The Project Gutenberg EBook of America First, by Frances Nimmo Greene

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: America First

Author: Frances Nimmo Greene

Illustrator: T. de Thulstrup

Release Date: July 14, 2011 [EBook #36726]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK AMERICA FIRST ***




Produced by Larry B. Harrison, Archives and Special
Collections, University Libraries, Ball State University
and the Online Distributed Proofreading Team at
https://www.pgdp.net






 

 

 

Book Cover

AMERICA FIRST


The execution

"I wouldn't go when you dared me to," said the tenderfoot, "but this is—different." And he added in his heart: "This is for my country." [Page 23.]


AMERICA FIRST

 

BY

FRANCES NIMMO GREENE

 

ILLUSTRATED BY

T. DE THULSTRUP

 

CHARLES SCRIBNER'S SONS

NEW YORK    CHICAGO    BOSTON

Copyright, 1918, by
CHARLES SCRIBNER'S SONS

TO MY MOTHER'S NAMESAKE

AND MY OWN

VIRGINIA OWEN GREENE AND

FRANCES NIMMO GREENE


CONTENTS

 PAGE
Called to the Colors1
Under the Flag53
America First89

ILLUSTRATIONS

"I wouldn't go when you dared me to," said the tenderfoot, "but this is—different." And he added in his heart: "This is for my country"Frontispiece
 FACING PAGE
A man was sitting over some sort of instrument36
"You can't touch Rudolph!" she cried. "He's under the flag!"86
"Riego Yañez," he said, "I am proud to shake hands with an American hero!"120

[Pg 1]

CALLED TO THE COLORS

This is the story of a "tenderfoot"—of a pink-cheeked, petted lad, and of his first service as a Boy Scout.

Danny Harding was what his mother's friends termed "wonderfully fortunate," but Danny himself took quite another view of his life's circumstances as he hurried home from school one afternoon, an hour before the regular time for dismissal.

The day was golden with sunshine, but the boy's spirit was dark. There was singing in the air and singing in the tree tops, but in the heart which pounded against his immaculate jacket were silent rage and despair.

The Whippoorwill Patrol had been called to the colors, and he the untried, the untested tenderfoot would have to remain at home in luxurious security, while the huskier, browner, less-sheltered lads answered their country's call. It was beyond the power of[Pg 2] a boy's heart to endure—the mortification—the wild despair of it! They would call him a slacker, a coward! But, worse still, his country needed him, and he could not answer!

Danny brushed away the tears which threatened to blind him, and stumbled on.

The call had come through a telegram from the Scout Master to the boys while they were yet at school, and the teacher had promptly dismissed them to service. The Whippoorwills were to leave immediately upon an expedition to the mountains, but just what duty they were called to perform was not stated in the brief message. All they knew was that they were to leave at once for a certain distant mountain-top, there pitch tents and await orders for serious service.

On receipt of the news the other boys had rushed off noisily with eager joy to don their khaki uniforms and make ready, but Danny had slipped down a by-street—a wounded, a hurt thing, trying to hide his anguish away from mortal sight. He would not be allowed[Pg 3] to go—he knew it—for he was the only son of a widowed mother who loved him all too well. He was her all, her idol, and her days had been spent in pampering and shielding him.

Only a week before, the scouts had gone on a hike together and she had refused absolutely to allow Danny to accompany them—the sun would be too hot, he might get poisoned with wild ivy, he would be sure to imbibe fever germs from the mountain spring!

No, thought the miserable boy, she would be doubly fearful, doubly unwilling, now that the Whippoorwills were to do serious scout duty on Death Head Mountain.

Danny's soul raged against his soft fate as he stumbled up the side steps of his handsome home and entered his mother's presence.

He did not fly to her arms as he was wont to do, but, instead, flung himself into the first convenient chair with a frown. He could not trust himself to speak.

But even in that moment of stress Danny[Pg 4] realized that his mother had not hurried to him for the usual kiss. She was struggling with some sort of bundle, and she only looked up with a quick smile.

The next instant, however, the smile of welcome died out of her face, and she stopped suddenly and regarded him with a startled question in her eyes.

Danny frowned more darkly, and moved uneasily under her searching gaze. He looked away in a vain attempt to hide the tears which had sprung to his eyes.

And then came the unexpected:

"Danny," said his mother, in a voice that sounded new to him, "I received a long-distance phone message from the Scout Master, and—he said he had wired to the school——"

She paused a moment, and then asked: "Didn't you get the message?"

"Yes," said the boy doggedly.

There was a pause, and then his mother deliberately put down the bundle she had been working with, and approached. She[Pg 5] came and stood before him, with her back to the table as if for support. Danny did not look up into her face, though he saw her white, jewelled hands grasping the edge of the table, and they were strained and tense.

"My son," she said, "what is the matter with you?"

He was too full to answer.

"Danny," she began again presently and in that new voice, "you won't do this way—you will not!" And then suddenly a white, jewelled hand was struck fiercely upon the table, and the new voice exclaimed passionately:

"Daniel Harding, if you sit around and cry like a baby when you are called to the service of your country, I'll—I'll disown you, sir!"

"Mother!" And Danny sprang to her arms.

There were a few moments of sobbing, laughing confession from Danny, and then his mother explained to him her unexpected change of attitude toward scouting. Danger?—yes, [Pg 6] of course she knew that this might involve danger to him, but this call was for no frolic—it was to the service of his country! He was her all, everything in the world to her, but the one thing which she could not, would not bear would be to see him turn "slacker" and coward when other mothers' boys—not ten years older than Danny—were already on the firing-line in France!

"Our part in this war is the old fight of '76, Danny"—she said to him—"nothing less than that! The Colonists fought to win independence for America. We are fighting now to save that independence won. And if it takes every man in America—every boy in America—if it takes you, Danny—there is just one answer for an American to give."

And then the two of them hurriedly finished tying up the bundle she had put aside. It was his kit for the expedition!

It was a newer, bigger ideal of patriotism which Danny Harding took with him into his service on Death Head Mountain. His mother, who loved him all too well, had yet[Pg 7] sent him from her with nothing short of her positive orders to do his duty like a man.

*****

The Whippoorwill Patrol had answered the call to service, and the growing dusk found its members arranging their camp for a night's bivouac in a lonely stretch of woods "somewhere" on the crest of the Blue Ridge Mountains.

The Scout Master had not come, but his orders had, and the Whippoorwills were busily engaged in executing them.

"Camp in Mica Cove, conceal your fires, and wait for me," the Scout Master had telegraphed. "You are called to service."

So here they were in Mica Cove, hardily preparing for whatever service to their country it might be theirs to perform, and excitedly guessing at what ominous circumstance had necessitated their sudden calling out.

Of course, everybody knew that old "Death Head" must have come into some added evil repute, and would have to be taken in[Pg 8] hand. And that they would shortly be scouting over all its lonely trails nobody had any doubt whatever.

There were eight of them, for the whole patrol was present. Youngest and happiest of them all was the pink-cheeked, petted tenderfoot, Danny Harding. He was no "slacker," no "coward"! He was here with the others to play a manly part in serving his country, and his mother had sent him from her with a smile!

Besides Danny, there were in the ranks L. C. Whitman, nicknamed "Elsie," Ham and Roger Gayle, Alex Batré, Ed Rowell, and Biddie Burton—as husky and jolly a bunch as could well be got together. All these were older than Danny, and, as all were more or less seasoned to scouting, they were quite disposed to have their fun out of the new recruit.

Danny took their teasing in good spirit, however, for he felt that it was part of his initiation into their envied circle. They were big boys—brown like the woods of which they[Pg 9] had become a part, panther-footed, eagle-eyed, efficient. Danny felt that he would be willing to suffer much to become as they.

The tenderfoot watched them all to see just how a scout was supposed to act, but it was to Willard McKenzie, the resourceful leader of the patrol, that his eyes turned oftenest in frank admiration.

McKenzie was the oldest of the bunch—quite seventeen—and five years of scouting had stamped him a man as Nature meant him to be. He knew and could answer every bird-call, could follow a wood-trail unerringly, could find himself in any emergency by the chart of the stars above him. He was the trusted friend of every wild thing about him, and brother to every wind that blew. The tenderfoot watched the graceful movements of the leader's Indianlike figure, studied his genius for quiet command, and decided promptly to be, one day, a second Willard McKenzie.

In obedience to McKenzie's orders, the boys built their camp-fire within the cove,[Pg 10] where it would be hidden on three sides by peaks which towered above, and on the fourth by a dense thicket.

Mr. Gordon, the Scout Master, had not come, nor did they know when to expect him. But they knew enough to obey their leader, and this they were proceeding to do.

It was a simple matter—getting the camp ready—and the boys thoroughly enjoyed it. As they were to sleep on the ground, rolled in their blankets, they had merely to clear the space about them of underbrush and fallen timber, and build the fire for cooking.

Of course they talked of war as they worked, for they were scouts in khaki, preparing for action.

Ed Rowell claimed for cousin one of the American engineers who fought their way out of German captivity with their bare fists. Batré's older brother was right then cleaving his winged way through clouds of battle in the service of the La Fayette Escadrille. Whitman knew a man who knew a man who was in the 167th Infantry Regiment[Pg 11] when it made with others that now historic march, knee-deep in French snows.

Danny said nothing, for he was a quiet, thoughtful lad. But he had vividly in mind a handsome fellow of only eighteen who, until America's declaration of war, had Sunday after Sunday carried the golden cross up the aisle of the little Church of the Holy Innocents to "Onward, Christian Soldiers." Danny had heard his mother say that it was that song which had sent the young crucifer bearing the Red Cross of Mercy right up to the German guns.

But their talk was not all serious. They were brimming over with life, and they laughed and scrapped and worked together with a zest which made even bramble-cutting enjoyable.

It was when the big fire was glowing red and they set about preparing their evening meal that the best part of the fun began. Whoever has not broiled great slices of bacon or toasted cold biscuits on sharpened sticks before a cheery camp-fire, who has not[Pg 12] roasted sweet potatoes and green corn in glowing ashes, who has not inhaled the aroma from an old tin coffee-pot, spitting and sputtering on a hot rock, should join the Boy Scouts and hike back to the heart of nature.

Oh, but it was fun! All except the holding in check of savage appetites till the mess should be cooked. Ed Rowell had been detailed to toast the biscuits, and repeatedly threatened to "eat 'em alive" if they didn't brown faster.

Danny, who, with Alex Batré, had been directed to broil the bacon, couldn't for the life of him keep from pinching off a crisp edge now and then to nibble. And yet only yesterday Danny Harding would have turned up his nose at bacon. The stimulating fresh air and the hard work of camp life had begun to get in their good work on him.

On the other side of the fire from Danny, Ham and Roger Gayle were roasting corn and sweet potatoes in the ashes, and a little beyond, Elsie Whitman was filling the water-cans from a trickling mountain spring—while[Pg 13] Biddie Burton was busily engaged in getting under everybody else's feet and teasing whomever he could.

McKenzie, their leader, was momentarily absent, having gone down to the road below the cliff on which they were encamped to see if their fire could be sighted from that point through the screening thicket.

The boys had from the first been instructed by McKenzie to keep their voices lowered. They were there for serious service, he had told them. And the necessity for stealth and the promise of adventure had for a time keyed them up to the highest pitch of excitement.

But when the interest of cooking supper became uppermost—especially when the scent of the bacon and coffee began to fill the air—thoughts of adventure withdrew a little to a distance and whispered merriment became the order of the hour.

As was natural, they turned on the tenderfoot their battery of teasing, and the tenderfoot bore it as best he could.

[Pg 14] "Its mother washes 'em," averred Biddie Burton, coming up behind Danny and carefully examining his ears as he knelt at his work.

"Sure she does," laughed Ham across the fire, "and they say that a sore tooth in its little mouth aches everybody in the family connection."

"Look out there, something's burning!" broke in Ed Rowell suddenly. And the next moment Ham and Roger were busy rescuing from the fire the scorching potatoes.

