Oates was the same in substance that he gave at Coleman's
trial, but with such additional particulars as he judged necessary to keep
the popular excitement alive. Thus, in answering the question, what he
knew of any attempts to kill the king at St. James' park, he said: 'I saw
Pickering and Grove several times walking in the park together, with their
secured pistols, which were longer than ordinary pistols, and shorter than
some carbines. They had silver bullets to shoot with, and Grove would have
had the bullets to be champt for fear that if he should shoot, if the
bullets were round, the wound that might be given might be cured.'

ATT. GEN. 'Do you know any thing of Pickering's doing penance, and for
what?'

'Yes, my lord. In the month of March last, (for these persons have
followed the king several years;) but he at that time had not looked to
the flint of his pistol, but it was loose, and he durst not venture to
give fire. He had a fair opportunity, as Whitebread said; and because he
missed it through his own negligence he underwent penance, and had twenty
or thirty strokes of discipline, and Grove was chidden for his
carelessness.'

Of the 'four Irish ruffians' that went to Windsor to kill the king, Oates
could give no account. How he could reconcile it with his duty to His
Majesty to let these assassins lie in wait from August to October, without
notifying any one of their murderous intentions, he did not see fit to
explain, and of course the attorney general and the judges forgot to ask
him.

Not the least wonderful part of his evidence is that which he speaks of
the ill usage he received from Whitebread in September, who charged him
with having betrayed them: 'So, my lord, I did profess a great deal of
innocency, because I had not then been with the king, but he gave me very
ill language, and abused me, and I was afraid of a worse mischief from
them. And though, my lord, they could not prove that I had discovered it,
yet upon the bare suspicion, I was beaten and affronted, and reviled, and
commanded to go beyond sea again; nay, my lord, I had my lodgings
assaulted to have murdered me if they could.'

This is certainly the strangest way to conciliate a disaffected
conspirator, that we ever heard of! Most men would have preferred to use
bribes and caresses; but the Jesuits, it seems, knew their man, and chose
to beat him into secrecy and submission!

Bedlow's evidence, as usual, was mainly confirmatory of the statements of
Oates, embellished by such new incidents as his feebler powers of
invention could frame. He was, however, not quite satisfied with this
subordinate part; and therefore at the close of his evidence pretends to
recollect that he had omitted one thing very material: 'At the same time
that there was a discourse about these three gentleman being to destroy
the king at New-Market, there was a discourse of a design to kill several
noble persons, and the several parts assigned to every one. Knight was to
kill the Earl of Shaftsbury, Pritchard, the Duke of Buckingham, Oniel, the
Earl of Ossory, Obrian, the Duke of Ormond,' An assassination of noblemen
on a truly magnificent scale!

Nothing appearing in Bedlow's evidence to implicate Fenwick and
Whitebread, and two witnesses being necessary to prove the charge, they
were sent back to prison. When they were subsequently brought up for trial
for the same offence, and pleaded that they could not a second time be
tried, their plea was overruled, although founded on one of the commonest
principles of law, and sanctioned by a thousand precedents. The reasoning
of Scroggs and North, the Chief Justice of the Common Pleas, is so curious
that it is worth quoting. Whitebread, after objecting that he is informed
that no man can be put in jeopardy of his life the second time for the
same cause: 'I speak it not for my sake only, but for the sake of the
whole nation; no man should be tried twice for the same cause; by the same
reason a man may be tried twenty or one hundred times.'

SCROGGS. 'You say well, it is observed, Mr. Whitebread; but you must know
that you were not put in jeopardy of your life for the same thing, for
first the jury were discharged of you; it is true, it was supposed when
you were indicted that there would be two witnesses against you, but that
fell out otherwise, and the law of the land requiring two witnesses to
prove you guilty of treason, it was thought reasonable that you should not
be put upon the jury at all, but you were discharged, and then you were in
no jeopardy of your life.'

'Under favor, my lord, I was in jeopardy, for I was given in charge to the
jury; and 'tis the case in Seyer, 31 Eliz., he was indicted for a burglary
committed the 31st of August, and pleaded to it, and afterward another
indictment was preferred, and all the judges did declare that he could not
be indicted the second time for the same fact, because he was in jeopardy
of his life again.'

C. J. NORTH. 'The oath the jury take is, _that they shall well and truly
try, and true deliverance make_ of such prisoners as they shall have in
charge; the charge of the jury is not full 'till the court give them a a
charge at last, after evidence had; and because there was a mistake in
your case, that the evidence was not so full as might be, the jury before
they ever considered concerning you at all they were discharged, and so
you were not in jeopardy; and, I in my experience, know it to be often
done, and 'tis the course of law.'

In this opinion all the judges coincided. Sad indeed was the condition of
things in poor England when all her judges could resort to such miserable
quibbles; or worse than this, could deliberately falsify the law, to
condemn to an ignominious death two defenceless prisoners!

To return from this digression. The three remaining prisoners were found
guilty. The Chief Justice in charging the jury was even more violent
against the Papists than in his charge at Coleman's trial: 'Some hold that
the pope in council is infallible; and ask any Popish Jesuit of them all
and he will say the pope is himself infallible in council or he is no true
Jesuit; and if so, whatever they command is to be justified by their
authority; so that if they give a dispensation to kill a king, that king
is well killed. They indulge all sorts of sins, and no human bonds can
hold them.

'They have some parts of the foundation 'tis true, but they are
adulterated and mixed with horrid principles and impious practises. They
eat their God, they kill their king, and saint the murderer. This is a
religion that quite unhinges all piety, all morality, all conversation,
and to be abominated by all mankind.

'I return now to the fact which is proved by two witnesses, and by the
concurrent evidence of the letter and the maid; and the matter is as plain
and notorious as can be, that there was an intention of bringing in popery
by a cruel and bloody way; for I believe they never could have prayed us
into their religion. I leave it therefore for you to consider whether you
have not as much evidence from these two men as can be expected in a case
of this nature; and whether Mr. Oates be not rather justified by the
testimony offered against him, than discredited. Let prudence and
conscience direct your verdict, and you will be too hard for their art and
cunning.

'Gentlemen, if you think you shall be in long we will adjourn the court
till the afternoon and take your verdict then.'

JURY. 'No, my lord, we shall not be long.'

After a very short recess the jury returned with a verdict of guilty
against all.

C. J. 'You have done, gentlemen, like very good subjects and very good
Christians; that is to say, like very good Protestants. And now, much good
may their thirty thousand masses do them!'

Before the court pronounced sentence Ireland loudly complained that he had
had no time to call his witnesses: 'So that we could have none but only
those that came in by chance, and those things they have declared, though
true, were not believed.' His objection was overruled, and the Recorder,
Sir George Jeffries, proceeded to pass sentence. The spirit that pervaded
his speech may be seen in this extract: 'I am sure this was so horrid a
design, that nothing but a conclave of devils in hell, or a college of
such Jesuits as yours on earth, could have thought upon.'

At the trial of Berry, Green and Hill, for the murder of Sir Edmondbury
Godfrey, the improbabilities of the testimony and the contradictions of
the witnesses were so glaring that it seems incredible that any man could
believe them. As a specimen: Praunce, the chief witness, said that the
body was taken to Hill's lodgings where it remained two days in a certain
room he mentioned. In defence, it was shown by all the family, that that
room was an open one; that scarcely an hour passed but some one went
through it. But instead of receiving this testimony, the Chief Justice
told the witnesses that it was very suspicious they had not seen the body,
and that it was well for them they were not indicted. But we have not
space to quote further. The extracts we have already made will be
sufficient to show Scrogg's utter contempt for those duties which the law
imposed upon him as the counsel for the prisoners; his abusive and
threatening demeanor toward their witnesses; his appeals to the passions
of the jury, their bigotry and their fears; and in a word, his total
destitution of every quality that marks the honest, fair-minded, and
impartial judge.

We intended to speak of the disgraceful and cowardly part which Charles
the Second bore in these proceedings. Convinced that the Plot was a mere
fiction, he saw day by day his innocent and faithful subjects led to the
gallows without making an effort for their safety, or giving utterance to
a word of disapprobation. It was not until the Queen was attacked, that
the selfish monarch interfered. A word from him turned the abuse of
Scroggs into an opposite channel, and Oates and Bedlow were now as
bitterly reviled as the Jesuits had been before. We believe that Charles
was a willing spectator if not an active promoter of these legal
butcheries, hoping that thereby a vent would be given to the popular fury,
and he himself, by such a sacrifice, regain the lost affections of his
people.

We intended also to speak of the conduct of the leading English statesmen
during this period; of Lauderdale, of Shaftsbury, of Danby, and of
Buckingham; but our limits are already overpassed. We can only say that
the character of the monarch was truly reflected in the character of his
counsellors; that as England has never had so faithless and profligate a
king, she has never been disgraced by such unscrupulous, despicable, and
short-sighted ministers.




THE INFANT'S BURIAL.

BY THE SHEPHERD OF SHARONDALE, VALLEY OF VIRGINIA.

    'Earth to earth, ashes to ashes, dust to dust.'


  I.

          'Dust unto dust!' Sweet child!
    Was that dark sentence ever meant for thee?
    For that bright form, that tablet undefiled,
          Creation's mystery?
  No no, it could not be, for GOD is just;
  That beauteous brow! oh, who could call that dust?
          And yet methought I heard
    Those words slow uttered o'er thy tiny grave,
    As though that Eden-calm had e'er been stirred
          By Passion's stormy wave.
  It should have been, 'Angels an Angel meet;
  Seraphs on high a sister-seraph greet!'


  II.

          'Earth unto earth;' 'tis well
    That sordid earth should pass to earth again:
    In those dark fanes where truth has ceased to dwell,
          Why should the shrine remain?
  Deep in the dust let all such pass away;
  Why should they not?--clay mingles but with clay:
          Such is dark Manhood's prime,
    From whose high nature all of Heaven has past,
    Whose once pure mould is deeply dyed with crime;
          Bound down with fetters fast:
  Gone, gone is all of holiness and worth,
  And what remains is naught indeed but earth.


  III.

          'Ashes to ashes?' Yes!
    _Let_ it be thus with those whom age has chilled,
    Whose life is but the dying ember's glow--
          _There_ let it be fulfilled!
  Say, 'When the altar-fires but dimly burn,
  'Ashes to ashes, dust to dust' return!'
          And with that aged band,
    The blackened craters of whose hearts are charred
    By scathéd hopes and Hate's undying brand;
          Let not this fate be marred:
  Ope wide thy portals, Grave! Death, pass them down!
  For these, and such as these, are all thine own.


  IV.

          But oh, my beauteous one!
    This gloomy path should not by thee be trod;
    The grave, the worm, should not by _thee_ be known--
          Go thou direct to GOD!
  Thy passport white at Heaven's gate unroll,
  (No dark hand-writing e'er hath soiled that scroll.)
          'Twas thus the Saviour spoke:
    'Those little children; suffer them to come.'
    The mandate thou didst hear; the fetters broke
          Which kept thee from thy home:
  Awhile life's threshhold thou didst press with glee,
  Then turned away; _this_ life was not for thee!




A PISCATORIAL ECLOGUE.

VEL ISAACUS WALTON IN NOVAM SCALAM REDIVIVUS.

BY PETER VON GEIST.


PISCATOR. You are happily met, my fair young lady!

DISCIPULA. A very good morrow to you, Mr. PISCATOR. You are early a-foot,
with your rod and lines.

PISCATOR. A veteran of the angle will be stirring early; there is a brace
of fish waiting for my hook on the other side of our lake. But you, my
gentle maiden, have you come down to the beach to see the sun rise? and
mayhap to pluck a rose with the dew on't? I think you have found it; for I
think I can see the rose on your cheek, and the dew in your eye. It is
sweet to be up betimes in the morning, when the air and the new sunlight
are as clear and calm as your own thoughts.

DISCIPULA. It is even so, as you and I know right well. A pleasant sail to
you; God send a dozen fish, and may you kill them merrily. But honest Mr.
Piscator, do you go alone to-day?

PISCATOR. I think so to do; for you are to note, a companion of patience
and sober demeanor, free from profane jests and scurrilous discourse, is
worth gold, but is not so easy to be come at. And none other than such
jumps with my humor.

DISCIPULA. And when, my good Mr. Piscator, will you give me another lesson
in the art of angling? For you must know the last has only increased my
desire to learn something more of it. Or do you think that we women can
never attain skill in that noble and gentle art?

PISCATOR. That it is a noble and a gentle art I am ready to maintain; and
that women have attained skill in it is not to be doubted; as you will
read in books of old time, that ladies both hunted, and hawked, and
fished.

DISCIPULA. But the lesson, my honest master? When shall I have another
lesson?

PISCATOR. You shall even suit your own convenience. And some fine morning,
when you are so disposed, we will take a walk down the river; when I will
teach you to cast your line for trout; for indeed, it requires a sharp wit
and much practice to throw your fly so that the trout will rise at it.

DISCIPULA. Not in the river, if it please you, good Mr. Piscator, not in
the river! Teach me to fish in the lake.

PISCATOR. Without doubt, my fair young lady, it must be as you desire. And
yet, it is not every woman that would have the courage to cross the pond
in a skiff that rocks to every ripple.

DISCIPULA. Trust me for that. You should know that I am not wont to be
frightened at trifles.

PISCATOR. Truly, it is so; and I do not question your courage. Then on any
day that you will appoint, GOD willing, I will give you a sail; or indeed,
this morning, if duty does not incline you in another direction, and you
will step with me into my little boat yonder.

DISCIPULA. That shall I with right good will. But I shall have to make you
wait while I get my fishing tackle.

PISCATOR. Of necessity you shall not do that; for I remember now, I can
fit you with a spare harness of my own.

DISCIPULA. Then let us be going, say I. And is this the skiff? What a
painted little cockle-shell of a boat, with its two masts! I suppose it
will bear us both?

PISCATOR. It will bear twenty like you and me. Please let me help you to
step in; and though you feel it to give under your feet, and as it were,
slide away from beneath you, yet now when you are set down on the bench,
you perceive it is perfectly steady.

DISCIPULA. Oh, I shall not be in the least afraid. What a tiny little
schooner! But is it not bold to spread both sails? And see, now that we
come round to the wind, how the skiff keels over.

PISCATOR. It is entirely safe, my fair scholar; for since you have chosen
me to be your instructor and master in the science of the angle, you must
be content to be called my scholar. It is entirely safe; and you must
observe, that however much it may keel over, it cannot upset; for if
struck by a sudden squall, or flaw of the wind, the masts will go by the
board, and so it will right.

DISCIPULA. Excellently well contrived. But has not the breeze suddenly
died away? Yet the sails are distended, and miniature waves are thrown off
from either side of the bow.

PISCATOR. The breeze seems to have decreased, because we are moving in the
same direction with it; and you will see, now when I bring the boat more
toward the wind, that it blows as strong as before, and our motion is well
nigh stopped.

DISCIPULA. That I can very well see; and I pray you, my master, not to
bring the skiff so far into the wind to prove your proposition to me as to
capsize it. The masts bend over toward the water more than it is pleasant
to see.

PISCATOR. There is no danger; and after half an hour's experience you will
become used to it, and lose all apprehension. I think I will alter our
course a couple of points; so if you have a mind, since I cannot well
leave the tiller, you may unloose the cord that fastens the forward sail
to the side of the boat; wait a moment till we come round, and the sail
hangs loose in the wind; now loose the rope, and let it out about a foot;
so, wind it round as it was before. Neatly done! Next, let out the other
sail in the same way and to the same length. It was well executed! Really,
you are destined to become a sailor's wife after all.

DISCIPULA. Marry, I hope so. But why 'after all?'

PISCATOR. Nay, I meant nothing; except, that whereas I formerly thought
you rather affected the land, now I find that you are courageous on the
water; and therefore, I say you deserve a Commodore. Observe now, we are
running more nearly with the wind, and move faster. It is a favorable
breeze; for our fishing-ground is in the south-eastern corner of the lake,
behind that highland which you see yonder; and this blows from the western
quarter. We shall soon be there.

DISCIPULA. Be in no hurry; I am in none. Is it not a fine morning? Those
white, high-flying clouds, rolled up into fleeces like wool, with ragged
patches of the sky between them, above us, and the broad blue bosom of the
lake, with the multitude of little waves leaping up and dancing all over
its surface beneath us, and our boat, in the midst of both sky and water,
gliding calmly along like a bird with his wings spread floating in the
air! Is it not a lovely morning? Yes, yes; I must be a sailor's wife, and
live on the ocean! Or perhaps, rather, a fisherman's wife, and sail on a
lake like this. If I should happen to meet with one of the latter class,
of approved character, somewhat mature in years and grave in demeanor,
kind of disposition and manly of countenance, one who would let me go
sailing with him every day, (of course I am not describing you, Mr.
Piscator,) I think--yes, I am quite certain, that he would content me.

PISCATOR. Nay, nay, my fair young lady, you are pleased to mock! 'Mature
in years and grave in demeanor,' said you? A gallant young sailor for you,
say I! There are many who sigh for the favor which you have so freely
granted me to-day. Ah, you should not jeer.

DISCIPULA. I tell you, Mr. Piscator, none but you for me this day! I am
not going to think of any body but you; for I tell you plainly, I like you
very much.

PISCATOR. Ah, yes, yes; certainly--without doubt, I hope so; surely, why
should you not?

DISCIPULA. And what a beautiful island! The grass grows down almost to the
water's edge, leaving a narrow belt of white sand; how it glistens in the
sun-light! and those half-a-dozen tall trees in the centre, how do you
suppose they came to grow there alone so?

PISCATOR. That is a question which I have often asked, but have never been
able to satisfy myself, as to how they came there. They have stood for
more generations than one, and will cast their shadows on the water when
other boats than ours sail past them, and other eyes than ours wonder at
them. Now we are nearly at our journey's end; when we pass through the
opening between that island ahead of us, and the main land, we shall be on
our fishing-ground.

DISCIPULA. Is it possible that we have reached here so quick? It is not
half so far as I thought it was. And yet, on looking back, there is a wide
waste lying between us and the cove from which we started. How diminutive
the house on the high ground back of the landing-place looks; like a
mole-hill, and the trees around it like shrubs! Well sped, little bark! A
swift and an easy-paced courser are you; steadily now, through this narrow
strait; steadily and gently, for your race is almost run.

PISCATOR. The channel begins to widen again; and lo! here we are in a lake
by itself as it were; a sheet of water full a mile long and a quarter of a
mile wide. And herein the fish mostly do congregate. I will hold on to
near the middle, and then drop the anchor.

DISCIPULA. It is indeed a fine sheet; smooth as any mirror; clearer than
glass. I suppose the fish assemble here when they get tired of the
roughness and commotion of the lake without, because it is so calm and
still. Is it not so?

PISCATOR. It may be so; it is a good reason, and I will believe that it is
so, since you have supposed it. This is as good a place as any, and here
we will cast our lines; and there is so little wind stirring, that we
shall only need to furl our sails, and the boat will remain at rest. Now
then, here is your rod, nicely put together, with a fly on the hook. A
pike will rise as quick at an artificial fly as at a live one; a greedy
fish is that pike; and if we should have occasion, I have other kinds of
bait. Take it, and throw your line out as I taught you before. But what
are you regarding so intently?

DISCIPULA. I am looking at the shadow of the trees in the water; an
inverted forest in the lake. Fish a little while alone, and let me look.

PISCATOR. It has become so late in the day that I have not much hope of
taking many now. However, I can but try. This same rod and line have done
me good service in this same place, before to-day. Ah, I see a pike! I'll
have him! Look! look how slowly and warily he comes up toward the bait!
When he gets within a few feet of it, he will make a dash, and gorge it
without stopping to think. Ah, there he goes with it; and here he comes
back with it, straight up into the boat. Upon my word, a reasonable fish;
he wont weigh short of three pounds.

DISCIPULA. Oh, Mr. Piscator! here's a new heaven and a new earth beneath
us! Waving trees with birds flitting among their branches, and far down
below, flying clouds and blue sky. A perfect hemisphere, and we are
hanging over it, without any thing to support us! I shouldn't be
surprised, to feel myself this minute tumbling down into it, down to the
new heaven! I have been expecting to, for some time past; and what a fall
would that be! Do you suppose we should stop when we got there?

PISCATOR. If we did not, where should we go to?

DISCIPULA. Ah, where!

PISCATOR. These fish do not seem inclined to bite this morning. Yet there
is one larger than that I caught before. I must have him, too. Observe how
wistfully he eyes the bait; let the fly skim slowly along the water, just
over him; that is the way, Sir, to swallow a hook; and now come up, and
slide into the basket, out of sight, and keep your brother company.

DISCIPULA. Mr. Piscator, when you make such a splashing in the water, you
ruffle and wrinkle my submarine prospect. Please don't.

