The Project Gutenberg eBook of The Right of Way — Volume 05
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: The Right of Way — Volume 05

Author: Gilbert Parker

Release date: August 1, 2004 [eBook #6247]
                Most recently updated: December 29, 2020

Language: English

Credits: This eBook was produced by David Widger


*** START OF THE PROJECT GUTENBERG EBOOK THE RIGHT OF WAY — VOLUME 05 ***



This eBook was produced by David Widger





THE RIGHT OF WAY

By Gilbert Parker

Volume 5.



XLI.      IT WAS MICHAELMAS DAY
XLII.     A TRIAL AND A VERDICT
XLIII.    JO PORTUGAIS TELLS A STORY
XLIV.     "WHO WAS KATHLEEN?"
XLV.      SIX MONTHS GO BY
XLVI.     THE FORGOTTEN MAN
XLVII.    ONE WAS TAKEN AND THE OTHER LEFT
XLVIII.   "WHERE THE TREE OF LIFE IS BLOOMING--"
XLIX.     THE OPEN GATE




CHAPTER XLI

IT WAS MICHAELMAS DAY

Not a cloud in the sky, and, ruling all, a sweet sun, liberal in
warmth and eager in brightness as its distance from the northern world
decreased.  As Mrs. Flynn entered the door of the post-office she sang
out to Maximilian Cour, with a buoyant lilt: "Oh, isn't it the fun o' the
world to be alive!"

The tailor over the way heard it, and lifted his head with a smile;
Rosalie Evanturel, behind the postal wicket, heard it, and her face swam
with colour.  Rosalie busied herself with the letters and papers for a
moment before she answered Mrs. Flynn's greeting, for there were ringing
in her ears the words she herself had said a few days before: "It is good
to live, isn't it?"

To-day it was so good to live that life seemed an endless being and
a tireless happy doing--a gift of labour, an inspiring daytime, and
a rejoicing sleep.  Exaltation, a painful joy, and a wide embarrassing
wonderment possessed her.  She met Mrs. Flynn's face at the wicket with
shining eyes and a timid smile.

"Ah, there y'are, darlin'!" said Mrs. Flynn.  "And how's the dear father
to-day?"

"He seems about the same, thank you."

"Ah, that's foine.  Shure, if we could always be 'about the same,' we'd
do.  True for you, darlin', 'tis as you say.  If ould Mary Flynn could
be always "bout the same,' the clods o' the valley would never cover her
bones.  But there 'tis--we're here to-day, and away tomorrow.  Shure,
though, I am not complainin'.  Not I--not Mary Flynn.  Teddy Flynn used
to say to me, says he: 'Niver born to know distress!  Happy as worms in a
garden av cucumbers.  Seventeen years in this country, Mary,' says he,
'an' nivir in the pinitintiary yet.'  There y'are.  Ah, the birds do be
singin' to-day!  'Tis good!  'Tis good, darlin'!  You'll not mind Mary
Flynn callin' you darlin', though y'are postmistress, an' 'll be more
than that--more than that wan day--or Mary Flynn's a fool.  Aye, more
than that y'll be, darlin', and y're eyes like purty brown topazzes and
y're cheeks like roses-shure, is there anny lether for Mary Flynn,
darlin'?" she hastily added as she saw the Seigneur standing in the
doorway.  He had evidently been listening.

"Ye didn't hear what y're ould fool of a cook was sayin'," she added to
the Seigneur, as Rosalie shook her head and answered: "No letters,
Madame--dear."  Rosalie timidly added the dear, for there was something
so great-hearted in Mrs. Flynn that she longed to clasp her round the
neck, longed as she had never done in her life to lay her head upon some
motherly breast and pour out her heart.  But it was not to be now.
Secrecy was her duty still.

"Can't ye speak to y're ould fool of a cook, sir?" Mrs. Flynn said
again, as the Seigneur made way for her to leave the shop.

"How did you guess?" he said to her in a low voice, his sharp eyes
peering into hers.

"By the looks in y're face these past weeks, and the look in hers," she
whispered, and went on her way rejoicing.

"I'll wind thim both round me finger like a wisp o' straw," she said,
going up the road with a light step, despite her weight, till she was
stopped by the malicious grocer-man of the village, whose tongue had been
wagging for hours upon an unwholesome theme.

Meanwhile, in the post-office, the Seigneur and Rosalie were face to
face.

"It is Michaelmas day," he said.  "May I speak with you, Mademoiselle?"

She looked at the clock.  It was on the stroke of noon.  The shop always
closed from twelve till half-past twelve.

"Will you step into the parlour, Monsieur?" she said, and coming round
the counter, locked the shop-door.  She was trembling and confused, and
entered the little parlour shyly.  Yet her eyes met the Seigneur's
bravely.  "Your father, how is he?" he said, offering her a chair.  The
sunlight streaming in the window made a sort of pathway of light between
them, while they were in the shade.

"He seems no worse, and to-day he is wheeling himself about."

"He is stronger, then--that's good.  Is there any fear that he must go to
the hospital again?"

She inclined her head.  "The doctor says he may have to go any moment.
It may be his one chance.  The Cure is very kind, and says that, with
your permission, his sister will keep the office here, if--if needed."

The Seigneur nodded briskly.  "Of course, of course.  But have you not
thought that we might secure another postmistress?"

Her face clouded a little; her heart beat hard.  She knew what was
coming.  She dreaded it, but it was better to have it over now.

"We could not live without it," she said helplessly.

"What we have saved is not enough.  The little my mother had must pay for
the visits to the hospital.  I have kept it for that.  You see, I need
the place here."

"But you have thought, just the same.  Do you not know the day?" he
asked meaningly.

She was silent.

"I have come to ask you to marry me--this is Michaelmas day, Rosalie."

She did not speak.  He had hopes from her silence.  "If anything happened
to your father, you could not live here alone--but a young girl!  Your
father may be in the hospital for a long time.  You cannot afford that.
If I were to offer you money, you would refuse.  If you marry me, all
that I have is yours to dispose of at your will: to make others happy,
to take you now and then from this narrow place, to see what's going on
in the world."

"I am happy here," she said falteringly.

"Chaudiere is the finest place in the world," he replied proudly, and as
a matter of fact.  "But, for the sake of knowledge, you should see what
the rest of the world is.  It helps you to understand Chaudiere better.
I ask you to be my wife, Rosalie."

She shook her head sorrowfully.

"You said before, it was not because I am old, not because I am rich, not
because I am Seigneur, not because I am I, that you refused me."

She smiled at him now.  "That is true," she said.

"Then what reason can you have?  None, none.  'Pon honour, I believe you
are afraid of marriage because it's marriage.  By my life, there's naught
to dread.  A little giving here and taking there, and it's easy.  And
when a woman is all that's good, to a man, it can be done without fear or
trembling.  Even the Cure would tell you that."

"Ah, I know, I know," she said, in a voice half painful, half joyous.
"I know that it is so.  But, oh, dear Monsieur, I cannot marry you--
never--never."

He hung on bravely.  "I want to make life easy and happy for you.  I want
the right to do so.  When trouble comes upon you--"

"When it does I will turn to you--ah, yes, I would turn to you without
fear, dear Monsieur," she said, and her heart ached within her, for a
premonition of sorrow came upon her and filled her eyes, and made her
heart like lead within her breast.  "I know how true a gentleman you
are," she added.  "I could give you everything but that which is life
to me, which is being, and soul, and the beginning and the end."

The weight of the revealing hour of her life, its wonder, its agony, its
irrevocability, was upon her.  It was giving new meanings to existence-
primitive woman, child of nature as she was.  All morning she had longed
to go out into the woods and bury herself among the ferns and bracken,
and laugh and weep for very excess of feeling, downright joy and vague
woe possessing her at once.  She looked the Seigneur in the eyes with
consuming earnestness.

"Oh, it is not because I am young," she said, in a low voice, "for I am
old--indeed, I am very old.  It is because I cannot love you, and never
can love you in the one great way; and I will not marry without love.  My
heart is fixed on that.  When I marry, it will be when I love a man so
much that I cannot live without him.  If he is so poor that each meal is
a miracle, it will make no difference.  Oh, can't you see, can't you
feel, what I mean, Monsieur--you who are so wise and learned, and know
the world so well?"

"Wise and learned!" he said, a little roughly, for his voice was husky
with emotion.  "'Pon honour, I think I am a fool!  A bewildered fool,
that knows no more of woman than my cook knows Sanscrit.  Faith, a
hundred times less!  For Mary Flynn's got an eye to see, and, without
telling, she knew I had a mind set on you.  But Mary Flynn thought more
than that, for she has an idea that you've a mind set on some one,
Rosalie.  She thought it might be me."

"A woman is not so easily read as a man," she replied, half smiling, but
with her eyes turned to the street.  A few people were gathering in front
of the house--she wondered why.

"There is some one else--that is it, Rosalie.  There is some one else.
You shall tell me who it is.  You shall--"

He stopped short, for there was a loud knocking at the shop-door, and the
voice of M. Evanturel calling: "Rosalie!  Rosalie!  Rosalie!  Ah, come
quickly--ah, my Rosalie!"

Without a look at the Seigneur, Rosalie rushed into the shop and opened
the front door.  Her father was deathly pale, and was trembling
violently.

"Rosalie, my bird," he cried indignantly, "they're saying you stole the
cross from the church door."

He was now wheeled inside the shop, and people gathered round, looking
at him and Rosalie, some covertly, some as friends, some in a half-
frightened way, as though strange things were about to happen.

"Shure, 'tis a lie, or me name's not Mary Flynn--the darlin'!" said the
Seigneur's cook, with blazing face.  "Who makes this charge?" roared an
angry voice.  No one had seen the Seigneur enter from the little room
beside the shop, and at the sound of the sharp voice the people fell
back, for he was as free with his stick as his tongue.

"I do," said the grocer, to whom Paulette Dubois had told her story.

"Ye shall be tarred and feathered before y'are a day older," said Mary
Flynn.

Rosalie was very pale.

The Seigneur was struck by this and by the strangeness of her look.

"Clear the room," he said to Filion Lacasse, who was now a constable of
the parish.

"Not yet!" said a voice at the doorway.  "What is the trouble?"  It was
the Cure, who had already heard rumours of the scandal, and had come at
once to Rosalie.  M. Evanturel tried to speak, and could not.  But Mary
Flynn did, with a face like a piece of scarlet bunting.  Having finished
with a flourish, she could scarce keep her hands off the cowardly grocer.

The Cure turned to Rosalie.  "It is absurd," he said.  "Forgive me," he
added to the Seigneur.  "It is better that Rosalie should answer this
charge.  If she gives her word of honour, I will deny communion to
whoever slanders her hereafter."