"I declare," scolded Biddie, lounging up, "I could beat you fellows cooking, with both hands tied behind me."

"Why haven't you ever done it, then?" snapped the elder Gayle, sore over his partial failure.

"Why, nobody has ever tied my hands behind me," came in seemingly hurt explanation from Biddie, and the crowd laughed.

McKenzie had directed them not to wait for him, and they did not. Another five minutes found them eating like young wolves around a languishing fire.

[Pg 15] Later, when the fire winked lower, and the meal was finished—when the screech-owls began to send their blood-chilling, shivering screams through the forest—they drew closer together and began to talk of weird and haunting things.

"Over yonder, on the real 'Death Head,'" began Roger, bringing the interest down to the spot, "is the haunted tree where——"

"Look out," broke in young Rowell, "a little more of that and friend Danny over here will cut for home and mother."

"I'll do nothing of the kind; I'm not a baby!" exclaimed Danny indignantly. But all the same, his heart was already in his mouth, for Danny had never been distinguished for signal bravery.

"No, you are not 'a baby,'" put in the unquenchable Biddie, "but before we get out of these woods you are going to wish you were a baby, and a girl baby at that!"

Danny did not reply to this. He only sat very still, wishing that Willard McKenzie would return from his prolonged trip, and[Pg 16] thinking of the mother who was looking to him to play the man.

The scene lost its glow. The surrounding forest grew darker, taller, and began stealing up closer about them.

"If you cry like a baby—!" Danny's mother was whispering to his sinking heart.

The others had fallen into an argument about the exact location of the haunted tree, but presently Ed Rowell asked impatiently:

"Well, what is it about the place, anyway?"

"Haunted!" exclaimed Ham. "A murderer, hunted with dogs through the mountains, hanged himself on——"

"And the old tree died in the night," assisted his brother. "And it stands there now, naked and stark and dead. At night——"

Danny's heart stood still to hear.

"At night," broke in Whitman, "if you creep up close, you can see the dead man swinging in the wind!"

"Listen!" exclaimed Biddie under his breath.

[Pg 17] It will have to be recorded that they all jumped violently at the exclamation.

"What?" demanded L. C.

"And hear old Danny being quiet!" finished the teasing scamp.

"You bet you, and he'd better be quiet—" began Roger.

But Whitman interrupted:

"Danny's afraid of ghosts, anyway," he declared, "I tried to leave him in the graveyard once, but he was home in his mama's lap before I started running."

"I'm not any more afraid of ghosts than you are," Danny protested hotly.

"Oh, aren't you?"

"No, I'm not!"

"All right, then," the big boy taunted; "I've been to the haunted tree by myself at night—these fellows all know I have—now suppose you go."

"Sure, tenderfoot," put in young Rowell; "here's a perfectly good chance to show your nerve."

"He hasn't any," sneered Alex Batré.

[Pg 18] But Danny drew back, aghast at the proposition—go alone to a spot like that, and at night!

"Go to it, kid," was suddenly spoken quietly in his ear.

Danny turned to see whose was the kindly voice that advised, and looked into Biddie Burton's eyes.

"Don't let 'em make you take a dare," came in another whisper. "Go." Biddie was not smiling now, and there was a note of serious friendliness in his voice.

It suddenly came to Danny that he would give more to merit that new confidence on Biddie's part than to break down the taunts of the others. And yet he could not. He could no more command his shaking nerves to carry him to that unhallowed, ghostly spot than he could command the unwilling nerves of another. His will-power had deserted him.

"I dare you to go!" badgered L. C.

Danny's spirit flamed for one brief moment. But in the very next his head dropped, and he turned away.

[Pg 19] "This is going too far," the wretched little fellow heard Biddie Burton exclaim sharply.

"What is 'going too far'?" a new voice asked out of the darkness, and Willard McKenzie advanced into the group. "What is 'going too far'?" he repeated, glancing from one to another. No answer being volunteered, his keen glance quickly singled out the shamed tenderfoot.

"What have they been up to, Danny?" he asked.

Danny turned and faced him.

"Nothing that makes any difference," he said.

It was generous in him not to "peach," and so Biddie Burton's friendly glance assured him.

The incident passed with that, for McKenzie was full of something repressed, and, seeing it, the boys gathered close about him in eager questioning—all except Danny.

All except Danny! His brief career—his career that only an hour ago had promised so much—had ended, and in disgrace. He[Pg 20] had taken a dare! Nothing would ever matter to him again—Danny told his aching heart—the boys despised him, all except Biddie Burton, and, somehow, Biddie's pity was harder to bear than despite.

"I went to the gap and wired Mr. Gordon," McKenzie was saying now, "and he told me I could put you to it at once. He's had an accident to his car and may not get here for some time."

"What's up?" It was Roger who asked the question.

"Something serious," answered McKenzie, "but Mr. Gordon didn't say what. Have you had supper?"

They replied in concert, eager to receive orders.

"Well," continued McKenzie, "we've got to cover the mountain here, for signs of—anything unusual. You'll have to be careful not to run into trouble yourselves, but you must know your ground. There'll be a good moon if the clouds break."

"Glory be!" Danny heard Elsie Whitman[Pg 21] breathe in expectant ecstasy, and he would have given the world to have felt with him that eager joy. But Danny had taken a dare!

The others were chattering now, as eager as Whitman to be off on the trail of adventure.

McKenzie was giving orders:

"Whitman, you can take the north trail, and bear down over the mountain. Ham will strike out down the creek to the left there, and work around to your territory. There's an old cabin hidden by scrub-oaks and rocks about a quarter below the bridge there, Ham. Know it for what it is, but don't you run your long neck into danger."

In spite of his hurt Danny was getting interested. He crept up on the outer edge of the group and listened, wide-eyed, as the other boys eagerly accepted their several commissions.

"Roger and Ed," their leader was continuing, "bear south till you get below the drop of the cliff, and then separate and work that[Pg 22] territory between you"—with a sweeping gesture. "Alex and Biddie—let me see—you two go over the mountain to the right of Elsie—No, there's the Death Head trail—" He paused a moment in thoughtful survey of them, and the boys looked at each other apprehensively. Not one of them was anxious to work the trail of evil name. Suddenly, however, McKenzie's eyes lighted on Danny Harding, and an inspiration seemed to come to him.

"Say," he exclaimed, "I'll give the new recruit a chance at that. Come here, scout." And he laid a kind hand on Danny's shoulder and drew him into the circle.

Somebody on the outskirts of the group laughed.

"Now you are going to do your first service for your country," McKenzie said to the tenderfoot; "but whatever you do, be wary, because——"

Somebody else laughed, and McKenzie looked about sharply. "What's the joke?" he asked.

[Pg 23] "Danny's afraid," the mocker explained; "that's where the dead man swings."

Biddie strolled forward. "Alex will be enough to work Elsie's right," he said to McKenzie. "Give me the Death Head trail. You'll need Dan here about the camp."

But Danny raised his head quickly. It is true that his face was dead-white, but his head was up.

"I'll go to the Death Head," he said to McKenzie.

The crowd was dumb-struck.

"But you got white-livered and backed down—" L. C. began, after the first shock of his surprise.

"I wouldn't go when you dared me to," said the tenderfoot, "but this is—different." And he added in his heart: "This is for my country."

"But he is afraid," put in Roger. "Look at him!"

McKenzie took a long, straight look into Danny's white face and determined eyes, and then turned to Roger.

[Pg 24] "All the gamer of him," he said, "to go in spite of being afraid—that's the stuff that Pershing is looking for. And Mr. Gordon says that a boy who 'isn't afraid of anything' hasn't sense enough to be trusted with a commission. "Kid," he continued, turning to Danny, "you find out all that there is to be known about the Death Head vicinity before you show up in camp again."

"All right," said Danny.

There was a gasp of surprise among them at the tenderfoot's final acceptance of the commission, but not one of them—not even Biddie—believed that he would be able to carry it through. And the sensitive, high-strung Danny went out from among them burdened with the feeling that they did not look for him to succeed.

McKenzie walked a little way with him—big-brother fashion, with an arm over his shoulder—and gave him careful directions as to how to proceed. There would be a moon if the clouds broke, his leader warned him, and he was to keep to the shadows.

[Pg 25] "I'll be leaving camp myself," said McKenzie, "and will not show up again for a couple of hours. You will probably get back before the rest of us, so just roll up in your blanket and lie close under that ledge yonder—you will be perfectly safe there." A little farther up the mountain trail and McKenzie paused.

"Never mind about the dead man, scout," he admonished finally, "but keep your eye peeled for the live one, and—'the best of luck!'"

"'The best of luck!'" That was what the men at the front said to a fellow when he was going over the top of the shielding trench into the dangerous unknown.

At the familiar phrase in parting, Danny drew a quick, deep breath. Yes, he was going "over the top"—and he was going alone!

Then McKenzie slipped quietly back, and Danny started forward up the long, dark trail alone. The ghost of a moon showed dimly through the black cloud-rack, now[Pg 26] and again, and fitfully relieved the enveloping darkness.

Only once did Danny look back. That was when he came to the first turn in the mountain trail which his leader had carefully explained to him. Beyond that turn, and it would be good-by to the last cheering, reassuring gleam of their camp-fire, to the last faint sound of comforting voices.

Danny paused and looked back. Only two remained in the bright circle toward which his rapidly chilling spirit was reaching back. He recognized at once the tall, slim form of McKenzie, but—— Yes, that chunky one was Biddie Burton. The two of them were standing close together, talking earnestly. And now Danny caught, by a sudden leap of the firelight, the fact that they were looking toward him. Biddie was nodding.

It was so bright, so safe back there where they had laughed and feasted and wrangled together. Then suddenly Danny thought of the young crucifer in the little Church of the Holy Innocents.

[Pg 27]"Onward, Christian Soldiers!"

The next moment Danny was groping, feeling his trembling way, but that way was onward. The heart in his breast beat an alarm to every nerve in his body, but he kept his face toward the dim, dark trail. A lump rose in his throat and threatened to choke him. He gulped it down, and crept forward.

McKenzie had told him that a scout must keep his head. That was the hardest part. A fellow could force himself to go blindly to a haunted spot at night, but to think, to plan, to watch as he went——!

But he was a scout, and a scout must "be prepared." Danny forced himself to think as he went. He was not following that gruesome trail in response to Whitman's dare—he was scouting old Death Head in the service of his country.

Danny found that he could follow McKenzie's directions better than he had hoped. Now that his eyes were thoroughly accustomed to the dark, he could descry the blacker landmarks for which his leader had prepared[Pg 28] him. After the turn in the mountain trail, an abrupt and jagged cliff ahead beckoned the way. The shadow of the cliff won, Danny waited for another appearance of the pale, cold moon by the help of whose light he hoped to locate the three giant pines—his next objective. From the pines, McKenzie had told him, old Death Head could be sighted plainly enough, for from that point it was silhouetted, black and unmistakable, against the sky, and its summit was marked by the stark, white, blasted tree of evil fame.

"That's where the dead man swings!" echoed in Danny's memory. And for a moment it seemed that he must give up and fly back to safety. But something said: "I'll disown you, sir!" And Danny again turned his face in the direction of his duty.

The moon looked out of the drifting clouds. Danny located the three giant pines in the distance, and for one blessed moment saw a reasonably clear path, skirting along the mountainside.

[Pg 29] Darkness again! But Danny took the skirting path to the pine giants.

Once he nearly lost his nerve altogether, for suddenly there was behind him a sound as if some human foot had stumbled. The tenderfoot dropped warily to the long grass at one side of the path, and listened. A long, long time he listened, but not another sound did he hear. At length he told himself that the step was that of some wild creature which he had disturbed.

Then forward again! Creeping, panther-footed.

Danny reached the pines at last—and sure enough, old Death Head rose all too plainly before him. He saw, or thought he saw, a tall white something on its summit.