PISCATOR. I think it will be profitless trying to take any more this
forenoon; toward night they will bite again. And what shall we do in the
mean time? Usually, when I come out here alone, I go ashore, and rest
myself during these hours, amid the fragrant shades of the thick trees,
that screen me from the mid-day heat. Would you like to take such a
ramble?--or are you inclined to stay here, and gaze into the water?

DISCIPULA. I suppose the picture will keep till we come back. Let us go
ashore, and wander around in the woods, and find romantic grottoes, and
weave flower-wreaths, and build castles in the air.

PISCATOR. And half a mile inland, you can see its summit from here, is a
hill that commands a vast tract of lake and woodland.

DISCIPULA. Yes, yes; let us go!

PISCATOR. Well, scholar, here we are again, after our long tramp. You see
I am a better land-pilot than you just now took me to be; for I have
brought us out to the right spot; more by token, yonder is the boat, safe
and sound. I am afraid you are fatigued with our long travels?

DISCIPULA. Not much; but I would like to sit down on the green carpet,
under this shade, for a few minutes.

PISCATOR. It must be, at the least, four of the clock; and although your
nature, my fair young lady, is probably too ethereal to think of such
homely matters, I do not profess mine to be such, and am ready to
acknowledge, that _a little dinner_ would not be unacceptable.

DISCIPULA. Unacceptable? No; but where are we to get it?

PISCATOR. I always bring with me, on my excursions, a hand-basket,
containing----

DISCIPULA. Why in the world!--why _didn't_ you let me know that before?
Let us have it as quick as possible!

PISCATOR. It is in the boat, and if you will remain a moment, I will bring
it up here.

DISCIPULA. Oh yes, do! And be quick, my good master!--as quick as you can!

PISCATOR. Nimble as any page, that waits on lady bright. Here we have the
provisions; and if we could manage to find something for a table-cover, we
might dispense with knives and---- Right, scholar, put your hand into the
basket and help yourself.

DISCIPULA. Ham sandwich! Oh, Mr. Piscator, this is good! Is there enough
of it?

PISCATOR. Enough for us two; and therefore you need not fear to help
yourself heartily, as I am glad to see that you are not. Never was
sumptuous feast to an epicure on gala-day better than my simple fare to me
on this beach, after a morning's sail and ramble.

DISCIPULA. Most excellent! I'll come out here every time I can get a
chance, for the sake of dining with you under the old beech tree.

PISCATOR. It brings to my mind the story of the king, who, after the
chase, took some bread and water at the hut of a woodsman; which, as it is
no doubt well known, I shall not repeat unto you. But the bottom of the
basket begins to appear. What! done already? Good despatch! And now,
scholar, we will immediately to our sport, for we have no time to waste.

DISCIPULA. Yes, yes, immediately to work; I long to try my hand. Here's
the boat; I should think it would have got tired waiting so long for us.
But it looks very patient.

PISCATOR. You may get in, while I loose, and shove off. There appears to
be a sharp breeze blowing on the lake without, yet our pond is as
unruffled as when we left it. We will return to the same spot we were in
before, and cast out our lines.

DISCIPULA. Is this my rod? Fix the bait for me skilfully, and I'll catch
them.

PISCATOR. I cannot promise you great success at first, considering your
inexperience----

DISCIPULA. Oh, I'm going to catch an hundred!

PISCATOR. I hope you may; certainly--I hope you will; and you can only
try. There, your fly is fastened to the hook as well as my art is able.
Come, and sit on this side, and I will give you some instructions how to
use it. First, see that the line is clear of the rod; then give it one
swing round your head; so--and cast it quickly but softly, as far from you
as you can on the water. Neatly done! Now draw it slowly along the
surface, and you shall presently see a fish rise at it. Be more moderate;
you draw it too rapidly. Ha! there it goes under! Wait till you feel him
pulling on the line; now give him a little jerk to the right; there you
have him, fairly hooked! You must be careful, or you'll lose him yet. No;
he's not very heavy, and you may raise him strait out of the water, and
land him in the boat; so!

DISCIPULA. Ah, my master, will you tell me that I can't catch fish? Poor
little fish! Oh, but he's a small one: take him off, master, and put him
into the hold. I hunt for nobler game.

PISCATOR. Not a good thought, not a good thought for an angler. Hunt for
nobler game, if you like; but a fisherwoman must not despise the smallest
that comes to her net. Every thing counts.

DISCIPULA. Despise? No; oh no! I would like to catch fifty just such; that
is, if there are no larger ones to angle for.

PISCATOR. Well, your bait is set again. Cast out as before, and I wish you
better luck.

DISCIPULA. Now I am going to catch a large one--a foot long. But, Mr.
Piscator, why do you not use your line?

PISCATOR. I will not interfere with your sport; and beside, I may want to
give you advice how to manage yours. It is not, in general, a good plan to
let the fish see you when you are angling; they are apt to be frightened
away. However, in this case, I shall say nothing against it; because if
they have an eye for beauty, as is commonly believed, your showing
yourself should have a contrary effect. In truth, the influence of beauty
is much to be marvelled at. I remember myself when I was young, and had
not yet learned their vanity, how easy I was to be led away and bewitched
by a fair face and a sparkling eye. That was some time ago; you draw your
fly too fast; it was some years ago; and yet I am fain to confess, that
even now, in nothing do I take more pleasure, than in looking on a ruddy
cheek, a polished brow, the long lashes of a soft blue eye, and upon heavy
folds of auburn hair; and it is for this reason that I have placed you
opposite to me now.

DISCIPULA. Why, Mr. Piscator! Did you mean that for a compliment?

PISCATOR. Certainly no. I seldom speak but what I think, for flattery I
like neither to give nor receive. Ah, yes; there are witches in the world
yet. And their witchcraft consists not in magic filters, and potent herbs
gathered at midnight under the full moon; far more subtle and powerful is
it. Like the poisons of eastern countries, it is communicated by a touch,
by a look, by the breath of a word. This is the witchcraft that they use;
therewith lure they men to commit folly. It would seem to be their chief
delight, their main occupation. But I am willing to believe that you are
not so evil-minded; and that when you bewitch men, it is not because you
love to do it, but that it is altogether involuntary.

DISCIPULA. Oh, of course, altogether involuntary. If I had my way, I never
would cause a single flutter in any body's breast--not I. But you see how
it is, I can't help it, and therefore it is not my fault. These fish do
not bite well. There is one, he will weigh four pounds, that has been
playing round and round the hook, but won't touch it. Haven't you got some
kind of sweet smelling oil or perfume to scent the bait with?

PISCATOR. I have some lavender-leaves, and if you will draw up the line, I
will rub the fly over with them, for fish love the smell of lavender. Try
him with that. Ah, I see him--a respectable fish. He is coming up toward
the hook; I think he will take it.

DISCIPULA. He stops and eyes it, as though he half suspected that it would
not be pleasant to the taste, for all its fair looks. But I'll have him,
in spite of his wits. You scrutinize too closely, Sir Pike! You had better
take it at once, without useless inspection. What a noble fellow! How
gracefully he moves through the water! I will make it float carelessly
away from him, dancing on the silver surface, as though it had just fallen
fresh from Heaven; and beside, distance lends enchantment. Ha! see him
make a dive at it! There you have it, Sir! and there I have you!

PISCATOR. Take care, or you'll be over! Hold hard, or he'll have _you_
too! Upon my word, I was afraid you would go overboard! You should not, in
your eagerness, lean out over the water so far. But you have got the
better of him, and now pull him into the boat and let me take him off.

DISCIPULA. I came near losing my balance; I thought I was gone! Lucky
escape!--but my heart beats yet.

PISCATOR. A fine fish. He has swallowed the bait whole; your large fish
always do. O! I don't know as I can take it out, without hurting him.

DISCIPULA. Poor fish! He does not look quite so spruce and independent as
he did a little while ago. Did your mouth water for that tempting fly. It
will never water again! What deep sighs heave his little breast! but they
will soon be over. Fix the bait, Mr. Piscator, and rub some more lavender
on it. I'll catch another, in less than a minute.

PISCATOR. It is done already. And this time, do not lean over so far, or
you will be in danger of being pulled in, by some fish of greater strength
than usual. Really, I think you are a good angler; you seem to possess the
skill by intuition. Is it not fine sport? I see by the increased flush and
light of your countenance, that you are of the same opinion. It is truly a
gentle, a feminine sport.

DISCIPULA. There is one with the beautifulest eyes, and covered all over
with gold and silver. But he is exceedingly shy. Come, Sir, if you are so
distant, I shall have to approach you myself. I desire a nearer
acquaintance with your beautiful eyes, and your gold and silver scales.
Oh! if you move off in that direction, I shall retire in this! Ah, you've
thought better of it, and are coming back. I knew you would. Observe, Mr.
Piscator, how he turns round and hesitates and doubts what to do. There is
no use in his deliberating; it is inevitable; he has got to do it. Now he
turns back. He seems to have made up his mind that he must have it at all
hazards. And see him shut his eyes and make a dash. I am afraid he finds
it unpalatable! Too rash! too rash! You should have considered better!
Take him off, master; he is nothing very great, after all.

PISCATOR. I see a large one, lying here at the left, deep in the water; of
the kind which we call sucker. It is his nature to lie perfectly still as
though asleep, and not to move till he is touched. Reach here the hook,
while I fasten some pieces of lead to it, enough to sink it; and then I
will tell you how to hook him.

DISCIPULA. I see! I know! I can do it myself, I will let the bait sink
gently down into the water, a little forward of him, thus. Ah, it fell
right on his back! He must be asleep, for he doesn't stir, nor seem to
notice it. Now then, a little forward of him; and so, slowly, softly,
float up toward his nose. He appears to be inspecting the fly; he sleeps
with his mouth wide open; as a natural history philosopher might examine a
butterfly; and since it is so closely presented, suppose you try the sense
of taste too, Sir! It is pleasant to the eye, you will find it also good
for food, and to be desired to make one wise. Allow it to fall
imperceptibly into your mouth; nay, you cannot judge of its merits from a
half trial, like that; it must be taken entirely in. Don't exert yourself,
in the least; another inspiration, and you are possessed. Ha! is it not
good?--is it not sweet? He must be very fond of it, he holds on to it so
hard! Astonished fish! he wakes up, and opens his eyes with wonder; there
is more in it than he dreamed of! Strait up to the light here, and show
your agitated countenance. Now please to open your lips, and disclose the
cause of all your sorrows, while kind Mr. Piscator extracts it.

PISCATOR. Well hooked! Indeed, scholar, it was well done of you. But the
heavens are becoming overcast; it threatens storm. Would it not be wise to
set out on our return?

DISCIPULA. Oh no, no! I can't think of going yet? 'Wise!' It seems to me
that it would be very foolish, while the lake contains so many more fish
as good as any that we have already caught.

PISCATOR. You do not expect to take them all?

DISCIPULA. All in this place; what should hinder?

PISCATOR. They will not bite for ever in the same place. They are a
cunning animal, and get frightened.

DISCIPULA. Then let us remove to another spot.

PISCATOR. That we might do, if there were time; but the sun is entirely
hidden by clouds, and is near his going down. We shall presently have a
thunder-storm. And then a stiff breeze from the south, which will waft us
speedily toward our landing place; had we not better begin to think of
leaving?

DISCIPULA. Wait till I catch one fish more; I had a nibble just then.

PISCATOR. You should handle your rod more gently. The wind blows up
fresher and fresher; it will be dark as pitch too, when night fairly comes
on. Shall we not spread our sails, and speed merrily homeward?

DISCIPULA. Well, as you will, master; though really I don't see any
occasion for all this hurry. Look at that fish! He rose almost to the
surface after my hook, and yet wouldn't take it. Oh, my poor fly! my poor
bait! See it, master! All faded and worn and torn, no painting or patching
can renew its comeliness! And there sticks out the hook, plain to view; a
blind fish might see it! Oh, my poor fly, that couldn't conceal the hook
any longer! Mr. Piscator, lend me your knife, while I cut the bait from
the line, rags, paint, iron and all, and throw it back into the water,
thus. Now then, little fish! silly fish! come all of you, and see what has
befooled you! What some of your tribe have swallowed because they thought
it was good, and some because they were careless, and others because they
were hungry and must have something! What many of ye have taken in, and
more have nibbled at, and all have gazed at, and admired and longed for!
Oh, rare sport have ye made me, foolish things! And longer would I have
played with you, but the evening comes on, and I must bid you a happy
farewell. So we are under way again, are we?

PISCATOR. We are again under way; and I have hope of reaching home before
yonder cloud comes over us. And trust me, when it does come, it will bring
more wind with it.

DISCIPULA. Once more on the open bosom of the lake! How the little black
angry waves dance up one after another, and roll past us toward the
northern shore. And see that dim hill at the other extremity of the pond,
how gigantic and broken it looks. Oh, Mr. Piscator, let's go and see it!
let's go and see it! And those high perpendicular rocks, that stand out so
boldly. Yes, yes, put up the helm! we'll go and see how they look in the
twilight.

PISCATOR. But my dear child, it will take an hour and a half longer to go
round by the rocks, and before that time, I fear the storm will increase.

DISCIPULA. Oh, never fear the storm. I'll risk it! And when we get up
there, we can take a short cut across to our port; so put up the
helm!--good Mr. Piscator, kind Mr. Piscator! do let us run up to the hill!
I can assure you there is no danger.

PISCATOR. I cannot well deny any thing that you ask of me; but much I
doubt, Mr. ----

DISCIPULA. Nay, nay, doubt nothing. We shall get home safe, trust me for
that. And that cloud, that you are so fearful of, is not coming over us,
at all; it is coming down on the other shore of the lake. Please, Mr.
Pilot, to keep in a little nearer the land, or we shall pass the rocks so
far out, that we shall not be able to see them with distinctness.

PISCATOR. A wilful woman must even have her own way. My child! you will
catch your death with cold, to take off your bonnet so!

DISCIPULA. I'm not afraid of it; I want to feel the air.

PISCATOR. And where are you going now?

DISCIPULA. Going to sit down in the bow of the boat. This view is much
finer! Oh, this is grand!

PISCATOR. But, good scholar! good scholar! you will certainly fall out
there! I believe you are crazy, you look so wild!

DISCIPULA. How the boat pitches over the little waves! And, Mr. Piscator,
direct the boat toward the shore, so as to make it rock more. The heavens
are all grey, and the waters are all black, and the wind is high and wild
in its sport like an imprisoned bird let loose. Oh master, spread the
other sail, and see if we can't fly faster! Here are the rocks so grim;
but it is growing dark, and I can only just make them out. Why, Mr.
Piscator, you are not going near enough! Run close in under them!

PISCATOR. I shall say to you plainly, what you ask is impossible. It would
be running an unwarrantable hazard; as indeed coming up here at all was
unwarrantable.

DISCIPULA. At least then, good master, keep along up at this distance, if
that pleases you best; for there is a bluff just ahead, which projects
farther out than the others, and we shall pass close by it.

PISCATOR. It is high time that we commenced our return in good earnest.
And therefore, scholar, for I must remind you that you are my scholar till
I see you safe ashore; therefore, if you please, you may stand by the sail
to tack.

DISCIPULA. But just look once, how boldly and sternly it lifts up its calm
front out of the boiling waters!

PISCATOR. It is without doubt, very fine; but it is impossible to hold on
a foot farther. So if you will stand by the sail----

DISCIPULA. I wish I had a boat of my own to sail out here alone in and go
where I choose! Well, what shall I do? how shall I go to work? Oh, Mr.
Piscator! honest Mr. Piscator! let me hold the helm while you take care of
the sails.

PISCATOR. Willingly, if your hand is strong enough. Try it; shall you be
able to hold it as it is?

DISCIPULA. With the greatest ease. Now then, are you ready? What are you
letting down the sail for? That three-cornered rag from the bow-sprit wont
be enough!

PISCATOR. It would be unsafe to set the main-sail, and I think with this
breeze the fore-stay-sail will drive us sufficiently fast.

DISCIPULA. Well, suit yourself. Now are you ready?

PISCATOR. Ready, certainly, when I take the helm. But what are you doing?
If you undertake to let the skiff fall off before the wind you will upset
us, as sure as----

DISCIPULA. Just see if I do. Let me hold the helm. Oh yes, let me!

PISCATOR. But scholar! good scholar! dear scholar!

DISCIPULA. No, no, I wont give it up! you can't have it! Honest Mr.
Piscator, let me steer the boat, only a little way! Oh, but I will; and
there is no use in your trying to prevent me. See there now, haven't we
come round to our course in good style?

PISCATOR. A taste of power to those who are unaccustomed to it is always
dangerous, and I blame myself for permitting you to usurp the post of
pilot. Though, as you seem determined to maintain it, I cannot choose but
to sit down here quietly, and trust our lives to your skill. My life
indeed! But yours? Seriously now, my fair young lady, would it not be
wiser----

DISCIPULA. Seriously now, my careful master, I don't think it would. Why,
what would you have? Are we not skimming over the waves like a sea-bird
free? And see those two birds, how they dash by us, and wheel round over
us, and breast the gale! Oh master! wouldn't you like to be a sea-bird,
and swing sideways, with your face to the wind that almost took your
breath away, swing down, down, glance against the water, then on the other
side, swing up, up? And wouldn't it be sweet too to struggle your way up
through the storm, high over that cloud yonder, with the thunder on its
inside and the lightning on its out--then fold your wings, close your
eyes, and fall calmly down on to its dark, soft, bosom? Oh, wouldn't it be
sweet?

PISCATOR. My dear scholar, our landing place lies here, toward the
north-east, and you are running directly north.

DISCIPULA. Don't be under any apprehensions; I am only going to run out
half a mile farther, that we may get before the wind, and then we'll scud
straight toward home. And beside, we rock more, going in this direction. I
wish it would blow harder, and make more swell! You know now, Mr.
Piscator, how a wild swan feels when he sits on the water and is buoyed up
on the heaving wave, and in a breath sinks into the black abyss. If I were
a wild swan I would go to sleep and let the winds blow and the waters
heave! How the boat careens over and plunges down when the blast whistles
against the masts! Drive on! Drive on! my light gallant bark! Oh, my
master! shall I sing you a song? a little song of the sea? a pirate song?

PISCATOR. You look at this present moment as if you might sing a pirate
song, or be a pirate yourself. I observe that since you have taken off
your bonnet, the wind has somewhat disarranged your hair.

DISCIPULA. Wouldn't you like to be a pirate, though? I would; and roam
over the ocean at my own free will; and through the storm and spray, and
lightning-glances of the wild midnight, dash on my fleeing victim like the
eagle on his prey! All hands on deck to get on more sail! Stand by to
unfurl the main-sail to the tempest!

PISCATOR. Will it please you, my fair pilot, to inform me whither you are
taking us?

DISCIPULA. I am going to run into that cloud yonder; the one before us,
with the thunder on its inside and the lightning on its out.

PISCATOR. What you call a cloud appears to me to be a hill, that rises a
few rods back from the shore.

DISCIPULA. Oh, it's a cloud--a cloud! And there is a star that glimmers
through it.

PISCATOR. I see nothing but the twinkling of a taper, from the window of
some dwelling.

DISCIPULA. I tell you it's a star--a star! The cloud has settled down into
the water like a mountain; and through its base penetrates a tunnel,
through which the ray of that star comes--a long, straight cavern, arched
overhead and on either side by wreathed and rolling pillars of smoke. I'll
put up the helm and run into it! Bear up! bear up! bear stoutly up, my
brave, bold bark! and plunge forward like the horse into the smoke of
battle, through this path to the subterranean abodes!

PISCATOR. Let me take the tiller! Let it go! Put it around quick then; you
are running on the beach!

DISCIPULA. Why don't you see we are just entering the dark mouth of the
tunnel? We shall soon be into it.

PISCATOR. Hark! here it comes! Now hold hard, for there we are, grounded
and staved!

DISCIPULA. Tartarian rocks and whirlpools!

PISCATOR. Quick! ashore! The boat is going to pieces!

DISCIPULA. Ha! ha! ha! Was it well done, my master? was it well done?

PISCATOR. It _was_ well done, you little water-witch!




LINES

ON SEEING MY SISTER FILL A LITTLE BEGGAR-BOY'S BASKET WITH COLD VICTUALS.

BY R. S. CHILTON.


  Ay! fill it up, my sister dear;
    His brothers all like him are gaunt,
  And sister's too; then do not fear
    To choke the gaping mouth of want.
  Fill up! his heart beats quick and high,
  The tears stand in his sickly eye;
  Poor, wretched, ragged beggar-boy,
  He scarce can thank thee now, for joy!

  The basket's heavy; what of that?
    His heart is light, he heeds it not;
  His feet are cold and bare, poor brat!
    But this has always been his lot.
  He trudges on, or stops to steal
  Quick glances at the dainty meal;
  And then his purple lips do bless
  The heart that pitied his distress.