"She did it," said the grocer stubbornly.  "She can't deny it."

"Answer, Rosalie," said the Cure firmly.

"Excuse me; I will answer," said a voice at the door.  The tailor of
Chaudiere made his way into the shop, through the fast-gathering crowd.




CHAPTER XLII

A TRIAL AND A VERDICT

"What right have you to answer for mademoiselle?" said the Seigneur,
with a sudden rush of jealousy.  Was not he alone the protector of
Rosalie Evanturel?  Yet here was mystery, and it was clear the tailor had
something important to say.  M. Rossignol offered the Cure a chair,
seated himself on a small bench, and gently drew Rosalie down beside him.

"I will make this a court," said he.  "Advance, grocer."

The grocer came forward smugly.

"On what information do you make this charge against mademoiselle?"

The grocer volubly related all that Paulette Dubois had said.  As he
told his tale the Cure's face was a study, for the night the cross was
restored came back to him, and the events, so far as he knew them, were
in keeping with the grocer's narrative.  He looked at Rosalie anxiously.
Monsieur Evanturel moaned, for he remembered he had heard Rosalie come in
very late that night.  Yet he fixed his eyes on her in dog-like faith.

"Mademoiselle will admit that this is true, I presume," said Charley.

Rosalie looked at him intently, as though to read his very heart.  It was
clear that he wished her to say yes; and what he wished was law.

"It is quite true," answered Rosalie calmly, and all fear passed from
her.

"But she did not steal the cross," continued Charley, in a louder voice,
that all might hear, for people were gathering fast.

"If she didn't steal it, why was she putting it back on the church door
in the dark?" said the grocer.  "Ah, hould y'r head, ould sand-in-the-
sugar!" said Mrs. Flynn, her fingers aching to get into his hair.
"Silence!" said the Seigneur severely, and looked inquiringly at
Rosalie.  Rosalie looked at Charley.

"It is not a question of why mademoiselle put the cross back," he said.
"It is a question of who took the cross away, is it not?  Suppose it was
not a theft.  Suppose that the person who took the relic thought to do a
pious act--for your Church, Monsieur?"

"I do not see," the Cure answered helplessly.  "It was a secret act,
therefore suspicious at least."

"'Let your good gifts be in secret, and your Heavenly Father who seeth in
secret will reward you openly,"' answered Charley.  "That, I believe, is
a principle you teach, Monsieur."

"At one time Monsieur the tailor was thought to have taken the cross,"
said the Seigneur suggestively.  "Perhaps Monsieur was secretly doing
good with it?" he added.  It vexed him that there should be a secret
between Rosalie and this man.

"It had to do with me, not I with it," he answered evenly.  He must
travel wide at first to convince their narrow brains.  "Mademoiselle did
a kind act when she nailed that cross on the church door again--to make
a dead man rest easier in his grave."

A hush fell upon the crowd.

Rosalie looked at Charley in surprise; but she saw his meaning presently
--that what she did for him must seem to have been done for the dead
tailor only.  Her heart beat hot with indignation, for she would, if
she but might, cry her love gladly from the hill-tops of the world.

Alight began to break upon the Cure's mind.  "Will Monsieur speak
plainly?" he said.

"I did not see Louis Trudel take the cross, but I know that he did."

"Louis Trudel!  Louis Trudel!" interposed the Seigneur anxiously.  "What
does this mean?"

"Monsieur speaks the truth," interposed Rosalie.  The Cure recalled the
death-bed of Louis Trudel, and the dying man's strange agitation.  He
also recalled old Margot's death, and her wish to confess some one else's
wrong-doing.  He was convinced that Charley was speaking the truth.

"It is true," added Charley slowly; "but you may think none the worse of
him when you know all.  He took the cross for temporary use, and before
he could replace it he died."

"How do you know what he meant, or did not mean?" said the Seigneur in
perplexity.  "Did he take you into his confidence?"

"The very closest," answered Charley grimly.

"Yet he looked upon you as an infidel, and said hard things of you on his
death-bed," urged the Cure anxiously.  He could not see the end of the
tale, and he was troubled for both the dead man and the living.

"That was why he took me into his confidence.  I will explain.  I have
not the honour to have the fulness of your Christian faith, Monsieur le
Cure.  I had asked him to show me a sign from heaven, and he showed it by
the little iron cross."

"I can't make anything of that," said the Seigneur peevishly.

Rosalie sprang to her feet.  "He will not tell the whole truth,
Messieurs, but I will.  With that little cross Louis Trudel would have
killed Monsieur, had it not been for me."

A gasp of excitement went out from those who stood by.

"But for you, Rosalie?" asked the Cure.

"But for me.  I saw Louis Trudel raise an iron against Monsieur that day
in the shop.  It made me nervous--I thought he was mad.  So I watched.
That night I saw a light in the tailor-shop late.  I thought it strange.
I went over and peeped through the cracks of the shutters.  I saw old
Louis at the fire with the little cross, red-hot.  I knew he meant
trouble.  I ran into the house.  Old Margot was beside herself with fear
--she had seen also.  I ran through the hall and saw old Louis upstairs
with the burning cross.  I followed.  He went into Monsieur's room.  When
I got to the door"--she paused, trembling, for she saw Charley's
reproving eyes upon her--"I saw him with the cross--with the cross raised
over Monsieur."

"He meant to threaten me," interposed Charley quickly.

"We will have the truth!" said the Seigneur, in a husky voice.

"The cross came down on Monsieur's bare breast."  The grocer laughed
vindictively.

"Silence!" growled the Seigneur.

"Silence!" said Filion Lacasse, and dropped his hand on the grocer's
shoulder.  "I'll baste you with a stirrup-strap."

"The rest is well known," quickly interposed Charley.  "The poor man was
mad.  He thought it a pious act to mark an infidel with the cross."

Every eye was fixed upon him.  The Cure remembered Louis Trudel's last
words: "Look--look--I gave--him--the sign--of .  .  .  !"  Old Margot's
words also kept ringing in his ears.  He turned to the Seigneur.
"Monsieur," said he, "we have heard the truth.  That act of Louis Trudel
was cruel and murderous.  May God forgive him!  I will not say that
mademoiselle did well in keeping silent--"

"God bless the darlin'!" cried Mrs. Flynn.

"--but I will say that she meant to do a kind act for a man's mortal
memory--perhaps at the expense of his soul."

"For Monsieur to take his injury in silence, to keep it secret, was
kind," said the Seigneur.  "It is what our Cure here might call bearing
his cross manfully."

"Seigneur," said the Cure reproachfully, "Seigneur, it is no subject for
jest."

"Cure, our tailor here has treated it as a jest."

"Let him show his breast, if it's true," said the grocer, who, beneath
his smirking, was a malignant soul.

The Cure turned on him sharply.  Seldom had any one seen the Cure roused.

"Who are you, Ba'tiste Maxime, that your base curiosity should be
satisfied--you, whose shameless tongue clattered, whose foolish soul
rejoiced over the scandal?  Must we all wear the facts of our lives--our
joys, our sorrows, and our sins--for such eyes as yours to read?  Bethink
you of the evil things that you would hide--aye, every one here!" he
added loudly.  "Know, all of you, what goodness of heart towards a wicked
man lay behind the secret these two have kept, that old Margot carried to
her grave.  When you go to your homes, pray for as much human kindness in
you as a man of no Church or faith can show.  For this child"--he turned
to Rosalie-"honour her!  Go now--go in peace!"

"One moment," said the Seigneur.  "I fine Ba'tiste Maxime twenty dollars
for defamation of character.  The money to go for the poor."

"You hear that, ould sand-in-the-sugar!" said Mrs. Flynn.  "Will you let
me kiss ye, darlin'?" she added to Rosalie, and, waddling over, reached
out her hands.

Rosalie's eyes were wet as she warmly kissed the old Irishwoman, and
thereupon they entered into a friendship which was without end.

The Seigneur drove the crowd from the shop, and shut the door.

The Cure came to Charley.  "Monsieur," said he, "I have no words.
When I remember what agonies you suffered in those hours, how bravely you
endured them--ah, Monsieur!" he added, with moist eyes, "I shall always
feel that--that you are not far from the kingdom of God."

A silence fell upon them, for the Cure, the Seigneur, and Rosalie, as
they looked at Charley, thought of the scar like a red cross on his
breast.

It touched Charley with a kind of awe.  He smiled painfully.  "Shall I
give you proof?" he said, making a motion to undo his waistcoat.

"Monsieur!" said the Seigneur reprovingly, and holding out his hand.
"Monsieur!  We are all gentlemen!"




CHAPTER XLIII

JO PORTUGAIS TELLS A STORY

Walking slowly, head bent, eyes unseeing, Charley was on his way to
Vadrome Mountain, with the knowledge that Jo Portugais had returned.

The hunger for companionship was on him: to touch some mind that could
understand the deep loneliness which had settled on him since that scene
in the postoffice.  It was the loneliness of a new and great separation.
He had wakened to it to-day.

Once before, in the hut on Vadrome Mountain, he had wakened from a grave,
had been born again.  Last night had come still another birth, had come,
as with Rosalie herself, knowledge, revelation, understanding.  To
Rosalie the new vision had come with a vague pain of heart, without
shame, and with a wonderful happiness.  Pain, shame, knowledge, and a
happiness that passed suddenly into a despairing sorrow, had come to him.

In finding love he had found conscience, and in finding conscience he was
on his way to another great discovery.

Looking to where Jo Portugais' house was set among the pines, Charley
remembered the day--he saw the scene in his mind's eye--when Rosalie
entered with the letter addressed "To the sick man at the house of Jo
Portugais, at Vadrome Mountain," and he saw again her clear, unsoiled
soul in the deep inquiring eyes.

"If you but knew"--he turned and looked down at the village below--
"if you but knew!" he said, as though to all the world.  "I have the
sign from heaven--I know it now.  To-day I wake to know what life means,
and I see--Rosalie!  I know now--but how?  In taking all she had to give.
What does she get in return?  Nothing--nothing.  Because I love her,
because the whole world is nothing beside her, nor life, nor twenty
lives, if I had them to give, I must say to her now: 'Rosalie, it was
love that brought you to my arms, it is love that says, Thus far and no
farther.  Never again--never--never--never!' Yesterday I could have left
her--died or vanished, without real hurt to her.  She would have mourned
and broken her heart and mended it again; and I should have been only a
memory--of mystery, of tenderness.  Then, one day she would have married,
and no sting from my going would have remained.  She would have had
happiness, and I neither shame nor despair.  .  .  .  To-day it is all
too late.  We have drunk too deep-alas! too deep.  She cannot marry
another man, for ghosts will not lie for asking, and what is mine may not
be another's.  She cannot marry me, for what once was mine is mine still
by ring and by book, and I should always be haunted by a torturing
shadow.  Kathleen has the right of way, not Rosalie.  Ah, Rosalie,
I dare not wrong you further.  Yet to marry you, even as things are,
if that might be!  To live on here unrecognised?  I am little like my
old self, and year after year I should grow less and less like Charley
Steele.  .  .  .  But, no, it is not possible!"