In thinking it over afterward, Danny was never quite sure just what happened between the pines and the haunted tree. He had a vague recollection of imagining that step behind again, and he recalled at one point the almost welcome pain of a stubbed toe. But for the rest, he was too frightened to take it all in.

[Pg 30] By the time the tenderfoot reached the summit of old Death Head and stood within fifty feet of the haunted tree, he was too frightened to move, and he almost expected to see the thing which he most feared. The sky was overcast again, but a dim white something towered before him—the haunted tree—and—and——!

But just at that moment the clouds broke, and the full moon, now all unveiled, flooded the scene with light.

Naked, stark, ghostly, the blasted pine-tree rose before him. With a sudden spasm at his heart Danny looked for the swinging dead man. But if anything unearthly hung from those bare white branches, his mortal eyes were spared the vision. And presently his awakening reason began to urge: "There are no such things as 'ghosts.'"

The next moment the young scout came fully to himself, and withdrew quickly from the all-revealing flood of moonlight to the friendly shadow of a low shrub. He began to peer sharply about. The growth around[Pg 31] was ragged, with great spaces between. If there was anything here that a scout ought to note, the opportunity was ideal.

He must perform the duty for which he was here! His leader had told him to know the spot before he showed up in camp again.

Danny began skirting about in the shadows, getting every angle he could on the scene, and exploring adjacent wood lanes. It is true that he kept well away from the haunted tree, but he came back to its vicinity every now and then. And each time as he came he managed to force himself to approach it closer.

Nearer and nearer he got to it, and then, suddenly, he heard issue from somewhere in its branches a low, sighing moan. Danny thought he would drop in his tracks, but he did not. Instead, he stood as still as death and listened.

That moan again! Every time a gust of wind came, the dim, weird sound trembled along the night.

[Pg 32] The moon was shining brilliantly now. Danny stood staring at the haunted tree.

All at once he crept forward, sharply intent on something.

What was that straight black line against the sky? Where did it come from?—that haunted tree?

Another moment and Danny was at the foot of the ghostly pine-tree, staring upward at the crisscross of its naked branches.

There was no swinging dead man there, but there was something—at the top!

Danny dropped to the ground and retreated a little on all fours for a better view-point. 'Way up, two parallel black bars rose against the sky.

A scout must keep his head!

Now, no boughs of a tree ever grew that straight! And what were those orderly black lines which extended from one bar to the other?

That moan again!—or—or was it the sound of a wire, played upon by the wind?

Danny shifted his position again.

[Pg 33] Yes, that black line across the sky connected directly with the queer something in the tree top.

"Wireless!" said the scout's head to him.

Danny stood up. All childish fear of a swinging ghost had dropped away from him. He had not the slightest inclination now to cry like a baby about anything.

He was a scout on duty!

Another moment and he was creeping, velvet-footed, through the woods, following that black line as it led away from the haunted tree. At the other end of it must be a receiving-station!

And it was no easy task which his duty set him. Over sharp rocks and through tangled briers that black line led him on. Sometimes the moon would desert him and he would lose the clue for a while. Sometimes he would be forced to abandon his clue to skirt around an insuperable barrier. But he always came back to it, always pressed on.

On and on! And then, suddenly, the line disappeared. It ended, or seemed to end in a[Pg 34] large pile of boulders which clung to the mountainside. The undergrowth was dense here.

Danny circled about the spot. Yes, the wire stopped here. He began creeping through the underbrush—feeling his way along the side of a great boulder.

Suddenly his hand touched—nothing!

The scout stopped and thought. There was some sort of break in the rock here.

Danny had a flashlight in his pocket which he had been too cautious to use. He thought of it now, and hesitated. Then he slipped it out and pressed the spring.

Before him was what seemed the door of a cave. He looked closer. Yes, the wire led into the cave. Darkness, again, for he was afraid to use his light any longer.

Danny dropped to his all-fours and crept into the black hole. A floor of soft sand helped him to advance noiselessly. After a few yards the scout reached a turn in the rocky passageway, and——

His eye caught a big, black-hooded shadow humped over a point of light!

[Pg 35] Danny withdrew quickly behind the sheltering turn in the wall, and crouched in the sand, dead-still. But his blood was up. He took a second look.

A man was sitting over some sort of instrument, and over his ears were cups, something like Danny had seen worn by the girl at the telephone central station. The one point of light in the big dark recess was turned on a note-book under the man's hand.

The young scout drew back, and crept silently out of the cavern.

Out under the stars again, and this time with his blood on fire! A spy, a German spy sat in that cave and sent messages——!

Only yesterday a fleet of transports had slipped out of the harbor, with thousands of American soldiers on board—submarines—sea-raiders!

But a scout must keep his head.

Help? Which way could help be found? The boys were scattered, McKenzie would not be in camp. Nobody knew when to expect Mr. Gordon.

[Pg 36] Which way? Which way? Oh, yes, down over the drop of the cliff to the south yonder was the mountain wagon road by which their scouting party had ascended that afternoon. If he could get to the road he could find somebody somewhere—surely, there were a few inhabitants hereabouts!

That German was sending wireless messages right this minute—— Yes, the shortest way to the road was the only way for a fellow to take now! And Danny took it.

When he reached the cliff, spent and sore, a new difficulty presented itself. A sheer fifty-foot drop still separated him from the road. He crept along the edge searching for a footing by which to descend, and presently found one that looked possible. There were broken, shelving places here, and tufts of growing things down the face of the dizzy wall.

Danny began to climb down. But he found it harder than he had thought, and at times he was a mere human fly clinging to a rock wall.

A spy sending messages

A man was sitting over some sort of instrument.

[Pg 37] Nearly down—only about fifteen feet more! But at that moment the human fly's hold crumbled under his clinging fingers, and he dropped. It ought not to have been a bad fall, but the trouble was a loosened rock followed, and came down on one arm as its owner lay prostrate on the ground.

Danny lay very still for a few moments, looking at the stars and thinking of—nothing!

Then presently the sound of human voices came to him from somewhere out of the night. With an effort he raised up a little to push off the stone from his arm, but he dropped back again.

The stars began to swim at that, and the voices to grow fantastic.

But a scout—must—keep—his head!

Those voices sounded familiar! Danny summoned all his strength, and sent the wavering call of a wounded whippoorwill along the night.

Silence, and then a whippoorwill answered sharply from out the forest.

Danny called again.

[Pg 38] Shortly after that came low voices and the sound of hurrying feet. Then Mr. Gordon, the Scout Master, McKenzie, their leader, and jolly old Biddie Burton were hovering over him.

"Are you hurt?" they asked in one breath.

But Danny cried out feverishly: "There's a German spy sending wireless messages from old Death Head, and our transports have put to sea!" And he told them, brokenly, the story of his find.

There was consternation among them for one brief moment, and then everybody woke to action.

They must get the man at once—but which way to go?

Mr. Gordon spoke quickly:

"You stay with Danny, Burton; McKenzie and I will go back to the Death Head and follow the clue from there." And even as he spoke he and McKenzie were hurriedly, but tenderly, binding up the wounded arm, while Biddie improvised a comforting sling for it.

But Danny knew that the route by way of[Pg 39] old Death Head was long and circuitous. And he knew also that the shortest way is the only way to take when one's duty to one's country calls.

He got to his feet.

"I'll show you the shortest way," he said.

*****

How they found means of scaling the cliff, how they accomplished their stealthy journey back to the hidden wireless station, piloted by the wounded tenderfoot whom they supported at every step, is too long a story to tell.

But they reached the mouth of the dark cave. The two boys were left outside, and very shortly thereafter Mr. Gordon and McKenzie brought out between them a big shadowy figure with its hands bound together.

*****

That night, the east-bound passenger was flagged at the little station in the valley, and there boarded it a squad of boy scouts with their leaders, who guarded between them a captured German spy.

[Pg 40] "Gordon, how did you manage it?" called a voice, from some distance down the long coach as they entered.

For answer, Mr. Gordon took hold of a little boy who wore his left arm in a sling and, pushing him gently forward, said before that whole car full of curious, excited people:

"We had an American on guard to-night."

*****

The Probate Judge's office in the old courthouse on the square was, the next morning, the scene of a most unusual gathering.

Danny and his mother had been asked by the Scout Master to meet him there at ten o'clock. Mr. Gordon had sent his request in the form of a brief note which explained that the Boy Scout Court of Honor was to be in session that morning, and said that he wished his youngest scout to be present.

Danny's mother was strangely elated over the request, but Danny did not know why. He was so young in the business of scouting that some details of the system had not yet become definitely his.

[Pg 41] He ventured one surmise when the note was read—something in connection with the taking of that German spy, of course. Maybe the Whippoorwills were to be commended for delivering the goods. And Danny's mind's eye recalled again the stirring scene—McKenzie and Mr. Gordon marshalling to the station between them the big German whom they had captured and bound, and he and the other scouts trudging along in excited escort. It was a wonderful thing to be a man, Danny thought wistfully—to be big and strong enough to lay a compelling hand on the enemy in our midst and say:

"I want you!"

But it will have to be recorded that Danny's mother acted a little queerly on receipt of the note. When Danny said that perhaps the Whippoorwills were to be commended for "delivering the goods," his mother looked up at him quickly, as if in surprise. Then she laughed a little and cried a little, and then she dashed off for her hat and wraps like a girl.

[Pg 42] At ten o'clock sharp, Danny and his mother presented themselves at Judge Sledge's door. As they paused to knock, a voice came to them through the closed door—a familiar voice, and it sounded very earnest. Then the door was opened in response to their knock.

They hesitated a moment while they took in the quiet, dignified scene within. Portly old Judge Sledge was sitting well forward in his office chair with his spectacles pushed back upon his bald head, while Doctor Cranfield and several gentlemen whom Danny knew only by sight were grouped about him. All were in the attitude of listening intently to a man who stood before them—Mr. Gordon.

Danny's quick glance took in all this, including the background of khaki-clad Whippoorwills, plastered against the wall beyond.

The gentlemen rose, on the entrance of Mrs. Harding, and the scouts crowded forward to whisper excitedly to Danny.

But Danny did not have time to listen to them, for Doctor Cranfield—taking him by[Pg 43] his good arm—turned him about, and said to the company:

"This is the boy."

There was an agonizing moment to Danny in which he realized that everybody in the room was looking at him. Then he had to be introduced. It was very, very trying, for each man to whom Danny gave his hand in greeting looked him over from head to foot, and made embarrassingly personal, if kindly, remarks about him.

"He was a small chap for the job."

"He ought to be red-headed."

"He was his mother's son."

Danny looked across the group into his mother's eyes and caught there an expression which he was never to forget. And she was smiling—in spite of the tear-mist over her beautiful eyes—she was smiling.

When they resumed their seats, there returned upon the group the touch of ceremonial quiet and earnestness which the entrance of the newcomers had for the moment dispelled.

[Pg 44] Mr. Gordon took a chair behind Mrs. Harding and explained to her and Danny in a low tone that the session was nearly over. Judge Sledge had been compelled to convene the court earlier than the appointed hour.

The other men were talking apart. Presently, one of them turned to the Scout Master and said:

"Following what you have just related, Mr. Gordon—do you think that it was quite wise in your patrol leader to send out a mere tenderfoot on a really dangerous commission?"

Mr. Gordon was about to reply, when McKenzie stepped forward and saluted. "May I answer that?" he asked.

The court assented, and all turned to hear.

"Our private advices had been," began McKenzie, with his Indianlike figure drawn up to its full height, "that it was Camelback Mountain which was under suspicion. We located our camp on a parallel range, and miles from the suspected vicinity. Mr. Gordon and I and several of the older boys were[Pg 45] later to take in hand the serious work of Camelback, but we thought it well to give the others a little experience. I had not intended to employ the tenderfoot till I overheard the boys teasing him. I sent him to the Death Head to redeem himself in his own eyes and in theirs."

"Please, may I speak?" Biddie Burton had come forward eagerly.