  At home, how will the meagre ones
    Clutch at those broken bits of bread!
  How will they banquet on those bones,
    Like ravens feasting on the dead!
  A dainty stomach would refuse
  Such food; but 'beggars cannot choose:'
  _They_ relish what the rich condemn,
  But hunger makes the sauce for them.

  Ah, sister! when the beggar-boy
    Returns, think still on hunger's pain;
  Lighten his little heart with joy,
    And fill his basket up again.
  Who _pities_ wretchedness does well,
  But who _relieves_ it, doth excel.
  Then ever, till the common end,
  Let Misery find in thee, a friend.




THE QUOD CORRESPONDENCE.

Harry Harson.


CHAPTER XXVI.

At the dead of the night, when all others were at rest, Michael Rust
glided out of his office. It was a strange hour, but he had become a
strange man. Through the silent streets he stole, with a step so noiseless
that it awoke no echo. Along Broadway, passing where the city ended and
the fields began, mile after mile he went. He met no one. Every house that
he passed was as silent as the grave; excepting a solitary one, standing
by itself, with a light shining through an upper window, as if some one
kept watch at a sick bed. Sometimes the road ran between high trees, whose
skeleton outlines stood grimly up between him and the stars, stiff and
motionless. At other times, it coursed along dreary wastes; then again, it
was buried in dense shadow; now ascending, now descending. At times he
caught a glimpse of the distant gray river, gleaming in the darkness, with
here and there the light on board some vessel at anchor, glittering like a
star. In some places, where it was shut in by high banks, the road seemed
inky black; and parts of it were so solitary, that even a stout heart
might have shrunk from traversing it at that dreary hour. But Rust thought
not of fear. What had _he_ to do with that feeling, who sought only
revenge and a grave?

It was yet night, when he reached a house in the upper part of the island,
and near the river. Little except its dim outline was visible in the
obscurity; and as he opened the gate, and passed beneath an avenue of tall
trees which led to it, the darkness was such that he could scarcely see.
But he was familiar with the ground, and without hesitation went directly
to the door of the house. It was locked. He drew a key from his pocket,
unlocked it, went in, and closed it after him. He groped his way along the
entry, until he came to the door of a room, which he opened. A few embers
were smouldering on the hearth, sufficient to throw out a dim light.
Lighting a candle, which stood on a table, he drew a chair to the fire and
sat down. The chamber was large, fitted up as a library, and filled with
massive book-cases of dark wood, elaborately carved, which gave a sombre
appearance to the room. Nothing that money could buy had been spared; for
this was the home of Rust's daughter, and that hard, reckless, griping man
had been alive but to one feeling--love to his child. In _her_ were
garnered up all his affections, and upon her he had lavished all that his
means could obtain.

For a long time he sat without changing his position, his eye fixed, his
mouth compressed, his brow knit, not a sound escaping him. At last he
started from his fit of abstraction, with a slight shiver; passed his hand
once or twice before his eyes, as if to dispel something that clouded his
sight; and said, in a whisper. 'Can all this be real?' The clock struck
three. He rose, cast a stealthy glance over his shoulder, and taking the
candle in his hand, held it up over his head, examining the room with a
suspicious look, as if he momentarily expected some form to start from
behind the heavy furniture. As his eye was wandering round the room, it
rested upon a picture in a carved frame, which hung against the wall. He
went to it, and held the light so that its rays fell full upon it. It was
the portrait of a girl of about seventeen. Could the child-like, innocent
face which gazed out from the canvass upon that fierce, passion-worn old
man, be that of _his_ child? Could aught so pure and beautiful have sprung
from such as him? And worse than all, could she have lost that purity
which was stamped on every line of her face?

With fixed and rigid features; with a hand that did not tremble, with a
heart that scarcely beat, he contemplated the picture; and then, slowly,
as if in a dream, replaced the candle, and took his seat. There was that
at work within him, however, which banished bodily repose; for in one
minute afterward, he was up and pacing the room, muttering and
gesticulating to himself; the _next_, he went to a mirror, and looked at
his own face. He started as he did so; for he had not seen it in a week;
and in that time so altered and wasted had it become, with its long
unshorn beard, and ghastly white complexion, that he could scarcely
recognize it.

'What a bird of prey the mind is!' muttered he; 'how it devours the body!'
He turned away, and once more his eye rested on the picture which hung
against the wall. Some strange feeling seemed to spring into existence as
he did so; for his breath came thick and hard; his heart beat, until its
pulsations could be heard, loud and strong like the blows of a hammer; his
hand shook, but at the same time, his brow darkened, and its look of
anxious and half-wandering thought gave place to an expression that was
perfectly fiendish. He muttered a few words; then taking the light,
cautiously opened the door, and stole up the broad flight of stairs which
led to the upper story. At the head of it was a door; he tried it; it was
not locked but yielded to his push. It opened into a bed-room, luxuriously
furnished with mirrors, and various nick-nacks, and articles of taste,
such as a young and wealthy female gathers about her; and in the bed lay a
beautiful girl, the original of the picture below, sound asleep, her long
hair, which had become unbound as she slept, lying in loose tresses upon
the pillow. How bright and beautiful she was! How gentle and calm her
breathing was! And well might the stern old man, as he looked at her angel
face, have misgivings as to the truth of Grosket's tale. Rust's hard
features worked convulsively as he stood over his child, as if powerful
feelings were tugging at his heart-strings; but it was only for a moment,
for he choked them down; and going out, in the cautious manner in which he
had entered, he closed the door and descended to the room below.

He resumed his seat; and although hour after hour elapsed, until day-light
stole in the room, his attitude remained the same; until a servant came in
to light the fire, and uttered an exclamation of surprise at seeing him.
This aroused him; and rising hastily, he said, 'I'm going out. Tell your
mistress that I'll be here at ten o'clock.' He left the house; and after
wandering up and down the road, he crossed the fields, until he came to
the edge of the river, and when he had sauntered along it for some time,
he sat down upon a rock, and commenced casting pebbles in the water.

How long a time he passed in this way, he could not tell, but it must have
been several hours; for on looking at his watch, he found that it was late
in the day. Suddenly, recollecting his message to his daughter; he rose
and went directly to the house. He crossed the lawn in front of it; but
before he had time to reach the door, a light figure sprang out, and his
child's arms were about his neck.

'Dear father! it's a very long time since I saw you!' said she, putting
back the hair which hung over his face, and pressing her lips to his
cheek. 'I'm very happy at having you here once more. But you are ill--very
ill! What ails you?' said she, suddenly, as she observed the inroads which
the last few days had made in his whole form. Rust withdrew himself from
her embrace, and without answering her question, said in a cold tone:
'Come in the house.'

Though his words were simple, there was that in his manner (or it might
have been the consciousness of guilt on the part of the girl) which caused
her cheek to grow pale, and her step to falter; and she accompanied him to
the library, with the silent and downcast look of a criminal. He took a
chair, drew it to the fire, and pointing to another, said in the same cold
tone: 'Be seated.'

The girl obeyed without a word. At that moment a servant opened the door,
and told Rust that a man was inquiring for him.

Rust got up, and went out. In the entry were two men. One of them, a
powerfully-built fellow, of about five-and-thirty, with light hair and a
prominent eye, asked, 'Are you Michael Rust?'

Rust scanned him from head to foot. He suspected his errand; for he had
seen him before, and he replied simply: 'I am.'

'Then, Sir, we've come for you.' At the same time, the man produced a slip
of paper, and tapped Rust on the shoulder. 'Here's the warrant, if you'd
like to look at it, and the vehicle's in the road there.' He gave a nod in
the direction.

Rust evinced neither surprise nor trepidation. He merely said, in a musing
tone, 'I should have stipulated for a longer time, for the lawyer has lost
none.' Then addressing the officer, he added: 'My daughter is in the room.
Before going with you, I should like to speak with her in private. You may
examine the room, to see that there are no means of escaping from it.'

The man took him at his word; went in the room; glanced round without
noticing the girl, who regarded him with some surprise; then went to an
inner door, locked it, and put the key in his pocket.

'Are you satisfied?' asked Rust.

The other again stared round the room: went to the window; looked out to
see how high it was from the ground; said that he was, and then inquired:
'How long?'

'Ten minutes,' was the reply.

'Good!' said the man; and with a knowing look at Rust, and a shambling bow
to the girl, he went out, and seated himself on a chair in the hall,
having taken the precaution to send his companion to keep an eye on the
windows, which were within leap of the ground.

Rust returned to his seat. 'Come hither, Ellen,' said he.

His daughter rose, and came to him; but in dead silence.

'Look at me. Am I much altered?' inquired Rust.

The girl raised her eyes to his. They quailed before his stern, searching
glance; but she replied in a low voice: 'You're very much altered; you're
wearing yourself out.'

A smile of strange meaning crossed Rust's face. He turned, and pointed to
the picture which hung against the wall.

'Was that ever a good likeness of you?' asked he.

His daughter glanced at it, with some surprise at the sudden question, and
then replied: 'I've often been told so, father--a very good one.'

'They told you the truth. It _was_ a good one; and now,' said he, turning
to her, and fixing his eyes on her face: 'Do you think I am as much
changed from what _I_ was, as you are from what _you_ were, when that
picture was painted? Mark it well!' said he, speaking quickly and
earnestly, and leaning forward until his face almost touched hers. 'Look
at every feature. See what innocence, what purity of soul and thought is
in every line of that face. An angel might have envied its innocence.
There is a mirror,' said he, pointing to the looking-glass; 'Now look at
yourself.' He half rose, and his voice was cold and cutting as he
concluded.

The girl grew red; then deeper and deeper crimson; then deadly, ghastly
pale; the perspiration stood upon her forehead, and her eyes were blinded
with tears; but she could not meet his glance.

His voice sank almost to a whisper, as he asked 'Then what I have heard is
true?'

The girl seemed absolutely stunned.

'Be it so. Now you know the cause of my illness. Look at me. Look at this
face, scored with wrinkles; these hollow cheeks, and this frame, broken
down by premature old age. Look at them, I say, and you will see but a
faint image of the utter, hopeless waste that has been going on in my
heart.'

The girl made an attempt to speak; sank on the floor; and clasping his
knees, pressed her head against them, and sobbed aloud. But Rust moved
not. There was no trace of compassion in either tone or manner, as he
continued: 'From your childhood, until you were grown up, you were the
person for whose welfare I toiled. I labored and strove for you; there was
not a thing that I did, not a thought that I ever harbored, which had not
your happiness for its aim; and to your love and devotion I looked for my
reward; and as I brooded over my own guilty life, blackened as it was with
the worst of crimes, I thought that it was some palliation to be the
parent of one pure and spotless as you were. Well, you turned out as
hundreds of others have done, and my labor was lost. I loved you as never
child was loved; and in proportion as my love once was great, so now is my
hate and scorn!'

'Oh! my God!' gasped the girl. She sank down as if crushed. Rust looked at
her unmoved, and did not stir to assist her. She raised her hands to him,
and said in a supplicating tone: 'Father! as you hope for mercy, hear me!'

'If I received not mercy from my own child,' said Rust, sternly, 'to whom
can I look for it? I hope for it no where; I ask for it no where; I am at
bay to the whole world.'

One of those dark, withering expressions which had once been so common to
his features, but which his anguish had for the last few days in a great
measure banished from them, swept across his face.

The girl wrung her hands, as she received his harsh answer. At last she
said, in a broken voice: 'Father, I am sadly guilty; but hear me, for
GOD'S sake, _do_ hear me!'

At that moment, the door was opened, and the officer's head was thrust in.

'Time's up.'

'I must have ten minutes more,' said Rust.

'You can't.'

'I must, I _will_,' exclaimed Rust, sternly.

He tossed him a dollar, which the man caught in his hand with professional
dexterity; and then, with a grin, said: 'Well, if you're so very anxious,
of course you must be accommodated;' and disappearing, shut the door.

'You said that you were guilty,' resumed Rust, turning to his daughter. 'I
know it. There's but one more so. You know to whom I allude. What is his
name?'

The girl grew very pale, and hung down her head in silence.

'Who is he?' again demanded her father, seizing her arm with a strong
grasp.

Still she made no reply.

'Be it so,' said Rust flinging her hand from him. 'Perhaps silence is
best. Now, one other question. _Where_ is he?'

She shook her head, and replied in a scarcely audible tone that she did
not know.

'When was he last here?'

'About a week since.'

'And when did he promise to return?'

'On the same day,' answered the girl, in a low tone.

'And he has not kept that promise. The first of a series of black-hearted
lies!' exclaimed Rust, bitterly, speaking more to himself than to her. 'In
these cases, lies come first, and the truth last.' He again addressed her:
'Does he speak of marriage? and do _you_ urge it upon him?'

'I _do_, indeed I _do_!' replied the girl, apparently anxious to hit upon
something to conciliate the stern mood of her parent. 'Often and often, I
beg him to do it, and remind him of his promise.'

'And what is his answer?' demanded Rust, with a half-mocking smile.

'He says that he cannot marry me just now, but that he will soon. He
wishes to obtain the consent of his father, who is very ill, and cannot be
spoken to about it; but that he will soon be better, and that then it will
all be settled.'

'How long has he been making these excuses?'

'A very long time--a very long time,' said the girl, sadly: 'A month and
more.'

'How often did he come here at first?'

'Every day,' said the girl.

'And now?'

His daughter was silent; for she began to see the drift of this cold
examination, and it sent a chill to her heart.

Rust was satisfied; and he said in a half-musing tone: 'The same stale,
hackneyed story. She is on her way to where the first misstep always
leads. Already he is wearied, and wants but an excuse to fling her off;
and I--I--_I_--her avenger,' exclaimed he with a burst of fierce
impatience, '_I_ am shackled; a prisoner, and can do nothing!'

He made a hasty step to the door, opened it, and beckoned to the officer
to come in. As he did so, he shut it after him, took the man by the arm,
and drew him to one end of the room:

'I want a week,' said he, in a quick tone. 'I'll give a thousand dollars
to gain one week; and at the end of that time will surrender myself a
prisoner.'

The man shook his head: 'It can't be done, Sir,' said he.

'What's the reward offered for my apprehension?'

'A cool five hundred,' replied the officer.

'I'll double it to escape,' said Rust, 'or to gain a week, but a single
week.'

The man shook his head. 'Too many knows that we're arter you. It wouldn't
do.'

'But at the expiration of that time I would surrender myself, and you
could secure the reward too.'

The man gave vent to a low chuckle; and placed his finger on the side of
his nose, accompanying the motion with a sly expression, signifying an
utter disbelief in Rust's promises.

Rust gnawed his lip with fierce impatience, then taking the man by the
arm, he led him into the hall, and shut the door.

'I must speak out,' said he, 'and trust to your honor not to betray me. A
villain has seduced my child. I want time to find him, and to compel him
to make her his wife. Now you know why I ask a week.'

The officer at first whistled, then muttered something about its being a
hard case; but concluded by saying, in a positive tone: 'It can't be did,
Sir; I'm sorry for it; upon my word, I am; but I must keep you now that
I've got you. I wish you'd given me the slip at first; but I can't let you
go now. It's impossible--quite.'

Rust eyed the man, as if endeavoring to find in his hard features some
loop-hole to his more kindly feelings; but apparently he met with no
success.

'Well, if it can't be done, there's an end of it,' said he, abruptly
terminating his scrutiny. 'I've some other matters to speak of, and want a
few moments more. I'll not detain you long, and will call you when I'm
ready.'

'I'll give you all the time I can,' said the man, civilly.

Rust turned to enter the room, but as he did so he heard a quick step
behind him; and looking round, found himself face to face with a young man
of two or three and twenty, elegantly dressed, who eyed him carelessly,
and then passing him, entered the room with the air of one perfectly at
home. A suspicion of who he was flashed across Rust's mind. That he
himself was unknown to the other was not strange, for he had been so much
absent, and when he visited his child it was at such irregular intervals,
and for such short periods, that a person might have been even a frequent
visitor at his house, without encountering him. Nor was there any thing in
the outward appearance of the slovenly, haggard old man to attract
attention. But the indifference of the other was not reciprocated; for
Rust followed him, and closed the door after him, with feverish haste, as
if he feared his prey might escape him. He observed the deep blush that
sprang to the cheek of his daughter, at the entrance of the stranger; her
guilty, yet joyous look as he addressed her; and above all, he perceived
_his_ careless, cold, indifferent reply to her warm salutation; and a
feeling of revenge, the deadliest that he had ever felt, sprung up in his
heart against that man; not so much because he had blasted the happiness
of his child, as because he had torn from _him_ all that he had clung to
in life.

Rust walked to the fire-place, turned his back to it, and without uttering
a word, faced the stranger, who eyed him from head to foot with a cool,
supercilious stare; then looked at the girl, as if seeking an explanation.

The pause, however, was broken by Rust himself, as he pointed with his
thin finger to their visitor, and inquired of his daughter: 'Is _that_ the
man?'

The girl's face became ghastly pale; her lips moved, but she dared not
raise her eyes; for she could not encounter the keen, inquiring look which
she knew was fixed upon her.

'Answer my question,' said he, sternly. 'This is no time for tampering
with my patience.'

His daughter attempted to speak. She trembled from head to foot; but not a
word escaped her. So intense was her anguish, that it awoke a spark of
better feeling in the young man; for confronting Rust, he said in a bold
voice: 'If you have any questions to ask respecting me, address them to
_me_, not to _her_.'

'I will,' replied Rust, fixing upon him an eye that fairly glowed; 'for
you should best know your own character. Are you the cold-blooded
scoundrel who, taking advantage of that girl's confiding disposition, of
the absence of her father, stole like a thief into his house; by lies, by
false oaths, and damning hypocritical professions of love, won her
affections; blighted her, and then left her what I blush to name? You wish
the question addressed to you; you have it. I'll have your reply.'

Withering like a parched leaf; shrinking as if a serpent were in his path;
with a face which changed from white to red, from red to white, the
stranger met these questions. But Rust's eye never left his face. There
was no trace of anger nor emotion, in his marble features. He merely said:
'I want your answer.'

With a face heavy with guilt; with a voice that shook even while it
assumed a tone of boldness; the stranger demanded: 'Who are you? and what
right have you to question me thus?'

'Not _much_ right,' replied Rust; 'I'm not even a rival suitor; I'm _only_
this girl's father. Perhaps you will answer me now.'

The other was silent. Rust turned to his daughter, and said: 'This man has
suddenly become dumb. Is this he of whom we spoke? An answer I must have,
and a true one. Do not add a lie to the infamy which already covers you.'

The girl hesitated, and then uttered something in a voice so low as to be
scarcely audible; but faint as it was, Rust caught the words, '_It is!_'

'It is well,' replied he, facing the stranger, and drawing his person up
erect. 'I have no time to waste in words, and will state what I have to
say as concisely as possible, and will act as promptly as I speak. This is
my only child. She was once unsullied, and I was proud of her: that she is
not so _now_, is your fault. There is but one mode of repairing what
you've done. Will you marry her?'

'I certainly intend to do so,' said the young man, with a guilty look,
which gave the lie to his words.

'I want _deeds_, not _intentions_,' replied Rust. 'What you do must be
done _now_--before you leave this room. A clergyman resides within a mile.
In half an hour he can be here.'

The girl clasped her hands joyfully, and looked eagerly at him; but there
was nothing responsive in the expression of his face; and he answered:

'I can't see the necessity of this haste; beside, it would ruin all my
prospects.'

'_You_ can't see the necessity of this haste!' exclaimed Rust, in a voice
of thunder. 'Ruin _your_ prospects! What has become of _her_ prospects?
What--what---- But no matter,' added he, choking down a fierce burst of
passion, and suddenly assuming a tone so unnaturally calm that it might
have been a warning to the other that it was but a lull in the storm.
'Michael Rust presents his compliments to his unknown friend, and begs to
know if he will do him the honor of marrying, on the spot, his daughter
whom he has polluted?'

He paused for an answer; his lips were deadly white, and quivering; and
his eye glowed like a serpent's. The young man quailed before it; but
apparently he was only waiting for an opportunity to throw off the mask;
for he answered boldly: 'No, I will not.'

'You had better,' said Rust, in a low, warning tone. 'Think of it again.'

'You have my answer,' was the reply.

'Then take Michael Rust's thanks!' A flash and report followed; and when
the smoke cleared away, the seducer was lying on the floor, stone dead. A
bullet had passed through his head. The policeman rushed in the room.

'If I could have had a week, I might have avoided this,' said Rust,
coldly. 'As it was, I had no alternative.'

He rang the bell, and a servant came in. He pointed to his daughter, who
was lying senseless at his feet.

'Look to your mistress!'

Turning to the police men who stood by with blanched faces, he said: 'Now
then, I am ready!'


CHAPTER TWENTY-SEVEN.