He stopped short in his thoughts, and his lips tightened in bitterness.

"God in heaven, what an impasse!" he said aloud.

There was a sudden crackling of twigs as a man rose up from a log by the
wayside ahead of him.  It was Jo Portugais, who had seen him coming, and
had waited for him.  He had heard Charley's words.

"Do you call me an impasse, M'sieu'?" Charley grasped Portugais' hand.

"What has happened, M'sieu'?" Jo asked anxiously.  There was a brief
silence, and then Charley told him of the events of the morning.

"You know of the mark-here?" he asked, touching his breast.

Jo nodded.  "I saw, when you were ill."

"Yet you never asked!"

"I studied it out--I knew old Louis Trudel.  Also, I saw ma'm'selle nail
the cross to the church door.  Two and two together in my mind did it.
I didn't think Paulette Dubois would tell.  I warned her."

"She quarrelled with mademoiselle.  It was revenge.

"She might have been less vindictive.  She had had good luck herself
lately."

"What good luck had she, M'sieu'?"

Charley told Jo the story of the Notary, the woman, and the child.

Jo made no comment.  They relapsed into silence.  Arriving at the house,
they entered.  Jo lighted his pipe, and smoked steadily for a time
without speaking.  Buried in thought, Charley stood in the doorway
looking down at the village.  At last he turned.

"Where have you been these weeks past, Jo?"

"To Quebec first, M'sieu'."

Charley looked curiously at Jo, for there was meaning in his tone.  "And
where last?"

"To Montreal."

Charley's face became paler, his hands suddenly clinched, for he read the
look in Jo's eyes.  He knew that Jo had been looking at people and places
once so familiar; that he had seen--Kathleen.

"Go on.  Tell me all," he said heavily.

Portugais spoke in English.  The foreign language seemed to make the
truth less naked and staring to himself.  He had a hard story to tell.

"It is not to say why I go to Montreal," he began.  "But I go.  I have my
ears open; my eyes, she is not close.  No one knows me--I am no account
of.  Every one is forgot the man, Joseph Nadeau, who was try for his
life.  Perhaps it is every one is forget the lawyer who save his neck--
perhaps?  So I stand by the streetside.  I say to a man as I look up at
sign-boards,' 'Where is that writing "M'sieu' Charles Steele," and all
the res'?' 'He is dead long ago,' say the man to me.  'A good thing too,
for he was the very devil.'  'I not understan',' I say.  'I tink that
M'sieu' Steele is a dam smart man back time.'  'He was the smartes' man
in the country, that Beauty Steele,' the man say. 'He bamboozle the jury
hevery time.  He cut up bad though.'"

Charley raised his hand with a nervous gesture of misery and impatience.

"'Where have you been,' that man say--'where have you been all these
times not to know 'bout Charley Steele, hein?'  'In the backwoods,'
I say.  'What bring you here now?' he ask.  'I have a case,' I say.
'What is it?' he ask.  'It is a case of a man who is punish for another
man,' I say.  'That's the thing for Charley Steele,' he laugh.  'He was
great man to root things out.  Can't fool Charley Steele, we use to say
here.  But he die a bad death.'  'What was the matter with him?' I say.
'He drink too much, he spend too much, he run after a girl at Cote
Dorion, and the river-drivers do for him one night.  They say it was
acciden', but is there any green on my eye?  But he die trump--jus' like
him.  He have no fear of devil or man,' so the man say.  'But fear of
God?' I ask.  'He was hinfidel,' he say.  'That was behin' all.  He was
crooked all roun'. He rob the widow and horphan?'  'I think he too smart
for that,' I speak quick.  'I suppose it was the drink,' he say.  'He
loose his grip.' 'He was a smart man, an' he would make you all sit up,
if he come back,' I hanswer.  'If he come back!' The man laugh queer at
that.  'If he comeback, there would be hell.'  'How is that?' I say.
'Look across the street,' he whisper.  'That was his wife.'"

Charley choked back a cry in his throat.  Jo had no intention of cutting
his story short.  He had an end in view.

"I look across the street.  There she is--' Ah, that is a fine woman
to see!  I have never seen but one more finer to look at--here in
Chaudiere.' The man say: 'She marry first for money, and break her heart;
now she marry for love.  If Beauty Steele come back-eh! sacra!  that
would be a mess.  But he is at the bottom of the St  Lawrence--the courts
say so, and the Church say so--and ghosts don't walk here.' 'But if that
Beauty Steele come back alive, what would happen it?' I speak.  'His wife
is marry, blockhead!' he say.

"'But the woman is his,' I hanswer.  'Do you think she would go back to a
thief she never love from the man she love?' he speak back.  'She is not
marry to the other man,' I say, 'if Beauty Steele is .  .  .'  'He is
dead as a door,' he swear.  'You see that?' he go on, nodding down the
street.  'Well, that is Billy.'  'Who is Billy?' I ask.  'The brother of
her,' he say.  'Charley, he spoil Billy.  Billy, he has not been the same
since Charley's death-he is so ashame of Charley.  When he get drunk he
talk of nothing else.  We all remember that Charley spoil him, and that
make us sorry for him.'  'Excuse me,' I say.  'I think that Billy is a
dam smart man.  He is smart as Charley Steele.'  'Charley was the
smartes' man in the country,' he say again.  'I've got his practice now,
but this town will never be the same without him.  Thief or no thief,
I wish he is alive here.  By the Lord, I'd get drunk with him!'  He was
all right, that man," Jo added finally.

Charley's agitation was hidden.  His eyes were fixed on Jo intently.
"That was Larry Rockwell.  Go on," he said, in a hard metallic voice.

"I see--her, the next night again.  It is in the white stone house on the
hill.  All the windows are open, an' I can hear her to sing.  I not know
that song.  It begin, 'Oft in the stilly night'--like that."

Charley stiffened.  It was the song Kathleen sang for him the night they
became engaged.

"It is a good voice-that.  I see her face, for there is a candle on the
piano.  I come close and closter to the house.  There is big maple-trees
--I am well hid.  A man is beside her.  He lean hover her an' put his
hand on her shoulder.  'Sing it again, Kat'leen,' he say.  'I cannot to
get enough.'"

"Stop!" said Charley, in a strained, harsh voice.  "Not yet, M'sieu',"
said Portugais.  "It is good for you to hear what I say."

"'Come, Kat'leen!' the man say, an' he blow hout the candle.  I hear them
walk away, an' the door shut behin' them.  Then I hear anudder voice--ah,
that is a baby--very young baby!"

Charley quickly got to his feet.  "Not another word!" he said.

"Yes, yes, but there is one word more, M'sieu'," said Jo, standing up and
facing him firmly.  "You must go back.  You are not a thief.  The woman
is yours.  You throw your life away.  What is the man to you--or the
man's brat of a child?  It is all waiting for you.  You mus' go back.
You not steal the money, but that Billy--it is that Billy, I know.  You
can forgive your wife, and take her back, or you can say to both, Go!
You can put heverything right and begin again."

Anger, wild words, seemed about to break from Charley's lips, but he
conquered himself.

The old life had been brought back to him with painful acuteness and
vividness.  The streets of the town, the people in the street, Billy, the
mean scoundrel, who could not leave him alone in the grave of obscurity,
Kathleen--Fairing.  The voice of the child--with her voice--was in his
ears.  A child!  If he had had a child, perhaps----He stopped short in
his thinking, his face all at once flooding with colour.  For a moment he
stood looking out of the window down towards the village.  He could see
the post-office like a toy house among toy houses.  At last he turned to
Jo.

"Never again while I live, speak of this to me: of the past, of going
back, or of--of anything else," he said.  "I cannot go back.  I am dead
and shamed.  Let the dust of forgetfulness come and cover the past.  I've
begun life again here, and here I stay, and see it out.  I shall work out
the problem here."  He dropped a hand on the other's shoulder.  "Jo,"
said he, "we are both shipwrecks.  Let us see how long we can float."

"M'sieu', is it worth it?" said Portugais, remembering his confession to
the Abbe, and seeing the end of it all to himself.

"I don't know, Jo.  Let us wait and see how Fate will play us."

"Or God, M'sieu'?"

"God or Fate--who knows"




CHAPTER XLIV

"WHO WAS KATHLEEN?"

The painful incidents of the morning weighed heavily upon Rosalie, and
she was glad when Madame Dugal came to talk with her father, who was
ailing and irritable, and when Mrs. Flynn drove her away with a kiss on
either cheek, saying: "Don't come back, darlin', till there's roses in
both cheeks, for y'r eyes are 'atin' up yer face!"

She had seen Charley take the path to Vadrome Mountain, and to the
Rest of the Flax-beaters she betook herself, in the blind hope that,
returning, he might pass that way.  Under the influence of the fresh air
and the quiet of the woods her spirits rose, her pulse beat faster,
though a sense of foreboding and sorrow hovered round her.  The two-miles
walk to her beloved retreat seemed a matter of minutes only, so busy were
her thoughts.

Her mind was one luxurious confusion, through which travelled a ghostly
little sprite, who kept tumbling her thoughts about, sneering, smirking,
whispering--"You dare not go to confession--dare not go to confession.
You will never be the same again--never feel the same again--never think
the same again; your dreams are done!  You can only love.  And what will
this love do for you?  What do you expect to happen--you dare not go to
confession!"

Her reply had been the one iteration: "I love him--I love him--I love
him.  We shall be together all our lives, till we are old and grey.
I shall watch him at his work, and listen to his voice.  I shall read
with him and walk with him, and I shall grow to think like him a little
--in everything except religion.  In everything except that.  One day he
will come to think like me--to believe in God."

In the dreamy happiness of these thoughts the colour came to her cheeks,
the roses of light gathered in her eyes.  In her tremulous ardour she
scarcely realised how time passed, and her reverie deepened as the
afternoon shadows grew and the sun made to its covert behind the hills.
She was roused by a man's voice singing, just under the bluff where she
sat.  To her this voice represented the battle-call, the home-call, the
life call of the universe.  The song it sang was known to her.  It was as
old as Rizzio.  It had come from old France with Mary, had been merged
into English words and English music, and had voyaged to New France.
There it had been sung by lovers in fair vales, on wide rivers, and in
deep forests:

                   "What is not mine I may not hold,
                       (Ah, hark the hunter's horn!),
                    And what is thine may not be sold,
                       (My love comes through the corn!);
                          And none shall buy
                          And none shall sell
                          What Love works well?"