With the permission of the judge, Biddie hurried on:

"Without letting the other boys know, McKenzie told me to follow Danny in case his courage should give out completely. But he gave me my orders to keep well in the rear. He wanted Dan to go to the haunted tree by himself, if he would—to win his spurs, you see."

"Did you follow Harding all the way?" someone interrupted.

"All the way to the haunted tree? Yes, sir, and he did go! He went right up to it and circled all about it. Then the earth seemed to open and swallow him up. I looked[Pg 46] and looked for him. Then I ran back for help. I found McKenzie and Mr. Gordon, and we all three started out after Dan. You have heard the rest."

This seemed satisfactory, and the judge turned to Danny.

"Come here, Daniel," he said, "and tell the court now how you captured your wireless operator."

Danny started.

"I didn't do it, sir," he said in embarrassment. "Mr. Gordon and Willard McKenzie captured the man. I only showed them where he was."

The men exchanged glances.

"Well," said the judge, again, "come here and tell us what you did do."

Danny came forward.

"Salute!" he heard Biddie whisper.

Danny saluted.

"Now," said the judge, "tell these gentlemen here what—what you told your mother when you got back from the mountains last night."

[Pg 47] Danny looked at his mother. Her eyes were misty again, but she was nodding to him to do as the judge directed.

The tenderfoot stood embarrassed before them and told the story exactly as he had related it to his mother. He didn't like to do this, for he was very much ashamed of having to tell how frightened he had been, and how he had had to force himself to go forward.

The men listened intently. Once in a while one would interrupt to ask a question.

When Danny got to the point in his story of his acceptance of McKenzie's commission to cover old Death Head, a dark-eyed, quiet man on the judge's right leaned forward.

"One moment, Harding," he said. "McKenzie told us before you entered that you were afraid to go when the boys dared you, but that when he told you to go on the scouting trip, you said, 'this is different.' What did you mean by its being 'different'?"

Danny looked up from his nervous fingering of the judge's paper-weight.

[Pg 48] "I meant that it was for my country," he answered simply.

The dark-eyed man glanced at the others.

"Beat that," he said in a low tone to them.

Judge Sledge took down his spectacles from his bald head, adjusted them on his nose, and looked hard at the boy.

"Proceed," he commanded, after a moment.

Danny proceeded.

"Weren't you afraid to crawl into that cave?" one of them asked in the course of the story.

"Yes, sir," said Danny.

Later, another interrupted with:

"But if your arm was broken and paining you, why didn't you stay with Burton, there, and let the others go by the way of Death Head, and take up the clue you had followed?"

"Why, you see," answered Danny, "we had to get to the man quickly to stop his telegraphing. I knew a short route to him."

[Pg 49] "Exactly," said the judge, nodding, then he turned to the men about him.

"All right, gentlemen?" he asked.

There was a whispered conference of a few moments, and then, to Danny's surprise, they all turned to him.

"Daniel," said the judge, "do you know why this Court of Honor has been called into session?"

Danny's glance swept the khaki-clad figures against the wall—he looked at Mr. Gordon.

"I hope," he answered to the judge, "that you like what we did."

"Yes," said the judge, smiling this time, "yes, the Whippoorwills are quite in our good graces, and we commend the promptness and efficiency of Mr. Gordon and your leader, McKenzie. However, this court has been called together to sit in judgment on your part in last night's performance. Daniel, do you realize that you have done bravely and well?"

Danny stood for one moment, stunned by[Pg 50] the dawning realization of what this meant. Then he looked across at his mother. Life holds for a boy no higher, happier moment than that in which he realizes he has made his mother proud of him.

Without waiting for him to reply, the judge was continuing:

"This court finds, Danny, that in spite of very human, very natural fears, and at the cost of suffering to yourself, you performed a service to your country which may be more far-reaching than any of us dream. And if there is anything braver than the conquering of fear, anything more manly than the voluntary endurance of pain for a high cause, or any earthly motive of action higher than one's duty to one's country, we have never found it.

"Now, Son, it is not within the power of this, our local court, to confer upon you what we think you deserve. It is ours, however, to recommend to the Boy Scout National Court of Honor that you be awarded the Honor Medal. This we are going to do because[Pg 51] we believe you have saved more than life by your prompt action, and we know that you did it at the cost of suffering to yourself and at the risk of your own life."

*****

When, a few weeks later, the Honor Medal did arrive and was pinned upon Danny's breast, the young scout found it necessary to take his little mother in hand.

"'If you cry like a baby,'" he whispered laughingly but with his arms about her, "'I'll disown you!'"


[Pg 52]
[Pg 53]

UNDER THE FLAG

"Louise!"

The little girl came to a halt suddenly and nearly dropped her book-satchel. Somebody had called her name—some startling, mysterious voice had called her!

She looked hurriedly about, but there was nobody in sight—nobody but a saucy squirrel perched upon a park bench, and a redbird flitting along the open between the enclosing hawthorns.

Which one had called?

"Louise!"

The little girl started back, too frightened to scream—it was the hawthorn!

But the next moment a boyish bullet-head appeared between parted boughs.

"Come here!" exclaimed its owner in suppressed excitement. "We've got something to tell you!"

Down went the book-satchel, but not in[Pg 54] fear this time. Billy Hastings had called—called excitedly—and Billy was known to furnish nearly all the third-grade thrills there were. So the next moment Louise was stooping her way under the hawthorn boughs in answer to her playfellow's summons.

Billy was not alone in the green grotto in which Louise presently found herself, for nearly half the third-grade members were there. There was wide-eyed Tinsie Willis, with her little frilly skirts bristling with excitement, with Mamie Moore swallowing to keep back hysterical tears, and Sadie and Lallie Raiford, with their backs to each other for safe-keeping. And there were boys, a whole mob of boys!

The children were huddled together in suppressed excitement, and were whispering all at the same time. It was plain that something terrible, something menacing, had happened.

"You know that new boy that came to school this morning—?" began one.

"That 'Rudolph Kreisler'?" put in another.

[Pg 55] "Sh-h-h!" interrupted a third wildly.

But Billy Hastings thrust his red, round face close to Louise's and announced in a blood-curdling whisper:

"Rudolph Kreisler is a German spy!"

Louise's legs crumpled under her, and she sat down in a heap.

Again they were all talking at the same time, and this time at her.

"He's got his trousers' pockets just full of something!" exclaimed Pete Laslie.

"And he's watching, watching!" put in another. "Didn't you see him sitting off there by himself looking at us while we played ball?"

"Spying!" hissed Luke Musgrove over Billy Hastings's shoulder.

The children started and looked about apprehensively. Luke's words always carried weight by reason of the fact that he had been two years in the third grade and ought to know what he was talking about if he didn't.

"Yes," chimed in Billy, coming close to Louise again and speaking in his most dramatic[Pg 56] tone. "Just you dare to draw a deep breath, and he'll tell the Kaiser on you!"

Louise gasped—a short, a curtailed little gasp. Never till the Great War should be over would she breathe from her diaphragm again!

"Oh-o-o-o, Louise!" from round-eyed Tinsie Willis.

"What?"

"You've left your book-satchel out there in the path! Just suppose he were to come by and see it!"

There was a moment of consternation, of wild chattering, in which everybody poked his head out to see, but nobody would venture far enough to get the incriminating satchel.

Then Tommie Warren had an inspiration. Snatching a crooked-handle umbrella from Ella Vaiden, he flung himself flat on the grass and reached for the tell-tale satchel with the crook.

"It's a good thing Ella brought that umbrella!" exclaimed Tinsie. And all looked at Ella, who stood up very straight in spite of[Pg 57] the low-dipping boughs. The next moment Louise had her beloved book-satchel hugged close to her pounding heart.

"Sh-h-h!" suddenly came from a self-constituted sentinel.

"What?"

"He's coming!"

The crowd in the bushes stood tiptoe and breathless as the German spy came down the hawthorn path.

He was a small lad—small for the third grade—with big blue eyes and a shock of tawny hair. The Kaiser had not equipped him very well, for there was a suggestion of poverty about his mended clothes. But, after all, maybe those carefully darned places at his knees were only a part of an adroit disguise. His pockets were bulging, and with knotty-looking somethings very suggestive of poorly concealed bombs. He was not whistling, as a perfectly good American would have been, but walked slowly and with his head down. It was very suspicious!

He passed.

[Pg 58] "Let's get him now!" suggested Luke.

"Good!" exclaimed Billy. "Get some rocks!" And instantly all was excitement, the uncensored noise of which reached the little German and caused him to take to his heels.

In the confusion of the next few moments Louise scarcely realized what they were about. But when they tore out of the bushes, snatching up rocks as they went, and rushed after their flying prey, her heart stood still. He was such a little boy!

With the back of her hand pressed tight against the sobs that would not be stifled, and with tears raining down her cheeks, the little girl followed in the wake of the howling mob.

Then somebody rounded a hawthorn bush and came bang up against her. It was Jimmie Fisher, a big, red-headed rock of strength, who could carry lightly the heaviest book-satchels there were.

"What are you crying about?" he asked, after his first quick survey of her.

"They—they are killing Rudolph Kreisler!" sobbed Louise.

[Pg 59] "No," assured Jimmie, "he'll get home free. He lives just across there. Are these your books?"

*****

The next day matters only grew worse.

The whole atmosphere of the third grade had become electric with suspicion of a certain little boy who, looking neither to right nor to left, kept his wistful blue eyes bent on the task before him. When Rudolph stood up at the singing of the Star-Spangled Banner, Luke growled out that he was "just pretending." And when, from his seat near the door, the German lad answered the knock of a visitor, Ella Vaiden whispered audibly:

"See that? He wants to see who's there!"

In recitation Rudolph answered the questions put to him with despicable German efficiency, but Luke missed with conspicuous patriotism and went noisily foot.

But through it all Louise was doing her own thinking. She was a loyal little citizen and loved her country with all her heart; but there flowed through her veins the blood of[Pg 60] a long line of Americans who had been just and fair. The little girl was afraid of German spies—afraid for her country—and Rudolph Kreisler's pockets did bulge ominously. If Rudolph Kreisler was a German spy, why he would have to be dealt with, of course.

But if he wasn't——?

Louise wished with all her heart that Miss Barclay, the teacher, would suspect this terrible smothered tragedy that was being enacted within her class. Of course one's teacher, like one's mother, could solve every problem; and Miss Barclay in particular could command the storms of childhood to be still. If only Miss Barclay knew!

But in third-grade ethics it was "dishonorable" to "tattle," so Louise was compelled to hold her peace and think fast. There were recesses ahead in which covertly cruel things might happen, and an after-school walk through a lonely park from which a real little boy might not get home free. Something must be done.

At first recess the boys and girls were, as[Pg 61] usual, separated in their play, but Louise—observing from afar—saw that the little German sat by himself on the steps, and watched the spirited ball-play of the others with keen alertness. Yes, it was very suspicious.

Big recess brought with it an unusual privilege that day. The third-grade boys and girls were to be allowed to mingle together and on the front lawn, in order to keep them from under the feet of certain workmen who were making excavations through the school-grounds.

This was all very thrilling, for it was from a tall staff on the front lawn that their beautiful new flag was floating, and to-day they would be able to see it close—to touch the pole with their very hands! Then, too, it would be so remarkable to play with boys.

Louise pondered it all as the third-grade girls filed down to their lunch-room. Rudolph Kreisler was not there, of course, but Rudolph would be with them among the other boys at play-time. She would then be able to watch[Pg 62] him narrowly—to keep an eye on those bulging pockets.

All the other girls were chattering over their lunch, but Louise drank her milk and ate her sandwich in thoughtful silence.

Presently a hand was laid upon her heavy curls and she looked up with a start. The principal was smiling down at her.

"What are you thinking of, little tragedy queen?" he asked.

Louise blushed and tried vainly to reply.

The teacher serving the sandwiches answered the principal.

"Of 'the impossibility of all things,'" she said with a curious sidewise smile.

The principal put his hand under Louise's chin and, tilting her head back, looked deep into her eyes.