In a small room, containing a box-bedstead, a single chair, and a common
wooden table, on which was a pitcher of water, sat Michael Rust. The heavy
iron bars which grated the windows, and the doors of thick oaken plank,
secured by strong bolts of iron, indicated beyond a doubt the nature of
his abode--a prison. He was sitting on the edge of his bed, with his arms
resting on the table, which was drawn close to it, and his head leaning
upon them. At times he straightened himself up, looked listlessly about
the room, and then resumed his old position.

A key turned in the door; the heavy bolt was drawn back, and a head was
thrust in.

'Some one wants to see you. Shall he come in?'

'Yes.'

The head was withdrawn, and the door being opened, admitted no less a
person than Mr. Kornicker, somewhat faded in appearance since we last saw
him, but still wearing an air of dashing pretension. He stood at the door,
shaking his head, winking to himself, and fumbling in his pocket,
evidently in a state of great mental perplexity, probably from his
entertaining doubts as to what would be the character of his reception; or
from his being equally uncertain as to the best mode of opening the
conversation. Nor was he at all relieved by Rust, who without moving,
fastened his eye upon him with a cold, steadfast stare.

Kornicker, however, seemed to have fixed upon his course of action at
last; for he walked up to him, and stretching out his hand, said:

'Wont you give us your flipper, my old fellow? You're in trouble, but I'll
stand by you to the last. If I don't, damme!' He struck his other hand on
the table, and nodded and winked with great vehemence.

'So there is yet one who has not turned his back on the felon,' said Rust,
partly addressing Kornicker and partly speaking to himself; 'one true man;
a rare thing in this world; a jewel--a jewel, beyond all price; and like
all costly stones, found only in the poorest soils; but,' added he, 'what
have _I_ done to gain friends, or to link one solitary heart to my
fortunes?--what?'

He shook his head; and although his face was unmoved, and he spoke in the
low, half-soliloquizing manner of one who rather brooded over the past
than regretted it, yet there was something so sad in his tone, and in his
melancholy gesture, that it did more to call forth the warm feelings of
Kornicker than the most eloquent language.

'What have you done?' demanded he, earnestly; 'I'll _tell_ you what you
did. When I was at low water mark, with scarce a rag to my back or a crust
to my stomach, and without a prospect of getting one, you took me by the
hand, and in a d----d gentlemanly way gave me a h'ist out of the gutter.
_That's_ what you did; and if you _did_ flare up now and then, and haul me
over the coals; it was soon over, and soon forgotten. I don't bear malice,
old fellow; no, no. It isn't my way; and as you're in trouble now, if I
_can_ help you, I _will_. Never desert any one; am unfortunately bloody
short of cash; but you can have what I've got, and when I get more, you
shall have _that_ too.'

As he spoke, he plunged his hand to the bottom of his pocket, drew out a
very shabby-looking pocket-book, deposited it on the table.

'It isn't much; but you'll find it useful here, and you're welcome to it.
This isn't the shop where nothing put out at interest produces a heavy
income.'

This offer had a powerful effect upon Rust; and it seemed as if some long
dormant feelings were working their way to the surface from the depths of
his heart. He gazed earnestly at his clerk, and once or twice opened his
mouth to speak; but finally he got up, and taking the pocket-book from the
table, handed it back to Kornicker, saying:

'I'm not in want of money. Gold is but dross _now_. I've plenty of it; but
its value in my eyes is gone.'

'But,' remonstrated Kornicker, holding his hands behind him, and looking
obstinately in another direction, partly to avoid taking the pocket-book
and partly to resist the solicitations of his own necessities, which were
strenuously urging him to do so, 'but you may want a lawyer to fight for
you at your trial.'

'For that farce I am prepared. I _have_ one. He's paid for it, and he'll
fight,' said Rust. 'It will avail nothing, for I did slay the man. It was
a cold-blooded, deliberate murder. I planned it; I went up to that place
with the stern determination to commit it; and I _did_ commit it. It was
no hasty act, done in a moment of fierce and sudden passion; but a deed
duly and deliberately meditated, and one that I would repeat. What _he_
had done, it's useless to mention. I had no redress, except what my own
hand could give me. He has paid his forfeit, and I'll pay mine. I'll fight
to the last; because,' added he, with that expression of stern purpose
which so often settled on his face, 'Michael Rust never yields; and then,
let the law do its worst. Take your money; I don't need it.'

Kornicker hesitated; and then thrusting it in his pocket, said: 'I
suppose, if you should happen to be short, you'll let me know.'

'I will,' replied Rust; 'but I've enough to last until my sand is run out.
They'll hang me.'

'Don't talk so,' exclaimed Kornicker, with a feeling not a little akin to
fear, at the cold, indifferent manner in which the other spoke. 'You _may_
escape--who knows?'

Rust looked at him steadily, and then said, in a low, calm voice: 'If it
were not that man and law were leagued against me to _force_ me to my
doom, not one dollar would Michael Rust give to add an hour to his life.
He looks to the grave only as that dark abyss which knows neither thought
nor care; where the past is forgotten; where the future ends. Death is but
a deep dreamless sleep, which has no waking. Yet even this boon he will
not accept, if it's _forced_ upon him.'

'But the disgrace, the disgrace of such an end,' exclaimed Mr. Kornicker,
twisting his fingers together, and in his earnestness cracking the
knuckles of all of them. 'Think of that, my old fellow. Think of the stain
that will always rest upon your memory.'

A smile, without a trace of pleasure, but cold and icy, passed across
Rust's face.

'What is my memory to me? What care I for the whispers and sneers and
surmises of the reptiles who crowd this world, and who will soon be as _I_
then shall be? What are these very men themselves? Shadows!--shadows!
Go--my course is chosen. You can do nothing for me.'

Still Kornicker did not show any intention of quitting the room, but
shifted from one leg to the other, in a fidgety manner, as if he had
something farther to communicate, upon which however he did not like to
venture. At last he said: 'Your daughter?'

Rust turned a quick keen eye on him, but farther than this evinced no
emotion.

'Perhaps she may need a friend, when--when----'

'I'm dead,' said Rust, concluding what seemed to be rather an embarrassing
sentence to Kornicker.

'I'm not exactly the fellow to make the offer,' said Kornicker, adopting
the conclusion which Rust had given to the phrase; 'but--but I'll keep an
eye on her, and will lend her a helping hand if she gets in trouble.'

Rust's countenance expressed neither pleasure nor anger, as he answered:

'Nothing can be done for her. Her fate is sealed; her path is marked out.
There is neither turn nor winding in it, nor escape from the destiny to
which it leads. She has taken the first step in it, and must follow it to
the end. Look at the reckless and abandoned of her sex, who crowd our
thoroughfares at night. _Their_ fate must be _her_ fate; an outcast--then
the tenant of a public prison where her associates will be the thief and
the felon. That's her second step. The third is--to her coffin; broken
down; beggared, perhaps starving, she'll die surrounded by the offscouring
of the earth--happy if she reaches her grave before she has run her full
course.'

There was something in the apathetic manner in which the old man pointed
out the future fate of his own child, that actually silenced Kornicker. He
knew not what to say. There was no grief to console; no anger to
deprecate; no wish to be fulfilled. He had however come to the prison with
his mind made up to do something, and he did not like to be thwarted in
his purpose. But before he had fairly determined what course was to be
pursued next, Rust interrupted the current of his ideas by saying, as he
pressed his hand upon his heart:

'You can do nothing for me. The disease is _here_; and the only physician
who can heal it is Death. Could you blot the past from my memory and leave
it one vast blank; could you gild the future with hopes which this heart
did not tell me were utterly hollow; then perhaps Michael Rust might
struggle on, like thousands of others, with some object in view, always to
be striven for, but always receding as he advanced, or turning to ashes in
his grasp. But it cannot be. I've played my part in the great drama of
life, and the curtain will soon fall.'

A spirit of callous indifference pervaded all that he said and did; and
making a gesture to Kornicker, forbidding all farther remark, he threw
himself on the bed, and drew the clothes about his head, as if determined
to shut out all sound.

Kornicker made one or two efforts to draw him again into conversation, but
the communicative mood was past; and finding that nothing farther was to
be done, he left him to his meditations.

From that time Kornicker, true to his maxim of deserting no one, was
constant in his visits and endeavors to comfort and assist him in
preparing for his trial. But never had man a more arduous task than he
found in this self-imposed duty; for the hidden transactions of Rust's
past life had become public, and had turned the full tide of popular
feeling against him; and far and wide, through town and country, with all
that could excite public animosity, rang that bloody tale, (for the dead
man had powerful friends to battle for vengeance.) It was in every mouth,
and whispered in every ear. In the broad glare of day, and before the eyes
of the whole world, was paraded every secret of Rust's life. Witnesses who
had been forgotten and had sunk from sight, and were supposed to be dead,
sprang into life, all having some dark deed to record. Pamphlets, teeming
with exaggerated details of the murder, were hawked through the streets;
peddled at every corner; hung in every shop window. Rust's own black life
had prejudged him, and had turned public opinion into public hate; until
every voice called out for blood. It was under this feeling that his trial
came on.

Early on that morning, long before the court was opened, a stream of
people was thronging toward the City Hall by twenties and thirties and
hundreds. The iron gates were barred to keep them out; still they
contrived to get in, and swarmed through the halls. And when the court was
opened, officers armed with staves were stationed on the stairs, to fight
them down, for there was no room for them. The court-room was crammed with
men heaped upon men, climbing one on the other; heads upon heads, swarming
like bees, and packed and wedged together, leaving not a foot to spare.
And in the midst of all that living mass sat Rust, unmoved, unflinching;
returning look for look, defiance for defiance; reckless as to his fate,
but resolute not to yield.

There was one however at that trial who was not so indifferent. He was a
man of about fifty, tall and thin, with a grave, dignified face, which yet
bore a strong resemblance to that of Rust. He was deadly pale, and sat
next to Rust's lawyers, conversing with them in a low earnest tone; and at
times, as the trial went on, suggesting questions to them. This was Rust's
brother; the father of the two children, who, generous to the last, had
forgiven all, and was battling for the life of him who had done his utmost
to blast his. If Rust's cold eye sank, or his spirit quailed, it was only
when he encountered the mild, sad eye of that brother.

The jury was empanelled. The District Attorney opened for the prosecution;
and then the examination of witnesses commenced. Foot by foot and inch by
inch was the ground contested by Rust's counsel. Exceptions to testimony
were taken, points of law raised, and every informality or technicality,
which afforded a loop-hole for objection, was taken advantage of. The day
dragged heavily on, and Rust grew weary. The constant stir about him; the
hum of voices, occasionally hushed into silence at the cry of the officer,
or the tap of the judge on his desk; the hot, stifling air of the room;
the wranglings of the lawyers, all tended to bewilder him. All excitement
had long since left him. A leaden heaviness had settled upon all his
faculties, and leaning his head upon the table, even while life and death
were in the scale, he slept soundly.

He was aroused by his lawyer, touching his arm. He sat up, and gazed
vacantly about him.

'Who's that?' said he, pointing to the witness's stand.

Rust half started to his feet; then clasping his hands hard together, sat
down, and leaned his head on the table, but said not a word.

The clerk called out her name.

'Ellen Colton.'

'Who is she?' demanded the lawyer.

Rust drew himself up; and many who had been watching him, observed that
his face had become perfectly corpse-like; his breathing oppressed, and
that his eyes seemed starting from their sockets, as he fixed them on the
witness.

'My own flesh and blood,' muttered he; 'my own child!'

The girl was sworn; but it was evident that a terrible struggle was going
on, and she had to be supported to a chair. The lawyer for the prosecution
took down her name, and then asked her a question. He received no answer.
He repeated it; but the girl was silent. She held down her head, and
seemed half fainting.

'You _must_ reply,' said the judge.

The girl raised her eyes, and said, in a low supplicating tone, 'He's my
father.'

The judge shook his head. 'It's a very painful task,' said he, 'but
there's no alternative.'

The girl uttered not a word, and the court-room became so hushed that even
the hard breathing of the witness was audible.

'I must have a decided answer,' said the judge, gravely, yet mildly, for
he respected the feelings which dictated her course. 'Will you answer the
question put by the district attorney?'

'I will not,' was the firm reply.

The face of the judge grew a little flushed, and he compressed his lips,
as if the duty which now rested with him were an unpleasant one. But
before he had time to speak, the district attorney rose, and muttering in
a tone loud enough to be heard, 'I will not slay the parent through the
child,' said: 'If the court please, I withdraw the question. I'll call
another witness.'

The judge bowed, and the girl was led away.

Rust had risen to his feet as if to speak, but he sat down, and the trial
proceeded. The whole of that day passed in the examination of witnesses;
so did the day following. Then came the summing up of the lawyers, and the
charge of the judge to the jury. During the whole time the crowd came and
went, but at all times the room was thronged. The jury went out; still the
crowd hung about the Hall. It grew dark; but they could not go to their
homes until they knew the result; but round and round the Hall, and
through the avenues of the Park, they wandered, watching the dim light in
the jury room, and wondering what the verdict would be. One of them stole
up to the gray-headed constable who watched at the door, and inquired what
the chance was; and as the old man shook his head, and muttered that they
leaned toward a fatal verdict, he rubbed his hands with glee, and hastened
to communicate the tidings to those below. Twelve--one--two--three o'clock
at night came; still the twelve men held out, and still the judge, an
upright, conscientious, patient man, maintained his post, waiting for the
verdict, and ready to solve any doubts or points of law that might arise.
The court-room grew cold; the fires went out, except one near the bench,
and where the prisoner was. Sixty or seventy persons were sitting in the
dim recesses of the room, looking like dark shadows, resolved to await the
result. A few stretched themselves on the benches, and others gathered in
knots near the fire, and whispered together; and now and then there was a
loud laugh, suddenly hushed, as the person who uttered it remembered where
he was. At last the judge went out, and left word with the officer to send
for him if the jury agreed, or wanted his advice. The night waned; the sky
grew gray in the east; and presently the day broke--but no verdict. At an
early hour the judge returned, and the court-room filled again.
Nine--ten--eleven. Suddenly there was a hum--a shuffling in the hall. The
door was thrown open by the gray-headed constable, and the jury entered.

'The jury's agreed,' cried the officer. There was a dead silence; and the
foreman gave in the verdict:

'GUILTY OF MURDER IN THE FIRST DEGREE!'

Rust moved not; no change of color or feature was perceptible, except a
slight smile, and that too faded in a moment.

The trial was over; and the crowd poured through the streets, yelling with
delight, and stopping those whom they met, to tell them that Michael Rust
was doomed to die.

Rust sat without stirring, until an officer touched him, and told him that
he must go. He then rose, and followed him without a word. The crowd
gathered around him, as he went out; but he did not notice them. His
brother walked at his side, but he heeded him not; and when he reached his
prison, without uttering a word, he flung himself wearily upon his bed,
and was soon sound asleep.

He awoke, a different man; and when his lawyer called to see him on the
following day, he found him as fierce as a caged beast. He endeavored to
utter some remark of consolation; but Rust impatiently motioned him to be
silent. He spoke about a clergyman; but the reply was a laugh, so mocking
and scornful, that he was glad to drop the theme.

'Is the game ended?' at last inquired Rust. 'Is there no farther cast of
the die left?'

The lawyer looked at him, as if in doubt of his meaning.

Rust, in response to the look, repeated the question. 'Is there nothing
more to be done, in that farce called the law? Is there no farther blow to
be struck for life?'

'We can appeal,' replied the lawyer; 'but there is little chance of
success.' He took Rust by the hand, and said in a soothing tone: 'My poor
friend, you must be prepared for the worst; for I cannot promise to save
your life.'

Rust rose and stood directly in front of him; and pointing to a small coin
which lay on the table, said: 'Not the tenth part of _that_ would Michael
Rust give to have one hour added to his life; but I _will not_ be driven
from it. I _will not_ be beaten down and crushed.' He stamped furiously on
the floor.

'Fight!' said he, fixing his glaring eye on the lawyer; 'fight to the
last; leave nothing untried; spare not gold; bribe--corrupt--suborn; do
any thing; but do not leave the triumph to my enemies. It's that that is
tearing away at my heart. It's _that_ which is killing me,' exclaimed he,
bitterly, shaking his hands over his head.

'We shall leave nothing untried,' said the lawyer. 'Perhaps too we may
obtain a pardon, for if ever a murder was justifiable, that was.'

'Pardon!' exclaimed Rust with a sneer; '_pardon_! Because I defended my
own flesh and blood; because the laws had forced upon _me_ the task which
_they_ should perform! I must die, or sue for pardon. A noble thing is
law!'

The lawyer was silent. He felt that Rust's own previous criminal life had
been his worst enemy, and that it was the disclosure of his own evil plans
which had been in every mouth long before the trial, that had done much to
harden the feelings of the jury, who in another case might have stretched
a point to save him.

Merely repeating what he had already said, that every thing should be
tried, he took his leave.

       *       *       *       *       *

Several weeks elapsed. The appeal was made, and was unsuccessful; the
decision of the court below was affirmed; and nothing was left but that
the sentence of the law should be enforced. Rust still maintained his
indifferent bearing. All attempts to move him to any thing like repentance
were unavailing. Pious men had conversed with him, but he had turned a
deaf ear to their words; clergymen, too, anxious even at the last hour to
turn his thoughts to holier things, had called upon him, but were equally
unsuccessful; and at last he forbade them admission.

It was just about dusk, on the day previous to that fixed for his
execution, that he was sitting in his cell, when he was aroused by the
opening of the door. He looked up, and observed a dim figure just inside
the door, cowering as if with fear; but it was so dark that he could not
distinguish more than its mere outline.

'What do you want?' demanded he, harshly. 'Am I a wild beast, that you
have come to stare at me?'

The only reply was a low, suppressed cry, as of one endeavoring to stifle
down severe pain.

Rust rose up, advanced to the figure, and with a sudden jerk threw off the
cloak which enveloped it. It was his own child.

'So it's _you_!' said he, bitterly, as he turned from her. 'And you've
come to see your work. Look at me well. You've succeeded to your heart's
content.'

The girl endeavored to clasp his hand, but he flung her from him; and
facing her, said: 'What you have to say, say at once, and be gone. There
is little policy in seeking me out now, for I have nothing to give.'

The girl cast herself at his feet, in a passion of grief. 'Oh! father!
dear father! I ask nothing, except your forgiveness. Give me _that_, for
the love of GOD! I ask nothing more. Do not refuse me that, as you hope
for forgiveness of your own sins!'

'There was a time,' said Rust, 'when I could not have resisted those
tones, when I could have refused you nothing. My very heart's blood was
yours; but I am changed--changed indeed; since not a single spark of
tenderness for you is left; not even the shadow of the love which I once
bore to you. You are a stranger to me; or worse than that, you are _she_,
whose wanton conduct has placed me here, and to-morrow will lead me to the
gallows.'

The girl rose up hastily, and said in a quick husky voice:

'Farewell, father; I will not stay until you curse me, for I fear it may
come to that. May GOD forgive both you and me! I have done wrong, and most
bitterly have I suffered for it.'

She caught his hand, pressed it to her lips, which were hot as fire, and
left the cell.

That was the last time that the father and daughter ever met.

The gaoler soon afterward brought in a light, and asked Rust if he wanted
any thing; and on being answered in the negative, went out.

The night wore on heavily. Rust heard the clock, as its iron tongue struck
the successive hours from his life. At last the hour of midnight sounded.
He took out his watch, wound it up, and set it.

'Your life will last longer than mine,' said he, as he held it to the
light, and examined the face. He then placed it on the table, and leaning
his head on his hand, contemplated it for a long time. Time was hurrying
on; for while he was sitting thus, the clock struck--one. He looked about
the room; went to the door, and listened; then resumed his seat, and
thrusting his hand in his bosom, drew out a small vial, containing a dark
liquid. He held it to the light; shook it; smiled; and applying it to his
lips, swallowed its contents.

'I'll disappoint the sight-seers,' said he. He raised the light; took a
long and earnest survey of the room; undressed himself; sat on the edge of
his bed, for a moment, apparently in deep thought; then got into bed and
drew the cover closely about him.

'Now, then,' said he, 'the dream of life is past. I'll soon know whether
there is any waking from it.'

These were his last words; for when the cell was opened in the morning, he
was dead in his bed. As in life, so in death, his own evil acts clashed
with his interests; for at an early hour in the morning a messenger
arrived with a pardon. In consideration of the heinous nature of the
provocation, which had led to the commission of Rust's crime, and of the
inadequate punishment inflicted by the laws for such offences, the
governor had remitted his sentence.




NIAGARA.


  Behold! again I view thee, in thy majesty and might,
  Thy broad sheet flashing in the blaze of morning's glorious light;
  I mark thee maddened in thy fall, and pale with hoary rage,
  And fretting in thy passion, that hath boiled from age to age.

  Like thunder on my startled ear, thine everlasting roar
  Hath broken, and reverberates from shore to echoing shore;
  Continuous and fearful, with dread power in its tone,
  That shakes the earth's foundations and rives the solid stone!