In the walk back from Vadrome Mountain, a change--a fleeting change--
had passed over Charley's mind and mood.  The quiet of the woodland,
the song of the birds, the tumbling brook, the smell of the rich earth,
replenishing its strength from the gorgeous falling leaves, had soothed
him.  Thoughts of Rosalie took a new form.  Her image possessed him,
excluding the future, the perils that surrounded them.  He had gone
through so much within the past twenty-four hours that the capacity for
suffering had almost exhausted itself, and in the reaction endearing
thoughts of Rosalie had dominion over him.  It was the reassertion of
primitive man, the demands of the first element.  The great problem was
still in the background.  The picture of Kathleen and the other man was
pushed into the distance; thoughts of Billy and his infamy were thrust
under foot--how futile to think of them!  There was Rosalie to be thought
of, the to-day and to-morrow of the new life.

Rosalie was of to-day.  How strong and womanly she had been this
morning, the girl whose life had been bounded by this Chaudiere, with a
metropolitan convent and hospital as her only glimpses of the busy world.
She would fit in anywhere--in the highest places, with her grace, and her
nobleness of mind, arcadian, passionate and beautiful.  There came upon
him again the feeling of the evening before, when he saw her standing in
his doorway, the night about them, jealous affection, undying love, in
her eyes.  It quickened his steps imperceptibly.  He passed a stream, and
glanced down into a dark pool involuntarily.  It reflected himself
clearly.  He stopped short.  "Is this you, Beauty Steele?" he said, and
he caught his brown beard in his hand.  "Beauty Steele had brains and no
heart.  You have heart, and your wits have gone wool-gathering.  No
matter!

                    What is not mine I may not hold,
                    (Ah, hark the hunter's horn!)'"

he sang, and came quickly along the stream where the flax-beaters worked
in harvest-time, then up the hill, then--Rosalie.

She started to her feet.  "I knew you would come--I knew you would!" she
said.

"You have been waiting here for me?" he asked breathless, taking her
hand.

"I felt you would come.  I made you," she added smiling, and, eagerly
answering the look in his eyes, threw her arms round his neck.  In that
moment's joy a fresh realisation of their fate came upon him with dire
force, and a bitter protest went up from his heart, that he and she
should be sacrificed.

Yet the impasse was there, and what could remove it--what clear the way?

He looked down at the girl whose head was buried in happy peace on his
shoulder.  She clung to him, as though in him was everlasting protection
from the sprite that kept whispering: "You dare not go to confession--
your dreams are done--you can only love."  But she had no fear now.

As he looked down at her a swift change passed over him, and, almost for
the first time since he was a little child, his eyes filled with tears.
He hastily brushed them away, and drew her down on the seat beside him.
He was wondering how he should tell her that they must not meet like
this, that they must be apart.  No matter what had happened, no matter
what love there was, it was better that they should die--that he should
die--than that they should meet like this.  There was only one end to
secret meetings, and discovery was inevitable.  Then, with discovery,
shame to her.  For he must either marry her--how could he marry her?
--or die.  For him to die would but increase her misery.

The time had passed when it could be of any use.  It passed that day in
the hut on Vadrome Mountain when she said that if he died, she would die
with him--"Where you are going you will be alone.  There will be no one
to care for you, no one but me."  Last night it passed for ever.  She had
put her life into his hands; henceforth, there could never be a question
of giving or taking, of withdrawing or advancing, for all was
irrevocable, sealed with the great seal.  Yet she must be saved.
But how?

She suddenly looked up at him.  "I can ask you anything I want now, can't
I?" she said.

"Anything, Rosalie."

"You know that when I ask, it is because I want to know what you know, so
that I may feel as you feel.  You know that, don't you?

"I know it when you tell me, wonderful Rosalie."  What a revelation it
was, this transmuting power, which could change mortal dross into the
coin of immortal wealth!

"I want to ask you," she said, "who was Kathleen?"  His blood seemed to
go cold in his veins, and he sat without answering, shocked and dismayed.
What could she know of Kathleen?

"Can't you tell me?" she asked anxiously yet fearfully.  He looked so
strange that she thought she had offended him.  "Please don't mind
telling me.  I should understand everything--everything.  Was it some one
you loved--once?"  It was hard for her to say it, but she said it
bravely.

"No.  I never loved any one in all the world, Rosalie--not till I loved
you."

She gave a happy sigh.  "Oh, it is wonderful!" she said.  "It is
wonderful and good!  Did you--did you love me from the very first?"

"I think I did, though I didn't know it from the very first," he answered
slowly.  His heart beat hard, for he could not guess how she should know
of Kathleen.  It was absurdly impossible that she should know.  "But many
have loved you!" she said proudly.  "They have not shown it," he
answered grimly; then added quickly, and with aching anxiety: "When did
you hear of--of Kathleen?"

"Oh, you are such a blind huntsman!" she laughed.  "Don't you know where
my little fox was hiding?  Why, in the shop, when you held the note-paper
up to the light, and looked startled, and bought all the paper we had
that was water-marked Kathleen.  Do you think that was clever of me?  I
don't."

"I think it was very clever," he said.

"Then she-Kathleen--doesn't really matter?" she asked eagerly.  "Of
course she can't, if you don't love her.  But does she love you?  Did she
ever love you?"  "Never in her life."

"So of course it doesn't matter," she rejoined.  "Hush!" she added
rapidly.  "I see some one coming in the trees yonder.  It may be some one
for me.  Father knows I come here sometimes.  Go quickly and hide behind
the rocks, please.  I'll stay and see who it is.  Please go--dearest."

He kissed her, and, keeping out of sight, got to a place of safety a few
hundred feet away.

He saw the new-comer run to Rosalie, speak to her, saw Rosalie half turn
in his own direction, then go hastily down the hillside with the
messenger.

"It is her father!" he exclaimed, and followed at a distance.  At the
village he learned that M. Evanturel had had another seizure.




CHAPTER XLV

SIX MONTHS GO BY

Spring again--budding trees and flowing sap; the earth banks removed from
the houses, and outside windows discarded; the ice tumbling and crunching
in the river; the dormant farmer raising his head to the energy and
delight of April.

The winter had been long and hard.  Never had there been severer frost or
deeper snow, and seldom had big game been so plentiful.  In the snug warm
stables the cattle munched and chewed the cud; the idle, long-haired
horses grew as spirited in the keen air as in summer they were sluggish
with hard work; and the farm-hands were abroad in the dark of the early
mornings with lanterns, to feed the stock and take them out to water,
singing cheerfully.  All morning spread the clamour of the flail and the
fanning-mill, the swish of the knife through the turnips and the beets,
and the sound of the saw and the axe, as the youngest man of the family,
muffled to the nose, sawed the wood into lengths or split the knots.

Night brought the cutting and stringing of apples, the shelling of the
Indian corn, the making of rag carpets.  On Saturday came the going to
market with grain, or pork, or beef, or fowls frozen like stones; the
gossip in the market-place.  Then again sounded jingling sleigh-bells as,
on the return road, the habitant made for home, a glass of white whiskey
inside him, and black-eyed children in the doorway, swarming like bees at
the mouth of a hive.

This particular winter in Chaudiere had been full of excitement and
expectation.  At Easter-time there was to be the great Passion Play,
after the manner of that known as The Passion Play of Ober-Ammergau.  Not
one in a hundred habitants had ever heard of Ober-Ammergau, but they had
all shared in picturesque processions of the Stations of the Cross to
some calvaire; and many had taken part in dramatic scenes arranged from
the life of Christ.  Drama of a crude kind was deep in them; it showed in
gesture, speech, and temperament.

In all the preparations Maximilian Cour was a conspicuous and useful
official.  Gifted with the dramatic temperament to a degree rare in so
humble a man, he it was who really educated the people of Chaudiere in
the details of the Passion Play to be produced by the good Catholics of
the parish and the Indians of the reservation.  He had gone to the Cure
every day, and the Cure had talked with him, and then had sent him to the
tailor, who had, during the past six months, withdrawn more and more from
the life about him, practically living with shut door.  No one ventured
in unless on business, or were in need, or wished advice.  These he never
turned empty away.

Besides Portugais, Maximilian Cour was the one man received constantly
by the tailor.  With patience and insight Charley taught the baker, by
drawings and careful explanations, the outlines of the representation,
and the baker grew proud of the association, though Charley's face used
to haunt him in his sleep.  Excitable, eager, there was an elemental
adaptability in the baker, as easily leading to Avernus as to Elysium.
This appealed to Charley, realising, as he did, that Maximilian Cour was
a reputable citizen by mere accident.  The baker's life had run in a
sentimental groove of religious duty; that same sentimentality would,
in other circumstances, have forced him with equal ardour into the broad
primrose path.

In the evening hours and on Sunday Charley had worked at his drawings for
the scenery and costumes of the Play, and completed his translation of
the German text, but there had been days when he could not put pen to
paper.  Life to him now was one aching emptiness--since that day at the
Rest of the Flax-beaters Rosalie had been absent.  On the very morning
after their meeting by the river she had gone away with her father to the
great hospital at Montreal--not Quebec this time, on the advice of the
Seigneur--as the one chance of prolonging his life.  There had come but
one letter from her since that hour when he saw her in the Seigneur's
coach with her father, moving away in the still autumn air, a piteous
appeal in her eyes.  The good-bye look she gave him then was with him day
and night.

She had written him one letter, and he had written one in reply, and no
more.  Though he was wholly reckless for himself, for her he was prudent
now--there was nothing else to do.  To save her--if he could but save her
from himself!  If he might only put back the clock!

In his letter to her he had simply said that it were wiser not to write,
since the acting postmistress, the Cure's sister, would note the exchange
of letters, and this would arouse suspicion.  He could not see what was
best to do, what was right to do.  To wait seemed the only thing, and his
one letter ended with the words: Rosalie, my life is lived only in the
thought of you.  There is no hour but I think of you, no moment but you
are with me.  The greatest proof of love that man can give, I will give
to you, in the hour fate wills--for us.  But now, we must wait--we must
wait, Rosalie.  Do not write to me, but know that if I could go to you I
would go; if I could say to you, Come, I would say it.  If the giving of
my life would save you any pain or sorrow, I would give it.