"You must run and play a great deal," he said, and passed on.

Then, when the last sandwich had gone the way of all good sandwiches, they repaired to the front lawn.

It was all so wonderful—so green and cool [Pg 63] and stately-looking. And there, sure enough, was the great new flag, curling and uncurling in the fitful wind—'way up against the sky!

The boys were already out on the green when the little girls were marched down the steps and disbanded among them to enjoy the most unusual privilege of joining in their games. Then, all suddenly a great awkwardness came down upon the girls. How was one to play with boys at recess? Of course after school it came natural enough to mingle with them, but this was not "after school"! It was most embarrassing.

Louise found herself timid in the chaperoned recess-presence of Jimmie and Billy and Luke, and began to back away toward the steps.

"Look out!" shouted Billy suddenly.

Louise jumped to "look out." Behind her, on the bottom step, sat the German spy. She had nearly backed into him!

In the face of danger, embarrassment dropped away. The next moment Louise[Pg 64] had fled back to her countrymen and was listening, excited, to their eager whispers.

"Rudolph Kreisler sits by himself—always by himself. Isn't that funny?"

"Just look at him now!"

"See him watching the flag?"

"Get that gleam in his eye? Look, quick!"

"Old rascal! He got home free yesterday—but just you wait!"

And so they stood apart from him and whispered.

The German spy dug his toes in the sand a little longer, then rose and moved a few steps farther up.

Then Ella Vaiden declared that they were wasting time, and proposed that they begin a game.

But nobody knew what to play.

"I'll tell you!" exclaimed Louise. "Let's play 'Under the Flag.'"

"What's that?" asked several.

"Why—why—" began Louise, inventing the game as she proceeded, "it's this way: you go stand under the flag and look up at[Pg 65] it till the wind blows it out straight—and—and then you make a wish. If the flag floats wide till you have finished, your wish will come true."

All were interested at once, and the game began. The fitful, boisterous wind took an active part and the play became spirited.

Tinsie Willis was the first to come "under the flag," but she was so excited she forgot to wish till the broadly floating banner had wrapped itself about its staff and her opportunity was gone.

Then everybody began talking at once, and Mamie Moore piped up: "I'm going to wish for a pair of shiny-bug slippers!"

Louise was shocked, and quickly explained that when one wished under the flag it must be for something serious and from the very depths of one's heart.

"Sure," supported Jimmie of the red head. "You can wish for shiny-bug slippers under an umbrella!"

But Mamie couldn't then think of anything more serious than the need of gilt slippers,[Pg 66] and was promptly ruled out till her imagination should come to her assistance.

Several boys took turns next, but they were so noisy and boisterous that they came near spoiling everything.

Then Flora Archer took her place. Flora was a thoughtful little girl who carried around in her eyes a deep, deep something people never understood. With her lips close to the flagpole, she whispered her message to it, and all the while the beautiful banner streamed out to its farthest length.

Flora came back without speaking, and the children looked at her in curious silence. But when the others were noisily choosing times again, Flora slipped her hand into Louise's and whispered:

"I wished for our soldiers to win in the war, but for them not to be cruel when they do."

"Yours, Louise!" exclaimed somebody.

And before Louise had time to examine the depths of her heart to see what it was she most desired, a half-dozen pair of friendly hands pushed her forward. It was no time[Pg 67] to hold back—to spoil the game. Louise mounted the green knoll from which the great flagpole rose.

But she did not at once look up. Her glance had accidentally lighted on the lonely figure on the steps, and was resting there for a moment in startled contemplation.

He was such a little boy, and he seemed so—apart! But one must make no mistakes where one's country was involved. Were his blue eyes "gleaming" with vengeful purpose? Or were they only full—of shining tears?

"Look up! Look up!" the children called.

Louise threw back her head—threw it back so far that the familiar scene about her became lost to her view and she beheld nothing but the vision above. Amid the battling tree tops and against a threatening sky the flag of freedom streamed out in all its rippling glory—red for the courage of American hearts, white for the purity of purpose they should harbor, and blue for truth, like that higher, farther heaven above the gathering clouds. Now rippling, now curling, wreathing,[Pg 68] snapping, and now—straight out, fronting the coming storm!

"Quick! Quick!" the children shouted, as Old Glory floated free.

Suddenly the child stretched up her hands. It was not a wish, but a prayer, that her young heart sent up to her country's flag.

"Help me to—play fair!" she whispered.

Louise saw her comrades only mistily when she came down the green knoll again toward them.

Then all became babel again.

"It's my time next!" exclaimed Luke Musgrove, shouldering forward.

"Who said so?" demanded another.

"I said so," answered the big boy rudely, and he strode to his place against the flagpole. "I wish," he began in a loud, strident voice, and without waiting for the wind to come hurtling across the green, "I wish to wring the neck of that German spy!"

All eyes were quickly turned from the flag to where a little wide-eyed boy shrank back in terror against the steps.

[Pg 69] "Glory be!" shouted Billy Hastings. "Teacher's gone in—let's drag Rudolph under the flag!"

Instantly the flame of persecution swept them, and they started after the alien lad.

But at the foot of the steps somebody blocked the way. Louise Carey had flung herself between.

"It's not fair, and you shan't!" she cried.

The astonished mob wavered in indecision.

"'Not fair?'" echoed Luke with a jeer.

"No," stormed Louise. "We didn't ask him to come under the flag, and you shan't make him do it!"

"We'll see about that—" began Luke.

"That we will!" put in Jimmie Fisher, but it was not to Louise that he spoke. He was talking to Luke, and he planted himself protectingly in front of Louise and the little German, and faced the third-grade bully. Never before in her life had Louise realized how beautiful was a shock of bristling red hair.

The third-grade bully was growling now, but in a decidedly lower key.

[Pg 70] "Now, then"—Jimmie was speaking to Louise this time—"you are bossing this game. Say what you want done with that—that—" and he looked at the frightened Rudolph.

Louise glanced up at the flag. It was floating now—broad and free enough to cover all who might come.

"I am going to invite Rudolph to come under our flag," she said.

The children gasped as Louise held out her hand to the little alien.

"Won't you come and be American with us?" she asked kindly.

The boy drew back a moment while his blue eyes searched her face for whatever hidden cruelty might lurk beneath its seeming sweetness. Then he smiled—a timid, but trusting smile—and rising, took her extended hand.

But Billy Hastings called jeeringly: "He's a sneak! He's just doing it to pretend!"

"He knows I'd drag him if he didn't come!" exclaimed another.

"Coward! Coward!" yelled Luke. "You're afraid to refuse!"

[Pg 71] And then, all suddenly, something in the German lad flamed up. He snatched his hand from Louise's. He stood to his full height with blazing eyes, and cried:

"It's a lie!"

The sound of the school-bell broke the startled quiet which followed the alien's spirited revolt.

"Please," pleaded Louise, "don't mind them! You've time yet to come under the flag."

But Rudolph stood indignant, immovable.

"Get to your lines, children," and the principal's call-bell was heard tapping above on the porch.

A group of boys came suddenly together into a tight bunch.

"We'll fix him after school," Louise heard them threaten. And she knew that Rudolph heard it, too—knew by the sudden whiteness which swept over his face.

The next minute the boys and girls were drawn up in parallel lines ready to march into the schoolhouse. Louise was at the end of her[Pg 72] line and Rudolph Kreisler was the last on the boys' row. They were opposite each other.

"Eyes front—march!" came the command, and the lines moved forward with one impulse.

"Eyes front!" But to save her life Louise could not help stealing a sidelong glance at Rudolph.

To her horror she saw the little alien slip quietly behind a rose-bush and drop out of sight into the bricked-up area which furnished window-space for the basement.

With a flash Louise remembered that those windows communicated directly with the engine-room, and that the engine-room was directly under the third grade.

"Pay attention, Louise," came from the porch, and Louise's startled, dark eyes were turned to the front again.

When the children were seated in their room it developed that Miss Barclay had been temporarily called away, and that a scared-looking girl from the teacher training-class was in charge of the third grade.

[Pg 73] The new teacher did not miss Rudolph, but the children did, and there was smothered excitement in consequence.

Louise, who had not breathed a word of what she knew, sat grasping her desk with both hands. Rudolph Kreisler had refused to come under the flag! Of course they had taunted him, but the stark fact remained that he had refused. And then no human being had ever seen inside those bulging pockets. Rudolph Kreisler, bulging pockets and all, was in the engine-room, right under their feet!

And then a new fear suddenly laid its grip upon her heart. Suppose that German boy should do something to the flag! She tried to shift her position so that she could see out of the window, but found it impossible.

"Oh-o-o, teacher!" Louise jumped at the sound of excitement in the voice from behind her, but quieted somewhat when she realized that it was Tinsie Willis who spoke. "Louise has left her hat on the front lawn!"

"Louise, go and get your hat," said the[Pg 74] substitute, looking all about the room to see which one of the many little girls might be the one reported.

Louise rose from her seat with fear and trembling and left the room.

But the first glimpse of the out-of-doors dispelled her great new fear—her flag was still there!

The stately lawn looked vast and awe-inspiring now that one had to face its darkly waving greens all alone, but Duty called. She had left her hat by the flagpole, and she now went timidly up to get it. She mounted the green knoll. She looked up.

To play fair—to play fair! And yet, one must be loyal. One couldn't let German spies go around with their pockets—Rudolph Kreisler was in the engine-room right now!

Louise's grandfather and his father's father had died for their country—would they know, 'way up yonder in heaven, if she of their own blood were to turn coward at the test?

It was too poignant a risk. Louise took[Pg 75] hep young life in her hands. Down the green knoll and around the rose-bush, and she dropped into the brick area right by the window which opened from the engine-room. It was raised.

The little girl peeped in, with her heart swelling till she thought she would smother. There was black dust on the floor and black soot on the walls. And there in the centre rose the huge black demon engine. But no crouching enemy was to be seen anywhere—he was hiding, of course!

She slipped through the window, past the great silent engine, and came face to face with Rudolph Kreisler.

The die was cast now.

"Tell me," demanded Louise, choking with excitement and fear, "are you a—a German spy?"

"No," said the astonished boy, "no!"

"Well, what are you, then?" There was no backing down now; she was going to have it out with him.

"I wanted to be—American," he said, his [Pg 76] lips threatening to quiver. "I—I thought I was." And he looked away.

One must know the truth when one's country was at stake. Louise drew a quick breath.

"Well, what are you doing with your pockets full of bombs, then?" she forced herself to bring out.

The little boy turned toward her again, and began slowly to draw out the contents of those suspicious pockets. A mitt, a top, two balls, a kite-string, a chicken-foot, a gopher, nails of various lengths, some tobacco tags, and a grimy stick of candy were laid one by one on the janitor's tool-bench, and the German spy stood with his pockets turned wrong side out.

But one must have the whole truth.

"What are you doing with balls and mitts when you sit on the steps all the time?" the little girl demanded, but with decidedly less asperity this time.

"I thought maybe they'd—let me play, sometime." Something rolled down his cheek and splashed on the front of his jacket.

[Pg 77] "Won't they let you play?" choked Louise, blinking hard to clear her suddenly clouded vision.

The boy shook his head.

"Well, why doesn't your mamma come and scold the teacher about it?" she demanded in indignant sympathy.

"I haven't any mamma."

"Oh-o-o! Well, you have a papa, haven't you? Why doesn't he do something?"

"Father says those who are born here don't know how awful it is to have to choose——" then he stopped.

"Doesn't your father hate Germany?" the little girl asked.

"Why, no," said the boy.

"Does he love America?"

"Yes," said the boy.

"Well! Well!" exclaimed the little girl. Then—"Do you know, Rudolph, I'm sorry for your papa!"

But Rudolph did not answer this time. He merely turned aside till his face was hidden.

[Pg 78] Suddenly a remembered something gripped Louise.

"Rudolph," she said, "if you are American, why did you refuse to come under the flag?"