  How tremulous beneath the shock the fearful earth hath grown!
  Reeling beneath the mighty plunge, it sighs with ceaseless moan;
  Now rush thy waves, with frenzy wild, in foam of dazzling white,
  Now, placidly they sweep along, with ever-changeful light.

  O, wondrous Power! O, giant Strength! how fearful to behold,
  Outstretched on yon o'erhanging crag, thy mad waves downward rolled:
  To look adown the cavernous abyss that yawns beneath--
  To see the feathery spray flash forth in many a glittering wreath!

  Voluminous and ceaseless still, forever swift descend
  The waters in their headlong course, then turning, heavenward wend:
  Now, disenthralled, their essence hath its spirit-shape resumed;
  Bright, bodiless and pure, its fright to yon empyrean plumed!

_The Falls, 1842._                                      CLAUDE HALCRO.




TO MARY.


  I wonder if the magic spells
    That in the days of yore
  Bewitched so oft poor harmless folks
    (Unlucky wights!) are o'er?

  I can't believe it, for I've felt
    The witchery of thy smile;
  I've felt thy magic arts, and yet
    I've loved thee all the while.

  Is it the gleam of snowy teeth,
    Or wave of silken tress,
  That brings me to thy side, to gaze
    Upon thy loveliness?

  It cannot be, for I have seen
    Full many a maid as fair;
  I've seen as ruby lips before,
    I've seen as glossy hair.

  Some dark enchantress has bequeathed
    To thee her magic art,
  And thou hast bound me with thy spell,
    And stolen all my heart.

                                                               HORACE.




LITERARY NOTICES.


  CURIOSITIES OF LITERATURE, AND THE LITERARY CHARACTER ILLUSTRATED. By
  I. C. D'ISRAELI, Esq., D. C. L., F. S. A. With Curiosities of American
  Literature. By RUFUS W. GRISWOLD. Complete in one volume. New-York: D.
  APPLETON AND COMPANY, Broadway.

The ensuing remarks refer rather to the Supplement to D'ISRAELI'S
'Curiosities of Literature,' edited by Rev. RUFUS W. GRISWOLD, than to the
well-known work to which it adds its attractions. It is an excellent
collection of the many odd and quaint and foolish and good things which
our forefathers 'did and performed.' Mr. GRISWOLD has spiced his work with
a variety, though he has done it more judiciously than a splenetic author
whom he introduces in his work, who, in a vexatious mood at some severe
criticisms on a former book, puts a dozen or more rows of interrogation
and exclamation-points, commas, semicolons, etc., and tells his readers
'they may pepper and salt it as they please.' Mr. GRISWOLD well
understands the history of American literature; and we venture to say
there is no man in the country who knows the names and contents of so many
American books as he. This knowledge he has found of great service to him,
enabling him to lay his hand at once on those things most worthy of
preservation. If he had understood the linking process a little better, it
would perhaps have added to the interest of his work. A sort of running
commentary would have given greater vivacity to the numerous extracts. The
way isolated specimens of an author are introduced affects very much the
impression they make. But Mr. GRISWOLD has succeeded well in gathering up
the ravelled ends of our early literature; and the present edition of
D'ISRAELI'S Curiosities of Literature will be the only one for the future
in the American market. The most 'curious' part of our literary history is
embraced in the revolution, with the short period preceding and following
it. The British and Tories furnished endless themes to the pasquinader and
ballad-maker, while the grave rights involved in the struggle called forth
the efforts of more serious and thoughtful pens. The Puritans of
New-England wrote most; and there is a union of the soundest sense with
the most childish folly, the strongest character with the weakest
prejudices in our good Yankee forefathers, that is quite incomprehensible.
Like the Puritans of England in the time of CROMWELL, when called into the
hall of debate to discuss the rights of man, or into the field to battle
for them, he were a bold man who dare smile at them. Yet in their
religious acts they were often bigoted, intolerant and puerile. The same
incongruity is seen in their tastes. Men of deep poetical sentiment, they
often murdered poetry for conscience sake. A man who could write a defence
of the colonies with a pen that fairly glowed with the burning Saxon that
fell from it, would not be shocked at all at the impropriety of the
following epitaph on a tomb-stone:

  'Here lies Jonathan Auricular,
  Who walked in the ways of God perpendicular.'

Mr. GRISWOLD gives us a specimen of the versification of the 137th psalm,
in the Bible; one of the sweetest lyrics ever written, beginning 'By the
rivers of Babylon there we sat down; yea, we wept when we remembered Zion;
we hanged our harps upon the willows,' etc. This psalm, whose exquisite
beauties are so well preserved in our common English version, was put into
verse with the rest of the psalms, by our pious forefathers. To their
credit we can say, however, that the authors of the first version declare
that they 'have attended to conscience rather than to elegance' in
completing their work. We cannot excuse President DUNSTER of Harvard
College, so easily, who revised the edition and sent it forth with the
advertisement that they had in it a 'special eye both to the gravity of
the phrase of sacred writ, and to the sweetness of the verse;' especially
when we find this same sweet psalm completely murdered by him. After
stumbling along through two stanzas, he thus paraphrases. 'They that led
us into captivity,' he says:

  Required of us a song, and thus
    Askt mirth us waste who laid,
  Sing us among, a Zion's song,
    Unto us then they said.

  The LORD'S song sing can we, being
    In stranger's land?--then let
  Lose her skill my right hand if I
    Jerusalem forget.

  Let cleave my tongue my palate on
    If mind thee doe not I,
  If chief joys o'er I prize not more,
    Jerusalem my joy,' etc., etc.

Such wretched stuff as this our good forefathers sung with the profoundest
gravity; and those who thus murdered the king's English and the Hebrew's
poem were called 'poets!' Yet this same age could produce such poets as
Mrs. ANN BRADSTREET, of whom her great panegyrist, JOHN NORTON, in a
poetical description of her says:

  'Her heart was a brave palace, _broad street_,
  Where all heroic simple thoughts did meet,
  Where nature such a tenement had ta'en,
  That other souls to hers dwelt in a lane.'

The _pun_ here is good, but the comparison might have been dropped sooner
without damage. The poem of Mrs. BRADSTREET, entitled 'Contemplations,'
possesses a great deal of merit, and proves her to be worthy of the
extravagant praise of her extravagant admirer. The extracts from the
poetry of Governor WOLCOTT are very favorable to the poetic reputation of
the governor. But the richest thing in the whole collection is the 'Simple
Cobbler of Aggawam,' occupying ten columns. The king-fashionable ladies,
and long-haired young gentlemen, are successively put on the cobbler's
lapstone and hammered most industriously. And we must say, cobbler as he
is, he appears to us to give vastly more _blows_ than he takes stitches.
This part of the work alone is worth the price of the whole book. It is
quite too long to quote entire, and a mere extract would do it injustice.
FRENEAU was a rare character, and his pasquinades on RIVINGTON, a tory
editor, are rich specimens. The confession he puts in the mouth of
RIVINGTON, in his 'Address to the Whigs of New-York' immediately after the
close of the war, is equal to 'Death and Dr. Hornbook' on the poor Scotch
quack.

This RIVINGTON, however, was not a more unlucky dog than another tory
named BENJAMIN TOWNE, editor of the 'Pennsylvania Evening Post.' Supposing
the cause of the rebels to be hopeless, he undertook to win favor and
reward from the British by the most unsparing abuse of the Americans. But
when the cause of freedom finally triumphed, the unlucky editor was left
on the sand. Without money, without patrons, he found himself in the midst
of those whom he had traduced, and dependent on them for a livelihood. In
this emergency, he goes to the celebrated Dr. WITHERSPOON for aid. The
stern republican doctor would listen to nothing, unless TOWNE would make
his peace with his country by a most humble confession. Finding no other
resource, he consented to publish in his paper any thing the doctor would
write. This confession is given by Mr. GRISWOLD at length; and if the tory
editor does not make himself out a most precious scoundrel, the fault is
certainly not with the doctor. He acknowledges that he had lied without
limit, and was willing to publish bigger lies had they been brought him;
he assures the people that he did every thing for personal gain, and was
willing to do and say any thing now for the same purpose. He was moreover
a brave man! 'I hope,' says he, 'the public will consider that I have been
a timorous man, or if you will, a coward from my youth, so that I cannot
fight; my belly is so large that I cannot run; and I am so great a lover
of eating and drinking that I cannot starve. When these things are
considered, I hope they will fully account for my past conduct, and
procure me the liberty of going on in the same _uniform_, tenor for the
future.' The collection teems with rich matter, and we have not even
skimmed the surface. Here and there only have we touched a point. We could
fill twice the space allotted us, with the revolutionary ballads alone,
for the gathering of which Mr. GRISWOLD deserves our thanks. New-England
epitaphs come in for their share; and there is a capital anecdote of Dr.
DWIGHT and Mr. DENNIE, at which we gazed and pondered wistfully for a long
time, in the hope, (a vain one, we are sorry to say,) of being able to
present it to our readers.

This collection of Mr. GRISWOLD brings together and preserves what was
before floating around and slowly disappearing with the lapse of time. Our
early literature is now grafted on a work which will secure its life; and
those peculiar characteristics of a remarkable age, which grow more
valuable the more distant the point from which we view them, will never
pass away. Nothing is more difficult than to preserve the scanty and
fugitive literature of an early age. A _great_ work will live; but those
fragments which are thrown off here and there, in a careless or earnest
moment, perish, because they _are_ fragmentary. They do not belong
together in a book, and cannot stand alone. In a later period of the
history of the country, this would be of little consequence, because there
is enough else to stand as exponents of that age. But these fragments are
all that is left to tell us how our fathers felt, and thought, and spoke.
Without them, we are without every thing. This collection greatly enhances
the value of the English edition, and cannot fail to increase its already
extensive sale.


  NORTH-AMERICAN REVIEW FOR THE APRIL QUARTER. Number CXXIII. pp. 268.
  Boston: OTIS, BROADERS AND COMPANY. New-York: C. S. FRANCIS AND
  COMPANY.

There has not been issued for many a long month so good a number of this
excellent and venerable Quarterly, as the one before us. It abounds in a
good variety, alike of theme and style; and there is a manly, vigorous
tone, and an independence of thought and expression, which we have not
before observed, at least in so marked a degree. The number opens with a
caustic and well-deserved critique upon the writings of JAMES, the
novelist; and we are the more gratified at this, because the defects of
this romancer are the besetting sins of certain of our own novelists, who
had at one time a fair degree of transient popularity. A lack of skill in
the creation or accurate delineation of individual character, which,
instead of representing men and women, are didactic exhibitions of the
author himself, projected into various personages, and all bearing an
unmistakable family resemblance--this it is that is at the bottom of the
sudden decadence into which the writings of one or two of our more
prolific romancers have fallen, past all redemption; and this is the great
fault of Mr. JAMES. 'To be successful in the exact delineation of
character,' says the reviewer, 'requires a rare combination of powers--a
large heart and a comprehensive mind. It is the attribute of universality;
it can be obtained only by outward as well as inward observation; not by
that habit of intense brooding over individual consciousness, of making
the individual mind the centre and the circumference of every thing, a
habit which only makes of the writer an egotist, and limits the reach of
his mind.' Mr. JAMES has certain types of character which he generally
reproduces in each successive novel. His heroine is idealized into
something which is neither spirit, nor flesh and blood. 'His women, like
his men, are ideas and feelings embodied; they are constructed, not
created nor painted; built, not drawn. They do not stand boldly from the
canvass.' His rascal is an unmitigated rascal, intermingled with the
machinery of his plot, and appearing regularly in every novel. 'Mr. JAMES
is a great spendthrift of human life. The carelessness with which he
slays, evinces the feebleness with which he conceives. If his personages
were real to his own heart or imagination, he would not part with them so
easily, nor kill them with such _nonchalance_.' A very faithful
description is given of Mr. JAMES'S style; and it is one which will apply
with equal force, though certainly in a subordinate case, to certain of
our own novelists, whom the reader will readily recall, but whom it would
be invidious perhaps to mention. 'His style,' says the reviewer, 'has
little flow and perspicuity, and no variety. It is usually heavy,
lumbering, and monotonous. Half of the words seem in the way of the idea,
and the latter appears not to have strength enough to clear the passage.
Occasionally, a short, sharp sentence comes like a flash of lightning from
the cloud of his verbiage, and relieves the twilight of his diction. There
are but few felicitous phrases in his manifold volumes. He has hardly any
of those happy combinations of words which stick fast to the memory, and
do more than pages to express the author's meaning. He has little command
of _expression_. His imagery is common; and his manner of arranging a
trite figure in a rich suit of verbiage, only makes its essential
commonness and poverty more apparent. His style is not dotted over with
any of those shining points, either of imagery or epigram, which illumine
works of less popularity and pretension.'

The review of Mr. JAMES'S works is followed by an excellent critique upon
the poems of Mr. JAMES RUSSELL LOWELL, which receive due commendation.
There are some 'rough truths' in the reviewer's opening remarks. 'We have
among us little companies of people, each of which 'keeps its poet,' and
not content with that, proclaims from its small corner, with a most
conceited air, that its poet is the man of the age.' Instances are
mentioned, closing with this irresistible climax: '_One man_ thinks
CORNELIUS MATHEWS has written the finest American poetry!' In allusion to
the whimsical peculiarities of Mr. CARLYLE--a man of genius, learning, and
humane tendencies--and their effect upon the servile tribe of imitators,
the reviewer observes: 'The study of German became an epidemic about the
time that CARLYLE broke out; the two disorders aggravated each other, and
ran through all the stages incident to literary affectation, until they
assumed their worst form, and common sense breathed its last, as the
'_Orphic Sayings_' came; those most unmeaning and witless effusions--we
cannot say of the brain, for the smallest modicum of brains would have
rendered their appearance an impossibility--but of mere intellectual
inanity.' The American Euphuists, being possessed of the demon of
affectation, strive to set themselves apart from the common herd, imagine
that they are inhabitants of a sublimated ether, and look down with
pitying contempt on all who profess an inability to detect a meaning in
their vapid and mystical jargon. 'These be _truths_;' and our readers will
bear us witness that months ago, with but little variation of terms, we
promulgated them in these pages.

There is an excellent paper upon the 'Forest Lands and the Timber Trade of
Maine;' it is full of interest, despite the nature of its general theme.
The 'Boundary Question' did not indicate the first usurpations of the
British in Maine. It was the acts of parliament that forbade the use of
water-falls, the erecting of machinery, of looms and spindles, and the
working of wood and iron; that set the king's arrow upon trees that rotted
in the forest; that shut out markets for boards and fish, and seized sugar
and molasses, and the vessels in which these articles were carried; and
that defined the limitless ocean as but a narrow pathway to such of the
lands that it embosoms as wore the British flag; it was these
restrictions, to release which the revolution was created. The articles
upon the various 'Theories of Storms,' and 'The Recent Contest in
Rhode-Island,' we have not found leisure from pressing avocations to
peruse. The paper on 'Architecture in the United States' is from the pen
of one who '_knows_ whereof he writes;' and he has not been sparing of
deserved satire upon the sad and ridiculous mistakes of those among us who
are miscalled architects. High praise is awarded to our Trinity Church,
now in progress of erection. 'In size, in the delicacy and propriety of
its decoration, and in the beauty of its general effect, it surpasses any
church erected in England since the revival of the pointed style.' In a
notice of the 'Writings of Miss BREMER,' MARY HOWITT 'suffers some,' on
account of a certain hysteric preface of hers to a translation of one of
the Swedish lady's productions, in which she complains of the American
translations from this popular writer. Among the 'Critical Notices' which
compose the last article in the Review, is a critique upon Mr. CORNELIUS
MATHEWS'S 'Writings,' including his poem on 'Man in his Various Aspects,'
which embodies the opinions we have ourselves expressed in relation to
them. Since the unfounded charge of being 'actuated by private pique,'
which was brought against us by the author, cannot be assumed against the
North American Review, we trust that our 'complainant' will not object
that we fortify our own estimate of his literary merits by grave
authority. The following is an extract:

    Mr. MATHEWS has shown a marvellous skill in failing, each failure
    being more complete than the last. His comedy of 'The Politicians'
    is 'the most lamentable comedy;' and the reader exclaims, with
    Hippolyta, 'This is the silliest stuff that ever I heard.' The
    'Career of Puffer Hopkins' is an elaborately bad imitation of
    DICKENS; and must be ranked in fiction where 'The Politicians'
    stands in the drama. It aims at being comical, and satirical upon
    the times. The author studies hard to portray the motley
    characters which move before the observer in a large city; but he
    has not enough of the vision and the faculty divine, to make them
    more than melancholy ghosts of what they profess to be. The
    attempts at humor are inexpressibly dismal; the burlesque
    overpowers the most determined reader, by its leaden dulness. The
    style is ingeniously tasteless and feeble. He who has read it
    through can do or dare any thing. Mr. MATHEWS suffers from several
    erroneous opinions. He seems to think that literary elegance
    consists in the very qualities which make elegance impossible.
    Simplicity and directness of language he abominates. When he has
    an idea to express, he aims, apparently, to convert it into a
    riddle, by inventing the most forced, unnatural, and distorted
    expressions. If the thing can be obscured, he is sure to obscure
    it. He seems to say to the reader, 'Can you guess? do you give it
    up?' But then, less obliging than the maker of charades, he leaves
    the puzzled victim without an explanation at last. He studies a
    singularity of phrase at once crabbed and finical, and overloads
    his pages with far-fetched epithets, that are at once harsh and
    unmeaning. He seems to have been told that he has wit and humor,
    and--strange delusion!--to believe it. He writes as if he imagined
    that he possessed the inventive power: never was a greater
    mistake. These qualities and these mistakes make his prose
    writings unreadable and intolerable, at least all the later ones.
    But when to the charms of his ordinary style are added the
    attractions of verse, then the sense aches with the combined and
    heightened beauties. The present volume exaggerates all his
    literary vices. The plan of these poems is very well; if executed
    with taste and power, the volume would have been interesting. As
    it is, we have here and there a good line, a striking figure, or a
    bold expression. But most of the poems are deformed by harshness
    of versification, feebleness of thought, and every species of bad
    writing. Compounded words, never seen before, and impossible to be
    pronounced, epithets detailed on service for which they are wholly
    unfit, figures that illustrate nothing but their own absurdity,
    and rhymes that any common book would die of, astonish the reader
    on every page. Had the poet purposely aimed to twist the English
    language into every conceivable form of awkwardness; had he
    designed to illustrate, for the use of beginners, every possible
    defect and every positive fault of diction; his success in
    accomplishing the object could not have been more complete.'

We annex a few of the 'original' beauties which the reviewer has selected
from Mr. MATHEWS'S poem. Two or three of them, we perceive, are identical
with those which we ourselves selected from that luminous effort of the
mind and the imagination:

    'We had marked many characteristic passages in the present volume,
    to illustrate the observations we have felt called on to make. But
    we have space only for a few lines. In the first poem, besides
    many other absurdities of thought as well as expression, occurs
    this line:

      'Strides he the globe, or CANVASS-TENTS the sea.'

    Who ever heard of the verb to _canvass-tent_? To _canvass-back_
    the sea would be much more rational.

    In the second poem we find this luminous line:

      'CLEAR AS THE CLEAR, round midnight at its full,'

    which must be very clear indeed.

    What can be the meaning of the following words in the 'Teacher?'

      'Whose eyes cry light through all its dawning void.'

    Again, in the 'Farmer:'

      'Fierce revolutions rush in WILD-ORBED haste.'

    In the 'Mechanic,' the following very intelligible direction is
    given to the architect:

      'In the first Builder's gracious spirit work,
      Through, hall, through enginery, and TEMPLES MEEK,
      IN GRANDEUR TOWERED, OR LAPSING BEAUTY-SLEEK,
      Let order and creative fitness shine.'

    In the 'Merchant,' the poet affirms:

      'Undimmed the man should through the trader shine.
      And show the soul UNBABIED by his craft.'

    This can only mean, that the soul of the trader ought not to be
    supplied with babies by his craft.

    The 'Sculptor' ends with this prediction:

      'And up shall spring through all the BROAD-SET land,
      The FAIR WHITE PEOPLE of thy love unnumbered.'

    In the 'Journalist,' we find the following _directions to the
    printer_:

      'Hell not the quiet of a Chosen Land,
      Thou grimy man over thine engine bending.'

    _Hell_, as a common noun, is a sufficiently uncomfortable idea;
    but when converted into an active verb, it becomes positively
    alarming.

    The poet thus advises 'The Masses:'

      'In vast assemblies calm, let order rule,
        And every shout a cadence owning,
        Make musical the vexed winds moaning,
      AND BE AS LITTLE CHILDREN AT A SINGING-SCHOOL.'

    And the 'Reformer' is told to

      'Seize by its horns the shaggy Past,
      Full of uncleanness.'