Sitting on his bench at work, it seemed to Charley that sometimes she was
near him, and more than once he turned quickly round as though she were,
in very truth, standing beside him.  He thought of her continually, and
often with an unbearable pain.  He figured her in his mind as pale and
distressed, and always her eyes had the piteous terror of that last look
as she went away over the hills.

But the weeks had worn on, then the Seigneur, who had been to Montreal,
came back with the news that Rosalie was looking as beautiful as a
picture.  "Grown a woman in beauty and in stature; comely--comely as a
lady in a Watteau picture, my dear messieurs!" he had said to the Cure,
standing in the tailor's shop.

Replying, the Cure had said: "She is in good hands, with good people,
recommended to me by an abbe there; yet I am not wholly happy about her.
When her trouble comes to her"--Charley's needle slipped and pierced his
finger to the bone--"when her father goes, as he must, I fear, there will
be no familiar face; she will hear no familiar voice."

"Faith, there you are wrong, my dear Cure" answered the Seigneur;
"there'll be a face yonder she likes very well indeed, and a voice she's
fond of too."

Charley's back was on them at that moment, of which he was glad, for his
face was haggard with anxiety, and it seemed hours before the Cure said:
"Whom do you mean, Maurice?" and hours before the Seigneur replied:
"Mrs. Flynn, of course.  I'm sending her tomorrow."

Mrs. Flynn had gone, and Charley had, in one sense, been made no happier
by that, for it seemed to him that Rosalie would rather that strangers'
eyes were on her than the inquisitively friendly eye of Mary Flynn.

Weeks had grown into months, and no news came--none save that which the
Cure let fall, or was brought by the irresponsible Notary, who heard all
gossip.  Only the Cure's scant news were authentic, however, and Charley
never saw the good priest but he had a secret hope of hearing him say
that Rosalie was coming back.  Yet when she came back, what would, or
could, he do?  There was always the crime for which he or Billy must be
punished.  Concerning this crime his heart was growing harder--for
Rosalie's sake.  But there was Kathleen--and Rosalie was now in the
city where she lived, and they might meet!  There was one solution--
if Kathleen should die!  It sickened him that he could think of that with
a sense of relief, almost of hope.  If Kathleen should die, then he would
be free to marry Rosalie--into what?  He still could only marry her into
the peril and menace of the law?  Again, even if Kathleen did not stand
in the way, neither the Cure nor any other priest would marry him to her
without his antecedents being certified.  A Protestant minister would,
perhaps, but would Rosalie give up her faith?  Following him without the
blessing of the Church, she would trample under foot every dear tradition
of her life, win the scorn of all of her religion, and destroy her own
peace; for the faith of her fathers was as the breath of her nostrils.
What cruelty to her!

But was it, after all, even true that he had but to call and she would
come?  In truth it well might be that she had learned to despise him;
to feel how dastardly he had been to take her love, given in blind
simplicity, bestowed like the song of the bird upon the listening fields
--to take the plenteous fulness of her life, and give nothing in return
save the empty hand, the hopeless hour, the secret sorrow.

Nothing could quench his misery.  The physical part of him craved without
ceasing for something to allay his distress.  Again and again he fought
his old enemy with desperate resolve.  To fall again, to touch liquor
once more, was to end all for ever.  He fought on tenaciously and
gloomily, with little of the pride of life, with nothing of the old
stubborn self-will, but with a new-awakened sense.  He had found
conscience at last--and more.

The months went by and still M. Evanturel lingered on, and Rosalie did
not come.  The strain became too great at last.  In the week preceding
Easter, when all the parish was busy at Four Mountains, making costumes,
rehearsing, building, putting up seats, cutting down trees, and erecting
crosses and calvaries, Charley disclosed to Jo a new intention.

In the earlier part of the winter Jo and he had met two or three times
a week, but now Jo had come to help him with his work in the shop--two
silent, devoted companions.  They understood each other, and in that
understanding were life and death.  For never did Jo forget that a year
from the day he had confessed his sins he meant to give himself up to
justice.  This caused him no sleepless nights.  He thought more of
Charley than of himself, and every month now he went to confession, and
every day he said his prayers.  He was at his prayers when Charley went
to tell him of his purpose.  Charley had often seen Jo on his knees of
late, and he had wondered, but not with the old pagan mind.  "Jo," he
said, "I am going away--to Montreal."

"To Montreal!" exclaimed Jo huskily.  "You are going back--to stay?"

"Not that.  I am going--to see--Rosalie Evanturel."  Jo was troubled but
not dumfounded.  It had slowly crept into his mind that Charley loved the
girl, though he had no real ground for suspicion.  His will, however, had
been so long the slave of the other man's that he had far-off reflections
of his thoughts.  He made no reply in words, but nodded his head.

"I want you to stay here, Jo.  If I don't come back, and--and she does,
stand by her, Jo.  I can trust you."  "You will come back, M'sieu'--but
you will come back, then?" Jo asked heavily.

"If I can, Jo--if I can," he answered.

Long after he had gone, Jo wandered up and down among the trees on the
river-road, up which Charley had disappeared with Jo's dogs and sled.
He kept shaking his head mournfully.




CHAPTER XLVI

THE FORGOTTEN MAN

It was Easter morning, and the good sunrise of a perfect spring made
radiant the high hill above the town.  Rosy-fingered morn touched with
magic colour the masts and scattered sails of the ships upon the great
river, and spires and towers quivered with rainbow light.  The city was
waking cheerfully, though the only active life was in the pealing bells
and on the deep flowing rivers.  The streets were empty yet, save for an
assiduous priest or the cart of a milkman.  Here and there a window
opened and a drowsy head was thrust into the eager air.  These saw a
bearded countryman with his team of six dogs and his little cart going
slowly up the street.  It was plain the man had come a long distance--
from the mountains in the east or south, no doubt, where horses were few,
and dogs, canoes, and oxen the means of transportation.

As the man moved slowly through the streets, his dogs still gallantly
full of life after their hard journey, he did not stare about him after
the manner of countrymen.  His movements had intelligence and freedom.
He was an unusual figure for a woodsman or river-man--he did not wear
ear-rings or a waist-sash as did the river-men, and he did not turn in
his toes like a woodsman.  Yet he was plainly a man from the far
mountains.

The man with the dogs did not heed the few curious looks turned his way,
but held his head down as though walking in familiar places.  Now and
then he spoke to his dogs, and once he stopped before a newspaper office,
which had a placard bearing these lines:

The Coming Passion Play In the Chaudiere Valley.

He looked at it mechanically, for, though he was concerned in the Passion
Play and the Chaudiere Valley, it was an abstraction to him at this
moment.  His mind was absorbed by other things.

Though he looked neither to right nor to left, he was deeply affected by
all round him.

At last he came to a certain street, where he and his dogs travelled
more quickly.  It opened into a square, where bells were booming in
the steeple of a church.  Shops and offices in the street were shut,
but a saloon-door was open, and over the doorway was the legend: Jean
Jolicoeur, Licensed to sell Wine, Beer, and other Spirituous and
Fermented Liquors.

Nearly opposite was a lawyer's office, with a new-painted sign.  It had
once read, in plain black letters, Charles Steele, Barrister, etc.; now
it read, in gold letters and many flourishes of the sign-painter's art,
Rockwell and Tremblay, Barristers, Attorneys, etc.

Here the man looked up with trouble in his eyes.  He could see dimly the
desk and the window beside which he had sat for so many years, and on the
wall a map of the city glowed with the incoming sun.

He moved on, passing the saloon with the open door.  The landlord, in his
shirt-sleeves, was standing in the doorway.  He nodded, then came out to
the edge of the board-walk.

"Come a long way, M'sieu'?" he asked.

"Four days' journey," answered the man gruffly through his beard, looking
the landlord in the eyes.  If this landlord, who in the past had seen him
so often and so closely, did not recognise him, surely no one else would.
It was, however, a curious recurrence of habit that, as he looked at the
landlord, he instinctively felt for his eye-glass, which he had discarded
when he left Chaudiere.  For an instant there was an involuntary arrest
of Jean Jolicoeur's look, as though memory had been roused, but this
swiftly passed, and he said:

"Fine dogs, them!  We never get that kind hereabouts now, M'sieu'.  Ever
been to the city before?"

"I've never been far from home before," answered the Forgotten Man.

"You'd better keep your eyes open, my friend, though you've got a sharp
pair in your head--sharp as Beauty Steele's almost.  There's rascals in
the river-side drinking-places that don't let the left hand know what the
right does."

"My dogs and I never trust anybody," said the Forgotten Man, as one of
the dogs snarled at the landlord's touch.  "So I can take care of myself,
even if I haven't eyes as sharp as Beauty Steele's, whoever he is."

The landlord laughed.  "Beauty's only skin-deep, they say.  Charley
Steele was a lawyer; his office was over there"--he pointed across the
street.  "He went wrong.  He come here too often--that wasn't my fault.
He had an eye like a hawk, and you couldn't read it.  Now I can read your
eye like a book.  There's a bit of spring in 'em, M'sieu'.  His eyes were
hard winter-ice five feet deep and no fishing under--froze to the bed.
He had a tongue like a cross-cut saw.  He's at the bottom of the St.
Lawrence, leaving a bad job behind him.

"Have a drink--hein?"  He jerked a finger backwards to the saloon door.
"It's Sunday, but stolen waters are sweet, sure!"

The Forgotten Man shook his head.  "I don't drink, thank you."

"It'd do you good.  You're dead beat.  You've been travelling hard--eh?"

"I've come a long way, and travelled all night."

"Going on?"

"I am going back to-morrow."

"On business?"

Charley nodded--he glanced involuntarily at the sign across the street.

Jean Jolicoeur saw the look.  "Lawyer's business, p'r'aps?"

"A lawyer's business--yes."

"Ah, if Charley Steele was here!"

"I have as good a lawyer as--"

The landlord laughed scornfully.  "They're not made.  He'd legislate the
devil out of the Pit.  Where are you going to stay, M'sieu'?"

"Somewhere cheap--along the river," answered the Forgotten Man.

Jolicoeur's good-natured face became serious.  "I'll tell you a place--
it's honest.  It's the next street, a few hundred yards down, on the
left.  There's a wooden fish over the door.  It's called The Black Bass
--that hotel.  Say I sent you.  Good luck to you, countryman!  Ah, la;
la, there's the second bell--I must be getting to Mass!"  With a nod he
turned and went into the house.