"I—I was going to—but they called me a 'coward,' and said I was afraid to refuse," he answered huskily.

Louise found herself batting very heavy lashes again.

"I am so glad I came to you," she said, "because I never would have known that you are not a German spy if you hadn't told me!"

"Lou-i-i-se!"

The two started at the call—it was in Tinsie Willis's high-pitched voice. Evidently she had been sent to find the truant.

"Sh-h-h!" exclaimed Louise to Rudolph. "They are after me for staying out so long. I must go."

"Those steps yonder lead to the front hall," said the boy. "Go up that way."

"But you must come, too!" Louise exclaimed.

"I can't," replied the miserable child.[Pg 79] "The boys are fixing to fight me. When school is over I'll slip out and go home."

"But why wait? Why don't you go now?" asked the little girl, a strange uneasiness coming over her.

"The police will get me if I go out on the street during school hours," answered he.

"Lou-i-i-se!"

"I'm going," whispered Louise to Rudolph, "but don't let the boys catch you! Miss Barclay has gone—and—and—don't let them catch you, Rudolph!"

The next moment she glided up the dark stairway and came out into the big hall.

Jimmie Fisher was emerging from the third-grade cloaking-room with his hat and books.

"Father's leaving for France with a hospital unit," he explained hurriedly, "and mother sent for me to tell him good-by." Then he darted away.

Miss Barclay gone! And Jimmie gone! Had God himself deserted the third grade?

*****

When Louise crept back into the schoolroom—ahead [Pg 80] of Tinsie Willis, who was still searching for her—she found things very troublous indeed. The children were naughty and restless, and the substitute was—a substitute! The whole class had been told to stay in, and Louise was promptly included in the sentence as soon as her tardy little face appeared in the doorway.

But she did not cry or fling herself about, for she knew she had remained out of the room overtime. Of course it had been for a high purpose, but that she could not explain, so she merely assented courteously and slipped into her seat. Her grandfather and his father's father had laid down their lives for the right—if she did not succeed in living through that dreadful half-hour of punishment, she would be but another of her race to die for a high cause.

Matters grew worse, and now the wind and the sky took a hand. The great trees outside began to battle fiercely together, and the sky frowned, darker and darker.

Suddenly Louise—looking out of the window—saw [Pg 81] Perkins, the janitor, hauling down the flag! Was the Houston Street School surrendering to the Germans?

For one unworthy moment Louise suspected Rudolph Kreisler again. But she instantly afterward reminded herself that he had told her with his own lips he wished to be American.

Then the heavens opened and the floods came. It was a terrible, terrible afternoon, but children and substitute managed somehow to live through it, and after so long a time the gong sounded for the dismissal of school.

The children of the other grades marched out. Tramp—tramp—it sounded terribly like a host in retreat!

Then quiet!—with the third-graders sitting silent in their seats, trying to calculate how many thousand years it would take for that long clock-hand to move half-way round the dial again.

Louise began wondering at just what point Rudolph Kreisler would steal out of his hiding[Pg 82] and break for home. The rain had stopped, and she hoped and believed that the little German would make good his escape before the third grade had finished serving sentence.

Suddenly Luke, raising his hand, asked of the substitute:

"May I speak to Billy Hastings on business?"

The substitute was writing something and assented without looking up. Louise could not help hearing the hoarsely whispered "business."

"Connie Tipton," said Luke to Billy, "says that that German spy has been hiding in the basement but has slipped up-stairs—" The hoarse whisper dropped lower at this point and Louise could not catch the words which followed. She guessed darkly, however, and clung to her desk tighter and tighter.

At that fateful moment the substitute looked up and said:

"Children, the others have all gone, and it looks like rain again, so I am going to dismiss [Pg 83] you. File out quietly—I don't wish to have to call you back."

She did not rise from her seat to marshal them out, taking care that the last one of them was out of sight of the schoolhouse before he slackened his pace. She merely dropped her eyes to her writing again and left them practically to their own devices.

The boys marched through the cloaking-room first, and they were ominously quiet about it.

Then the little girls rose and filed out. Louise led the girls' line, but though she followed swiftly in the wake of the boys, they had disappeared off the face of the earth when she reached the cloaking-room door which opened into the hall.

They had slipped off to hunt for Rudolph Kreisler, and Louise knew it. She hoped that Rudolph had left the building, but she was not sure.

Something must be done—but what?

Just then she caught from above the sound of tiptoeing and whispering.

[Pg 84] It was dishonorable to "tattle," but it wasn't dishonorable to fly after a set of lawless boys and keep them from abusing an innocent would-be American. Louise deserted the head of her line and darted up the long stairs.

It was like a frightful nightmare—the stealthy, breathless chase which followed. She could not stop the boys in their mad search, could not command their attention a moment to explain. In and out they darted—fourth-grade, fifth-grade, sixth-grade, seventh! Every crack and cranny, every cloaking-room and teacher's desk was made to prove its innocence of sheltering the fugitive spy. The scampering boys were just finishing their search of the seventh grade when Louise found herself at the foot of the garret steps.

She stopped and surveyed their boxed-up secretiveness. What if Rudolph had gone up there?

From the sounds of disappointment now issuing from the seventh grade she knew that[Pg 85] the last schoolroom to be searched had not yielded up the quarry. Yes, Rudolph must be in the garret, and of course the boys would pursue him there!

Then a sudden idea came to her. If she could but reach Rudolph first she might help him to climb out of the garret window.

Up the dark steps she flew, but, alas! there were flying feet to follow! The others had seen, and were coming after.

They caught up with her before she reached the top, and she and they burst into the long garret room together.

It was big with mystery—that long garret place—and weirdly frightening with its half-lights and whole shadows. For one moment the children stood at pause before its awesome silence.

No German spy was in sight.

Then the boys began searching hurriedly, and after a quick glance about the open and lighter space before them, went pushing their quest farther and farther into the distant dark of the wings and gables.

[Pg 86] Louise stood where they had left her, with the feeling that the end of all things was at hand, and that there was no use to struggle further. Presently her mist-dimmed eyes were attracted to a pile of something over at a small window near where she stood. The janitor had thrown their beautiful flag across an old couch without taking the trouble to roll it properly.

The indignant little girl started toward the couch to straighten out and roll the flag when her ear caught a sound which caused her to pause a moment in dim speculation. There was a step below, a firm, a familiar step—but no, she must be mistaken!

She slipped over to the couch, but the next moment drew back and clapped her hand over her mouth to repress a startled scream. A little yellow-haired boy lay asleep upon the couch, with the big flag nearly covering him!

Louise leaned over him. Two shining drops still lay on his cheek. He had sobbed himself to sleep—he was such a little boy!

Covered by the flag

"You can't touch Rudolph!" she tried. "He's under the flag!"

A drift of damp air floated in from the[Pg 87] window, and the sleeper shivered and moved as if to cuddle further under his shelter. Louise very gently drew the bunting folds closer about his neck. Somehow she knew that this was not desecration.

That steady step from below again and—nearer!

But just at that moment the boys came noisily back from the distant wings and gables.

"Hello, Louise! What are you doing there?" Luke Musgrove called.

Louise started up. She was between them and the sleeping boy, but she could not screen him from their astonished eyes.

"Gee, but there he is!" exclaimed Billy. "Let's——"

But the spirit of a long line of just and fair Americans was facing them. Louise Carey was descended from ancestors who had bought freedom and fair play with their blood, so in that hour—when she faced the unthinking lawless—there was a something in her eyes which brought them to a stand before her.

[Pg 88] "You can't touch Rudolph!" she cried. "He's under the flag!"

A quiet fell upon them. They looked first at the sacred, sheltering flag of their country, and then at each other. And while they yet paused in awe there came to them the sound of a steady, familiar step on the garret stair. The next moment the door opened and there entered Miss Barclay—the teacher who, by her wisdom and her justice, could always command to stillness the tempests of their childish hearts.


[Pg 89]

AMERICA FIRST

Little Riego Yañez was a native of Mexico—of that unhappy part of Mexico which is constantly plundered by revolutionary bands who spend their time in fighting, and who win their supplies by robbing the more stable people of the republic.

Riego's father, Antonio Yañez, had suffered many times at the hands of the revolutionists. He was a saddler by trade, and also a small farmer, so the products of his industry were just what the warring bandits needed. But the warring bandits did not pay for what they needed. They merely took, and rode away!

So Antonio decided on a desperate step—he would emigrate to America.

But Riego's mother objected to removing to America. Mexico was rife with hatred and distrust of the "gringos," and many and dark were the stories told of the country north of the Great North River. Besides, Riego's[Pg 90] elder brother, Pascual, an unruly lad of fifteen, was very bitterly opposed to the change.

So it was at length decided that Antonio should dare alone the dangers and hardships of America. If all was as the revolutionists said, he could escape back to Chihuahua. If, by happy chance, he should prosper in the new country, he would send for wife and children.

A year passed. The father's letters—few and short, for he had had little schooling—were chiefly concerned with begging them to come and see for themselves.

Then, one never-to-be-forgotten day, the mother and children packed into a hired wagon the tragic little which the bandits had left them, and set their faces toward the Rio Grande. They, too, were bound for that distrusted country which lay north of the northern edge of their world. The mother and the two girls were hopeful, but Pascual was silent and Riego afraid.

Not till the night came down did they reach the dark river which was to flow forever between[Pg 91] the old life and the new. To little ten-year-old Riego this all-pervading darkness meant "America," for to his drowsy brain and anxious heart the black clouds above and the darkly rolling waters below seemed to typify the spirit of the land into which he was crossing.

Another moment, however, and he had given up the struggle to think it all out and fallen asleep with his head on his mother's lap.

The next morning Riego waked up in a better land.

He sat up on his cot and blinked his black eyes and stared about him at the cosey little room. A flood of light poured in at the one tiny window—Then the sun did shine in this land of the gringos!

This was very interesting. Riego hurried into his clothes and started out to see America.

His route of exploration led through a cheery kitchen, where he found his two sisters busy cooking breakfast, and smiling and chatting at their work. But Riego had no[Pg 92] time to stop and question, for the green things in the little garden beyond were beckoning to him.

In another minute he was out among them. It was very green—this "America"—very green and very sunny, with rows upon rows of the most wonderful vegetables running out to meet the morning sun!

Soon Riego glimpsed his father and mother beyond a dividing fence at the side, and he ran at once to his father's arms. After the first long embrace Riego drew back, the better to see the father who had dared America alone for his children's sake.

Why—his brow was smoother than Riego remembered!—his eyes clearer!—Did one grow younger, happier, in America?

And now Riego's mother was calling his attention to the snow-white chickens which fluttered about them. There was a cow, too, Riego learned—a cow and a pony and pigs and pigeons—and all theirs!

Riego shouted for joy. But the next moment the joy died upon his lips, and he asked:

[Pg 93] "The revolutionists, father? How long will they let us have these?"

"Riego," said his father, "there are no revolutionists in America. Here, if a man works, he receives a just reward, and he is allowed to keep in peace what he earns. Our only danger is from across the border."

Then Riego's mother told him that his father had a fine saddle-shop which the Americans never raided.

It was all very, very wonderful!—A man was paid well for working, and could keep in peace what he earned!—Was this what was meant by "America"?

Riego's father's saddle-shop was the front room of their little dwelling, and opened immediately upon a small street in the Mexican quarter of the village. It was a very interesting place, indeed, for the wide door and the hospitable bench just inside invited in many an entertaining visitor, besides the men who came to buy saddles or to have their harness repaired.

One of these visitors, Alonzo Lorente, was[Pg 94] particularly interesting to Riego and his brother, though their father always became moodily quiet when the man came. Lorente was a big, dashing fellow, full of strange oaths and of dark insinuations. And somehow, whenever he entered, the air of the shop became electric with an indefinable excitement.

It did not take Riego long to see that, at such times, his father managed to keep him and Pascual so busy that they missed most of their hero's inspiriting talk. Riego was particularly unfortunate in this respect. He spent little of his time in the shop where his father and Pascual plied the saddler's trade, for it was his duty to help in the market-garden.