  A PRACTICAL TREATISE ON MIDWIFERY. By M. CHAILLY, M. D., Professor of
  Midwifery, etc., etc. With two hundred and sixteen wood-cuts.
  Translated from the French, and edited by Dr. GUNNING S. BEDFORD, of
  the University of New-York. In one volume. pp. 530. HARPER AND
  BROTHERS.

This work comes to us under the fairest auspices. The author, M. CHAILLY,
is a distinguished Parisian lecturer on Obstetrics, a pupil of the eminent
PAUL DUBOIS, of the University of Paris, and generally recognized as the
exponent of the views of that celebrated _accoucheur_. By all who are
familiar (and who of the medical world is not?) with the high reputation
of DUBOIS for sound medical philosophy and unbounded practical knowledge,
it has been long regretted that the just opinions he so eloquently
promulgates in the lecture-room have never assumed the diffusible shape of
a printed book. M. CHAILLY, in the work before us, supplies us with that
which has been so much desired, and which Prof. DUBOIS himself, from some
cause not easily appreciated, has so long withheld from the world. The
Parisian board of public instruction has moreover stamped the work of M.
CHAILLY with their approbation, and fixed it as the standard text-book of
the French medical schools. This is a promise of excellence which a
diligent perusal of the work will fully confirm. Professor BEDFORD, the
American translator, who has performed his duty as might be expected from
his high character and prominent position, as Professor of the flourishing
medical school of the University of New-York, felt the want of a good
text-book for the student, and a sound practical guide for the physician,
and has exhibited a sound judgment in this selection to supply that want.
The work of VELPEAU, hitherto unquestionably the most popular book with
the medical profession, is diffuse and speculative. The present work is
direct, concise, and complete. Dr. BEDFORD has enriched the original with
copious notes, the result of his own extensive experience and observation.
The publishers have performed their duty well, in presenting the work in a
handsome library form; and it is only the very extensive business
facilities of the MESSRS. HARPERS that could afford so full and well
illustrated a _scientific_ book at so reasonable a price.


  THE LITERARY REMAINS OF THE LATE WILLIS GAYLORD CLARK: including the
  'OLLAPODIANA' papers, 'The Spirit of Life,' and a choice Selection
  from his Miscellaneous Prose and Poetical Writings. With a Memoir of
  the Author. Edited by LEWIS GAYLORD CLARK. Complete in five Numbers of
  ninety-six pages each. New-York: BURGESS, STRINGER AND COMPANY.

It does not become us, perhaps, to enlarge upon the merits of this work,
the character of which is known to many of our readers. As there are
_other_ many of them, however, who may not be conversant with much of the
prose which makes up a large portion of its contents--having become
subscribers to this Magazine since the 'Ollapodiana' papers and the other
prose miscellanies appeared in its pages--we shall venture to present a
few extracts, and to preface them with the following remarks of the able
Editor of the _United States Gazette_, of Philadelphia, upon the writer's
merits; praise, we may add, which has been confirmed by the kindred
commendation of almost every journal in the Union: 'Messrs. BURGESS,
STRINGER AND COMPANY, of New-York, have commenced the publication, in a
series of numbers, of the Literary Remains of WILLIS GAYLORD CLARK. The
first number has been for some days upon our table, and after a
biographical notice of the author, contains a portion of the
'_Ollapodiana_,' those admirable papers furnished for the KNICKERBOCKER.
Almost every body, who read five years ago, knows the _beauties_ of
CLARK'S composition. They are permanent beauties; beauties that always are
to be found by those who ever had taste to admire them. They are not
dependant upon a jingle of words for temporary popularity; they appeal
from the heart to the heart, in language that knows no variation of time.
They express sentiments that are permanent, feelings common to mankind;
and those who would profit by a delicate delineation of the affections of
the human heart, will love the poetry of CLARK. Those who would have a
broader seal set upon manners, and the peculiarities of the mind set forth
in pleasant grotesqueness, will smile at the 'Ollapodiana.' But all will
profit by _all_; and we regard it as a literary obligation conferred upon
the age, and carrying with it a moral obligation also, to multiply the
copies of such writings as CLARK prepared. We express not our feelings,
when we write of CLARK as an author. There are some of us who knew his
heart better than he did, and who have never forgotten his worth. These
monuments, that are erected to his fame from his own works, like the
trophies of victory, moulded to a triumphal pillar, denote public respect.
Individual feeling loves a silent flow, that is constant and hearty.'

If the reader has had the fortune to travel in a canal-packet, in the
summer solstice, he will readily recognize the faithfulness of the
following picture:

    'At first, when you embark, all seems fair; the eleemosynary
    negro, who vexes his clarionet, and governs its tuneful ventiges,
    to pay for his passage, seems a very Apollo to your ear; the
    appointments of the boat appear ample; a populous town slowly
    glides from your view, and you feel quite comfortable and
    contented. As yet, you have not gone below. 'Things above' attract
    your attention--some pretty point of landscape, or distant
    steeple, shining among the summer trees. Anon, the scenery becomes
    tame, and you descend. A feeling comes over you as you draw your
    first breath in the cabin, which impels to the holding of your
    nose. The cabin is full; you have hit your head twice against the
    ceiling thereof, and stumbled sundry times against the seats at
    the side. Babies, vociferous babies, are playing with their
    mothers' noses, or squalling in appalling concert. If you stir,
    your foot treads heavily upon the bulbous toes of some recumbent
    passenger; if you essay to sleep, the gabble of those around you,
    or the noisy gurgle of a lock, arouses you to consciousness; and
    then, if you are of that large class of persons in whom the old
    Adam is not entirely crucified, then you _swear_. Have you any
    desire for literary entertainment? Approach the table. There shall
    you find sundry tracts; a copy of the Temperance Recorder;
    Goldsmith's Animated Nature, and Plutarch's Lives. By and by
    dinner approaches: and oh! how _awful_ the suspense between the
    hours of preparation and realization! Slowly, and one by one, the
    dishes appear. At long intervals, or spaces of separation from
    each other--say five for the whole length of the boat--you behold
    tumblers arranged, with two forlorn radishes in each. The butter
    lies like gravy in the plate; the malodorous passengers of the
    masculine gender draw nigh to the scanty board; the captain comes
    near, to act _his_ oft-repeated part, as President of the day. Oh,
    gracious! 'tis a scene of enormous cry and scanty wool. It
    mendicants description. · · · But the grand charm and scene of
    a canal packet is in the evening. You go below, and there you
    behold a hot and motley assemblage. A kind of stillness begins to
    reign around. It seems as if a protracted meeting were about to
    commence. Clergymen, capitalists, long-sided merchants, who have
    come from far, green-horns, taking their first experience of the
    wonders of the deep on the _canawl_, all these are huddled
    together in wild and inexplicable confusion. By and by the captain
    takes his seat, and the roll of berths is called. Then, what
    confusion! Layer upon layer of humanity is suddenly shelved for
    the night; and in the preparation, what a world of bustle is
    required! Boots are released from a hundred feet, and their owners
    deposit them wherever they can. There was one man, OLLAPOD beheld
    him, who pulled off the boots of another person, thinking the
    while--mistaken individual!--that he was disrobing his own
    shrunken legs of their leathern integuments, so thick were the
    limbs and feet that steamed and moved round about. Another
    tourist, fat, oily and round who had bribed the steward for two
    chairs placed by the side of his berth, whereon to rest his
    abdomen, amused the assembly by calling out; 'Here, waiter! bring
    me another pillow! I have got the ear-ache, and have put the first
    one into my ear!' Thus wore the hours away. Sleep, you cannot.
    Feeble moschetoes, residents in the boat, whose health suffers
    from the noisome airs they are nightly compelled to breathe, do
    their worst to annoy you; and then, Phoebus Apollo! how the
    sleepers snore! There is every variety of this music, from the low
    wheeze of the asthmatic, to the stentorian grunt of the corpulent
    and profound. Nose after nose lifts up its tuneful oratory, until
    the place is vocal. Some communicative free-thinkers talk in their
    sleep, and altogether, they make a concerto and a diapason equal
    to that which Milton speaks of, when through the sonorous organ
    'from many a row of pipes, the sound-board breathes.' At last,
    morning dawns; you ascend into pure air, with hair unkempt, body
    and spirit unrefreshed, and show yourself to the people of some
    populous town into which you are entering, as you wash your face
    in canal water on deck, from a hand basin! It is a scene, I say
    again, take it for all in all, that throws description upon the
    parish, and makes you a pauper in words. '_Ohe jam satis!_'

Let the old bachelor, who 'longs but fears to marry,' perpend the annexed
invitation to matrimony:

    'Some of my contemporaries have supposed that the estate of a
    Benedict forbiddeth the resident therein to disport himself as
    aforetime, in the flowery fields of fancy, and to ambulate at
    random through the remembered groves of the academy, or the rich
    gardens of imaginative delight. Verily this is not so. To the
    right-minded man, all these enjoyments are increased; the ties
    that bind him to earth are strengthened and multiplied: he
    anticipates new affections and pleasures, which your cold
    individual, careering _solus_ through a vale of tears, with no one
    to share with him his gouts of optical salt water, wots not of. As
    a beloved friend once said unto me: 'When a good man weds, as when
    he dies, angels lead his spirit into a quiet land, full of
    holiness and peace; full of all pleasant sights, and 'beautiful
    exceedingly.' One's dreams may not all be realized, for _dreams_
    never are; but the reality will differ from, and be a thousand
    fold sweeter, than any dreams; those shadowy and impalpable though
    gorgeous entities, that flit over the twilight of the soul, after
    the sun of judgment has set. I never hear of a friend having
    accomplished hymenization, without sending after him a world of
    good wishes and honest prayers. Amid the ambition, the
    selfishness, the heartless jostlinq with the world, which every
    son of Adam is obliged more or less to encounter, it is no common
    blessing to retire therefrom into the calm recesses of domestic
    existence, and to feel around your temples the airs that are
    wafted from fragrant wings of the Spirit of Peace, soft as the
    breath which curled the crystal light

          ----'of Zion's fountains,
        When love, and hope, and joy were hers,
      And beautiful upon her mountains,
        The feet of angel messengers.'

    No common boon is it--we speak in the rich sentence of a German
    writer--to enjoy 'a look into a pure loving eye; a word without
    falseness, from a bride without guile; and close beside you in the
    still watches of the night, a soft-breathing breast, in which
    there is nothing but paradise, a sermon, and a midnight prayer!'

Here is a specimen of 'the show-man's trick,' which, as old MATTHEWS used
to say, 'made a great laugh at the time:'

    'It is diverting in the extreme to observe the pompous
    grandiloquence in the advertisements of the amusement-furnishing
    public, about Christmas and New-Year. Sublimity glares from the
    theatrical hand-bill, and the menagerie _affiche_. Curiosities,
    then, have a 'most magnanimous value.' I remember, not long ago,
    that I desired a lovely lady, a French countess, to accompany me
    to a Zoological Institute, to behold _an American Eagle_. I was
    pleased at the expressed wish which led me to make the invitation,
    and proud of the prospect of showing a living emblem of our
    country's insignia to one who felt an interest in the subject. The
    bills of the institute set forth, that 'the grand Columbia's Eagle
    was the monarch of its tribe, measuring an unprecedented length
    from the tip of one wing to the other, in full plumage and vigor.'
    The countess had never seen but one eagle, in the _Jardin des
    Plantes_ at Paris, and that was a small one, and ungrown; so that
    her anticipations of novelty were as great as mine. We went, and
    with interesting expectancy, asked of the president of the
    institute, who was engaged in the noble pursuit of feeding a sick
    baboon with little slips of cold pork, to discover to us
    'Columbia's eagle.' He marshalled us to the other end of the
    institute, past the cages of lions, bears, libbards, and other
    animals--among which was a singular _quadruped_, with six legs--to
    the cage of the eagle. 'There,' he exclaimed, with professional
    monotony, 'there _is_ the proud bird _of_ our country, that _was_
    caught _in_ the West, and _has_ been thought to have killed many
    animals _in_ his life-time. He _was_ five hours and twenty-three
    minutes _in_ being put into the cage, _so_ strong _was_ his wings.
    Look at him _clus_. He'll bear inspection. Jist obsarve the keen
    _irish_ of his eye.'

    'An involuntary and hearty laugh from us both, followed the sight,
    and the announcement. It was a dismal looking bird, about the size
    of a goodly owl, with a crest-fallen aspect, the feathers of the
    tail and wings dwindled to a few ragged quills; and the shivering
    fowl, standing on one leg, looked with a vacant, spectral eye at
    his visitors. Nothing could be so perfectly burlesque, and we
    enjoyed it deeply and long. I shall never be deceived by
    show-bills again.'

The following must close our quotations. We venture to say that it
describes a scene which many a reader has more than once witnessed:

    'Talking of a man's making a hero of himself, reminds me of an old
    friend of mine, who is fond of telling long stories about fights
    and quarrels that he has had in his day, and who always makes his
    hearer his opponent for the time, so as to give effect to what he
    is saying. Not long ago I met him on 'Change, at a business hour,
    when all the commercing multitudes of the city were together, and
    you could scarcely turn, for the people. The old fellow fixed his
    eye on me; there was a fatal fascination in it. Getting off
    without recognition, would have been unpardonable disrespect. In a
    moment, his finger was in my button-hole, and his rheumy optics
    glittering with the satisfaction of your true _bore_, when he has
    met with an unresisting subject. I listened to his common-places
    with the utmost apparent satisfaction. Directly, he began to speak
    of an altercation which he once had with an officer in the navy.
    He was relating the _particulars_. 'Some words,' said he,
    'occurred between _him_ and _me_. Now you know that he is a much
    younger man than I am; in fact, about _your_ age. Well, he '_made
    use of an expression_' which I did not exactly like. Says I to
    him, says I, 'What do you mean by that?' 'Why,' says he to me,
    says he, 'I mean just what I say.' Then I began to burn. There was
    an impromptu elevation of my personal dandriff, which was
    unaccountable. I didn't waste words on him; I just took him in
    this way,' (here the old _spooney_ suited the action to the word,
    by seizing the collar of my coat, before the assemblage,) 'and
    says I to him, says I, 'You infernal scoundrel, I will punish you
    for your insolence on the spot!' and the manner in which I shook
    him (just in _this_ way) was really a warning to a person
    similarly situated.'

    'I felt myself at this moment in a beautiful predicament; in the
    midst of a large congregation of business people; an old
    gray-headed man hanging, with an indignant look, at my
    coat-collar; and a host of persons looking on. The old fellow's
    face grew redder every minute; but perceiving that he was
    observed, he lowered his voice in the _detail_, while he lifted it
    in the worst places of his colloquy. 'You infernal scoundrel, and
    caitiff, and villain,' says I, 'what do you mean, to insult an
    elderly person like myself, in a public place like this?' and
    then, said he, lowering his malapropos voice, 'then I shook him,
    _so_.'

    'Here he pushed me to and fro, with his septuagenarian gripe on my
    collar, as if instead of a patient much bored _friend_, I was his
    deadly enemy. When he let go, I found myself in a _ring_ of
    spectators. 'Shame, shame! to insult an old man like him!' was the
    general cry. 'Young puppy!' said an elderly merchant, whose good
    opinion was my heart's desire, 'what excuse have you for your
    conduct?'

    'Thus was I made a martyr to my good feelings. I have never
    recovered from the stigma of that interview. I have been pointed
    at in the street by persons who have said as I passed them,
    'That's the young chap that insulted old General ----, at the
    Exchange!'

We should not omit to state that the publishers have done ample justice to
the work. It is beautifully stereotyped and printed upon new type and fine
white paper, and the numbers are enclosed in very neat and tasteful
covers. The work we are glad to say meets with a liberal and constant
sale.


  ITALY AND THE ITALIANS. In a Series of Letters. By J. T. HEADLEY. In
  one volume, pp. 64. New-York: I. S. PLATT.

Mr. PLATT has commenced a series of publications, at a moderate price,
which should secure a liberal share of the public favor. These 'Letters,'
which form the initial number, are replete with interest. Many of them
appeared in the original foreign correspondence of the '_Tribune_' daily
journal, where they excited the admiration of the press, and 'the people'
whom the press represents; but a large portion now see the light for the
first time. Mr. HEADLEY has not given us, in tiresome detail, minute
descriptions of galleries of art and public edifices; although his
description of St. Peter's at Rome, (a 'nice building, with a dome
handsomely scooped out,') is the most vivid picture of that world-renowned
structure that we ever perused. He has wisely chosen rather to illustrate
the people and country by things perhaps trifling in themselves, but which
give to the reader a constant succession of 'sketches from Nature,' which
are not only very pleasant to read, but which it is quite evident are
exceedingly faithful. 'The condition of the people,' in short, 'occupies
more space than the condition of art, simply because the latter is well
known, while the former is almost wholly neglected.' Briefly, for 'brief
must we be,' the book affords what Mrs. RAMSBOTTOM would call 'a supreme
_cow-dyle_' (coup d'oeil) of 'Italy and the Italians,' and is presented in
a dress worthy of its internal merits.




EDITOR'S TABLE.


OUR old friend and correspondent 'HARRY FRANCO' cometh late, but he can
never arrive too late to be welcome. Let us hope only that he will not
object to being placed as it were 'below the salt,' instead of being
seated with his peers at the more conspicuous board of the 'regulars.' He
has deftly touched a fruitful theme, at which we have more than once
hinted in this department of the KNICKERBOCKER.


THE IMPUDENCE OF THE FRENCH.

KEEP your tempers, Messieurs; we shall not quarrel. There is a difference
between Impudence and Impertinence. The two words are often used
synonymously by the vulgar, but they are no more alike than any other two
words that begin with an I. 'When we behold an angel, not to fear is to be
IMPUDENT,' says DRYDEN: 'We should avoid the IMPERTINENCE of pedants,'
says SWIFT. These two great masters of the English tongue have well
defined the difference between the two words. There is always an air of
confident greatness about impudence that wins respect, and not
infrequently success. ALEXANDER was assuredly the most impudent man of his
time; so was CÆSAR; so was LUTHER. Even now, when half the human race has
grown impudent, we cannot but wonder at the impudence of that obscure
monk. GALILEO, too, was a very impudent fellow until the well-bred 'Rev.
and dear Sirs' of his time taught him modesty. And CROMWELL! what an
Arch-Impudence was he! And NAPOLEON! he put Impudence itself to the blush.
And have there been no Impudences among us? It cannot be denied that our
Fourth-of-July-men made a very impudent declaration, to say the least of
it. But these were all individual instances. The French are impudent as a
nation. They have no sense of modesty. They insist that all the world
shall eat French, drink French, talk French, dance French, and dress
French. Did ever any traveller visit a city or town in any quarter of the
globe in which a Frenchman had not set up a restaurant? FANNY ELLSLER was
astonished when she landed at the American Hotel, to find that her dinner
had been prepared by a Parisian cook; and yet she had come over here to
show us her French steps. Simple Fanny! How did she think we could live
without French cookery, if we could not live without French dancing? What
traveller has ever visited a remote village that a French _modiste_ had
not visited before him? Is it possible to dine any where, without having a
French bill of fare thrust into your hand, and some dish with an _à la_
under your nose? Is there a living being in any part of the world willing
to make oath to having visited a ball-room or a church without
encountering a French dress or a French bonnet? The Quakers cannot; they
would as soon wear scarlet ribbons as any other than French gloves and
French muslins.

Untravelled New-Yorkers as they walk through Broadway, and see the names
of Madame Grand-this and Mons. Grand-that '_from Paris_,' over every other
shop-door, and see the French shoes, the French gloves, the French
chocolate, the French clocks, the _liqueurs_, the _bon-bons,_ the
_bijouterie_, the _meringues_, the _pâtes-de-foi-gras,_ in the windows,
may think that the Gauls have marked us for their 'own peculiar;' but it
is so in St. Petersburgh, 'tis so in Constantinople, 'tis so in Lima, in
the Banda Orientale, in Rio, in Mexico, in Montreal, in London, in Vienna,
in Boston, in Philadelphia, in Grand Cairo--'tis so all over the earth.
The Sorbonne and the Louvre rule the world. Can any body be tired, or
weary, or dumpish? No. We must be _ennuyeèd_, or _blazè_, or _fatiguè_, or
something else ending in _è_. Does any lady ever give an evening party?
No. Nothing but a _soirée_. Are there any more gatherings of friends? No;
only _reünions_. Is it possible to dance a cotillion in English? Is there
any body in New-York with sufficient moral courage to sleep upon any thing
short of a French bed-stead? Is there a chamber-maid who will lie upon any
thing less than a _paliastre_? Are there any more fat, or plump, or round,
or full people? No. Even Falstaff would be inclined to _embonpoint_ if he
were alive, in these days of Gallic supremacy. Well might VICTOR COUSIN
and the rest of them declare that the French were not defeated at
Waterloo. The allied armies entered Paris it is true, but they made their
Exodus in slavery. The English, Germans and Russians went home from France
manacled with French fashions, and not a soul of them has dared to assert
his independence since.