The Forgotten Man passed slowly up the street, into the side street,
and followed it till he came to The Black Bass, and turned into the small
stable-yard.  A stable-man was stirring.  He at once put his dogs into
a little pen set apart for them, saw them fed from the kitchen, and,
betaking himself to a little room behind the bar of the hotel, ordered
breakfast.  The place was empty, save for the servant--the household were
at Mass.  He looked round the room abstractedly.  He was thinking of a
crippled man in a hospital, of a girl from a village in the Chaudiere
Valley.  He thought with a shiver of a white house on the hill.  He
thought of himself as he had never done before in his life.  Passing
along the street, he had realised that he had no moral claim upon
anything or anybody within these precincts of his past life.  The place
was a tomb to him.

As he sat in the little back parlour of The Black Bass, eating his frugal
breakfast of eggs and bread and milk, the meaning of it all slowly dawned
upon him.  Through his intellect he had known something of humanity, but
he had never known men.  He had thought of men in the mass, and despised
them because of their multitudinous duplication, and their typical
weaknesses; but he had never known one man or one woman from the subtler,
surer divination of the heart.  His intellect had made servants and lures
of his emotions and his heart, for even his every case in court had been
won by easy and selfish command of all those feelings in mankind which
make possible personal understanding.

In this little back parlour it came to him with sudden force how, long
ago, he had cut himself off from any claim upon his fellows--not only by
his conduct, but by his merciless inhuman intelligence working upon the
merciful human life about him.  He never remembered to have had any real
feeling till on that day with Kathleen--the day he died.  The bitter
complaint of a woman he had wronged cruelly, by having married her, had
wrung from him his own first wail of life, in the one cry "Kathleen!"

As he sat eating his simple meal his pulses were beating painfully.
Every nerve in his body seemed to pluck at the angry flesh.  There
flashed across his mind in sympathetic sensation a picture.  It was the
axe-factory on the river, before which he used to stand as a boy, and
watch the men naked to the waist, with huge hairy arms and streaming
faces, toiling in the red glare, the trip-hammers endlessly pounding upon
the glowing metal.  In old days it had suggested pictures of gods and
demi-gods toiling in the workshops of the primeval world.  So the whole
machinery of being seemed to be toiling in the light of an awakened
conscience, to the making of a man.  It seemed to him that all his life
was being crowded into these hours.  His past was here--its posing, its
folly, its pitiful uselessness, and its shame.  Kathleen and Billy were
here, with all the problems that involved them.  Rosalie was here, with
the great, the last problem.

"Nothing matters but that--but Rosalie," he said to himself as he turned
to look out of the window at the wrangling dogs gnawing bones.  "Here she
is in the midst of all I once knew, and I know that I am no more a part
of it than she is.  She and Kathleen may have met face to face in these
streets--who can tell!  The world is large, but there's a sort of
whipper-in of Fate, who drives the people wearing the same livery into
one corner in the end.  If they met"--he rose and walked hastily up and
down--"what then?  I have a feeling that Rosalie would recognise her as
plainly as though the word Kathleen were stitched on her breast."

There was a clock on the wall.  He looked at it.  "It will not be safe to
go out until evening.  Then I can go to the hospital, and watch her
coming out."  He realised with satisfaction that many people coming from
Mass must pass the inn.  There was a chance of his seeing Rosalie, if she
had gone to early Mass.  This street lay in her way from the hospital.
"One look--ah, one look!"  For this one look he had come.  For this, and
to secure that which would save Rosalie from want always, if anything
should happen to him.  This too had been greatly on his mind.  There was
a way to give her what was his very own, which would rob no one and serve
her well indeed.

Looking at his face in the mirror over the mantel, he said to himself

"I might have had ten thousand friends, yet I have a thousand enemies,
who grin at the memory of the drunken fop down among the eels and the
cat-fish.  Every chance was with me then.  I come back here, and--and
Jolicoeur tells me the brutal truth.  But if I had had ambition"--a wave
of the feeling of the old life passed over him--"if I had had ambition as
I was then, I should have been a monster.  It was all so paltry that, in
sheer disgust, I should have kicked every ladder down that helped me up.
I should have sacrificed everything to myself."

He stopped short and stared, for, in the mirror, he saw a girl passing
through the stable-yard towards the quarrelling dogs in the kennel.  He
clapped his hand to his mouth to stop a cry.  It was Rosalie.

He did not turn round but looked at her in the mirror, as though it were
the last look he might give on earth.

He could hear her voice speaking to the dogs: "Ah, my friends, ah, my
dears!  I know you every one.  Jo Portugais is here.  I know your bark,
you, Harpy, and you, Lazybones, and you, Cloud and London!  I know you
every one.  I heard you as I came from Mass, beauty dears.  Ah, you know
me, sweethearts?  Ah, God bless you for coming!  You have come to bring
us home; you have come to fetch us home--father and me."  The paws of one
of the dogs was on her shoulder, and his nose was in her hair.

Charley heard her words, for the window was open, and he listened and
watched now with an infinite relief in his look.  Her face was half
turned towards him.  It was pale-very pale and sad.  It was Rosalie as of
old--thank God, as of old!--but more beautiful in the touching sadness,
the far-off longing, of her look.

"I must go and see your master," she said to the dogs.  "Down--down,
Lazybones!"

There was no time to lose--he must not meet her ere.  He went into the
outer hall hastily.  The servant was passing through.  "If any one asks
for Jo Portugais," he said, "say that I'll be back to-morrow morning--I'm
going across the river to-day."

"Certainly, M'sieu'," said the girl, and smiled because of the piece of
silver he put in her hand.

As he heard the side door open he stepped through the front doorway into
the street, and disappeared round a corner.




CHAPTER XLVII

ONE WAS TAKEN AND THE OTHER LEFT

Rosalie carried to the hospital that afternoon a lighter heart than she
had known for many a day.  The sight of Jo Portugais' dogs had roused her
out of the apathy which had been growing on her in this patient but
hopeless watching beside her father.  She had always a smile and a
cheerful word for the poor man.  A settled sorrow hung upon her face,
however, taking away its colour, but giving it a sweet gravity which made
her slave more than one young doctor of the hospital, for whom, however,
she showed no more than a friendly frankness, free from self-
consciousness.  For hours she would sit in reverie beside her sleeping
father, her heart "over the water to Charley."  As in a trance, she could
see him sitting at his bench, bent over his work, now and again lifting
up his head to look across to the post-office, where another hand than
hers sorted letters now.

Day by day her father weakened and faded away.  All that was possible to
medical skill had been done.  As the money left by her mother dwindled,
she had no anxiety, for she knew that the life she so tenderly cherished
would not outlast the gold which lengthened out the tenuous chain of
being.  This last illness of her father's had been the salvation of her
mind, the saving of her health.  Maybe it had been the saving of her
soul; for at times a curious contempt of life came upon her--she who had
loved it so eagerly and fully.  There descended on her then the bitter
conviction that never again would she see the man she loved.  Then not
even Mrs. Flynn could call back "the fun o' the world" to her step and
her tongue and her eye.  At first there had been a timid shrinking, but
soon her father and herself were brighter and better for the old
Irishwoman's presence, and she began to take comfort in Mrs. Flynn.

Mrs. Flynn gave hopefulness to whatever life she touched, and Rosalie,
buoyant and hopeful enough by nature, responded to the living warmth and
the religion of life in the Irishwoman's heart.

"'Tis worth the doin', ivery bit of it, darlin', the bither an' the
swate, the hard an' the aisy, the rough an' the smooth, the good an' the
bad," said Mrs. Flynn to her this very Easter morning.  "Even the avil is
worth doin', if so be 'twas not mint, an' the good is in yer heart in the
ind, an' ye do be turnip' to the Almoighty, repentin' an' glad to be
aloive: provin' to Him 'twas worth while makin' the world an' you, to
want, an' worry, an' work, an' play, an' pick the flowers, an' bleed o'
the thorns, an' dhrink the sun, an' ate the dust, an' be lovin' all the
way!  Ah, that's it, darlin'," persisted Mrs. Flynn, "'tis lovin' all the
way makes it aisier.  There's manny kinds o' love.  There's lad an' lass,
there's maid an' man.  An' that last is spring, an' all the birds
singin', an' shtorms now an' thin, an' siparations, an' misthrust, an'
God in hivin bein' that aisy wid ye for bein' fools an' children, an'
bringin' ye thegither in the ind, if so be ye do be lovin' as man an'
maid should love, wid all yer heart.  Thin there's the love o' man an'
wife.  Shure, that's the love that lasts, if it shtarts right.  Shure,
it doesn't always shtart wid the sun shinin.'  'Will ye marry me?' says
Teddy Flynn to me.  'I will,' says I.  'Then I'll come back from Canaday
to futch ye,' says he, wid a tear in his eye.

"'For what's a man in ould Ireland that has a head for annything but
puttaties!  There's land free in Canaday, an' I'm goin' to make a home
for ye, Mary,' says he, wavin' a piece of paper in the air.  'Are ye,
thin?' says I.  He goes away that night, an' the next mornin' I have a
lether from him, sayin' he's shtartin' that day for Canaday.  He hadn't
the heart to tell me to me face.  Fwaht do I do thin?  I begs, borrers,
an' stales, an' I reached that ship wan minnit before she sailed.  There
was no praste aboord, but we was married six weeks afther at Quebec.  And
thegither we lived wid ups an' downs--but no ups an' downs to the love of
us for twenty years, blessed be God for all His mercies!"

Rosalie had listened with eyes that hungrily watched every expression,
ears that weighed eagerly every inflection; for she was hearing the story
of another's love, and it did not seem strange to her that a woman, old,
red-faced, and fat, should be telling it.

Yet there were times when she wept till she was exhausted; when all her
girlhood was drowned in the overflow of her eyes; when there was a sense
of irrevocable loss upon her.  Then it was, in her fear of soul and
pitiful loneliness, that her lover--the man she would have died for--
seemed to have deserted her.  Then it was that a sudden hatred against
him rose up in her--to be swept away as swiftly as it came by the memory
of his broken tale of love, his passionate words: "I have never loved any
one but you in all my life, Rosalie."  And also, there was that letter
from Chaudiere, which said that in the hour when the greatest proof of
his love must be given he would give it.  Reading the letter again,
hatred, doubt, even sorrow, passed from her, and her imagination pictured
the hour when, disguise and secrecy ended, he would step forward before
all the world and say: "I take Rosalie Evanturel to be my wife."  Despite
the gusts of emotion that swayed her at times, in the deepest part of her
being she trusted him completely.

When she reached the hospital this Sunday afternoon her step was quick,
her smile bright--though she had not been to confession as was her duty
on Easter day.  The impulse towards it had been great, but her secret was
not her own, and the passionate desire to give relief to her full heart
was overborne by thought of the man.  Her soul was her own, but this
secret of their love was his as well as hers.  She knew that she was the
only just judge between.