This deprivation of Lorente's society, however, had its compensations. It was Riego's especial work to peddle their vegetables at the khaki tents of the gringo soldiers a few miles away, and this was very entertaining and exciting in itself, for the soldiers were jolly and kind and said nice things to one.

[Pg 95] And then, one rainy Saturday afternoon, when the peddling was all done, Riego sat in his father's shop and listened to Alonzo Lorente. And Alonzo Lorente startled him awake with the news that all was not well with the land of America. He spoke darkly of "gringos" and of "vengeance."

Pascual, Riego noticed, crept closer and closer to the big man, till his fingers forgot the leather they should have been stretching.

It was then that the unexpected happened. The father, usually so quiet and so busy, suddenly rose from his work-bench and came forward.

"Lorente," he said, and Pascual and Riego started at the iron in his tone, "Lorente, it is not the busy men who have quarrel with America. It is those who have time to do—much talking!"

There was a pause and dead silence, and then Lorente the magnificent turned on his heel with a growl and left the shop.

Then Antonio returned to his work-bench, with Riego following, but Pascual stole to the[Pg 96] door and gazed at the receding Lorente till his father called him sharply to his duties.

One day the father did not open his shop at all. It was closed in honor of the great American festival, Riego heard him explain grimly to a follower of Lorente, who questioned. And Riego heard the follower of Lorente laugh scornfully as he strode away.

There being no work that day, Pascual and Riego set out together to explore the yet farther reaches of America.

But they had not gone far past the square where loomed the several American stores when they sighted a crowd in a grove of big trees, and heard voices shouting and hands clapping as if in great joy. A number of gringo soldiers were roving about. Two were coming leisurely toward them across the green.

Riego wanted to press forward to see and hear, but his brother jerked him by the sleeve, exclaiming:

"It is the Americans' great feast-day, the Fourth of July. Come away!"

[Pg 97] "But father says we are Americans now. Why can't we go and hear what they are saying?" Riego's voice had risen in his eagerness.

The approaching soldiers stopped and looked at him, and Riego's heart stopped, too.

But the taller of the soldiers saluted him in fine fashion, and addressed to him words of courteous welcome:

"Don Pedro de Alvarado-Rain-in-the-Face-Sitting-Bull, for such as thou art is the picnic! Welcome to our city!"

Riego understood the gesture of invitation. He thanked the courtly soldier, and walked proudly forward, followed by his brother.

It was a gay scene, but quiet now, for someone was speaking. The starry banner of America fluttered everywhere, and smiling, white-faced señoritas and brown-clad soldiers were gathered here and there in listening groups. Under a tree, near the platform, sat musicians with shining silver horns and a big drum. A number of children were seated on the grass in front of the stand. Among them,[Pg 98] Riego noticed, were many dark faces like his own.

Suddenly Riego's courage gave way and he started to retreat. But a sweet-faced señora took him by the hand and led him and Pascual to a place where they could see everything, whispering as they went:

"It is our day of freedom."

At first the boy was dazed by the strangeness of the scene, and his interest shifted. But the sound of a sweet, ringing voice soon compelled his attention and he turned quickly toward the platform.

Riego caught his breath. Who was it? What was it that was speaking to him?

In the centre of the platform stood a clear-eyed, white-faced goddess, with the flag of the new country draped around her slender form, and the sunlight of this day of freedom beating down upon her shining head. She was speaking, but in the difficult new tongue.

Riego could not take his eyes away, but he reached out his hand quickly to touch Pascual.

The sweet-faced señora leaned over him.

[Pg 99] "America," she whispered in explanation.

America! Beautiful America! Riego crept forward, unconscious now of the crowd around. Oh, to understand America!

Then a strange thing happened. The beautiful goddess suddenly ceased speaking, and her face became clouded with thought. Her eyes were focussed on the eager boy who had crept forward and was standing spellbound before her—the most conspicuous of the group of dark-faced, bewildered children.

Riego did not know that everybody in that audience had suddenly leaned forward in dead silence.

After one tense moment the Beautiful One advanced to the edge of the platform and descended the steps till she stood almost among them.

And now this strange, new, better country was speaking to Riego in his own tongue!

"You didn't understand me, did you?" she asked in Spanish.

"Not then, my lady!—but now!" It was Riego who answered her, but the other dark[Pg 100] faces were alight like his own now. The crowd was leaning forward again.

"Ah, that is all the trouble!" said the Beautiful One. "Our new people simply do not understand America! Do you wish me to tell you the story in Spanish?"

There were many who answered this time.

Then she told them in their own tongue of the great struggle for a new freedom and a new peace which had been waged upon this soil over a hundred years before. And the breathless children heard how this new ideal of freedom had passed all bounds of the country in which it was born, and thrilled all lands. They heard how the noble La Fayette of France, Steuben of Prussia, and Kosciuszko of Poland each had offered his all that America might be forever a refuge for the oppressed. They learned how the German De Kalb had laid down his life at Camden for the new faith, and how Count Pulaski had poured out the last drop of his Polish blood to make the world's great dream of freedom "come true."

[Pg 101] Then the Beautiful One told the children how, throughout the more than one hundred years since the fight was won, the footsore and oppressed of many lands have found in America work and a just reward for working, the freedom to do anything which does not harm another, and the great gift of peace!

"And now," exclaimed the speaker, "which of you will promise with me to be loyal to America? Stand up!"

And they stood up—the dark children, the white-faced señoritas, the gringo soldiers, and all!—and repeated after the Beautiful One:

"I pledge allegiance to my flag and to the republic for which it stands,
One nation, indivisible, with liberty and justice for all."

When Riego turned from the inspiring scene it was to see his brother Pascual walking away, and in close conversation with Alonzo Lorente.

*****

The days passed, but Riego still treasured in his heart his first vision of America. He[Pg 102] knew now that the Beautiful One was only a charming señorita and daughter of the big captain who commanded at the American camp. But he liked to think of her as "America"—the beneficent goddess who had smoothed the furrows from his father's brow and crowned his faithful labors with reward.

And then, one momentous day, the Beautiful One stood in the shop-door, asking in Spanish if she might be allowed to enter. She was all in white this time—snow-white. To Riego's fond imagination she was still a shining goddess.

Riego's father welcomed the señorita and dusted the bench that she might sit and rest, for Riego had told him of the great American festival, and Antonio had learned much besides.

The señorita had come to speak to the father about his sons—and her smiling glance included both the sullen Pascual and Riego, who stood worshipfully by.

It seemed that the señorita—Miss Flora Arden was her name—was to teach a class of [Pg 103] "newly made Americans," and again her glance included the boys. She wanted to teach them to speak the English language and to help them to a better understanding of America. The señorita believed that most of the trouble which the newly made Americans encountered was due to the fact that they did not know how to find and use the good gifts which their new country had to offer. And she was certain that most of the trouble they gave was because they brought old prejudices with them, and so did not open their hearts to America.

Riego understood the spirit of her proposal better than he did the words of her correct Spanish. His father listened throughout with thoughtful, grave attention.

There were no charges to be made for this teaching? Then what was the señorita to gain for so much effort?

"I?" said the señorita—she was standing now, ready to depart—"I gain a better country! My father is a soldier and serves his country by helping to keep the peace along[Pg 104] this troubled border. If I had been a son I might have done as much. But I am only a daughter, Antonio! And yet"—and she put her arm over Riego's shoulders as she spoke—"if I help to make loyal even one of America's adopted sons, am not I, too, serving my country?"

The father's rare smile assented to her offer, even before his lips made the promise.

Riego followed the Beautiful One to the door.

Outside, Alonzo Lorente slouched against a lamp-post. The señorita looked into Lorente's face and recoiled slightly. Riego saw the recoil, and an unnamed fear suddenly laid its hand upon his heart.

*****

Pascual and Riego went to Miss Arden's class—Pascual sullen and uninterested, Riego breathlessly eager. But they had not attended many times—indeed, had just begun to glimpse something of the bigness and goodness of their new country—when the stroke fell that was to change their little world.[Pg 105] The good father dropped at his work-bench, speechless and bewildered. The American doctor said he would be able to work again, but that his mind would never be quite the same.

Their wise father thus reduced to childishness, and their mother ignorant of the new conditions and the new tongue, the boys were left to plan for themselves.

Pascual left Miss Arden's class. He explained that he would now have to take charge of his father's shop; but he found time to make many trips across the dark Rio Grande and to talk much with Lorente, who now resumed his old practice of dropping in at the shop to chat. His younger brother, however, continued under the señorita's instruction.

Riego learned at Miss Arden's class that "freedom" gives one the right to do as he wishes only in so far as he does not wish to interfere with the rights of another.

"There is no 'freedom' except in loyal obedience to law," she told him one day. "America is a 'free' country because—though here[Pg 106] are gathered people from all lands—they join together in making laws which are kind and impartial to all, and they stand together in support of the laws they make."

"But, señorita, Alonzo Lorente says—" began the boy, and stopped short.

"What does Alonzo Lorente say?" the señorita asked quickly.

"I—I promised not to tell," stammered the child.

There was the blue truth of heaven in the señorita's eyes as she looked into his own, and answered: "Riego, it is more than dishonest in Lorente to accept the blessings which America affords him and not be true to her. It is worse than traitorous in him to help spoil the peace of the country which is his refuge from oppression. If Alonzo Lorente likes the old way better than the new, he should go back to the old country. If he honestly wishes to change what he finds here, and thinks he can better things, he has one man's just share in deciding, for he is a naturalized citizen and can vote on any question.[Pg 107] But Alonzo Lorente should speak out openly or else keep silent!"

Before Riego left that afternoon Miss Arden had him repeat with her:

"I pledge allegiance to my flag and to the republic for which it stands,
One nation, indivisible, with liberty and justice for all."

But little Riego did not dream in how short a time would his loyalty to his new country be tested. One afternoon—his father was still lying unconscious—Riego was tending the shop alone, for Pascual had crossed the Rio Grande in the early morning and had not yet returned.

It was a dull, dull afternoon, for no patrons came, and the visitors merely glanced in and passed on. It was hot and still, so the sleepy Riego decided to rest. He found a cool spot behind a pile of boxes, and lay down and closed his eyes.

*****

When Riego opened his eyes again it was[Pg 108] with a start. There were voices—smothered voices—some men were in the shop! Riego lay still and listened.

"We will attack the gringo camp to-night—just before dawn," a smothered voice was saying. "Alva has three hundred men and more. They can easily surprise and destroy these eighty Americans, and so can seize their horses and ammunition."

"But the patrol?" It was Pascual's voice that whispered the question. Riego's heart turned sick. He recognized the voice of Lorente in the terrifying reply:

"Pacheco and a picked few will knife the patrol at the ford, then Alva's men will cross, and approach the camp up the ravine."

"To-morrow morning?" Pascual's voice asked.

"Yes, just before dawn."

There were approaching steps on the street.

A customer entered. Riego heard Lorente departing—heard the customer inquire the price of a saddle, and go out.

It must be done now—now while Pascual [Pg 109] was alone, and he could speak to him! The next moment Riego stood before his brother.

"I heard you!" he cried. "Pascual, they must not!"

But Pascual laid a fierce hand upon his breast and pinned him to the wall.

It was a terrible scene—that which followed—terrible in the tense quiet of its enactment—terrible in its outcome!

With Riego pinned against the wall where he needs must listen, Pascual poured forth such a torrent of abuse, of falsehood, against the "gringos" that at length the old hate blood leapt in the younger boy's veins and went beating through his brain.

The gringos were their enemies—enemies! The men who were coming down upon them with the dawn were of their own blood, of their native country! What if the invaders were "revolutionists"? Were they not Mexican? Talk of "loyalty"—one must be loyal to one's own!

When Pascual loosed his grip upon the slight form it was after he had stirred to the very[Pg 110] dregs all that was passionate, all that was ignorant and prejudiced and violent, in the boy's nature.