We are by no means sure that French cookery has not done more to preserve
the peace of Europe, during the last twenty years, than all other causes
put together. It is impossible to think of a war with France. The mind
staggers under the supposititious case of the nations of the earth
deprived of French _bon-bons_. Imagine the commerce with France suspended!
Who would perfume us? who feast us? who dress us? Where would our gloves
come from? what should we do for slippers? how should we be off for soap?
Would there be any more ribbons? any more brandy fruits? any more
meringues? any more chocolate? Where should we look for another BLANCARD,
another FAUVEL-GOURAUD? Would there be any more dancing? any more
fashions? any more any thing? The true _Mystéres de Paris_ nobody knows
any thing about but the Parisians themselves, and they are too cunning to
pronounce their open sesame loud enough to be heard by the rest of the
world. How like gudgeons we all snapped at the bait of EUGENE SUE! But the
Mysteries of Paris are written in a kind of Parisian Coptic, which none
but the Parisian can read.

The English eat, or at least a portion of them do, and they cook, but who
ever heard of an English eating-house, or of an English cook? We have
heard of DOLLY'S chop-house, but its reputation was gained by the quality
of its guests rather than the merit of its cooks. For aught the world
knows to the contrary, there is not an eating-house in any of the European
capitals beside Paris. But every body knows the names, the situation, and
even the _carte du jour_ of at least a dozen restaurants in the French
capital without ever having been there. The 'Rocher' is as well known as
the Rock of Gibraltar, and Very and Châtelain have reputations as extended
as those of Guizot and Theirs. Vatel is more famous than Vattel, and the
cook will doubtless be remembered when the philosopher is forgotten: he
will never die, at least, while the memory of Sevignè lives.

Not long since we saw on a sign-board, stuck up at the entrance of a
cellar on the corner of Reade-street and Broadway, '_Au Rocher de
Cancale_,' painted in very soup-maigreish looking letters, with an attempt
at the representation of an oyster-shell. Now look at the impudence of the
thing; at the Frenchiness of it! Here we are with our Prince's Bays, our
York-rivers, our Mill-ponders, our Shrewsburys, and Blue pointers, a
shilling's worth of either worth all the shell-fish that ever grew on the
French coast; and this Parisian sets up his sign in the midst of these
marine riches, with a 'ROCHER DE CANCALE!' No other nation could have been
guilty of such arrogance. No Englishman has ever had the temerity to
insult us with an allusion to his dirty 'natives.'

What would be thought of an American who should have the presumption to
open a House of Refreshment in the Rue St. Jacques or the Palais Royale,
and announce to the Parisians that he would serve up for them Prince's Bay
oysters, fried, stewed, roasted or in the shell; clam soup, pumpkin-pies,
waffles, hoe-cakes and slap-jacks, or mush-and-milk and buck-wheats? Would
the most inquisitive or most vulgar man in France venture within the doors
of a house where such barbarisms were perpetrated? But why not, Monsieur?
Why not, as well as for us to crowd the _salons_ of the Messieurs who
tempt us with their equally outlandish _carte à manger_, or who exclaim to
us when we enter:

  'MON salon est toujours gami,
  Et mon buffet bien assorti,
  Ou vante mon chablis,
  Mes huitres, mes radis,
  Ainsi que raes salmis
                 De perdrix:

  Mes godiveaux au ris;
  Mes tourtes, mes hachis;
  Fameux pâlis, gros et petits;
  Boeuf au naturel, au coulis;
         Papillotes,
         Gibelotes,
         Matelotes,
         Fines compotes,' etc., etc.

Why should not we send over some of our JENNINGSES and STETSONS, our
BERGALEWS and DOWNINGS, to repay our French friends for their many favors,
and instruct them in the art of making pumpkin-pies and eating
canvass-back ducks? The French at present know little more about us than
that Doctor FRANKLIN made lightning-rods, and that COOPER writes Indian
novels. They eat nothing that we raise, they wear nothing that we make,
they adopt none of our fashions, they use none of our phrases. You would
look in vain in the _carte_ of any restaurateur in Paris for such
delicacies as apple-dumplings or corn-bread, and you might call in a
Parisian café until you were hoarse, for a 'cobbler' or a julep, without
getting either. Yet our uppish people will eat nothing, drink nothing,
wear nothing that is not French. We have been told of certain brokers in
Wall-street who import even their _desserts_ from Paris; not their
_deserts_, my friend, for the guillotine is the only French thing which we
don't imitate or import. No wine is fit for our tables without the prefix
of a _chateau_ something; every thing that is composed of wool is
something _de laine_, and all our clothes are made of _drap de_ this or
_drap de_ that.

But let us not paint our Gallic friends a shade darker than they deserve.
They have taught us the use of napkins and silver forks; they give us the
best perfumery in the world, and make the best gravies for our meats. What
is the privilege of writing the songs of a nation, compared with the
privilege of setting its fashions? The supremacy of the French in all
matters of taste is not the effect of accident. Why do they rule the world
by their elegancies? There is a philosophy in these things, as well as in
every thing else, which is worthy of grave consideration.

The secret of French authority lies in the simple truth that they count
every thing worthy of being well done which is worth doing at all. We have
grades of usefulness. Not so with them. Whether they make a pâté or build
a palace, it is a grave matter; and the consequence is, that their pâtés
as well as their palaces excel those of the other kingdoms of Europe. The
Louvre is as much superior to Buckingham Palace as a Charlotte-Russe is to
a Yorkshire pudding. Cookery and Architecture are the first arts practised
by mankind, and the last in which they arrive at perfection. The French
excel all other nations in both. The condition of one art might be
ascertained with precision by examining the state of the other in any part
of the world, or in any age. When cooks served up pastry with peacocks'
tails sticking out of the top crust, architects built gothic churches and
campanile towers. Penault and Vatel ornamented the same age. One built a
palace and the other cooked a dinner, and they are both immortal. It would
be no difficult matter to guess at the extravagance and unhealthiness of
our kitchens, from a glance at our Exchange and Custom House. The
ponderous marble and granite boulders in these senseless structures have
their correspondents in many a lump of indigestible food; and the
bizarreterie of the new Trinity Church have their correspondents in many a
temple composed of macaronis and cocoanut candies.

We have grades of usefulness, but it is no easy matter to discover the
principles upon which our scale of respect is graduated: money is not
always the test of merit; it matters how you get it. If you earn it
yourself, it will not entitle you to half the respect it would if your
father or grandfather earned it for you. Any occupation which soils the
hands or the clothes, is looked upon with disfavor by the upper classes. A
broker who never does any thing that is either useful or ornamental, grows
nothing, invents nothing, imagines nothing; who instructs nobody, amuses
nobody, enriches nobody; who leaves the world in the same condition that
he found it, may be called a gentleman, visit in the first circles, have
those mysterious letters, E.S.Q., written after his name, and if he is
rich, will be elected a member of more societies than will be agreeable to
him. But a wig-maker who has invented a new spring for a toupée, or a new
dye for the hair, and thereby really done mankind a service, could no more
get into the first circles with us than he could go to heaven, like
Mahomet, on the back of an ass. Shoemakers' wives and bakers' daughters
are people of whose acquaintance nobody ever speaks boastingly. I once
knew the nephew of a barber who always blushed when his uncle was named in
his hearing. But an attorney's lady, or a banker's daughter, are often
paraded in an ostentatious manner before one by their friends, and I have
never known the nephew of a soldier-officer, whose business is to take
people's lives, blush at the profession of his relative. It cannot be
expected that men will labor in callings that gain them only the contempt
of their neighbors; and therefore while it is accounted disgraceful among
us to do any thing that is useful, we must be content to remain dependent
upon any people who have more sense in regard to this matter than
ourselves.

We are very well aware that shoemakers and pastry-cooks are not the kind
of people who compose the French court; but there can be no denial of the
fact that certain kinds of artisans are treated by the French people with
a greater degree of respect than they are with us. Very different from the
dogged surliness of an Englishman, or the who-cares-for-_you_ manner of
our own countrymen, is the air of conscious self-respect of certain
classes of French tradesmen. In the present condition of our society, we
hold it to be among the impossible things to make a decent pastry-cook out
of an American citizen, or a decent citizen out of a pastry-cook. But is
there any good reason why we should not? Do not pastry-cooks contribute as
much toward human happiness as sugar-refiners or importers of molasses?
Should you not feel as well disposed toward the individual who had made a
meringue to your liking, as toward him who had imported the materials of
which it was composed? The King of the French seats artists at his
dinner-table, bestows the 'legion of honor' upon them; pays them liberally
for their works, and settles pensions upon them. Artists with us, as
artists, do not often find their way into our upper circles; if they are
respectable in their habits and associates, they are rather countenanced
for their respectability than noticed for their genius. We know a
whiskey-distiller who refused his daughter to a portrait-painter, unless
he would abandon his profession; simply because it was a low calling.

It is very common with us to call the French triflers; but it is one of
the many bad habits which we have inherited from the English, and the
sooner we free ourselves from it, the better will it be for us. We shall
never be ambitious to excel a people whom we pretend to despise. If doing
small things well be trifling, then the French are triflers. But what must
we call them for their great works? There is no art, no science, no
department of learning in which the English excel them. They are the best
architects in Europe; the best physicians; the best chemists, the best
astronomers. They have cut off the head of one king and banished another;
what more have the English done? But they can afford to be called any
thing: they set the fashions of the whole world. Queen VICTORIA is as much
a subject of LOUIS PHILLIPE in her dress as any lady in France. With all
her immense territory, her great authority, she cannot change the fashion
of a bonnet.

The difference between French and English art is as great as the
difference between the Louvre and the National Gallery in Trafalgar
Square; and about the same relative difference prevails with regard to us.
At the last exhibition of the Louvre there were four thousand paintings
offered; at the last exhibition of the National Academy there were about
four hundred. This is not a very correct method of judging of the artistic
excellence of a nation, but it is not far from correct in this case.

                                                                 H. F.


A PICTURE BY MURILLO.--The time has yet to arrive when the march of empire
_westward_ will bring in its train our portion of those chef d'oeuvres of
painting and sculpture which adorn the princely palaces of Europe, and
confer distinction upon the possessors of wealth and taste in humbler
abodes. To us, who have never visited those miracles of art, the sight of
one of them is too gratifying to be passed over without imparting a share
of the pleasure to our less fortunate readers. For the first time in our
lives, we have enjoyed the delight of seeing at the house of a friend one
of the grand pictures of MURILLO, which was obtained by a distinguished
connoisseur at Lima, in 1828, from the cloister of an old convent, where
it had hung for countless years in ignoble seclusion. It had probably been
brought from Spain during the life-time of the painter, as it is not
described by any of his biographers, who have carefully enumerated the
works of his pencil. This idea is strengthened by the fact of his having
inscribed his name upon the picture, which is not to be found upon any of
his master-pieces at Madrid and Seville. Although it has not escaped the
injuries of time and ignorance, it appears to have had the rare good
fortune never to have passed through the hands of a restorer or scourer:
the whole effect of its magical colouring remains unobscured, except a few
touches of the brush of some dauber, who has tried the experiment of
adding freshness to the rose.

The subject of it is the Holy Family, of life-size. Saint Joseph is seen
in the background, with the infant SAVIOUR in his arms, presenting him to
his mother, who is kneeling with extended hands to receive the precious
burden of love. Like most of his great scriptural pictures, the
composition is simple and natural, exhibiting a familiar scene in domestic
life, elevated by expression, and ennobled by beauty. The Saint's face,
which is of the true Andalusian type, is fraught with benignity, as he
graciously inclines toward the mother, with the infant resting tenderly in
his hands as if supported by a bed of down. Nothing can surpass the
graceful figure and attitude of the mother, whose features are literally
overflowing with maternal affection, while she caressingly holds out her
hands to receive her son. But the charm of the picture is the infant DEITY
himself, upon whom the painter has lavished his art, and poured forth the
inspiration of his genius. His position forms the centre of the group, and
instantly arrests the attention and commands the admiration of the
spectator. He looks as if just awakened from a deep slumber; his eye-lids
are tinged with red, and the motion of his limbs betokens the sudden
consciousness of suspended existence; his playful smiling features are
radiant with joy at recognizing his mother, toward whom his hands are
invitingly opened. His figure is foreshortened, and to such a degree that
his legs are out of the canvass, instinct with life and motion. His flesh
has the plumpness and transparency of perfect health, flushed with roseate
tints; his appearance denotes a child of nine or ten months old, but
without that expression of premature intelligence by which the infant
SAVIOUR is distinguished in the pictures of RAPHAEL. He is, in short, just
one of those angelic creatures fresh from the hands of the CREATOR,
oftener found in the cradles of peasants than of princes. The hands and
feet of all the figures are painted with warmth, and with such sun-light
transparency, that the ruddy current seems actually coursing beneath the
skin. Indeed the whole tone of the picture is so life-like, that for the
moment we cease believing it to be an illusion of lights and shadows
reflected upon canvass. All the draperies are large and flowing, and
broadly touched: that of the infant is a luminous white; the saint's is
sombre; the mother's is of that violet tint, said to be peculiar to
MURILLO, styled by the French, _lie de vin_.

In the grand compositions of RAPHAEL, we often see the actors grouped into
a pyramidal form. In this of MURILLO, they present a diagonal line;
extending from the head of the Saint to that of the mother, and down to a
pannier in the corner of the picture, which contains her needle-work
attached to a cushion in the Spanish fashion. At her feet a small dog is
seated, of the Mexican race, which appears alive. Saint Joseph is painted
in shadow, and forms the second plan of the picture. Behind him are
suspended some of the implements of his humble trade.

The fame of MURILLO out of his native country, has risen within these last
ten or fifteen years to the highest rank, and his historical pictures are
now classed with those of the greatest masters of the Italian school: as a
colorist he is admitted to stand without a rival. This sudden extension of
his merits is in some degree owing to the cheap acquisition of eight of
his finest works by Marshal SOULT, when he was NAPOLEON'S governor of
Andalusia. These pictures have been seen and admired by all the world in
Paris. Two of them, the Return of the Prodigal Son, and Abraham Receiving
the Angels, have passed from the gallery of the illustrious Marshal to
that of the Duke of Sutherland, for a _consideration_. The fine collection
of pictures of the Spanish schools, purchased by Baron Taylor for LOUIS
PHILIPPE, and now exhibited in the LOUVRE, has contributed to the same
effect. It contains MURILLO'S Virgin de la Faxa, a perfect master-piece of
coloring, which cost one hundred and thirty thousand francs.

None of his great compositions are taken from profane history or
mythology. He was in a manner interdicted from using subjects derived from
those copious sources, by a decree of the Holy Inquisition of Andalusia,
which prohibited painters and sculptors, under the penalties of fine and
excommunication, from displaying in their works any lascivious or naked
images. His landscapes and flower-girls are painted in the highest style
of beauty; and his beggars have never been excelled in all the loathsome
attributes of misery and disease. The fact of his never having been out of
his native country, disposed critics to believe that his works must be
deficient in that highest order of merit which exclusively belongs to the
classic schools of Italy: they would not admit that species of excellence
which knew how to adapt the highest subjects of art to the unlearned. Yet
such was MURILLO'S influence over the human heart, that his genius enabled
him to embellish truth, and to present it with all its graces and
attractions to the understandings of all those who are endowed with an
innate love of the beautiful. His pictures, like Gray's Elegy in a Country
Church-yard, may with equal truth be said 'to abound in images which find
a mirror in every mind, and with sentiments to which every bosom returns
an echo.'

It is true that there is nothing academic to be found in his groups; no
mysterious allegory; no theatrical display of the passions; very little of
what is more talked of than understood, the beau-ideal. Nevertheless, he
is always original, and never vulgar; his drawing is nearly faultless; his
compositions are instantly felt and understood by all who have read the
Scriptures, because they convey to the mind more of the evangelical
character and attributes of Christianity than those of any other painter.
On this subject some very characteristic remarks are made by the late Sir
David Wilkie, in his letters from Jerusalem.[2]

    [2] SEE letter to WILLIAM COLLINS, ESQ., Vol. 3., p. 424: ALLEN
        CUNNINGHAM'S Life of Sir DAVID WILKIE.

'His Madonnas, his saints, and even his Saviours, have the Spanish cast;
all his figures are probably portraits, and all his forms have a national
peculiarity of air, habit, and countenance; and although he often adopts a
beautiful expression of nature, there is generally a peasant-like
simplicity in his ideas. He gives occasional instances of great sublimity
of expression, but it is a sublimity which neither forces nor enlarges
nature: truth and simplicity are never out of sight. It is what the
painter sees, not what he conceives, which is presented to you. Herein he
is distinguished from his preceptor VELASQUEZ. That great master, by his
courtly habits of intercourse, contracted a more proud and swelling
character, to which the simple and chaste pencil of MURILLO never sought
to aspire. A plain and pensive cast, sweetly attempered by humility and
benevolence, marks his canvass; and on other occasions, where he is
necessarily impassioned or inflamed, it is the zeal of devotion, the
influx of pious inspiration, and never the guilty passions which he
exhibits. In short, from what he sees, he separates from what he feels,
and has within himself the counter-types of almost every object he
describes.'

If it be true, (says his biographer, BERMUDEZ,) that painters put their
own portraits in their works, that is to say, that they exhibit their own
genius, their propensities, affections, and the dispositions of their
minds in them, the pictures of MURILLO bear a great analogy to his
virtues, and the gentleness of his character. He was distinguished above
all others of his profession by the mildness with which he instructed his
pupils; by the urbanity with which he treated his rivals; by the humility
with which he excused himself from becoming the painter of the Camara to
CHARLES the Second, which was offered to him by the court; and for the
charity with which he distributed the most liberal alms to the poor, who
afterward deplored his death. But those who were most affected by it were
his beloved scholars, who, overwhelmed with grief and anguish, could find
no consolation for the loss of a father who loved them most dearly; of a
master who instructed them with the utmost kindness, and of a protector
who encouraged them by giving to each such portions of employment as
enabled them to maintain themselves. This affectionate tribute to the
character of MURILLO, must recall to the minds of our readers that
beautiful passage in the letter of BALDASSARE CASTÍGLIONE to his brother,
which is said to express the feelings of all the artists in Rome upon the
death of his friend RAPHAEL: 'Ma non mi pare esser a Roma, perchè non vi è
piu il mio poveretto RAFFAELLO.'

MURILLO was born at Magdalena, near Seville, on the first day of January,
1618, and died on the third of April, 1682. He was buried in the church of
Santa Cruz at Seville. The immediate cause of his death, although he had
long been worn out by the anguish of his infirmities, was a fall from a
scaffold while he was painting the Marriage of Saint Catharine for the
Convent of Capuchins at Cadiz. Notwithstanding the many pictures which he
painted, he died possessed of only a few rials, and some property which he
had acquired by his wife.