Soon after she entered the ward, the chief surgeon said that all that
could be done for her father had now been done, and that as M. Evanturel
constantly asked to be taken back to Chaudiere (he never said to die,
though they knew what was in his mind), he might now make the journey,
partly by river, partly by land.  It seemed to the delighted and excited
Rosalie that Jo Portugais had been sent to her as a surprise, and that
his team of dogs was to take her father back.

She sat by her father's bed this beautiful, wonderful Sunday afternoon,
and talked cheerfully, and laughed a little, and told M. Evanturel of the
dogs, and together they looked out of the window to the far-off hills, in
their golden purple, beyond which, in the valley of the Chaudiere, was
their little home.  With her father's hand in hers the girl dreamed
dreams again, and it seemed to her that she was the very Rosalie
Evanturel of old, whose thoughts were bounded by a river and a hill,
a post-office and a church, a catechism and a few score of books.  Here
in the crowded city she had come to be a woman who, bitterly shaken in
soul, knew life's sufferings; who had, during the past few months, read
with avidity history, poetry, romance, fiction, and the drama, English
and French; for in every one she found something that said: "You have
felt that."  In these long months she had learned more than she had known
or learned in all her previous life.

As she sat looking out into the eastern sky she became conscious of
voices, and of a group of people who came slowly down the ward, sometimes
speaking to the sick and crippled.  It was not a general visitors' day,
but one reserved for the few to come and say a kindly word to the
suffering, to bring some flowers and distribute books.  Rosalie had
always been absent at this hour before, for she shrank from strangers;
but to-day she had stayed on unthinking.  It mattered nothing to her who
came and went.  Her heart was over the hills, and the only tie she had
here was with this poor cripple whose hand she held.  If she did not
resent the visit of these kindly strangers, she resolutely held herself
apart from the object of their visit with a sense of distance and cold
dignity.  If she had given Charley something of herself, she had in turn
taken something from him, something unlike her old self, delicately non-
intime.  Knowledge of life had rationalised her emotions to a definite
degree, had given her the pride of self-repression.  She had had need of
it in these surroundings, where her beauty drew not a little dangerous
attention, which she had held at arm's-length--her great love for one man
made her invulnerable.

Now, as the visitors came near, she did not turn towards them, but still
sat, her chin on her hand, looking out across the hills, in resolute
abstraction.  She felt her father's fingers press hers, as if to draw her
attention, for he, weak man, was ever ready to open his hand and heart to
any friendly soul.  She took no notice, but held his hand firmly, as
though to say that she had no wish to see.

She was conscious now that they were beside her father's bed.  She hoped
that they would pass.  But no, the feet stopped, there was whispering,
and then she heard a voice say, "Rather rude!" then another, "Not
wanted, that's plain!"--the first a woman's, the second a man's.  Then
another voice, clear and cold, and well modulated, said to her father:
"They tell me you have been here a long time, and have had much pain.
You will be glad to go, I am sure."

Something in the voice startled her.  Some familiar sound or inflection
struck upon her ear with a far-off note, some lost tone she knew.  Of
what, of whom, did this voice remind her?  She turned round quickly and
caught two cold blue eyes looking at her.  The face was older than her
own, handsome and still, and happy in a placid sort of way.  Few gusts of
passion or of pain had passed across that face.  The figure was shapely
to the newest fashion, the bonnet was perfect, the hand which held two
books was prettily gloved.  Polite charity was written in her manner and
consecrated every motion.  On the instant, Rosalie resented this fine
epitome of convention, this dutiful charity-monger, herself the centre of
an admiring quartet.  She saw the whispering, she noted the well-bred
disguise of interest, and she met the visitor's gaze with cold courtesy.
The other read the look in her face, and a slightly pacifying smile
gathered at her lips.

"We are glad to hear that your father is better.  He has been ill a long
time?"

Rosalie started again, for the voice perplexed her--rather, not the
voice, but the inflection, the deliberation.

She bowed, and set her lips, but, chancing to glance at her father, she
saw that he was troubled by her manner.  Flashing a look of love at him,
she adjusted the pillow under his head, and said to her questioner in a
low voice: "He is better now, thank you."

Encouraged, the other rejoined: "May I leave one or two books for him to
read--or for you to read to him?"  Then added hastily, for she saw a
curious look in Rosalie's eyes: "We can have mutual friends in books,
though we cannot be friends with each other.  Books are the go-betweens
of humanity."

Rosalie's heart leapt, she flushed, then grew slightly pale, for
it was not tone or inflection alone that disturbed her now, but words
themselves.  A voice from over the hills seemed to say these things to
her.  A haunting voice from over the hills had said them to her--these
very words.

"Friends need no go-betweens," she said quietly, "and enemies should not
use them."

She heard a voice say, "By Jove!" in a tone of surprise, as though it
were wonderful the girl from Chaudiere should have her wits about her.
So Rosalie interpreted it.

"Have you many friends here?" asked the cold voice, meant to be kindly
and pacific.  It was schooled to composure, because it gave advantage in
life's intercourse, not from any inner urbanity.

"Some need many friends, some but a few.  I come from a country where one
only needs a few."

"Where is your country, I wonder?" said the cold echo of another voice.

Charley had passed out of Kathleen's life--he was dead to her, his memory
scorned and buried.  She loved the man to whom she supposed she was
married; she was only too glad to let the dust of death and time cover
every trace of Charley from her gaze; she would have rooted out every
particle of association: yet his influence on her had been so great that
she had unconsciously absorbed some of his idiosyncrasies--in the tone of
his voice, in his manner of speaking.  To-day she had even repeated
phrases he had used.

"Beyond the hills," said Rosalie, turning away.

"Is it not strange?" said the voice.  "That is the title of one of the
books I have just brought--'Beyond the Hills'.  It is by an English
writer.  This other book is French.  May I leave them?"

Rosalie inclined her head.  It would.  make her own position less
dignified if she refused them.  "Books are always welcome to my father,"
she said.

There was an instant's pause, as though the fashionable lady would offer
her hand; but their eyes met, and they only bowed.  The lady moved on
with a smile, leaving a perfume of heliotrope behind her.

"Where is your country, I wonder?"--the voice of the lady rang in
Rosalie's ears.  As she sat at the window again, long after the visitors
had disappeared, the words, "I wonder--I wonder--I wonder!" kept beating
in her brain.  It was absurd that this woman should remind her of the
tailor of Chaudiere.

Suddenly she was roused by her father's voice.  "This is beautiful--ah,
but beautiful, Rosalie!"

She turned towards him.  He was reading the book in his hand--'Beyond the
Hills'.  "Listen," he said, and he read, in English: "'Compensation is
the other name for God.  How often is it that those whom disease or
accident has robbed of active life find greater inner rejoicing and a
larger spiritual itinerary!  It would seem that withdrawal from the ruder
activities gives a clearer seeing.  Also for these, so often, is granted
a greater love, which comes of the consecration of other lives to theirs.
And these too have their reward, for they are less encompassed by the
vanities of the world, having the joy of self-sacrifice.'"  He looked at
Rosalie with an unnatural brightness in his eyes, and she smiled at him
now and stroked his hand.

"It has been all compensation to me," he said, after a moment.  "You have
been a good daughter to me, Rosalie."

She shook her head and smiled.  "Good fathers think they have good
daughters," she answered, choking back a sob.

He closed the book and let it lie upon the coverlet.  "I will sleep now,"
he said, and turned on his side.  She arranged his pillow, and adjusted
the bedclothes to his comfort.

"Good-night," he said, as, with a faint hand, he drew her head down and
kissed her.  "Good girl!  Goodnight!"

She patted his hand.  "It is not night yet, father."

He was already half asleep.  "Good-night!" he said again, and fell into
a deep sleep.

She sat down by the window, in her hand the book he had laid down.  A
hundred thoughts were busy in her brain--of her father; of the woman who
had just left; of her lover over the hills.  The woman's voice came to
her again--a far-off mockery.  She opened the book mechanically and
turned over the pages.  Presently her eyes were riveted to a page.
On it was written the word Kathleen.

For a moment she sat transfixed.  The word Kathleen and the haunting
voice became one, and her mind ran back to the day when she had said to
Charley: "Who is Kathleen?"

She sprang to her feet.  What should she do?  Follow the woman?  Find out
who and what she was?  Go to the young surgeon who had accompanied them,
ask him who she was, and so learn the clue to the mystery concerning her
lover?

In the midst of her confusion she became sharply conscious of two things:
the approach of Mrs. Flynn, and her father's heavy breathing.  Dropping
the book, she leaned over her father's bed and looked closely at him.
Then she turned to the frightened and anxious Mrs. Flynn.

"Go for the priest," she said.  "He is dying."

"I'll send some one.  I'm stayin' here by you, darlin'," said the old
woman, and hurried to the room of the young surgeon for a messenger.

As the sun went down, the cripple went out upon a long journey alone.




CHAPTER XLVIII

"WHERE THE TREE OF LIFE IS BLOOMING--"

As Charley walked the bank of the great river by the city where his old
life lay dead, he struggled with the new life which--long or short--must
henceforth belong to the village of the woman he loved.  .  .  .  But as
he fought with himself in the long night-watch it was borne in upon him
that though he had been shown the Promised Land, he might never find
there a habitation and a home.  The hymn he had mockingly sung the night
he had been done to death at the Cote Dorion sang in his senses now, an
ever-present mockery:

               "On the other side of Jordan,
               In the sweet fields of Eden,
               Where the tree of life is blooming,
                    There is rest for you.
               There is rest for the weary,
               There is rest for the weary,
               There is rest for the weary,
                    There is rest for you."

In the uttermost corner of his intelligence he felt with sure prescience
that, however befalling, the end of all was not far off.  In the exercise
of new faculties, which had more to do with the soul than with reason, he
now believed what he could not see, and recognised what was not proved.
Labour of the hand, trouble, sorrow, and perplexity, charity and
humanity, had cleared and simplified his life, had sweetened his
intelligence, and taken the place of ambition.  He saw life now through
the lens of personal duty, which required that the thing nearest to one's
hand should be done first.

But as foreboding pressed upon him there came the thought of what should
come after--to Rosalie.  His thoughts took a practical form--her good was
uppermost in his mind.  All Rosalie had to live on was her salary as
postmistress, for it was in every one's knowledge that the little else
she had was being sacrificed to her father's illness.  Suppose, then,
that through illness or accident she lost her position, what could she
do?  He might leave her what he had--but what had he?  Enough to keep her
for a year or two--no more.  All his earnings had gone to the poor and
the suffering of Chaudiere.