That afternoon Riego did not report at Miss Arden's class, but long after class hour he was obliged to pass her house on the mission to deliver a mended harness to a farmer living near the American camp.

Miss Arden and her mother, Riego knew, were the only members of the big captain's family. They lived in a large house in the woods, half-way between the town and the camp. He knew also that the big captain stayed in camp.

As Riego emerged from the long stretch of lonely woods which separated Miss Arden's house from the town, and as he faced the other long stretch of woods which lay between him and the camp, the boy was struck by the isolation of the señorita's home.

He reflected, however, that Alva's men were to attack the gringo soldiers by way of the ford, and that the ford lay to the right yonder, far out of connection with the captain's [Pg 111] house. He was glad—glad that Alva's men would not come that way!

Suddenly he spied the señorita herself. She was standing on the steps of her father's home. Riego's heart bounded within him at sight of her. He pulled down his hat and hoped to pass unrecognized, but the sweet, familiar voice called:

"Riego!"

He did not answer.

Then she ran down the steps to him, and put her gentle hands upon him, turning him to her against his will.

"What is the matter, Riego?" she asked.

No answer.

"You didn't come to class this afternoon."

No answer.

"I'm sorry," she said, after a moment of silence in which she looked searchingly into his face, "because we had an interesting lesson to-day. It was all about what one ought to do in case one should be forced to choose between the old land and the new."

The boy gave a swift, upward glance at[Pg 112] her, then dropped his eyes to the ground again. Miss Arden continued, and her voice was very serious now:

"And we decided, Riego, that one ought to think out carefully which country was really the better, and be true to that, because there is a higher duty than that to party or country, and that is—to the principles of justice and freedom."

Riego's head sank lower. The Beautiful One took one of his brown hands into her own.

"And we said"—was she looking into the dark heart of him?—"that whichever way one chose, one should choose openly. Now this little brown hand could never——"

But the little brown hand was snatched away, and with a great sob the child fled into the woods.

When at last that night Riego did fall asleep he dreamed that his beautiful America came to him with her white arms held out in appeal, and that he slipped a dagger out of his bosom and stabbed her to the heart.

[Pg 113] He started, awake, and sat up. It was black dark.

Had Alva struck already? Or was there yet time?

Ten feet away was Pascual's cot—he must not wake Pascual! As still as death he slipped out of his bed, pulled on his overalls that he had hung near, and crept out into the moonless night.

Riego could not think—it was all so desperate! He could only respond to the heart that was in him, and creep forward through the dark. But his feet knew the road that he took, though his brain was reeling. He was going straight to the one who had wakened the new loyalty in him—his beautiful America!

"I pledge allegiance to my flag and to the republic for which it stands," went surging through him as he struggled on.

Riego was not grandly heroic; he was only a frightened little boy, but determined now to do his loyal best for the country that had sheltered him from oppression. And so,[Pg 114] though the treacherous sands might seek to drag him down, though the dark chaparral yonder might hide—any fearsome thing!—Riego went forward.

And now the house of the big captain loomed black before him. Riego stole up the front steps. He knew behind which of the long, closed windows the señorita slept, and he approached and tapped fearfully upon it.

It was a frightened voice that called: "Who is that?"

Riego was not conscious how he answered, but he knew that a wave of relief flowed over him when the blind of the long window opened and he was drawn into the dark room by a pair of familiar hands.

The blind was closed after him and a light was struck.

The señorita's eyes were disclosed big and startled; her face was as white as the long robe she wore.

"What is it, Riego?" she gasped.

"They are coming!" he whispered.

[Pg 115] "Who?" she exclaimed, catching him by the shoulders, "Who?"

"Alva," the boy answered, "and three hundred with him. They are going to surprise—our soldiers—and kill them while they sleep!"

The señorita sprang to the telephone. She pulled down the lever many, many times, then she staggered back against the wall.

"They have cut the wires!" she cried. "Riego, you and I must take the warning!"

"To the camp?" the boy cried in dismay.

"Yes, there's no one within a mile of here that could take it but us!"

"But the Mexicans have spies over there," the boy moaned. "They will find us in the dark with their knives!"

She had flung on a long cloak, and was hurriedly fastening her shoes.

"Then you stay here and I'll go," she said.

"You?" cried the startled child—then—"It [Pg 116] is dark out there, my lady; I'll go with you."

They extinguished the light and stole out together to the stable, but the horses were gone!

Desperate now, they started out afoot.

The treacherous sand again and the black dark! But they crept along together. Then suddenly the boy's courage gave way and he clung to the cloaked figure, sobbing:

"Señorita! Señorita! I am afraid!"

The señorita was trembling, too, and her voice broke as she whispered:

"You and I don't make very good heroes, do we?"

They had come to a standstill and were clinging together in the dark. Suddenly there was a sound of something approaching—-the velvet tread of an unshod pony in the sand!

The rider passed.

When they breathed again the señorita took him strongly by the shoulders.

"Riego," she whispered—and there was no break in her voice now—"we must separate. [Pg 117] One of us must go straight to the ford and warn the patrol, the other to camp."

"But it is near the ford that Pacheco is hiding," the boy replied.

"I'll go to the ford," she said simply.

"No, my lady, I go—you take the news to camp." And before she could detain him the boy turned at a sharp angle and plunged into the deeper blackness of the chaparral.

*****

A long nightmare intervened between their parting and the time when the half-dead boy clung to the saddle of the patrol and whispered to him:

"Keep to the open, señor; there are men with knives in the chaparral! Help is coming!"

Then, somehow, everything was blotted out for Riego.

When consciousness came again to the boy, the cool air of the dawn was choked with dust clouds till he could not see ten feet before him and his ears were nearly bursting with the thunder-beat of frantic hoofs. Dim horses[Pg 118] were rearing and plunging against the reddening dawn. There were shouts and cries and firing! Firing!

Who was losing? Who was winning?

Dear God, Alva's men were sweeping back across the Rio Grande!

One little frightened boy had saved the day for the country that had given him refuge from oppression.

But what was that? A call for help? Whose voice was that?

Riego plunged into the thick of the dust cloud toward the cry, and dropped by Pascual's side. How could he have known that his brother would ride that night with the invaders!

But Pascual was striving to speak. Riego leaned over him and caught the whisper:

"Lorente shot me down to get my horse and escape!"

And now the gringos were circling round the wounded one—they would beat out his brains with their guns! But—but—why, they were lifting him up, and tenderly! The [Pg 119] Americans were lifting up his wounded brother!

*****

Many and bewildering were the things which happened to Riego in the next few hours. First, he and the all-but-dead Pascual were carried by the soldiers to the American camp. Then his brother was taken away from him and borne into a closed tent.

The soldiers gathered around Riego and patted him on the shoulder. They gave him many things—things to eat and coins and pocket-knives and tobacco-tags, all the while challenging him to smile—he whose captured brother was yonder!

Later the big captain sent for him and took him by the hand.

"Riego Yañez," he said, "I am proud to shake hands with an American hero!"

At length a tall soldier came to Riego and led him to the closed tent. But the tall soldier did not enter; he merely pushed the boy inside the tent and dropped the khaki flap.

[Pg 120] Riego blinked his eyes. Somebody was lying stretched out on a cot, and somebody was fanning him—the Beautiful One and his brother! Riego crept toward her suddenly outstretched hands.

Then he leaned over Pascual. But Pascual's eyes were closed and on his face was a yellow pallor.

"The surgeon has taken out the ball," whispered the Beautiful One. "He will live, with good nursing, and I am on the job." She paused a moment, then asked, as she looked into his face with concern: "Aren't you happy, you tragic little soldier? Why don't you smile at the good news?"

"How—" began the child—and a strange, sick feeling swept over him—"how long before he will be well enough to be stood against a wall—and——"

"Why, you poor child!"—and the big tears sprang to the señorita's eyes—"your brother will not be stood against a wall and shot for treason—never—never! And he's not going to be shut up in prison, either!"

A hero congratulated

"Riego Yañez," he said. "I am proud to shake hands with an American hero!"

[Pg 121] "But why, señorita? Why? The big captain knows that he was with Alva's men."

"He is young—just a boy," and the señorita laid a tender hand upon the head of the wounded lad. "He is the son of good parents and brother to—— Oh, you tragic little soldier, can't you guess who it is has saved your brother?"

"You, señorita?"

"Yourself, Riego. Because you have been heroically loyal they are to give your brother another chance. We Americans, Riego"—and her white hand closed upon his own to include him with her—"we Americans are going to nurse Pascual back to a better life and teach him how to be free!"

The sick lad stirred on his cot.

When the Beautiful One leaned over him in quick solicitude, he smiled.


The Scribner Series of School Reading

A Uniform Series for Supplementary Reading in Schools. Each, 12mo, net, *$0.50.

Hero Tales Told in School. By James Baldwin. Illustrated.

Herakles, the Hero of Thebes, and Other Heroes of the Myth. By Mary E. Burt and Zenaide Ragezin. Illustrated.

Odysseus: The Hero of Ithaca. By Mary E. Burt. Illustrated.

The Boy General. By Mrs. George A. Custer and Mary E. Burt. Illustrated.

Don Quixote De La Mancha. By Miguel de Cervantes. From the translations of Duffield and Shelton. By Mary E. Burt and Lucy Leffingwell Cable.

The Cable Story Book. Selections for School Reading. By George W. Cable. Edited by Mary E. Burt and Lucy L. Cable. Illustrated.

The Hoosier School Boy. By Edward Eggleston. Illustrated.

The Eugene Field Book. Verses, Stories, and Letters for School Reading. By Eugene Field. Edited by Mary E. Burt and Mary L. Cable. With an Introduction by George W. Cable. Illustrated.

The Howells Story Book. By William Dean Howells. Selected and arranged by Mary E. Burt. Illustrated by Miss Howells.

The Lanier Book. Selections for School Reading. By Sidney Lanier. Edited and arranged By Mary E. Burt, in co-operation with Mrs. Lanier. Illustrated.

The Page Story Book. Selections for School Reading by Thomas Nelson Page. Edited by Frank E. Spalding and Catherine T. Bryce.

Poems of American Patriotism. Chosen by Brander Matthews.

Some Merry Adventures of Robin Hood. By Howard Pyle. Illustrated by the Author.

The Roosevelt Book. Selections from the writings of Theodore Roosevelt, with an introduction by Robert Bridges. Illustrated.

A Child's Garden of Verses. By Robert Louis Stevenson. Illustrated.

Krag and Johnny Bear. Being the Personal Histories of Krag, Randy, Johnny Bear, and Chink. By Ernest Thompson Seton. Illustrated.

Lobo, Rag, and Vixen. Selections from "Wild Animals I Have Known." By Ernest Thompson Seton. With 4 full-page and many other illustrations from drawings by the Author.

Twelve Naval Captains. With portraits. By Molly Elliott Seawell.

Fanciful Tales. By Frank R. Stockton. Edited by Julia E. Langworthy. Illustrated.

Around the World in the Sloop Spray. By Captain Joshua Slocum. Illustrated.

The van Dyke Book. Selections for School Reading. By Henry van Dyke. Edited and arranged by Professor Edwin Mims, with Biographical Sketch by Miss van Dyke. Illustrated.

Children's Stories of American Literature, 1660-1860. By Henrietta Christian Wright.

Children's Stories of American Literature, 1860-1896. By Henrietta Christian Wright.

Children's Stories in American History. By Henrietta Christian Wright.

Children's Stories in American Progress. By Henrietta Christian Wright.


Transcriber's Note






End of the Project Gutenberg EBook of America First, by Frances Nimmo Greene

*** END OF THIS PROJECT GUTENBERG EBOOK AMERICA FIRST ***

***** This file should be named 36726-h.htm or 36726-h.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/3/6/7/2/36726/

Produced by Larry B. Harrison, Archives and Special
Collections, University Libraries, Ball State University
and the Online Distributed Proofreading Team at
https://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.