GOSSIP WITH READERS AND CORRESPONDENTS.--We would respectfully ask the
reader's attention to the advertisement of the '_Knickerbocker Library_,'
on the second page of the cover of the present number. 'Our best exertions
shall not be wanting' to make the series all that the publishers hope for
it. That the _matériel_ is good, our readers, we think, need not be
informed. The plan has been cordially welcomed by the press, with a single
exception; and in that, the _quo animo_ was so apparent as to neutralize
the slur intended by the writer. We shall be enabled to secure the
earliest literary rarities on both sides of the water for the
'Knickerbocker Library,' and the style in which they will be presented
will be unsurpassed. · · · WE lament in the recent death of WILLIS
GAYLORD, the loss of a beloved relative, who was our elder companion in
childhood and youth, and our faithful friend and correspondent, to the
close of his useful and honored life. Mr. GAYLORD died at his beautiful
residence of Limerock Farm, Onondaga county, on the 27th ultimo, after a
brief illness. 'Few men,' says the _Albany Argus_, 'were better known
throughout the agricultural community than Mr. GAYLORD. He was for many
years one of the editors of 'The Genesee Farmer,' and since the death of
Judge Buel, has been the senior editor of 'The Cultivator.' As an
agricultural writer, it is not too much to say, that his equal is not left
to mourn his loss. He was also favorably known by his contributions to our
literary and scientific journals. He was distinguished as a warm-hearted
philanthropist, and few men have more largely benefitted the community by
their labors. His social virtues endeared him warmly to all by whom he was
known. In the pathetic language of one by whom the intelligence of his
death is communicated, he was truly 'the friend of the farmer--the friend
of humanity.' We have the proceedings of a meeting of the New-York
Agricultural Society, held in the State-House at Albany, on receiving the
intelligence of the death of Mr. GAYLORD. The President, JOHN P. BEEKMAN,
Esq., of Columbia county, passed a high and deserved eulogium upon the
character of the deceased. 'The judgment of every intelligent farmer in
the State,' he observed, 'will respond to the assertion that to no man
whatever, excepting perhaps Judge BUEL, is the agriculture of the State
more indebted than to Mr. GAYLORD. For myself, I can declare in all
sincerity that there is no man whose writings caused within me a greater
desire to be honored with a personal acquaintance. The character of WILLIS
GAYLORD was in all respects what might be expected from his writings;
benevolent, enlightened, elevated; yet plain, practical, unassuming. Every
day of his useful life was marked, not merely by the exercise of his
versatile talents on the multifarious subjects embraced by agriculture and
the domestic arts, but by the acquisition and promulgation of knowledge in
the wide range of science.' He was cordially esteemed by all who knew him;
he had not an enemy in the world. Hon. CALVIN HUBBARD, of the Legislature,
offered resolutions in testimony of the deep regret which the death of Mr.
GAYLORD had created in the public mind, copies of which were ordered to be
transmitted to the relatives of the deceased; after which, as a token of
respect to his memory, the meeting was adjourned. 'A scholar, a gentleman,
a christian, a friend of man, Mr. GAYLORD lived universally beloved, and
died universally lamented.' · · · IT has been assumed lately by certain of
the political and financial enemies of the late NICHOLAS BIDDLE, Esq.,--an
accomplished gentleman and scholar, whose pen has often entertained and
instructed the readers of this Magazine--that he had little power of
style, and that his intellectual rôle was a limited one. Nothing could be
farther from the truth. That point however we are not now to discuss. We
merely wish to ask the reader's attention to the subjoined remarks of Mr.
BIDDLE upon the besetting sin of our American style, oral as well as
written: 'A crude abundance is the disease of our American style. On the
commonest topic of business, a speech swells into a declamation--an
official statement grows to a dissertation. A discourse about anything
must contain every thing. We will take nothing for granted. We must
commence at the very commencement. An ejectment for ten acres reproduces
the whole discovery of America; a discussion about a tariff or a turnpike,
summons from their remotest caves the adverse blasts of windy rhetoric;
and on those great Serbonian bogs, known in political geography as
constitutional questions, our ambitious fluency often begins with the
general deluge, and ends with its own. It is thus that even the good sense
and reason of some become wearisome, while the undisciplined fancy of
others wanders into all the extravagances and the gaudy phraseology which
distinguish our western orientalism.' A specimen of this 'orientalism' we
gave in our last number. Here is another example of a somewhat kindred
character. A western orator recently delivered himself of it from the
summit of a sugar-maple stump at a political barbacue:

    'Whar, I say _whar_, is the individual who would give up the first
    foot, the first outside shadow of a foot of the great Oregon!
    There aint no such individual. Talk about treaty occupations to a
    country over which the great American eagle has flew! I scorn
    treaty occupation; d--n treaty occupation! Who wants a parcel of
    low-flung, 'outside barbarians,' to go in cahoot with us, and
    share alike a piece of land that always was and always will be
    ours? Nobody. Some people talk as though they were afeard of
    England. _Who's_ afeard? Haven't we licked her twice, and can't we
    lick her again? Lick her! Yes! just as easy as a bear can slip
    down a fresh-peeled sapling! Some skeery folks talk about the navy
    of England; but who the h-ll cares for the navy? Others say that
    she is the _mistress_ of the ocean. Supposin' she is? aint we the
    _masters_ of it? Can't we cut a canal from the Mississippi to the
    Mammoth Cave of Kentucky, turn all the water into it, and dry up
    the d----d ocean in three weeks? Whar then would be the navy? It
    would be _no whar_! There never would _have been_ any Atlantic
    ocean if it hadn't been for the Mississippi, nor never will be,
    after we've turned the waters of that big drink into the Mammoth
    Cave! When that's done, you'll see all their steam-ships and their
    sail-ships they splurge so much about, lying high and dry,
    floundering like so many turtles left ashore at low tide. That's
    the way we'll fix 'em. _Who's afeard!_'

       *       *       *       *       *

WE have often thought, that if the various _similes_ employed in the
Scriptures were thoroughly understood, that their appositeness and beauty
would be themes of increased admiration. Observe how the latent meanings
of the following passage reveal themselves to the heart:


    THE REFINER.

    BY MONTGOMERY.

        'HE is like a refiner's fire, and like fuller's soap. And
        he shall sit as a refiner and purifier of silver: and he
        shall purify the sons of Levi, and purge them as gold and
        silver, that they may offer unto the Lord an offering in
        righteousness.'--MALACHI iii. 2, 3.

    A FEW ladies in Dublin, who often met together to read the Word of
    GOD, one day occupied their attention with the passage now before
    the eye of the reader. One of the ladies expressed her opinion
    that 'the fuller's soap and the refiner of silver' were only the
    _same_ image to convey the same view of the sanctifying influence
    of the grace of CHRIST. 'No,' said another, 'they are not the same
    image; there is something remarkable in the expression, 'HE shall
    _sit_ as the refiner and purifier of silver.'' On going into the
    town, this lady called on a silver-smith, and desired to know the
    process of refining silver, which he fully explained to her. 'But
    do you _sit_, Sir,' she asked, 'while you are refining?' 'Yes,
    Madam, I must sit with my eye steadily fixed on the furnace; since
    if the silver remain too long, it is sure to be injured.' She at
    once saw the beauty and comfort of the expression. CHRIST sees it
    needful to put his people into the furnace, but HE is seated by
    the side of it--HIS eye is steadily fixed on the work of
    purifying--and his wisdom and his love are both engaged to do all
    in the best manner for them. As the lady was returning to her
    friends, to tell them what she had heard, as she turned from the
    shop-door, the silver-smith called her back, and said, he had
    forgotten one thing, and that was, he only knew the process of
    refining to be complete by seeing his own image in the silver.

    When CHRIST sees his own image in his people, the work of
    purifying is accomplished.

    It may be added, that the metal continues in a state of agitation,
    until all impurities are thrown off, and then it becomes quite
    still; a circumstance which heightens the analogy of the case; for
    how

      'Sweet to be passive in His hand,
      And know no will but HIS!'

       *       *       *       *       *

DOES 'M.' well to be angry? We 'referred publicly' to his query touching
our choice of prose or poetry, _at his own request_, in a playful, but
certainly not in an intentionally 'offensive' manner. And now, a 'good
that was intended us' is clean gone forever! Very well--we must submit,
with what grace we may.' 'My 'spected bredren,' said a venerable colored
clergyman, on a recent occasion, 'blessed am dat man dat 'spects noth'n,
'cause he an't gwine to be disapp'inted!' We solace ourselves with this
scrap of Ethiopian philosophy. · · · The experiments alluded to below, in
the happiest vein of the amusing 'Charcoal-Sketcher' of Philadelphia, have
been frequently tried in this city, we understand, but with very
infrequent success. Pulling teeth while the patient is asleep is not
'practised to a very great extent in _this_ community;' for no sooner is
the glittering instrument of torture 'placed in communication' with the
jaw, than it is found to 'disturb the Mesmeric function' to an
extraordinary degree:

    'MANY who would be valiant in battle, turn pale at sight of the
    dentist's chair. To stand up to be shot at in a duel is unpleasant
    to the nerves, and to storm a breach requires a considerable
    modicum of determination; but to pull the dentist's bell and not
    to run away; to walk boldly in and not to request a postponement,
    though it gains one no laurels and probably would not help to
    secure a political nomination on the score of heroism, is pure
    unadulterated valor; intrinsic--deriving no aid from association
    or example; nothing from the instinct of discipline or the thirst
    for glory. In encountering other dangers, there is a large hope,
    too, of impunity. An expectation of survival, a fond trust to be
    with the unhurt, always exists. But here, in that morocco throne,
    so grotesque, so mystical, so strange in all its aspects; your
    mouth wide open and your head thrown back--what hope can there be?
    To be hurt is an inevitable thing. We are in the clutches of a
    fate, and must realize our mortal frailty. To march to this with a
    whistle; neither to kick the smaller dogs on our route, nor to
    thrust little children aside spitefully; to take our usual
    interest in the occurrences of the street as we pass along to
    execution; to laugh, to jest, to talk of the weather with the
    identical man as he rattles his glittering instruments and smiles
    upon their brightness; to shake hands with him and to make a
    tolerable pretence of being glad to see him, is an effort, though
    we may have never encountered a war, equal to that which wears
    medals and puts pensions in its pocket. There is some comfort,
    however, to the afflicted in the fact that there have been of late
    symptoms of a combination of animal magnetism with dentistry,
    which affords a gleam of consolation. The exhibitors in New-York
    frequently have teeth extracted from mesmerised patients, to prove
    that in many cases they are insensible to pain--a thing which has
    been done very often in private in this city, and in many
    instances with complete success. What a cause for rejoicing would
    it be then, if the proper degree of 'impressibility' were general
    with those who have failing and recreant teeth, that the dentist
    and his magnetiser might be one and indivisible? Surgery in all
    its branches would be benefitted by the same connection; but this
    strange physical condition is not an invariable concomitant of the
    mesmeric state; so that valor, such as that to which we have
    already alluded, cannot go completely out of use, even if all
    could be subjected to the nervous influence of the magnetiser.'

       *       *       *       *       *

'PHAZMA,' the cleverest of our western poets, who has written so many
beautiful things for the New-Orleans '_Picayune_,' presents us lately with
the subjoined tender sonnet. He has 'discharged' it as well as if he had
previously read the directions of our eastern 'manufacturer of the
article,' in our last issue:


MATERNAL TENDERNESS.

  A MOTHER bends above her weeping child,
    Her bosom heaving with convulsive throe,
  Her large eye lighted with expression wild,
    That, ah! too plainly speaks maternal wo!
  The tearful infant, lost in bitter grief,
    Thrills forth its plaintive call for tender care;
  While from a mother's trembling hand relief,
    Alas! can answer no imploring pray'r.
  Swift-falling tears! and piercing cries of pain!
    Maternal passion kindling into glow!
  Peace banished from its sweet domestic reign!
    _Stricken_ with grief!--ah! sad and cruel _blow_!
  Behold the matron in a fury blue,
    _Beating her screaming Bobby with a shoe!_

       *       *       *       *       *

OUR esteemed friend, JOHN SANDERSON, the distinguished 'American in
Paris,' whom the readers of this Magazine have known so long, and regarded
so highly, is no more! Sad indeed is the task of recording the demise of a
scholar so profound, a gentleman so accomplished, and a man so widely
admired and beloved. SANDERSON was a delightful companion; and as we
record this hasty tribute to his memory, we cannot help recalling the many
pleasant passages, personal and epistolary, that we have had together. A
correspondent of the _Philadelphia Gazette_, who knew him well, furnishes
the following notice of the deceased, in the justice of which all who knew
him will cordially concur:

    'JOHN SANDERSON was a man of genius, a man of talent, a man of
    feeling. He was a Philadelphian, and by his life and writings he
    added to the good reputation of his country. To natural abilities
    of a high order, he added a calm, chaste scholarship, an intimate
    knowledge of mankind, a singularly amiable disposition, and a
    frank and high-bred courtesy. His departure is lamented not alone
    by those who enjoyed his society and his friendship; he is mourned
    by our republic of letters; America as well as our city, has lost
    one of her most accomplished sons. Mr. SANDERSON has long been
    known as a writer. His first publication was the collection of
    Memoirs of the Signers of the Declaration of Independence, in nine
    octavo volumes; a work embracing a vast amount of original and
    authentic information; and his last, excepting contributions to
    the literary journals, was '_The American in Paris_.' He was a man
    of most excellent humor, blending happily the characteristics of
    RABALAIS and STERNE and LAMB. When with his chosen associates, we
    doubt whether even COLERIDGE was more entertaining or instructive.
    Turn to his Parisian letters and see the union of wit and humor,
    of playful satire and nice observation which pervade them. Examine
    all the pleasant books of travel of which this age has been so
    prolific, and answer whether they have been surpassed. 'You know
    SANDERSON,' we said a few weeks since to a French Deputy who was
    travelling here. 'Know JOHN SANDERSON? I derived from him my
    knowledge of Paris.' 'But you are a Parisian?' '_Je ne sache pas
    qu'il y ait eu un Français qui ait plus connu Paris et son
    monde._' In that home of the gay, the brilliant and the profound,
    of all that in life or art attracts the man of genius, or
    learning, or taste, Mr. SANDERSON was the favored guest of the
    most celebrated savans and wits, many of whom since his return to
    the United States, have waited anxiously for his restoration to
    their circles. And he himself looked forward with happy
    anticipations to the renewal of his old friendships. In a few
    months he was to reöccupy his apartments in the Rue Rivoli.
    'There,' he said to the writer of these recollections but a week
    ago, 'there with congenial spirits I shall spend the residue of my
    days.' How much those friends will sorrow when they learn that
    JOHN SANDERSON is no more!

    He was a wit; he had a most delicate perception of the beautiful,
    and a keen sense of the ludicrous. But those who knew him can tell
    with what care he directed his powers. He never summoned a shadow
    to any face, or permitted a weight to lie on any heart. He was as
    amiable as he was brilliant. He was no man of the world. He knew
    society, its selfishness and its want of honor, but he looked upon
    it less in anger than in sadness. He was no cynic, no Heraclitus;
    he deemed it wisest to laugh at the follies of mankind. Through
    all his experience he lost none of his natural urbanity, his
    freshness of feeling, his earnestness and sincerity. The late
    THEODORE HOOK, the first humorist and most celebrated bon-vivant
    of our day, was employed by his publisher to edit Mr. SANDERSON'S
    'American in Paris.' He read it, adapted it as well as he could to
    the English market, and returned it with the observation that
    'there was never a book which suffered more from slightest
    change.' Had the author devoted the chief portion of his time to
    letters, he would have been little less distinguished in the same
    department than his famous friend. But he lived a quieter and
    happier life; he died a happier death, suddenly, but in a _home_,
    and with his friends about him.'

       *       *       *       *       *

The following '_Lines to a Bouquet of Flowers_,' are from the pen of the
lamented Governor DICKINSON, whose melancholy suicide will be fresh in the
minds of many of our readers. We learn from the friend through whom we
derive them, that they were handed to him by the author, while sojourning
for a short time in Albany:

  EMBLEM of life and loveliness,
  Welcome, sweet harbingers of Spring!
  Clad in thy beauteous summer dress,
  And wafted on Time's fairy wing.

  Would thou wert fadeless as the sky,
  All redolent of hope and gladness,
  But soon, alas! thou'lt lonely lie,
  Emblem of Death, of Grief, of Sadness.

  Emblem of Life! thing of an hour,
  How soon thou'lt hang thy sickly head,
  And bow beneath the conqueror's power,
  And lie among the sleeping dead!

  Emblem of Life! beyond the tomb,
  Thy flowers again shall form a wreath;
  Shall germinate amid the gloom.
  And triumph o'er the monster Death!

                                                              D. S. D.

       *       *       *       *       *

WE have repeatedly in these pages 'borne testimony' in behalf of a more
general cultivation of the fine arts, and especially in the department of
architecture. We have had too much reason to concur with JEFFERSON in the
opinion that 'the genius of architecture never yet condescended to visit
the American Republic.' The Count RENAULT St. JEAN D'A---- was wont to
say, while residing among us, that 'more was to be learned by viewing
Grace-Church in Broadway, touching the state of mental culture among us in
the science of architecture, than by all the methods of reasoning which
philosophy could furnish on any abstract point of knowledge;' and yet we
believe the plan of this edifice was the result of a confederation of
intellectual powers! Moreover, as our old friend, the late Gen. MORTON,
was wont to say, we must bear in mind that beside the several recognized
orders of architecture, we have also an _order by the corporation_! We may
have more to say on this theme on another occasion. We have been led to
these incidental remarks, by the recent death in this city of a man of
rare genius, and unwearied effort in the promotion of a kindred branch of
art--THOMAS HORNER, of England, the well-known draftsman and painter of
the wonderful panorama of London, which constitutes the attraction of the
great collosseum in that metropolis. The labor to affect this great work,
the result of years of toil and severe exposure to the inclemencies of a
noxious atmosphere, doubtless predisposed to that prolonged suffering
which wasted his physical strength; while sad disappointments, and the
precarious means of existence which he derived from his art in this
country, may be justly regarded as concurring causes in hastening his
final departure from among us. For a period of about fifteen years, he had
devoted himself to the taking of sketches of numerous rural views and
edifices in different parts of our northern states, and of the public
buildings of our prominent cities. His delineation of the city of New-York
is perhaps the most conspicuous of the efforts of his pencil. He died in
this city on the morning of the 18th of March, aged about sixty years. It
may be gratifying to his relatives and friends abroad to know, that there
were not a few of our citizens who were ready at all times to aid him by
their benefactions; and that in his illness he found in Dr. FRANCIS, whose
name is a synonyme for considerate kindness, a constant friend and
faithful medical adviser. His funeral was attended by some of our first
citizens, among whom it was gratifying to observe Mr. FOWLER, the
President of the St. George's Society, and other well-known countrymen of
the deceased. · · · OUR correspondent, Mr. THOS. COPCUTT, has opened the
present number with an admirable paper, compiled from Carlyle, on the
never-tiring theme of NAPOLEON. We always associate, and at once, with
NAPOLEON'S name, the dreadful scenes presented by his deserted
battle-fields; such for example as marked the sanguinary contests of his
Russian campaign. Here is a sketch of one, from the pen of an eye-witness:
'The battle-field presented a terrible picture of ruin and carnage,
especially on the left and centre, where the greatest efforts had been
made to take, maintain, and retake the redoubts. Corpses of the slain,
broken arms, dead and dying horses, covered every elevation and filled
every hollow, and plainly indicated the progress of the action. In the
front of the redoubts lay the bodies of the French; behind the works,
showing that they had been carried, lay the Russians. On many points the
heaps of corpses told where squares of infantry had stood, and plainly
pointed out the size of the closely formed masses. From the relative
number of the slain, it was easy to perceive that the Russians had
suffered more than the French.' And this is but one of hundreds of similar
scenes! Yet, 'had these poor fellows any quarrel? Busy as the Devil is,
not the smallest! Their _Governors_ had fallen out!' If one could indulge
a 'grim smile' at any thing in relation to BONAPARTE, it would be at the
potential _military_ standard to which he reduced every thing. Do you
remember his order on the appearance of the Mamelukes in Egypt? Form
square; artillery to the angles; asses and savans to the centre!'
Characteristic; but complimentary that, to the 'learned savans!' · · · WE
have bestowed but little of our tediousness upon the reader in this
department of the present number, whereat he may felicitate himself, since
our excellent correspondence will be found a welcome substitute for much
that we had written, and which 'lies over' until our next. The _Quod
Correspondence_ will arrest the attention of every reader. No two chapters
of the entire series excel the present in power of delineation, or depth
of interest. For 'Babyhood,' addressed to 'JULIAN;' 'Excelsior,' a parody
upon LONGFELLOW; 'Punchiana, with clippings,' and various Gossip with
Correspondents, whose favors were intended for the present number, we must
refer all concerned to our next issue. · · · WE have _received_ the
following works; and to such as we have found leisure to _read_, we shall
here briefly advert: From the BROTHERS HARPER, the first two numbers of a
'pocket edition' of select (and _old_?) novels, containing 'The Yemassee,'
by Mr. SIMMS, and 'Young Kate, or the Rescue:' of the 'Library of Select
Novels,' three issues--'The Heretic,' from the Russian; 'The Jew,' and
'The Grumbler,' by Miss PICKERING: From LEA AND BLANCHARD, HUGO'S
'Hunchback of Notre-Dame:' From J. S. REDFIELD, Clinton Hall, 'NAPIER'S
History of the War in the Peninsula and the South of France:' From
LEAVITT, TROW AND COMPANY, 'Poems by WILLIAM JAMES COLGAN:' From JOHN
ALLEN, 139 Nassau-street, 'The Lady at Home, or Leaves from the Every-day
Book of an American Woman:' and from LITTLE AND BROWN, Boston, Lives of
PATRICK HENRY and LA SALLE, commencing the second series of SPARKS'S
'American Biography.' Miss PICKERING'S 'Grumbler' is one of the best and
most interesting novels we have read for many a day; 'The Hunchback' of
HUGO is too well known to our readers to require mention; and the same may
be said of NAPIER'S excellent history. 'The Lady at Home' will commend
itself to all readers, for its truly admirable lessons to American women.
COLGAN'S poems deserve more space than we can devote to them. The writer
has the true poetical _feeling_, and his execution is often very
felicitous, and always creditable. · · · THE 'Nile Story' of our Boston
correspondent; a notice of the Phreno-Mnemotechny of Professor GOURAUD; of
the Re-publication of English Magazines and Reviews; of New Music, and
other late publications; are all _unavoidably_ postponed, for reasons
already stated, until our next number.







*** END OF THE PROJECT GUTENBERG EBOOK THE KNICKERBOCKER, OR NEW-YORK MONTHLY MAGAZINE, MAY 1844 ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.