There was one way.  It had suggested itself to him so often in Chaudiere,
and had been one of the two reasons for bringing him here.  There were
his dead mother's pearls and one thousand dollars in notes behind a
secret panel in the white house on the hill, in this very city where he
was.  The pearls were worth over ten thousand dollars--in all, there
would be eleven thousand, enough to secure Rosalie from poverty.  What
should Kathleen do with his mother's pearls, even if they were found by
her?  What should she do with his money did she not loathe his memory?
Had not all his debts been paid?  These pearls and this money were all
his own.

But to get them.  To go now to the white house on the hill; to face that
old life even for an hour, a knocking at the door of a haunted house--he
shrank from the thought.  He would have to enter the place like a thief
in the night.

Yet for Rosalie he must take the risk--he must go.




CHAPTER XLIX

THE OPEN GATE

It was a still night, and the moon, delicately bright, gave forth that
radiance which makes spiritual to the eye the coarsest thing.  Inside the
white house on the hill all was dark.  Sleep had settled on it long
before midnight, for, on the morrow, its master and mistress hoped to
make a journey to the valley of the Chaudiere, where the Passion Play was
being performed by habitants and Indians.  The desire to see the play had
become an infatuation in the minds of the two, eager for some interest to
relieve the monotony of a happy life.

But as all slept, a figure in the dress of a habitant moved through the
passages of the house stealthily, yet with an assurance unusual in the
thief or housebreaker.  In the darkest passages his step was sure, and
his hand fastened on latch or door-knob with perfect precision.  He came
at last into a large hallway flooded by the moon, pale, watchful, his
beard frosted by the light.  In the stillness of his tread and the
composed sorrow of his face he seemed like one long dead who "revisits
the glimpses of the moon."

At last he entered a room the door of which stood wide open.  In this
room had been begotten, or had had exercise, whatever of him was worth
approving in the days before he died.  It was a place of books and
statues and tapestry, and the dark oak was nobly smutched of Time.  This
sombre oaken wall had been handed down through four generations from the
man's great-grandfather: the breath of generations had steeped it in
human association.

Entering, he turned for an instant with clinched hands to look at another
door across the hall.  Behind that door were two people who despised his
memory, who conspired to forget his very name.  This house was the
woman's, for he had given it to her the day he died.  But that she could
live there with all the old associations, with memories that, however
bitter, however shaming, had a sort of sacredness, struck into his soul
with a harrowing pain.  There she was whom he had spared--himself; whose
happiness had lain in his hands, and he had given it to her.  Yet her
very existence robbed himself of happiness, and made sorrowful a life
dearer than his own.

Kathleen lay asleep in that room--he fancied he could hear her breathing;
and, by the hospital on the hill, up beyond the point of pines, in a
little cottage which he could see from the great window, lay Rosalie with
sleepless eyes and wan cheeks, longing for morning and the stir of life
to help her to forget.

For Rosalie he had come to this house once more.  For her sake he was
revisiting this torture-chamber, from which he knew he must go again,
blanched and shaken, as a man goes from a tomb where his dead lie
unforgiving.

He shut his teeth, went swiftly across the room, and beside a great
carved oak table touched a hidden spring in the side of it.  The spring
snapped; the panel creaked a little and drew back.  It seemed to him that
the noise he made must be heard in every part of the house, so sensitive
was his ear, so deep was the silence on which the sounds had broken.  He
turned round to the doorway to listen before he put his hand within the
secret place.

There was no sound.  He turned his attention to the table.  Drawing forth
two packets with a gasp of relief, he put them in his pocket, and, with
extreme care, proceeded to close the panel.  By rubbing the edges of the
wood with grease from a candle on the table, he was able to readjust the
panel in silence.  But, as the spring came home, he became suddenly
conscious of a presence in the room.  A shiver passed through him.  He
turned round-softly, quickly.  He was in the shadow and near great
window-curtains, and his fingers instinctively clutched them as he saw a
figure in white at the door of the room.  Slowly, strangely deliberate,
the figure moved further into the room.

Charley's breath stopped.  He felt his face flush, and a strange weakness
came on him.  There before him stood Kathleen.

She was in her night-gown, and she stood still, as though listening; yet,
as Charley looked closer, he realised that it was an unconscious, passive
listening, and that she did not know he was there.

Her mind only was listening.  She was asleep.  Was it possible that his
very presence in the house had touched some old note of memory, which,
automatically responding, had carried her from her bed in this
somnambulistic trance?  That subtle telegraphy between our subconscious
selves which we cannot reduce to a law, yet alarming us at times,
announced to Kathleen's mind, independent of the waking senses, the
presence once familiar to this house for so many years.  In her sleep
she had involuntarily responded to the call of Charley's approach.

Once, in the past, the night her uncle died, she had walked in her sleep,
and the memory of this flashed upon Charley now.  Silently he came closer
to her.  The moonlight shone on her face.  He could see plainly she was
asleep.  His position was painful and perilous.  If she waked, the shock
to herself would be great; if she waked and saw him, what disaster might
not occur!

Yet he had no agitation now, only clearness of mind and a curious sense
of confusion that he should see her en dishabille--the old fastidious
sense mingling with the feeling that she was now a stranger to him, and
that, waking, she would fly embarrassed from his presence, as he was
ready to fly from hers.  He was about to steal to the door and escape
before she waked, but she turned round, moved through the doorway, and
glided down the hall.  He followed silently.

She moved to the staircase, then slowly down it, and through a passage to
a morning-room, where, opening a pair of French windows, she passed out
onto the lawn.  He followed, not more than a dozen paces behind her.
His safety lay in getting outside, where he could easily hide among the
bushes, should someone else appear and an alarm be raised.

She crossed the lawn swiftly, a white, ghostlike figure.  In the middle
of the lawn she stopped short once as if in doubt what to do--as a
thought-reader pauses in his search for the mental scent again, ere he
rushes upon the object of his search with the certainty of instinct.

Presently she moved on, going directly towards a gate that opened out on
the cliff above the river.  In Charley's day this gate had been often
used, for it gave upon four steep wooden steps leading to a narrow shelf
of rock below.  From the edge of this cliff a rope-ladder dropped fifty
feet to the river.  For years he had used this rope-ladder to get down to
his boat, and often, when they were first married, Kathleen used to come
and watch him descend, and sometimes, just at the very first, would
descend also.  As he stole into the grounds this evening he had noticed,
however, that the rope-ladder was gone, and that new steps were being
built.  He had also mechanically observed that the gate was open.

For an instant he watched her slowly moving towards the gate.  At first
he did not realise the situation.  Suddenly her danger flashed upon him.
Passing through the gateway, she must fall over the cliff.

Her life was in his hands.

He could rush forward swiftly and close the gate, then, raising an alarm,
get away before he was seen; or--he could escape now.

What had he to do with her?  A weird, painful suggestion crept into his
brain: he was not responsible for her, and he was responsible for a woman
up there by the hospital, whose home was the valley of the Chaudiere!

If Kathleen were gone, what barrier would there be between him and
Rosalie?  What had he to do with this strange disposition of events?
Kathleen was never absent from her church twice on Sundays; she was
devoted to work of all sorts for the church on week-days--where was her
intervening personal Providence?  If Providence permitted her to die?--
well, she had had two years of happiness with the man she loved, at some
expense to himself--was it not fair that Rosalie should have her share?
Had he the right to call upon Rosalie for constant self-sacrifice, when,
by shutting his eyes now, by being dead to Kathleen and her need, as he
was dead to the world he once knew, the way would be clear to marry
Rosalie?

Dead--he was dead to the world and to Kathleen!  Should his ghost
interpose between her and the death now within two-score feet of her?
Who could know?  It was grim, it was awful, but was it not a wild kind of
justice?  Who could blame?  It was the old Charley Steele, the Charley
Steele of the court-room, who argued back humanity and the inherent
rightness of things.

But it was only a moment's pause.  The thoughts flashed by like the
lightning impressions of a dream, and a voice said in his ear, the voice
of the new Charley with a conscience:

"Save her--save her!"

Even as he was conscious of another presence on the lawn, he rushed
forward noiselessly.  Stealing between Kathleen and the gate-she was
within five feet of it he closed and locked it.  Then, with a quick
glance at her sleeping face-it was engraven on his memory ever after like
a dead face in a coffin--he ran along the fence among the shrubbery.  A
man not fifty feet away called to him.

"Hush--she is asleep!" Charley whispered, and disappeared.

It was Fairing himself who saw this deed which saved Kathleen's life.
Awaking, and not finding her, he had glanced towards the window, and had
seen her on the lawn.  He had rushed down to her, in time to see her
saved by a strange bearded man in habitant dress.  His one glance at the
man's face, as it turned towards him, produced an extraordinary effect
upon his mind, not soon to be dispelled--a haunting, ghostlike
apparition, which kept reminding him of something or somebody, he could
not tell what or whom.  The whispering voice and the breathless words,
"Hush--she is asleep!" repeated themselves over and over again in his
brain, as, taking Kathleen's hand, he led her, unresisting, and still
sleeping, back to her room.  In agitated thankfulness he resolved not to
speak of the event to Kathleen, or to any one else, lest it should come
to her ears and frighten her.

He would, however, keep a sharp lookout for the man who had saved her
life, and would reward him duly.  The face of the bearded habitant came
between him and his sleep.

Meanwhile this disturber of a woman's dreams and a man's sleep was
hurrying to an inn in the town by the waterside, where he met another
habitant with a team of dogs--Jo Portugais.  Jo had not been able to bear
the misery of suspense and anxiety, and had come seeking him.  There was
little speech between them.

"You have not been found out, M'sieu'?" was Jo's anxious question.

"No, no, but I have had a bad night, Jo.  Get the dogs together."

A little later, as Charley made ready to go back to Chaudiere, Jo said:

"You look as if you'd had a black dream, M'sieu'."  With the river
rustling by, and the trees stirring in the first breath of dawn, Charley
told Jo what had happened.

For a moment the murderer did not speak or stir, for a struggle was going
on in his breast also; then he stooped quickly, caught his companion's
hand, and kissed it.

"I could not have done it, M'sieu'," he said hoarsely.  They parted, Jo
to remain behind as they had agreed, to be near Rosalie if needed;
Charley to return to the valley of the Chaudiere.




ETEXT EDITOR'S BOOKMARKS:

Good fathers think they have good daughters
Shure, if we could always be 'about the same,' we'd do







*** END OF THE PROJECT GUTENBERG EBOOK THE RIGHT OF WAY — VOLUME 05 ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.